Never for Nothing - CCM Record Reviews archive P
P.O.D. : Testify. (Atlantic Records. 83857-2)
I should explain that P.O.D stands for payable on death, and as you can see they are releasing CD's on a secular label rather than a Christian one, so I am assuming that quite a few people will have heard of this band. I must admit that I'm not sure what to make of this CD though, I like the style of the music, as in the instruments, which produce that well known heavy American rock sound with lots of power chords and detuned guitars etc but the lyrics are delivered in a kind of rap style that to me doesn't seem to fit in with the music. A couple of the tracks I could only describe as a kind of "heavy reggae". Personally I found the slower tracks to be better. "Goodbye for now" being the best track for me. However the CD is well produced, definitely better quality than a lot of CCM labels turn out, but then I suppose that comes down to budget. Although I wouldn't buy this for myself, it wasn't too painful listening to it all the way through like some CD's are, and I could quite happily have it on in the background, and as my son has already claimed it as soon as this review is done I guess that it must be ok. The band do have a website www.payableondemand.com Although this wasn't working when I looked for it. So to sum up. This is probably worth a listen, though the band seem to have a foot in two camps musically speaking, and personally I would prefer them to pick one or the other. 6/10 Andy Sayner. (June 2006)
THE PADDLERS : Love Many, Trust Few. (CD recording: £3 from: 35 Underwood Road, Paisley, Scotland, PA3 1TQ).
It's quite some time since I heard some funky fusion music as
good as this. In fact, I had to go back to look at my record collection
and pick out the sadly missed outfits, Beehive and Capitaan, to
come anywhere close. As you will read elsewhere in this issue
of NFN, The Paddlers can appear in various guises, numbering from
just 4 members, right up to 30! This three track offering was
recorded last year at the Brill Building in Glasgow and includes
writing credits for former Curam singer John Cassie. "Homeless
in Christian City" is a sensitive ballad about being homeless
in, what is supposed to be, a Christian city. There's a great
warmth about the vocals and a nice fiddle solo in the middle.
"Escape From Christian City" and "Love Machine"
are both uptempo numbers with some great brass accompaniments
to the excellent vocal array of talents. If The Paddlers can offer
more like this, then they are a band to watch out for. 9/10. (February 2001)
PAIGE : Paige (Word : 080688611828)
Here's a 16 year old girl from the USA, who writes all her own
songs and has a message to the teenagers of the world, "Jesus
is Lord". The way she's trying to get the message across
is by putting together an album of songs in a style that teenagers
(and pre-teenagers) can relate to. As you might imagine, for one
so young, there are a few moments when the more adult listener
(like myself) will find a song that actually grates on you like
fingernails on a chalk board. But, on the other hand, there's
enough quality to fill you with hope for Paige's future songwriting.
"Hide Myself in You" attacks from the start, while "Heart
of Hearts" slows things down a little but, nevertheless,
carries her thoughts of living God's word in her life. "Jonah",
I found, is quite infectious, complete with a machine-gun like
delivery of the chorus. I disliked the brass mixture on "So
Not About Me" and the harmonica of "Here in the Light"
but, all in all, not bad for a first outing. 7/10. (August 2001)
PALISADE : Palisade. (Fervant Records)
This trio are each offspring of church ministers and have been
touring together since 1999. This first, full release sees writing
credits go to the likes of Scott Krippayne and Mark Schultz, as
well as themselves. What I found, listening to this album, was
a mish-mash of styles covering some very mediocre songs. "The
Closer I Get to the Cross" reminded me of a watered down
version of pop band Avalon, while I'll swear there are some Stryper-type
harmonies on "Famous"! But, again, for me there's just
not enough quality in this release for me to get my teeth into.
Disappointing, to say the least. 2/10. (August 2004)
PAM THUMB : 'Feel the Healing'. (Nelson Word).
This is Pam's third album and I was really hoping that it would
show a big improvement on the previous two. A popular visitor
to Britain over the last couple of years, this collection of songs
are written about personal experiences in her life. Unfortunately,
the first seven tracks are a mixture of very ordinary ballads
and out of date funky dance songs. But, just when you're thoroughly
bored by proceedings, Pam whacks you with a couple of classics,
"In the Middle of It All" and "Goodbye...Hello".
If this is her "move to adult pop", then she'd better
think again. Pam Thumb desperately needs a good producer. 4/10.
(April 1996)
THE PARACHUTE BAND : Adore. (Kingsway : KMCD2207)
New Zealand's biggest CCM export are The Parachute Band. Perhaps,
not quite so well known as their Australian counterparts - Hillsongs
- nevertheless, they certainly know how to praise and worship
with style. I'll be honest and say that it's not really my style
of thing at all. However, I'm also honest enough to acknowledge
the use of their home country's young writers on an album that
stands up well with others of similar genre. "Lord of The
Heaven's" is written by Shaun & Mel Griffiths and wouldn't
be out of place on any Delirious? Album. It's indie, it's poppy,
it's infectious, and it's full of joy. "Deeper" (not
the Delirious song) is a sweet, easy listening number while "Holy
One" simply asks the Lord to "breathe new life into
me". The 6 minute "Let Your Glory…" isn't
too hot, and the diversity of the songwriting creates an album
that stops and starts, rather than flowing well. Altogether, a
good album and one worth investigating. 7/10. (November 1999)
THE PARACHUTE BAND : Amazing. (Parachute : PMD016)
With the international success of their previous albums, the Parachute
Band is changing the face of worship music around the planet.
Only four years after their debut release the band is already
well known worldwide and songs from the albums are being used
in churches all over the globe. A Parachute Band concert is described
as somewhere between a stadium rock concert and a church worship
meeting. The album itself starts with one of the strongest title
tracks I've heard for some time. It builds into a wall of sound
that is worship and praise in its finest form. Libby Huirua is
a great vocalist and her gravely voice on "All My Life"
is classic. You want that stadium rock thing? Then "Jesus"
is the ticket. Love and adoration to our Lord just oozes out from
this track, it's brilliant. Here's a band who are at home whether
they're rocking it up or slowing things down. Great album. 9/10. (August 2002 & September 2002, Album of the Month)
PARACHUTE BAND : Glorious. (Fierce! : PMD0017)
The Parachute Band is part of the ministry of Parachute Music
in New Zealand. Their mission is to take Christian music in New
Zealand to unprecedented levels, and to use music both locally
and globally to move people closer to Jesus Christ. This new album
kicks off with a rousing opener. "Almighty" has a great
rhythm and really gets "stuck in" to worship & praise.
"Forgiven" full of praise and the moving worship of
"Consume Me" is just awesome. The people behind the
album are committed to resourcing churches with fresh new worship
songs, and these are just some of those available. Even just listening
to the album, brings you a fresh sense of hope and love that comes
from that close relationship with Jesus. Parachute have a mission
and with this album, they're certainly on the right road. 8/10. (March 2004)
PARACHUTE BAND : Roadmaps & Revelations. (Integrity : 42662)
This is the first release by the new line up of New Zealand's Parachute Band, which promises a fresh sound. Unlike, say, Hillsongs, this is performance praise and worship, with little chance for those gathered to join in. Then, there's the U2 style guitarist who's solo's seem to come straight out of the Edge's songbook. It's a mixture of pop/rock ballads with the occasional faster song thrown in every now and again. Songs like 'The Way' and 'I Belong to You' motor their way along but 'Surrender All' puts the brakes on, and the pace never really picks up. 'Surrender All' is an 80's rock ballad and 'Fill Me' plods away until it gets lost in it's own monotony. I quite liked the use of the Lord's Prayer in 'Thine Is the Kingdom' and a lot of thought seemed to have been put into it's production. However, overall, I felt this release is poor in comparison to previous albums such as 'Glorious' and 'Amazed'. 4/10. (Feburary 2008)
PASSION : Our Love Is Loud. (Sparrow)
Featuring Chris Tomlin, Charlie Hall, and The Dave Crowder Band,
this album showcases the highlights from the recent Passion Experience
tour in America. The Passion Experience is billed as more than
a concert, it's a journey to the heart of God. Tomlin features
on 6 of the tracks and his band show some neat guitar work on
"Enough" and the infectious "Our Love Is Loud".
Meanwhile, Hall's "Prepare the Way" sounds very Delirious?,
musically, and "Madly" motors along at some pace. As
for the Dave Crowder Band, a little like a recent review of his,
I found their music a bit frantic and a little irritating in it's
delivery. Mind you, I did find myself singing along with "Wonderful
King" so, perhaps, all is not lost for me. 7/10.
(June 2002)
THE PASSION OF THE CHRIST - Original Soundtrack. (Sony/Integrity: SK 92046)
Well, I've got to admit that I have not seen the film, so maybe
that accounts for the reason why this soundtrack means absolutely
nothing to me. Written by John Debney, it's the most irritating
and miserable collection of instrumental pieces that I've ever
had the mis-fortune to listen to. They all sound like extended
versions of links within a film, and by that I mean any film.
I guess if you've seen the film you may remember the odd sequence,
prompted by the track listing, otherwise forget it. 1/10 (June 2004)
PATTI BOULAYE : In His Kingdom. (Kingsway : KMCD2547)
Patti Boulaye has been around the music scene for years, or at
least it seems like it. I can remember her appearing on various
TV shows over the years but have never been that impressed by
her performances. Sadly, the same can be said of this album. Most
of the writing credits go to solely to Patti but that's not saying
a lot. The highlights of the album come mid way through the tack
listing, with "Sing to The Lord" and" Rejoice".
The former has a happy sound to it, while the latter is a definite
foot-tapper. The opening "Viva Africa" celebrates the
country of her birth and, indeed, my wife said it sounded more
like a holiday advert. Patti says that the songs reflect her "spiritual
journey, thoughts, emotions and experiences", and cover her
childhood to present day. I would have expected a more African
flavoured album than the one produced, although songs like "Glorify
Lord Jesus" and "Hallelujah Hosanna" do lean that
way. Patti's vocals are very soft, too soft at times, and she
often gets lost in the accompanying choir's overall sound. I needed
a lift while listening to this album, but I'm still waiting. 4/10. (August 2004)
For secular guitar aficionados, there's the likes of Steve Vai, Joe Satriani and a host of other top notch players worthy of praise. In Christian circles, we have Phil Keaggy and…….er…well, no-one else sprang to mind. Enter, Paul A Davies, a man who freely admits to being attracted to the unknown and the often unknowable. His latest CD kicks off with an intro that sounds like some Hollywood fanfare, called "1.98 x 1014". I'm not sure that I liked the title track but I did find myself warming to "Nephelokokkygia", possibly the nearest you could get to a Satriani track without it being played by the man himself. Layers of guitar sounds smoothly melt together, to give a delicious concoction. "Pink Cottage" was written almost entirely on the Chapman stik, and it sees Paul venture into an ambient jazz sound. For those who like the more acoustic sound, "Lil Lil" has a chugging rhythm to accompany the dance loops. It puzzled me for a while, and then came to me in an instant. The style of "Something to Hold Dear" and "In My Dreams" reminded me more of Bill Nelson (Be-Bop Deluxe) in his 'Red Noise' era. The vocals on the former track also sounded fresh. "Down the Line" tells of life not working out the way you thought it would, this time with Paul using vocal FX well. "Teardrops in the Rain" is a catchy but rather short number, while "The Buzzing of Bees" conjured up images of ancient Egypt and a time long gone. Paul says that making this album meant that he could "start with a blank canvas and just do what sounded right" in his head. It sounds right to me too. 8/10. (August 2006, Album of the month)
Paul is a very accomplished guitarist who you may have seen with Ascent, Eve & the Garden, Enygmartyr, Helen Turner or even playing solo. If so, then you'll know how talented he is. The question when approaching a solo CD by a talented guitarist is: Vai or Satriani? Clapton or Malmsteen? In other words, will it be impressive playing or impressive music or (hopefully) both. I'm pleased to be able to report that this CD veers very definitely towards the latter territory. I'd seen some of these tracks performed live and been impressed - on CD they're even better. There's the soaring Gilmore-esque moments, there's the slightly-further-back-in-the-mix vocals that you'd expect from someone who expresses himself better through a guitar than through vocals, but it's always in context and always highly listenable. There's also some Lemon Jelly-style "vocal sample and riff" stuff which I rather liked. Overall, a very enjoyable album. Standout tracks: Just this side of joy, Dignity and Contact. 8/10. Paul Ganney. (August 2006)
PAUL BALOCHE : Offering of Worship. (Integrity)
There's been a number of occasions over the last couple of years,
when the highlights of certain praise & worship compilation
albums have been the performance of Paul Baloche. So, I was really
pleased when his album turned up for review, and looked forward
to a recording full of powerful music. It starts of well enough
with great excitement pouring from both "Arise" and
"All the Earth Will Sing your Praises". Then, there's
quite a dry spell, where some very ordinary songs pass quite quickly.
"My Reward" drives, once more and gives quite a lift
to proceedings but it's track 11, "You Are the One"
before that feeling comes round again. Maybe the other compilations
have been so bad that Paul's songs stood out? I'm not sure, I
guess this live recording just lacks the conviction that I had
assumed would be there. 5/10 (March 2004)
PAUL BALOCHE : Our God Saves. (Integrity : 42212)
Paul Baloche is one of the world's leading worship songwriters. This is his follow up to the multiple award-winning 'A Greater Song' and it kicks off in fine style with three songs of strong declaration that our God is great. The title track is quickly followed by 'The Kingdom of God' and 'Rock of Ages You Will Stand'. All three move along at a good pace and the draw the listener into worship. Kathryn Scott is one of a number of guests on the album, and she duets with Paul on the song 'Only True God'. 'Hallelujah to My King' features Brenton Brown and consists of a refrained verse, with a triumphant chorus. It's a compelling song. Paul has the knack of writing catchy choruses and that's never more in evidence than on the rousing call of 'I Cling to the Cross'. This is the first time, I think, thatI have personally heard a Paul Baloche album in full, and I have been mightily impressed. 9/10 (January 2008)
THE PAUL COLMAN TRIO : New Map of the World. (Essential : MPCD40531)
The Paul Colman Trio are the most successful independent artists
in Australian history. Now re-located to the United States, the
band have signed a major recording deal with Essential records
and this is the result. I didn't find it easy trying to compare
them to anyone but, after listening a few times, I thought, maybe
Travis? Certainly on the track "Love Me More" that was
the distinct impression I came away with. The vocals are strong
and Colman's voice is quite hypnotic after a while. "Sun-Stars-Moon"
is one of those songs that you instantly know you like but you
can't quite put your finger on why. There's no great guitar solo,
there's no catchy chorus, but you can't help thinking "that
was good". Worship wise, "Fill My Cup" is a joyous
sound and the prayer for "Africa" is full of tremendous
lyrics. "Angels" and "Your Sweet Voice" are
just two more great songs on an album that show the PC3 are going
to be a force to be reckoned with. 9/10. (August 2002)
PAUL COLMAN TRIO : One. (Essential Records)
Depending where in the world you're reading this, I may, or may
not be reviewing the album available to you. What? Well, it seems
that the US release contains tracks that the Australian/NZ version
doesn't, and vice-versa. So, consequently, the running order differs
too - most frustrating! A lot was expected from this outfit after
the runaway success of their "New Map of the World"
album last year. Then, there was a fresh excitement about this
band and their sound. Maybe it's because they've put another album
out too quickly, but this sounds like a collection of tired, non-descript
songs that border just above the ordinary. "I'll Be With
You" is a very pleasant sounding number telling of God's
promise but, like many of the songs, it sounds like the heart
of the band is completely missing. "Love This Life"
is my favourite track, which also is a song of thanks to God.
Here, the mid-paced beat, slowly engages your listening ears and
a warm sound resonates all around. There you have it, really,
a disappointing release from a band that promise so much. 4/10 (December 2003)
PAUL COLMAN : History. (inpop : POD1427)
I must admit that I was quite surprised a couple of years ago, when Paul Colman decided to join the Newsboys. As a performer/worship leader in his own right, it seemed a strange thing to do. Happily, after that brief sojourn, he's back with a brand new solo album, and making quite a noise with it, too. Now, not many people would be brave enough to write the opening track. 'If I Was Jesus' is a terrific number and written with great humility and passion. 'History Maker' is a rockier sound, as is 'Turn' - a song about turning your life around. The phrase "fill my cup" has been used on many songs, but Paul's song makes it sound so new. He has a great voice and the enthusiasm of his love for Jesus comes over very strongly. 'Gloria' (All God's Children) is a super song of praise, and I loved the 60's sound of 'Sweet, Sweet Song of Salvation' Just before the album closes, Paul sings 'All I Need' which, if I'm honest, sums up life completely. Welcome back Paul. 9/10. (June 2009)
PAUL DOUGLAS BAND : Free Some Day. (Brother Records : 5089665).
Here's a chap whom I recently interviewed for Cross Rhythms. After
years of plying his trade around Europe, he was offered a record
deal with a secular German company. 'Free Some Day' gives you
12 tracks that have been so far described as Howard Jones or Hall
& Oates pop. It's an album with a dancy feel throughout with,
perhaps, 'I Believe in You' the most obvious single material.
Loved the French accordion feel to 'We Are Together', as well
as the rather tongue in cheek Christmas special 'Give Us Love',
which lists the man made disasters of the world with a chorus
of "Give us love, give us peace, give us perfect harmony..."
If Bob Geldof was writing a Band Aid song this year, he'd write
this one. Paul, we're really praying for you. 9/10. (January 1997, Album of the Month)
PAUL FIELD : Empty Page. (ICC : ICCD21430).
This guy's been around for such a long time that I feel he should
be held in similar esteem to Larry Norman. He's written classic
tracks over the years but mostly for other people. However, I've
caught up wit a little more of his music over the last 18 months,
including his musical of the early 80's, "Daybreak".
This album sees him dispense with most of the usual backing as
he tries to give a "real representation of the way I write
songs and play them in concert". "Make of Me" is
an early highlight, closely followed by "As Long As You Believe
in Me". My only complaint is that too few instruments tend
to make some songs sound the same as the previous one. But, perhaps,
this IS the concert sound Paul wanted - intimate. The timeless
classic "Thief in the Night" makes an appearance, and,
this time, there is clever use of instrumentation. "Saviour"
is co-written by Nia and tells of a prostitute and a homeless
youth. The song gives the answer that they need a Saviour but
then asks the question "Who's gonna tell " them? Empty
Page improves as it plays. 8/10. (August 1997)
PAUL FIELD : In the Long Run. (Nearfield Records : ICCD51630).
I have to admit that when I was asked to review this CD,
I had never heard of Paul Field. His singing style seems to be
very similar to that of Kevin Prosch and, after listening to the
album several times, his music has grown on me. Paul has been
involved in the writing of all the songs here, and also in the
production and mixing of the album. He seems to be quite talented,
has a nice voice, and is a very good musician, playing acoustic
& electric guitars, keyboards, and piano. My favourite songs
include: "God of the Moon and Stars", "Have You
Ever Felt Like This?", and "Go Peaceful". They
all have a profound Christian message in the lyrics and are put
to some catchy melodies. This is an album well worth listening
to and I, personally, hope to hear more of his music in the future.
7/10. Pam Robinson. (March 2001)
PAUL FIELD : Here & Now. (Kingsway : KMCD2423)
Veteran British songwriter Paul Field re-surfaces here, with a
musical based on the Sermon on the Mount. As you'd expect from
this accomplished musician, as well as writing credits, Paul provides
much of the vocals and instruments. However, he's assisted by
other leading UK lights such as Bryn Haworth, Mike Haughton, and
Esther Alexander. Each song depicts one specific part of the Sermon
on the Mount. "Time Will Tell", then, is based on the
verse "You are like light for the whole world". "Forgiveness"
talks of just that but the production is just so old it's beyond
belief. It's a mid-80's dance tune that has overtones of Sir Cliff's
"Wired For Sound" - not good at all. Remember "Ernie
- the fastest milkman in the west"? Well, here we have "The
Ballad of Gold Tooth Joe and Black Eye Pete". Based on "Love
your enemies" it tells the story of two cowboys in a saloon
bar, playing cards. One accuses the other of cheating, they go
for their guns, and they kill each other. Paul then asks, what
if they'd just "turned the other cheek"? If "Here
& Now" is a musical, perhaps I should see the stage show
itself. As far as hearing the songs blind, it's difficult to really
follow proceedings. 5/10. (January 2003)
PAUL FIELD : Let There Be Peace. (ICC : ICCD77130)
Subtitled "New Carols for a New Generation" this album
has a mixed standard of songs, with Paul field at the helm. Thankfully,
it's of much better quality than his "Here & Now"
album of a year ago. I thought Gary Glitter was going to sing
as the first song began. "Christmas, It's Christmas"
opens with the same riff as "Another Rock n' Roll Christmas"
but it does settle down into its own right, as a typical, jolly
singalong. "I Love the Lights on the Christmas Trees"
lends a little to "Rudolph the Red Nosed Reindeer" and,
indeed, some of my work colleagues showed early festive delight
in demonstrating this. Christmas must be one of the most difficult
subjects to write a song about these days because, "hasn't
it all been said"? There again, Garth Hewitt's "Shine
On", shines because of it's simplicity. Sadly, "Give
Your Granny A Kiss For Christmas" should never have seen
the light of day. However, Paul does redeem himself with the prayer
for the lonely called "Katy's Christmas". Just above
average, I think. 6/10. (December 2003)
PAUL FIELD : Make a Joyful Noise. (ICC ICCD76930)
Here's a cd that looks like it means business. Subtitled, "Psalms
for a New Generation" suitable for "children and all
age worship", its packaged in a nice, appealing, contemporary
style. There's some nice artistic photowork, a clean, simple design
and a real sense that this will really encourage and empower the
youngsters in your church. Sadly, it is let down by the most important
constituent - the songs. Some aren't bad, with "You are the
Lord" being the best of the bunch, but on the whole, they
sound rather dated. The arrangements don't sound as professional
as I expected, and feel more like they were recorded in Paul's
front room rather than a professional recording studio. I know
that these will just not work in our church, lacking the punch
and vitality that childrens worship really needs in this generation.
I would suggest that the Vineyard "Great Big God" collection
would be a better purchase, or anything from Capt Alan Price,
both of which tap into, very successfully, what childrens and
all age worship should be about. This is a disappointment, especially
as it from an artist of the calibre of Paul Field. In spite of
the fact that it comes with all the music score and lyric files
on the cd, which is a great help, I cannot recommend this as a
useful tool. 3/10 Robin Thompson. (April 2004)
PAUL FIELD : Without the Song and the Dance.
(ICC Records : ICC0815D)
I must admit that I was not quite sure what to expect from this CD when I first saw it, most of my experience of Paul Field has been kid's worship albums, and a fairly cheesy musical by Roger Jones. However I have to say that I was impressed by this CD right from the start. Most of the tracks are
fairly upbeat acoustic rock with a couple of slower numbers too. The lyrics are very direct, and even a bit controversial in a couple of places, more than I expected to be honest. Certainly there are no punches pulled. The track "Jesus Do You Watch the News" being the standout track for me, but I
wouldn't really say that there is a bad track on this CD. It's a welcome breath of fresh air from a lot of the stuff that's around at the moment, especially from across the Atlantic. I would recommend it. 10/10. Andy Sayner. (July 2005, Album of the Month)
PAUL FIELD & DAN WHEELER. Rites of Passage. (Elevation : ICC1281D)
This is the second time that these guys have written together, and the collaboration seems to work very well. The songs are written and inspired by the significant times in our lives, from a spiritual perspective and will touch all in some way or other. Their sound, on the whole, is a gentle folk style, and the vocals work really well together. 'This is Love' was my favourite track. It's quite uptempo, Paul and Dan share the vocals, and there's even some Mark Knopfler type guitar playing for good measure. 'Joel's Song' is quite sweet. It's a father's prayer for his son, and a very moving piece it is too. You can 'Rest in Me' says medium paced track seven. Nice harmonies, and the promise from God, that He's there for you always. It's not a fantastic album by any means, but it is a recording to chill out to and reflect. A recent sell out concert in my neck of the woods had the punters lapping up every song, and who can ask for more? 8/10 (July 2009)
PAUL OAKLEY : When Deep Calls To Deep. (Survivor : SURCD007).
Without meaning to sound disrespectful, for every Matt Redman,
there are 7 or 8 Paul Oakley's. Working just as hard as their
illustrious counterpart, and writing some brilliant songs, they
just don't get the same kind of recognition. Here, Paul releases
an album of songs that range from the very good, down to the rather
mediocre. Early on, there's some very catchy praise numbers, while
towards the end, 6 minute epics tend to wander aimlessly and fizzle
out. Paul's influences are many, with touches of The Verve surfacing
in 'Happy On My Way' and Neil Young rising on the excellent 'House
of Gold'. 'Here I Am' is a number that I'm sure congregations
will soon be singing up and down the country, simply oozing in
class and worship. His back catalogue must be considerable and
I feel that there must be some more gems tucked away inside. He
just needs to sort out the 24 carat from the glass. 7/10. (October 1998)
PAUL OAKLEY : Kiss the River. (Survivor : SURCD043)
Here's a guy who usually appears on worship compilations and live
festival releases. Paul Oakley brings a collection of his own
songs that, as the press release says, includes the "definitive
version of "Jesus, Friend of Mine". Unfortunately, it's
probably the worst version I've ever heard, as Paul tries to rock
it into Delirious? Proportions, and fails. To be perfectly honest,
I've never heard Paul in quite such an aggressive mood. "I
Have Come to Love You" has some fine lyrics but the delivery
is forced and not easy to listen to. "High Wire" is
very U2 from the "Joshua Tree" days and has a lot to
admire. In similar vein, "Cover Me" is full of driving
guitars and is, possibly, the best track. For me, the trouble
with this album is it's consistency. Some tracks are just too
rough in feel, whereas others have full production and are, consequently,
of great quality. Like the closing "In the Stillness",
everything's together and you can really believe in just what
Paul is saying. Good on the whole but could be so much better.7/10. (December 2000)
PAUL POULTON PROJECT : Dumb Dogs. (Temporary Music)
I have to confess to have been looking forward to the release of this cd, this being the first that Paul has released with his current band and particularly the superb Joe Blanks on drums. Paul's desire is that this album is a closer representation of their live sound and, having heard them live earlier this year, I think he has managed to achieve that. It has more energy than 2005's "Affected" and coupled with a batch of great songs, it is an excellent album all round. Paul's unique and bold lyrical approach is finely represented on songs such as "Take the Rubbish Out" - the immortal line "my wife is busy looking in the Argos catalogue" makes me chuckle every time - and one has to admire his ability to attempt things lyrically that in the hands of the less experienced would just sound naff. The songs really groove well too, a nice mix of rock, blues and funk topped with Paul's inimitable vocal style. Overall, I have a sense that Paul shows no sign of slowing down and continues to produce music of a quality that we have come to expect. In a market swamped by a lack of imagination and constant regurgitation, the Paul Poulton Project is a refreshing change. 9/10 Warren Harry. (October 2007)
PAUL POULTON : Fishing for Praise. (Resource Publications - ISBN 13:978-1-55635-495-3)
Best known for his music and with nine CDs to his credit, this is Paul Poulton's first book. It is written in simple, clear language and is littered with a whole range of illustrations aimed to link everyday life to our need and responsibility to praise God. Paul clearly has a 'heart' for the subject. On the cover he describes praise as 'a hidden doorway in the
world that enables us to see things outside of the universe' but says that it is 'a doorway that is easily missed; people walk past it, thinking nothing of it, not realizing the value of it' and that 'God has placed it there for us to walk through and see where He lives'. Despite the clear language and frequent illustrations however, I found it a strangely demanding read. Firstly, it was sometimes difficult to link the content of
the chapters to the chapter headings. Secondly, I often struggled to relate the illustrations to the points being made. Thirdly, I found little cohesion or development of these points - the writing didn't seem to 'tell a story', the chapters often not appearing to have a definable beginning or end.
Anyone who has heard Paul's music will know that as well as being an excellent guitarist with a brilliant band that can really groove, his uniqueness comes from a gift for cleverly constructed, thought provoking lyrics that really hit the spot (if you haven't sampled Paul in action, I would definitely recommend a visit to www.paul.poulton.com). The book reflects this gift for the short, sharp message, but suggests that Paul needs to develop a talent for expanding these into a longer, unfolding 'whole'. I am sure the content is there, but in my view it really needs revisiting/reordering/restructuring to become a cohesive, understandable book.
5/10 David Deeks (March 2008)
PAUL POULTON PROJECT : Looking For Someone to Blame. (Temporary Music : www.paulpoulton.com)
It's more than 20 years since God first spoke to Paul and told him to pick up his guitar for Him. His debut album, 'I Think I'm Being Followed' made it's mark in the British CCM market, and his 1999 US Radio Hit 'Flaky People' raised his profile across the pond. I remember the first time I saw Paul play live, you had to really think about his lyrics because he cleverly wrote some deep meanings with them. Listening to this new album, it's still the same. You need to sit down with it for a few listens before you really get the meaning behind each song. The opening track, 'She Sees Other Men' has Paul almost speaking the words to a rock/blues backing. 'Don't Blame Me' looks at the material world and the dissatisfaction it can bring, while 'Ain't It A Shame' takes a sideways look on why we shouldn't keep God just for Sunday's. Paul's got an engaging vocal quality but just once or twice it seems to get lost in the mix. For those of us old enough to remember the original, there's a great version of Larry Norman's 'Rock the Flock' included. Paul's songs also include a look at marriage on 'Married People', while the shuffling sound of 'I've Seen Too Much' is very much a personal take on faith and God's love, growing, despite all the happening's of today's world. Difficult to pigeon hole the Paul Poulton Project. I guess that's just one of the thing's I like about it. 8/10. (December 2008)
PAUL WHEATER : Rock of Ages. (Alliance Music).
Well, here's a turn up for the book. The man from Whitby who,
a few years ago, hired the London Palladium to put on his own
show, and bussed all his friends there to watch him! Indeed, the
same man who, after a 9 minute interview on Radio 2, received
over 7,000 orders for his album! Since then, Paul Wheater has
become a Christian, and here is his first audio offering. Those
of us who are old enough to remember the late Jim Reeves will
instantly draw comparisons and, if I may be so bold, there's nothing
wrong with that. Classics such as 'Lead ME Home Gently', 'What
A Friend We Have in Jesus', and 'Old Time Religion' are given
the Wheater treatment with the greatest respect. If you're wondering
what to buy your older relations for Christmas...wonder, no more.
Highly recommended. 8/10. (December 1996)
PAUL WRIGHT : Sunrise Sunset. (Gotee : 669447301028)
Paul's debut album apparently "spawned" two Top 5 singles in the U.S. He says that "These new songs are about my heart's desire. A desire that my walk with God would become more practical every day - from sunrise to sunset, not just on Sunday's and Wednesday nights". Listening to the opening track, "Heaven", you can easily get a taste of just what Paul is all about. It's a strong pop song, praising Jesus and recognizing the fact that He is Lord. Paul mixes hip-hop with pop and rock sounds, and the results are very listenable. I'm not usually a fan of hip-hop but I found this mixture very easy on the ear. "Come Around", I believe, is a sure fire radio hit, as is the similar "I Can Feel Your Love". "Burrito boy" verges on reggae, but I simply loved the throw away "Walking on Water". Wright says that he became a Christian when he was 12, and was excited to know about heaven". "Acoustic Rhythms" takes that feeling of excitement and anticipation, and blends it into a mid-paced, enjoyable number. All in all, a commendable effort from a relatively unknown artist to the UK. 7/10. (February 2006)
PAX217 : Engage. (Forefront).
Originally formed some 9 years ago, Los Angeles based Pax217 follow
up their successful debut "Twoseventeen" with "Engage".
And, despite it's gritty hip hop, reggae, and rock overtones,
it's an album that promotes positive attitudes to change, rather
than a hail of grievances. "Tonight" is all about making
the commitment to God, right now, never mind just thinking about
it. Do it, tonight. "I'll See you" is a dedicated prayer
of thanksgiving to the Lord for all the great things that He bestows
on us. It may not be the same style of praise and worship that
most of us know and love, but it's every bit as sincere and from
within. That reggae feel comes out on "Move on This"
and it works quite well. "Countin' Down the Days" also
shows that the band can change things around, with a melodic song
that has a tinge of PFR about it. Definitely an album that you
can listen to, even a 40 something like me. 7/10. (September 2002)
PECULIAR PEOPLE BAND : Not Ashamed. (Maranatha! : 738597400629)
Here's something new from three guys who have ministering in their home country of South Africa, and have now re-located to Southern California. Nominated for a South African Music Award in 2002, the band have impacted lives through their music and message of hope. So, all power to the Peculiar People Band! But, what of their recording? Well, they reminded me a lot of PFR, in the way they sound. There's some competent guitar work and layered harmonies, which work best on "Son of God". "Today" is a strong starter, and a demonstration of just what good pop songs the band can write. Sadly, though, the same cannot be said of most of the other songs. "Can I Leave My Head" sees the band get quite heavy in style, while "You're With Us" copies the earlier pop sound. Either side of these highlights are songs that don't come up to the same quality, and you're left with the feeling that you've been short changed somewhere. Pleasant enough album, but nothing special. 5/10. (January 2006)
PETRA : We Need Jesus - Praise 2. (Word : 7019929605).
A rock band singing praise songs? Well, with one such successful
album behind them, why not release another? For most of the track
listings, Petra keep to the solid music formula that has endeared
them to countless thousands over the years. Guitar based songs
like "Lord, I Lift Your Name" and "Be of Good Cheer"
motor along in style. John Schlitt's vocals are as powerful as
ever and there's an excellent keyboard sound to the inspirational
"The Holiest Name". One or two sickly sweet numbers
do appear, such as "Let Our Voices...", are instantly
forgetable but that's just my opinion. One good point here for
musicians is that both the words AND music to all the songs are
included! Nice touch. 7/10. (May 1997)
PETRA : God Fixation. (Word : 7019967604).
I picked up my first Petra album in a second hand shop for £2.
Since then, I've bought each release but none of them have matched
the quality of the first. Petra are the best selling CCM rock
outfit in Europe and, last year, notched up 25 years on the scene.
Although three new members are debuting on this release, the sound
is the same as ever. Crunching guitars and Jesus centred lyrics,
all being the platform for John Schlitt's expressive vocals. "If
I Had to Die For Someone" puts you in Jesus' place and asks
"Could you do for someone, what He did for you?". It's
light rock with simple hooks in the tried and tested Petra style.
The same formula is used on "A Matter of Time" and "Falling
Up", instantly recognisable sound. The album does deteriorate
in the middle with the plodding "Over the Horizon" and
the uninspiring title track. Neither of these, or "The Invitation"
, have the drive of the previous tracks, leaving the result as
a stuttering offering. Petra fans will lap it up but, for me,
the band are stuck in a rut. 6/10. (June 1998)
PETRA : Double Take. (Word : 701266326X)
Petra are back with their 13th studio album, albeit with a stripped
down to acoustic sound. Produced by the Elefante brothers, the
album revisits many of the band's well known hits, including my
favourite "Beyond Belief". If you didn't know that Petra
were a rock band, you'd never guess from the excellent delivery
of this 'un-plugged' offering. The orchestral sounds add a touch
of class to proceedings and each track falls neatly into place..
John Schlitt's vocals are as good as ever but, what will old fans
think of this release? Well, for me, I feel rather let down. I
used to love the tight, American rock that made Petra stand up
against the secular likes of Bon Jovi. Here, although competent,
there's something missing. "He Came, He Saw" motors
well, while "Beat the System" works well, too. Petra
have survived many changes over the year, as have their fans,
so I guess they'll survive this as well. 8/10. (May 2000)
PETRA : Revival. (Inpop : POD1245)
The legend, that is, Petra are back to their best with their third
contemporary worship album. Their first, two have sold half a
million copies each and this looks certain to do likewise. Mind
you, when I heard the opening track, "Send Revival",
I wasn't so sure. To me, it seemed rather wimpish, and not like
the Petra I've come to love over the years. But, I shouldn't have
worried. "The Noise We Make" is a storming number, with
John Schlitt's expressive vocals and Bob Hartman's guitar playing
going great. "Oasis" is a slower number but, nevertheless,
one amazing song. The laid back style of "The Prodigal's
Song" is pure class, while the acoustic "Satisfy"
is just superb. It's an album that's filled with worship for a
Great God and I found, practically, all the songs so refreshing.
"Meet With Me" - what a song. all I can say is "Isn't
this brilliant?". This album is for more than just for old
Petra fans, there's a whole host of new ones just waiting to hear
it. 10/10. (February 2002, Album of the Month)
PFR : Disappear. (Squint : 080688615628)
It was only as I played this album that I realised just how much
I'd missed PFR. After a 4 year break, the three guys from Minneapolis
are back with a power packed release of guitar led songs. The
instantly recognisable guitar traits soar from the opening two
songs "Amsterdam" and "Gone". Then, it's the
acoustic sound of "All Ready" and the belief that the
singer IS in a living relationship with God. Mark Nash, Joel Hanson
and Patrick Andrew, together, write some really powerful stuff
and their overall sound is such a relief from the grunge guitar
playing of such acts as Linkin Park and Alien Ant Farm. For me,
it's back to a good old fashioned, solid, guitar band, with a
great gift for making good records. If I had to pick a favourite
track then, it would be, "Even A Whisper" but, this
album has lots of good tracks. 9/10. (November 2001)
PHATFISH : We Know the Story. (Survivor : SURCD010).
In a review zone dominated by British releases, here's another.
Phatfish open in a funky style with a 7 minute 20 funky number
called 'Extravagant Praise'. Sadly, it's quite weak and an unpolished
affair, despite the excellent sax' work of Ben Castle. To be honest,
the album goes through a few songs before it really warms up.
'Guessing Game' sounds like Sade, but 'Wake Up O Sleeper' has
everything. Superb instruments, Louise Hunt's vocals at their
best, and a true feeling of belief running through. What the first
half of the album lacks, the second makes up for. More accessible
music and stronger lyrics pull Phatfish out of a sinking feeling.
'Here Is the Risen God' sounds good, and the choral interlude
stands up really well. Pink Floyd, Abba, Madonna, were just three
more of the styles I picked out whilst listening to this "could
try harder" release. 5/10. (November 1997)
PHATFISH : Purple Through the Phatfish. (Pamplin : PMCD2057).
Over the last couple of years, Phatfish have moved on from their
'just another praise and worship band' tag, to 'indie popsters'.
With an American record deal behind them, the band release their
alternative sound with sounds reminiscent of Garbage and The Cardigans.
Mind you, there's some very serious 80's Bon Jovi guitar in "Kingdom
Coming", so the influences vary somewhat! "Help You"
asks what sort of things you put your trust in, and the song itself
drives along with Louise Fellingham's vocals thrusting through.
"What Would I do?" reminds me of Jacko's "Earth
Song" and comes complete with symphonic background and choral
sounds. Not a favourite of mine but extremely powerful, nonetheless.
Phatfish are a different kettle of fish to Delirious? And I believe
that one or two of their numbers would have the same, if not bigger,
impact in the charts. There again, I also think that the band
are still finding their feet and, with that in mind, who knows
where they might be in another 12 months. 7/10. (April 2000)
PHATFISH : Faithful - The Worship Songs. (Authentic : 1903062)
It's only when you get an album of songs like this together, that
you realised just what effect the songwriting talents of Phatfish
have had on your life. There's plenty on show here, that I hadn't
realised had been written by them, and there's some real good
ones. Pick of the bunch has to be, "You Are the Lord".
It just flows effortlessly from start to finish, covering you
with it's warm embrace. There's a laid back version of "Holy
Holy Holy", and then a more upbeat one to "Here is the
Risen Son". As I was listening, I couldn't get over the feeling
that this version of "There is a Day" sounded a lot
like current chart favourites Snow Patrol. There again, maybe
it's Snow Patrol sounding a lot like Phatfish. I thought that
"Come Let Us Worship" was very uplifting, but couldn't
say the same for the funk of "O God of Love". For me,
this is the best Phatfish album there's been. 8/10 (February 2005)
PHATFISH : There Is A Day - The Video Collection. (Authentic : 8204219)
Brighton-based Phatfish have been around since 1994 and have built quite a reputation for intelligently written, professionally performed adult CCM. The albums released over the years have shown variances in musical direction for this 'Fellingham-family' band, from rocky guitar-based to a more atmospheric '10,000 Maniacs' type of sound. As a (barely adequate!) keyboard player myself, I love the jazz-funk and minor chord piano riffs that get sprinkled around, emphasising that Phatfish are far above the ordinary - 'Heaven bound' and 'Walk on by' include good examples of these and are probably my favourite tracks. And then there are the lyrics - overtly Christian, often thought-provoking mini-sermons - and delivered by the gorgeous vocals of Louise (Lou) Fellingham. This DVD features the 'Hope' unplugged concert given for the benefit of AIDS orphans in Africa and includes lead vocal contributions from Australia-based worship leader Kate Simmonds and our very own Stuart Townend - who attends the same church as the Phatfish crew, so they are certainly a blessed congregation there! The DVD also includes music videos, interviews with the band (that show the depth of their faith and commitment to what they do), and a selection of short films. Also included in the pack is a copy of the 2002 'unplugged' CD containing two more tracks than the DVD concert. Overall, an excellent release by a quality band and highly recommended. Check them out further at www.phatfish.net where, apart from anything else, you can discover the origin of the 'Phatfish' name! 10/10 Dave Deeks (March 2007, Album of the Month)
PHIL & JOHN : Gnomes and Other Assorted Love Songs. (Kingsway : KMCD2623)
During the 80's and 90's, I attended number of Phil & John concerts, and always left, feeling well entertained by a duo who's music was likened to that of Simon and Garfunkle, and who's mirth was akin to that of Morcambe and Wise. This latest Kingsway release in the "simply" series, captures Phil and John both live and in the studio. The former is on disc one of this three CD collection, and features a live concert, recorded on tour in America. And, if you thought that the pure English humour wouldn't cross over, think again, there's plenty of laughter contained within. I can't count how many times I saw them over play "Homeward Bound", but it still makes me chuckle, even after all these years. Of the studio tracks, it shows that there was a serious side to the guys, with some very talented writing featuring on great songs like "Redemption Song", "Carnival of Clowns" and "You Made My Heart Sing Once Again". As I said earlier, these guys were entertainers rather than evangelists but, in their own way, their ministry is sadly missed. 8/10. (September 2005)
PHIL & JOHN AND THE WOODTHIEVES : Providence. (Alliance: ALCD115)
Backed by a full band, Phil & John find themselves with an
album of songs that continue their fine tradition of neat harmonies
and simple melodies. I've usually found their albums to be a bit
of a let down after seeing them live but, following their recent
appearance in Hull, Providence renewed my faith in them. IT opens
well , with a foot-tapping song called "New People of Love"
and is closely followed by the catchy "Hello Sister Moonshine".
Dave Clifton's mandolin sounds make "Stillwaters" into
a slow Eden Burning type of affair, but it is quite appealing.
The single of a couple of years back "Valentine" is
featured and, if "Cotton Eyed Joe" got to No.1 in the
charts, this certainly deserved to be up there too - complete
with it's manic hoe-down ending. It's a formula that's repeated
on "Happy Land" but, in this case, the song becomes
tedious. Nevertheless, it's quite a good album. 7/10. (August 1997)
PHIL HART : :Love's Vast Ocean. (Authentic : 8203242)
Phil Hart originally released his debut album, "Love's Vast
Ocean", locally in Northern Ireland, in 2001. Since then,
he has received feedback and interest from far beyond these shores.
Not least of these was an invitation to re-release the album in
a different format, on a larger scale. So, Phil has gathered the
talents of singers like Joanne Hogg and Brent Miller to re-shape
the finish product. It's Robbie Groves who thoughtfully sings
"The Love of Christ", while a favourite song of mine
"Pierced" is sung by Hogg. "Draw Me Close"
is sung by Kim McEvitt and it's piano backing makes it sound like
an old Irish lullaby. Things are broken up a little midway by
the reading of extracts from the book of Job, and the acoustic
version of "Amazing Grace", I found to be a little weary
too. But, things soon swing for the better again and I especially
liked the "chill-out" version of "Come & Worship"
as well as the title track. "New Irish Hymns" it is
not but, if you're a fan of that series, this would be an ideal
companion. 8/10. (August 2004)
PHIL KEAGGY : Inseparable. Word: 080688609122.
I know what you're going to say, "how can you have
reviewed CCM albums for all these years, without ever hearing
one by Phil Keaggy"? Don't ask me, our paths have just never
crossed. I do, however, remember an old friend of mine once remarking
that his sound was very much in the mould of The Beatles and this
outing certainly holds that thought firm. Indeed, as I listened
to "Motor of Love", a colleague asked "Is that
Paul McCartney"? Incredibly enough, I looked at the sleeve
notes a little more closely, only to discover that the song had
been penned by Sir Paul himself! The style doesn't end there either,
as the title track is very much in the mould of the Liverpool
lads' "Sergeant Pepper" album. Hey, but hang on a minute,
there are other styles too. "Chalice" tells that God
offers us His chalice of peace and love. Sometimes, we accept
it with every good intention of holding on to it, and then we
fall again. Great song, and some excellent guitar work by Phil.
To show off his expertise on the guitar, he also throws in a couple
of instrumental tracks, of which "Headlines" is the
best. Although, musically, it's a compact, tidy sounding album,
it does sound a little dated. Fans of Mr Keaggy will probably
love it but I can't see it winning him any new ones unless it's
lovers of the fab four. 6/10. (March 2001)
PHIL KEAGGY : Cinemascopes. (Word Artisan : 080688617325)
On listening to the opening track "Sketchings", I realized
that Phil Keaggy is a very gifted and talented musician. I hare
to confess that this was the first time I had heard his music.
I would compare the opening track with Fleetwood Mac's "Albatross"
- and as good! Phil is a veteran guitarist of some 39 years and
has a huge following and, to his credit, many of his previous
albums have been nominated for various awards. If you're a fan
of people like Hank Marvin, Eric Clapton, and Mark Knopfler, then
you will like this album. He uses a range of guitars, complimented
by sounds of keyboard, wind and percussion instruments. To really
appreciate this album you do need to take time out and just sit
and listen to it. IT is very well put together and, all in all,
an excellent album. It has not been easy to pick out a favourite
track but I very much like "Old Man" which has a waltz
style to it. "Lighthouse" is haunting, with impressive
sound effects, and "Acadania" is more of a beat sound,
with a great trumpet accompaniment. For those who are already
fans of Keaggy, "Cinemascopes" is a mixture of both
old and new tracks. for me, a good album. 9/10. Pam Robinson. (February 2002)
PHIL KEAGGY : In the Quiet Hours. (Word : 08068861742)
No, this isn't the same review as last month. This instrumental
release is completely different to "Cinemascopes". Saying
that, it's still Phil Keaggy and his guitar but, this time, there's
no words. The idea is to depict a theme that provides solace amidst
the chaotic happenings of daily life, and I think that is achieved.
Playing the album as background music, I found it relaxing. Keaggy's
guitar skills are, without doubt, unquestionable and the acoustic
style of this album shows those skills off well. On the title
track, he provides backing to the saxophone lead, whilst on "Vermillion
Strands" his playing is at the fore on a gentle sound. There's
not a lot else to say really. Each tune is different from the
last but I couldn't say that any one of them really stood out.
Perhaps "Spencer's Dream" came close but, then again,
maybe not. 6/10. (March 2002)
PHIL KEAGGY : Hymnsongs. (Word : 080688617622)
Phil's been around much longer than I can remember, and he's a
darn fine guitarist. Many of his previous albums show a distinct
and comprehensive ability to liven up the most ordinary of songs.
However, why he felt called to make an instrumental recording
of hymns is, probably, best known only to himself. "In the
Bleak Midwinter" gives a seasonal opening to proceedings
and it's quite pleasant to listen to. Whenever I hear "Jerusalam",
my mind goes back almost 30 years to the time when Emerson, Lake
And Palmer included it on their "Brain Salad Surgery"
album. Keaggy's version is a gentler play, with a mix of both
acoustic and electric guitar. But, with each play, I found the
album a little too tedious and pigeon-holed under the word "muzak".
Yes, it's the sort of stuff you hear as background music in shopping
malls, hotel lifts, and - sometimes - public toilets. Sadly, one
great artist deosn't automatically make one great album. 3/10. (December 2002)
PHIL KEAGGY : The Song Within. Autumn Records : 6 89081 02122 9)
Despite a prolific career that has spanned more than 30 years and produced more than 50 albums, this is Phil Keaggy's debut for Autumn Records. For this record, Phil says that he "wanted to create music that would please people", whilst staying true to himself. Recorded exclusively with a McPherson acoustic guitar, Phil leads us through what I can only describe as a soothing collection of instrumental tunes. None of them really excited me, yet I found them gently relaxing while I contemplated many things. 'Water Day' is where it all starts, and this tune is pleasant with a light, jazz feel. Phil's intricate playing skills are, of course, prominent throughout but 'Secure' and 'Seems Like Yesterday' are two of the best tracks. 'Duet' was an interesting piece of music. It reminded me of merry olde England, which is often portrayed by the times of Henry VIII and the like. The press release says that this album is "an acoustic amalgam of both cheerful and contemplative moods" and it should please the artists considerable fan base. 6/10. (December 2007)
PHIL LAWSON JOHNSTON : Home For Eternity. (Kingsway : KMCD2070).
Phil's been a worship leader and writer since 1972 , and is best
known for writing "We Will Magnify" and "Jesus
is the Name We Honour". This is his fourth solo album and
, supposedly, breaks new ground, musically. Personally, the only
track that I hear doing this is "Lament For Wasted Lives",
which is so different from anything else on the album. It certainly
wouldn't be out of place on most indie/rock albums, and stands
out on it's own merit. This isn't to say that the rest of the
album isn't good, it is, in the tried and trusted method that
Phil has used successfully over the years. Using scripture based
lyrics, he guides you through inspiring songs like "High
King of Heaven" and "Well Watered Garden". "Win
My Heart" is a
quiet, yet powerful, number which asks God to "melt the steel"
in your heart. An extra point for the album is due to the guitar
chords being included as w ell as the lyrics. You'll enjoy this
one. 8/10. (August 1998)
PHIL LEWIS : Better. (Private cassette recording. £3.50 from Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, S.Glamorgan, CF64 2RE.)
This is the third tape from Phil that I've had the pleasure of
reviewing this year, although the first with a full backing band.
The opening 'Fantasy Reality' has some interesting lyrics and
a guitar sound that sounds like my old 'deathwish' distortion
pedal! Influences are plentyfold here with a little bit of Pink
Floyd and Oasis rolling into the psychodelia number 'Stream of
Consciousness'. Previously, Phil's slower numbers have always
worked the best but this time round, the roles are reversed -
'Fade Away' being the weak link. I did cringe a little when I
saw the title of the last track because it had already appeared
in three different guises on his other tapes. However, 'Set Your Sights' - I believe - has
reached new heights. Apart from the rather strangled guitar sound, it's a good six track tape. It's not going to break new
ground in the music business but it does prove that Phil can,
on the whole, continually write strong material. 7/10. (November 1996)
PHIL LEWIS : Fidei Defensor. (Private Cassette Recording £3.00 from: Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, Vale of Glamorgan, Wales, CF64 2RE).
This 'best of....' release opens with the track which Cross Rhythms
culled for their tape. "Fantasy Reality", like all the
tracks, has been re-mixed and has added an impressive violin sound
to the backing. I can't get away from the thought that Phil is
a secret 60's freak with some of the sounds he produces. "Tumbling
Down" is one such song and works well. "Stream of Consciousness"
is another which could almost be The Beatles in their Magical
Mystery Tour phase. By combining these sounds with today's indie
rock music, Phil Lewis produces some very accessible songs that
really stand up with his secular counterparts. "Man Behind
the Mask" is a slight change of style with it's piano base
but the vocals, throughout, remain tight and endearing. "Set
Your Sights" (Version 5) is my pick this time round and it
should only be time before a record company produces the impressive
Mr Lewis. 8/10. (March 1997)
PHIL LEWIS : Generation Ecstasy. (Private Cassette Recording: £3.50 from 4 Bramble Rise, Cowslip Estate, Penarth, Vale of Glamorgan, CF64 2RE).
This is the 5th offering from Wales' finest unsigned writer, that
I've reviewed in the last couple of years. Once again, Phil doesn't
just stick to his previous successful formula, and the depth of
his work continues to evolve. The early U2 influences are there
in "Coming to You" and his 60's jangly guitars are highlighted
with "Your Tune" and "Dark Days". Just as
Martin Smith's vocals are instantly recognisable, Phil's voice
has the same quality that gives him individuality rather than
being just another singer. "In Heaven" is a poignant
song, sung to a dying loved one, the words being those we have
often been unable to say previously. "Child", I feel,
is the one weak spot of the 6 tracks but "Come Running"
is a simple song, with the obligatory 'throw away' chorus that
buzzes around your head for days. Just how long can the industry
ignore this man? 9/10 (October 1997)
PHIL LEWIS : Full Circle. (Private Recording. CD £5.50; Cassette £3.50 from: 4 Bramble Rise, Cowslip Estate, Penarth, Vale of Glamorgan, Wales, CF64 2RE).
It would be wrong of me to compare this mini album with his previous
two releases because of the nature of it's style. Swirling 60's
guitars and keyboards have been replaced by, mainly, acoustic
instruments for what Phil calls " a more personal" collection
of songs. This means that the lyrical content, and songs as a
whole, need to be really strong to stop them being too samey.
The opening 'Damaged' is good, without being brilliant, but 'New
Star' sets the ball rolling with it's singalong phrases and a
superb backing vocal that compliments Phil's individual vocals
very well. 'Over You' is well structured, while 'Little Boy lost'
- a song about life's disappointments versus God's promises -
grows stronger as it unwinds. The bear minimum backing is used
on 'Perfect Moment' and, perhaps, it's no wonder that this seemed
to be the weakest track on offer. 'Feel the Fire' is more in the
rockier tone of his previous releases, if a little short in length.
Personally, I'm a Phil Lewis fan. His music always seems to offer
something different for the listener in both musical and lyrical
content. Despite some media interest, that elusive big time call
is yet to come. Maybe, God has other ideas. 8/10. (September 1998, Album of the Month)
In the latter half of the 90's, I reviewed several CD's from this
Welsh based singer songwriter. His raw talent gave rise to some
pretty good pop songs but despite this Phil disappeared from view.
5 years later, he's back, complete with a more polished sound,
and a few of those rough edges finely honed. Previously, Phil
did, sometimes, try and fit too many words into a song but with
songs like "Hey Sha La La" and "Fragile",
he's learnt to simplify things well. The former, especially, is
really catchy. On "Eyes of God", he gives it a Latin
feel with some mellow guitar work, and this song, I'm sure, would
make a decent radio hit if given the right production. I've always
felt that Phil's vocals were more suited to the uptempo beats,
and "Come Running" does nothing to change my mind. Certainly
on the laid back songs like the title track and "Back to
Life", I felt that there was a little conviction lacking.
When you get a title like "Life Feels Good", you need
a good delivery, as well as a good song. In Phil's case, he does
the job and succeeds admirably with a nice foot tapping number.
I think that Phil is still experimenting with some of his songs
and style, but the world of grassroots CCM is richer for his return.
7/10. (January 2005, February 2005)
PHIL LEWIS : Ancient Light (£8 from Philip.lewis100@ntlworld.com)
Phil has received some very positive reviews from his previous offerings, and I feel certain that this, his second full length album, will follow suit. Phil weaves a complex tapestry with his songs and arrangements and this isn't the sort of cd that will grab you on first listen, but the resultant effect is an album that will continue to be on your must listen list long after many others have been resigned to the cd rack. This is largely due to Phil's sound being quite unlike anything else available on the market, but also due to some great songs. My favourite, "No Accident" expresses an oft used theme in a different way. The uptempo number "Beautiful" demonstrates some of Phil's sixties influences whilst "Run to Win" is unmistakeably REM in their "Out of Time" days. On the negative side, a couple of solos didn't sit quite as well in the mix as they could have, particularly the guitar solo on the first track, "Is Anybody Home", which isn't quite in tune in one very noticeable place. As this is the first track, it might have paid Phil to sit it further back in the mix and move the track to a later point in the album. For everything else the musicianship is excellent with tight arrangements and exquisite harmonies. This could be an early contender for best independent release of 2007. Don't believe me? Visit www.myspace.com/phillewis1971 to check out a small sample. 8/10 Robin Thompson. (February 2007)
It's 12 years since I first lent an ear to the music of Phil Lewis and, in that time, he's created some terrific songs. For this new release, Phil takes a back seat with the instruments and programming and calls on the talented Ben Haynes to turn his ideas into music. It's hard to pigeon hole Phil's sound as it's a little bit indie, a little bit rock, and a big chunk of experimental. But, it all comes together well and 'Burn Burn Burn' contains an excellent repetitive guitar phrase that was in my head for days. 'S.A.D' is an intriguing song, but the adult rock of 'Shine' has radio potential. I liked the track 'High Flyer' very much, with it's cleverly written look at the self made man, taking no prisoners as he tries to rise to the top of the professional tree. Later on, there's a slower, almost latin feel to 'Now That the Lights Are Out', while Phil creates another sound with some accapella vocals on 'One Step at a Time'. He's got the voice, the sound, and the songwriting ability so why hasn't someone signed him up? If Phil lived in America, it would be no problem, he'd sit well with the likes of Joy Electric. Here in the UK, however, perhaps he's just not mainstream Christian enough for the record company's to take a chance. 9/10 (June 2008)
PHIL LEWIS : Dumb & Stupid. (phillewisuk.co.uk)
Phil has been writing and recording songs for more than ten years. His last album, the warmly received 'Ancient Light' was recorded during 2006 with the Incredible String Band keyboard player, Lawson Dando. This single sees Phil concentrate on a guitar driven sound, the first rack of which was "in part, inspired by a rapidly rising anti-Christian sentiment in the country which has gained momentum since Stephen Dawkins "The God Illusion" book was published. The song itself is pretty self explanatory, and contains a "who, oh, oh" chorus that is quite catchy. The second song follows in similar musical style, only this time it looks breaking free from the everyday hum-drum life of the material world. Phil's vocals are quite engaging, and after a couple of plays. Both tracks are difficult to leave alone! 8/10 (August 2009)
PHIL WHICKHAM : Phil Whickham. INO Records : 390032)
Phil Whickham's self titled album brings a sound that can be classed as melodic pop/rock. He sings and writes from the heart, and the songs listed all seem to speak of his personal walk with Christ. Mind you, you sometimes have to listen very carefully to the words to try and understand what he is singing about! "Grace" is a song about giving yourself to God and accepting His grace. It's quite a nice song but doesn't exactly set the world on fire. "Mystery" is pleasant, too, but again, I failed to get too excited by it. On "Divine Romance", Phil gives a more acoustic sound, and it's a foot tappin' little number about love for God. What I did find off putting was Phil's vocal delivery and his, occasional, complex lyrics. He has a tendency to whine with nasal undertones, and it makes it very difficult to understand what he singing. Then, some of his lyrics have to be dissected under a microscope to get at the meaning of them. Some may think that is very clever, but I'm sure that many others will find it infuriating. 5/10. (November 2006)
PHILIPPA HANNA : Taste. (Resound Media)
Here's a young lady, I'm afraid to say, I'd never heard of, when the CD came through my letter box. I immediately thought "here comes another American artist that we'll never hear of again". WRONG! Philippa is, in fact, from Sheffield, and has already had critical acclaim for her previous independent release "Watching Me". This album sees Philippa write or co-write practically all of the songs, so she's certainly no "dumb blonde". The songs look at relationships, in the main, and she sounds a little like Kim Boyce used to, back in the late 80's. 'He'll Love Me' is one of the strongest tracks, with it's slick, light pop arrangement. She warns of the dangers that can come in a romance without substance on 'Summer Bride', while 'Work in Progress' is a realisation that none of us are perfect, and while we may fall, God will pick us up, dust us down, and let us try again. I thought that the sound got a bit a bit messy, production wise, mid-album, but things pick up again with radio friendly songs like 'Changing My Mind' and 'Predictable'. Philippa has a great voice and I can see her music going down well with a wide age range. 7/10 (October 2009)
PHILLIPS, CRAIG & DEAN : Repeat the Sounding Joy. (Star Song/Alliance).
As opposed to Steve Green's collection of festive songs, Phillips,
Craig & Dean give the likes of 'Go Tell It On the Mountain'
and Angels We Have Heard' a terrific, if somewhat over the top,
treatment. Such new arrangements are a credit to these guys, but
I'm not sure what purists wills think. Big productions, gospel
choirs, and superb harmonies are all gathered for this 12 track
album. 'Call His Name Jesus' is the one I picked out here as something
rather special. PCD however do go from one extreme to another
and the thin 'O Sactissimo' is so bland compared to the others
here. I'm sure that they had fun doing this and it's also to their
credit that they finish the album, not in a blaze of glory but,
with the 'The Chipmunk Song', which sounds like Donald Duck. Interesting,
this one. 7/10. (December 1996)
PHILLIPS, CRAIG & DEAN : The Ultimate Collection. (Sparrow Records.)
The fact that this is a collection implies that this trio have made several albums already, and that this is possibly a re-hash of all the best bits of said albums. Well I have to say that if this is the best then I will be hoping to avoid the rest. Firstly it's a double CD, and with thirty one tracks to wade through it does get just a little bit tedious, especially as most of the tracks sound much the same as one another. The first disk contains mostly the usual sugary worship songs that have all vestiges of
life processed out of them, and a lot of the songs are a bit cringe worthy. Take "Midnight Oil" for example. "Mamma always got up early, & never went to bed 'till late, And I never heard her complaining...." Well it's mostly that kind of stuff set in a typically bland American Pop style. Some of the
harmonies between the three of them sound quite nice, possibly a bit "Crosby Stills and Nash" though. Apart from that there's not much else that stands out at all to be honest. The second disk to be fair is a lot better, containing some worship songs that are better known, "Come, now is the time
to worship" and "When the Music Fades" to name a couple. The production seems to be a lot better on this disk too. In fact if this were the only disk to this album it would be quite listenable to in a "leave on in the background" sort of way but as a double CD there's not enough variation in style to keep you interested long enough to get as far as the second disk.
Although I imagine it will probably be more popular in America than this country, I wouldn't rush out and buy it myself. 5/10 Andy Sayner. (August 2006)
PIANO CHRISTMAS : Fifteen Classic Piano Carols. (Kingsway : KMCD3077)
It's always hard, listening to Christmas albums at the beginning of November. Somehow, try as you mighty, you're just not in the mood. This album of fifteen classic piano carols offers lover's of the piano, the chance to hear some well known Christmas songs. The problem for me was that I wanted to singalong to the tracks but, due to the interpretation of the songs, it was virtually impossible. Tom Howard is the man responsible for playing this collection, and I found his "twiddly bits" just a tad too much for my liking. In fact on some tracks, I wondered just what I was listening to, as I didn't recognise the song at all. But, I stand to be shot down by lover's of the virtuoso piano player, who may well enjoy this festive album. Songs include 'O Come All Ye Faithful', 'It Came Upon A Midnight Clear', 'The First Noel', and 'What Child Is This', as well as most of the usual suspects. Sadly, not a release I shall be rushing to play again. 5/10 (December 2009)
PILLAR : Fireproof. (Flicker Records)
The winners of the Dove Awards 2001 Hard Music Album of the Year
and the 2002 Hard Music Recorded Song of the Year continue their
mission with their 2nd album "Fireproof". This could
well be a chart contender with similarities to mainstream acts
such as Linkin Park and Papa Roach. It was recently thought that
the likes of Creed or POD were the biggest mainstream Christian
acts, but Pillar could definitely take their crown with this release.
The versatile lead vocals of Rob Beckley show off all his talents,
from the fast-rap and screamed lyrics of "Hindsight"
to the smooth Incubus style of "Light At My Feet". Accompanied
by fast-paced drumbeats and catchy hooks this is a fantastic album
suitable for a wide audience. 8/10 Richard Howlett. (July 2002)
PLANETSHAKERS : Never Stop, (Authentic : 8204492)
Never stop is only the 5th studio album from Planetshakers, whose discography consists of a whopping 19 CDs since 2000 which by anyone's book is some record (no pun intended)! The remaining 14 have been live worship recordings from their hugely popular conferences and events. The last time I'd experienced Planetshakers was their 2001 live CD Phenomena which had a slightly fake rap feel to it and to be perfectly honest I was not impressed, but this was so different you would hardly think the 2 bore any relation to each other. The title track Never Stop is packed with rocky energy from the off & doesn't let up to the very last note, with Everywhere I Go following on with an equal measure of drive - the style is almost akin to a lighter version of US grunge-meisters Switchfoot. Things do relax a little when we get to Call Your Name and continue being relatively chilled for the next 3 tracks, with vocals ranging from a passionate Enrique Iglesias style to some silky smooth female vocals taking the lead on Great Is The Lord. Whether energetic or chilled out, the six piece band remain very tight, with some catchy rhythms which get added spice from some of the excellent driving rhythms from drummer Mike Webber. I often find with studio albums that the performance element drowns out the act of worship, but somehow Planetshakers manage to keep it real which has a great positive effect on the listening experience. A DVD also comes with the CD containing a selection of live tracks from their Pick It Up CD along with some teaching, all of which is highly enjoyable but the CD can easily carry itself - the DVD is a bonus. Well worth a listen - best played at volume! 10/10 Simon Redfern (June 2008, Album of the Month)
PLUMB : Plumb. (Essential : CD700008).
Suffering, forgiveness, healing, and depression, are just some
of the subjects covered by Plumb on this release that has grabbed
a lot of media attention over the last few months. Led by the
vocals of Tiffany Arbuckle, the bands sound is instantly recognisable
akin to No Doubt. On 'Who Am I?', she controls her vocals within
the boundaries of the song but on 'Sobering' she's let loose,
and the results are almost over powering. There's lots of chunky
guitar sounds over most songs, with 'Crazy' being one of the most
instantly likeable tunes. The obligatory quiet number comes in
the shape of 'Pennyless', which tells of a young girl on the streets.
Plumb are good and I'd like to say that it's a peach of an album,
but it isn't. It's okay. 6/10. (July 1998)
PLUMB : Candycoatedwaterdrops. (Essential : 83061-0469-2)
Plumb's self titled debut announced noisily to the world that
they had arrived. A mix of American indie rock and punk, it was
aggressive and straight to the point. This follow up sees the
band mellow somewhat, as singer Tiffany Arbuckle turns into a
Natalie Imbruglia soundalike. Mind you, on the opening track there's
no sign of the change to come. "Late Great Planet Earth"
sounds like the track that they didn't quite have room for on
the debut and it's powerful delivery is tremendous. So we come
to "Stranded" a whole lot lighter and more radio friendly.
"Here With Me" builds with great orchestrations wile
the infectious "Lie Low" would me my pick for a single.
"God Shaped Hole" tells the listener that everyone has
a piece missing in their life, a piece that is God-shaped and
can only be filled by Him. The style may have changed, but Plumb
have ripened into a fruitful outfit. 9/10. (October 1999)
POCKET FULL OF ROCKS : Song to the King. (Curb Records)
There's always something odd about reviewing a Praise & Worship album: you're listening to it in three ways at once. Is it singable (i.e. could you use it in worship)? Is it listenable (would you ever play it again)? Is it any good (where does it stand on the naffness scale - zero being ubernaff)? Well, I'm very pleased to say that his album scores very highly on all three counts - it's very well written, performed and recorded. Being P&W it's never going to be ground-breaking in style or structure, but then it never sets out to be. The opener, "The Welcome Song" sets the tone clearly for what will follow. It sounds so much like so many other things, from the big drum intro, celtic-esque guitars and football-chantable chorus but it's a very good blend of all the influences. The CD comes complete with chord charts for three of the songs, and a bonus DVD featuring instructional videos to teach you how to play some of the songs, so it's clear that they want these songs to be used in worship beyond their concerts. If you're looking for a very good P&W album that's not full of songs you already own (I doubt you'll have any of these), then I'd recommend this one. 8/10 - Paul Ganney (December 2006)
POETIC JUSTICE : 'Mark of Cain?' (Private Recording. CD £10 Cass £6.50. - cheques to POETIC JUSTICE - from David Casswell, HM Prison Wolds, Everthorpe, Brough, E.Yorkshire, HU15 2JZ.)
There's no change to Dave's instantly recognisable Van Morrison
type vocals but what has happened is that the band, as a whole,
have clearly defined their individual strengths. This, along with
fine production, has brought out a sharper, cutting edge to the
fore. Songs such as 'Banged Up' and 'Twenty Twenty Vision' are
just two of the collection that tell of the prisoner's plight.
Sharon Winfield's vocals have improved no end and her powerful,
haunting rendition on 'This Time' would give Iona's Joanne Hogg
a run for her money. Influences are many, 60's, 70's 80's music
are all there, but it's the lyrics that are so out of the ordinary
and make the album special. The best is kept until last, where
the least number of words make the most powerful song. The music
is slowly and cleverly built up as both vocalists ask for 'Your
Peace'. 9/10. (September 1996, Album of the Month)
POINT OF GRACE : Life, Love & Other Mysteries. (Word 7019694608).
Their previous two albums have produced 11 number one CCM singles
in the States, which just gives some indication on how popular
these four girls are. Sweet vocals and, almost, perfect harmonies
sweep you along the road of heaven. Strong lyrics are shown throughout
the album including help from Scott Krippayne on the track 'Jesus
Doesn't Care'. Simple message here, no matter what you've done
- Jesus is waiting for you. Other highs are the title track and
'Any Road, Any Cost' - another song about following the Lord.
Indeed, the messages are simple so why complicate things? These
girls are pure pop and well worth your time. 9/10. (March 1997, Album of the Month)
POINT OF GRACE : Steady On. (Word : 080688544423).
These girls have really been setting America alight over the last
two or three years with their superb songs and wholehearted commitment
to their ministry. Following on from their highly successful debut,
"Steady On" is packed with songs containing down to
earth, plain and simple lyrics, filled with in your face facts.
For me, the title track is the worst cut on show and I wondered
just what the rest were going to be like. I needn't have worried
though because the girl soon launch into those delicious harmonies
that make Point of Grace so special. "My God" and "Amazing"
set your pulse racing but "Jesus Is" moves things into
a different gear, with a clear declaration that Jesus IS Lord.
Listening to it, you're just taken by the whole production of
the album, it's that good. "Drawing Me Closer" starts
of with those brilliant harmonies again before launching into
a spectacular, Belinda Carlisle type song. Yes, there's a couple
of hot ballads for good measure. Pity about the title track.
9/10. (December 1998, Album of the Month)
POINT OF GRACE : Free to Fly. (Word : 403611224115)
It's 10 years since the Christian music world first heard of the
band Point of Grace and in that time, their career has seen them
gain multi million album sales, as well as 5 Gold and Platinum
albums. Shelley Breen, Denise Jones, Heather Payne and Terry Jones
have now released a new album entitled "Free To Fly".
It's always a good sign when an album starts with a strong song
and this one is no exception. "By Heart" is very much
in the mould of Steps and should prove a winner with Christian
radio. "He Sends His Love" is a medium paced number
but the quality really hits you, with exceptional vocals and instrumentation.
Picking out a low point of the album would be hard but, perhaps,
"Praise Forevermore" fails to reach the heights of the
other tracks. "Blue Skies", "Begin With Me",
and "Something So Good" are just three of the many potential
radio hit singles from a band who never fail to deliver the goods.
9/10. (July 2001)
POINT OF GRACE : I Choose You. (Word Records : UK8863242)
This was a CD I was looking forward to listening to as I had actually "won" a Point of Grace CD a few years ago & had quite enjoyed a couple of the tracks. The music on this album has moved on since the 1998 one I am familiar with, which is not an altogether bad thing. This is one of those albums which on first hearing doesn't make a lasting impression of "wow" or "glad I bought that one", but over time some of the tracks may grow on you. The title track "I Choose You" starts off very relaxed & just as you're about to drift off, it wakes you up with a rousing rocky chorus containing some familiar sounding riffs and some very polished vocals - I like that one! The promising start however doesn't continue throughout the rest of the album. A large number of tracks are bland & uninspiring either in musical or lyrical content…heard it / fast-forwarded it all before, but they are interspersed with the odd one which you'll want to listen to again. The style tends to stick to the American pop-rock formula which works well, but then you find the styles on some on some tracks e.g. "Make it Real" (track 7) veering off towards Country & Western and this really does not work. Had they stuck to the original formula, this may have been better. I also found that the lyrics appear to have come from some very personal experiences, which for me didn't press the "on" switch but must have deep meaning for those who penned the songs which I can respect. Track 11 is a reading by Adrian Plass from the book Pilgrim's Progress followed by "This is Your Land" which together are excellent, providing a final lift at the end of the album. This is one of those CD's I'll probably drag out once every so often & 3 or 4 of the tracks & miss the rest...a bit like buying some compilation albums! 4/10 Simon Redfern (April 2005)
PORTLAND : These Broken Hands. (The Stereo Tree : 8204782)
This is the Midlands based trio who have made a splash in the mainstream, with regular airplay on radio stations such as BBC Radio 2. Husband and wife, Rory and Sarah Thompson are joined by Paul Meadows with a style that can best be described as Folk/Pop. I've got to admit, that the first listen left me wondering what all the fuss was about, as I Found it very bland and non-descript. However, I persevered, and found the songs becoming more pleasant on subsequent hearing. Sarah has a voice that, sometimes, sounds like Joss Stone, and she's at her best on the song 'The Letter', which tells of the crucifixion. The single, 'Tonight' is quite good but the stand out track for me is the war tinged 'Talk to Me'. Despite the subject matter, it was the first song that I wanted to "play again". Instrumentation is very simple and un-cluttered throughout and this works especially well on 'Believe in You'. I'm still not blown away by this release, but it's growing on me. 6/10. (October 2009)
POUND HOUND : Massive Grooves from the Electric church of Psychofunkadelic Grungelism Rock Music. (Metal Blade Records).
Doug Pinnick's (Kings X) solo project depends, I would say, in
what you expect. Musicianship…meaty, uplifting lyrics…expressive
vocals? For the first and last I would sat - yes! Lyrics - maybe
Doug has some things to express or work out in his life. I'm not
saying that he's self-centred or anything - and I'm sure there's
gotta be some stories behind most of his songs to justify the
- but to me, some seem to have words because they needed something.
Am I wanting too much from an artist of his caliber? Lyrics aside,
I like the album. Yes, the Kings X sound is there. Any of these
songs could havew come from a Kings album. If you're into Kings
X, you'll like it and if you're curious……..8/10.
Dennis Preston, courtesy of The Cutting Edge Magazine, http://www.geocities.com/sunsetstrip/venue/1006/118pound.html
(March 1999)
THE POWER OF PRAISE : Thanks. (Integrity : 25332)
Urban praise is something I've struggled with, as a listener over
the last few years. Gospel singers like Donnie McClurkin and Yolanda
Adams seem more accessible with their music. But, forever open
to all types of music, I gave this one a listen in the knowledge
that Fred Hammond and Steven Ford were the producers. Sadly, this
album took a lot of perseverance because I didn't enjoy it at
all. I would have loved to have written this review after one
listen, but that's not being fair to the artist, or the record
company. "Jesus is Alive" can only be described as a
lot of "whooping and hollering", to a beat that I found
just plain annoying. "Ancient of Days" and "Worthy
You Are Worthy" were passable MOR gospel, but I found very
little solice in either. Mid way through the album, the well known
hymns "Jesus We Enthrone You" and "Give Thanks"
are sung, but I found the interpretation rather clumsy and dis-jointed.
In fact, the word "tacky" came to mind, they were that
bad. Not one that I'll be personally playing much more. 2/10. (June 2003)
THE POWER OF PRAISE : Harmony. (Integrity Gospel : 25362)
I was set a real challenge with this one - a Black Gospel/Soul
cd. I can't claim to be an expert in this style of music, nor
do I have any in my collection (which I thought was pretty eclectic!)
nor is it a style which I particularly like. I think this is a
difficult style of music to make work in a worship context. I
think it suffers from a lack of a strong melody which is imperative
in corporate worship, and is probably one of the reasons why I
struggle to get on with soul music. I do find most songs sound
the same and there is an element of that here. The first two songs
"More of Your Glory" and "You Alone are My Rock"
are done as a medley but you wouldn't know that they were two
separate songs without glancing at the album sleeve. Not a good
start! It is also not clear from the sleeve what this album is
actually about. The cover is laid out in such a way as to indicate
that this is a duo called "Harmony". What you actually
get is a selection of "the finest vocalists and choirs"
delivering "urban praise at an affordable price". Maybe
I just don't get it, but I'm sure it's more to do with poor packaging.
Having said all that, the content is well delivered with good,
strong vocal and instrumental performances and I'm sure that if
this is your thing, you will enjoy it. The production too is of
commercial quality and coupled with some good tunes in the middle
of the album I found I actually warmed to it to a certain extent.
I do work with a church that has members that would absolutely
love this cd and it does demonstrate the diversity of Christian
Worship Music available. So overall, this album gets a muted thumbs
up even though it is not to my taste. If you want soul for the
soul, I'm sure you could do worse. 5/10 (for poor packaging)
Robin Thompson (February 2004)
THE POWER OF PRIASE - Healing. (Integrity : 25372)
Here's a mid-price album that promotes urban praise, produced
by Fred Hammond and Steven ford. With some great choirs and vocalists
featured, you're sure to enjoy this album. Right? Well, not really
enjoy. It has it's moments but they are few and far between. Lyrically,
superb, with the theme of "healing" running throughout.
However, too many songs failed to deliver and I found most of them quite bland. Okay, so there's some lively praise
going on, but do they really have to OTT? "Healing Grace"
and "Come Let Us Return" stop this from becoming a totally
dire release, while the likes of "Bu His Wounds" held
that certain cringe factor for me. Enjoy it? No. Endured it? Yes.
3/10. (February 2004)
POWERSCOURT : Live Worship 2000.
There do seem to be rather a lot of these "live worship"
CD's around, so I tend to ask myself why this should be. Do they
A) provide a quick way of distributing new songs; B) capture the
spirit of worship that was present at the recording, thus enabling
the listener to use the CD in their own worship; C) assist the
local worship leader by providing hints on arrangement that no
score ever seems to; D) provide a definite market (those who were
there) in which to sell the CD? Leaving aside the (somewhat cynical)
option D, how does this CD measure up in terms of A, B and C?
This CD is very strong on A, having only one song I'd heard before
("I Will Worship") and are all quite good without really
hitting true magnificence - ("Wide Wide World" is probably
the best track). However, B&C are not really that strong;
the atmosphere definitely lacking and the arrangements & styles
I was hoping for (having enjoyed many Irish/Celtic arrangements
of songs) was not really present - although "St. Patrick's
Breastplate" is rather good. A great shame, really, as I've
been quite impressed with co-leader David Ruis in the past. A
CD for those constantly seeking new songs or those who were there
(record execs have to eat too, you know). 4/10. Paul Ganney. (September 2000)
PRAIRIE BIBLE COLLEGE : God Above, God Below. ($19.95 Canadian: from www.pbi.ab.ca)
One of two new Celtic Christian albums released by the Prairie
Bible College of Alberta, Canada, is "God Above, God Below".
20 tracks featuring some whose words are more than 400 years old.
Irish singer Fiona O'Leary is at the forefront of much of the
singing, but she's abley assisted by the musicians and singers
of the college's Fine Arts Department. In sound, it's all very
traditional and if you're expecting something like Iona, forget
it, this album is back to basics and that's no bad thing. As the
bagpipes and whistles of "Hail the King" unfurled, I
knew that I was beginning a listening journey of distinct quality
and depth. "O For A Thousand Tongues" is one of my all
time favourite hymns and, therefore, it was quite strange to hear
it sang to the tune of "Star of County Down", a gentle
Irish melody. Nevertheless, I still found it a pleasurable listen,
and it was at this point I started to take more note of the intricate
re-workings of many well know songs. "Be Thou My Vision"
is another track that gets a similar treatment, as does "Ancient
of Days". There's also a couple of instrumental jigs to highlight
the excellent musicianship, using instruments such as harp, bodhran,
accordion, dulcimer, and many more. For those who love Celtic
music, this is a must. 9/10. (September 2001)
PRAISE BAND 9 : Forever. (Maranatha : 080688594121)
At last, something from the States to compare with the constant
stream of stuff we get from Hillsongs Australia! Not that I'm
against Hillsongs, I just feel that a new Australian praise album
every month (well, that's what it feels like) is rather too much
to digest. The Praise Band are very similar in content, but the
opening "You Are the One" stands out because of it's
difference to the rest of the album. Here, it's US guitar rock,
and a stomping chorus that is, actually, worthy of being a chart
hit. What happens next is a mystery, as the rest of the album
becomes a little 'run of the mill'. "I Will Rise Up"
sounds like a Matt Redman number and "You're Worthy of My
Praise" is quite good, too. Hard to pick out any others as
outstanding but, there again, there's nothing horrific either.
6/10. (May 2000)
PREACHA : Geography of a Journey. (Movation/Alliance Moved806).
The news that ex-Bizzare Inc. frontman Cameron Dante had become
a Christian was big music media news. From a life of sex, drugs
and rock n'roll, he was saved and began his new life with the
support of the World Wide Message Tribe. This solo album is a
musical journey of his change, beginning with 'Tormential Pain'
and ending with 'We Lift Our Voices'. It's dance club music through
and through, and I found it very hard to listen to. Perhaps I'm
too old? I gave it to my teenage daughter and 12 year old son.
"It's awful", said one. "One bit's alright, but
I didn't like the singing", said the other. I tried playing
it loud, I tried playing it quietly. I tried playing it in the
car, I had to turn it off. The only track I felt I would like
to listen to again was 'Reachin', perhaps because it only lasts
for three minutes. I love the sleeve notes by Cameron himself,
and I love what has happened to him. I just pray that this will
go down well in the clubs. For me, it didn't. 4/10. (February 1997)
PRELUDE : Learn to Fly. (Track Star : 8 81534 40232 0)
The three girls who make up Prelude have, apparently, been friends for a very long time. They all have parents who have been involved in religious music circles and, I guess, it was just a matter of time before they put out a record. Who's it aimed at? Well, the front cover shows the girls in very pretty dresses that were fashionable here in the UK around 30 years ago. There again, perhaps the trend has come around full circle and I just haven't noticed. So, I don't believe this record is aimed at the teens. Their opening re-working of the Beatles classic "We Can Work It Out" was quite an eye opener but, work it does, with fine harmonies shining. "You Call Me Yours" is a pleasant enough song but, then, things go a little downhill. The girls have writing credits on most of the songs but they just don't stand out from hundreds of other songs I've heard this year. Producer Michael O'Martian seems to play too many instruments and it all becomes rather messy. There's nothing wrong with the sentiments behind this album but there's a lot to sort out before a follow up. 3/10. (August 2008)
PROXY : The Call. (Integrity : SARCD147)
Proxy is a ministry arm of the Assembly of God Church in Table View, USA. A visit to their website tells you very little, and after a couple of listens, I was about to disregard the album as "just another rock worship" release. But, then, I viewed the accompanying DVD and being able to see just what the songs were doing added so much. Surrender to Jesus, is the call on the infectious "Hands Up". Upon viewing, it's obvious to see a very lively church, full of God's love. 'Lasting Treasure' and 'Changed' keep up the pace before the quieter 'Worthy' gives you a well earned breather. The band really get the worshippers jumping about with the All Star United style of 'Wake Up' - full of energy. Towards the end of the album there's a couple of more traditional worship numbers, and they work really well too. The piano backed 'Atonement Song' and Jesus focussed 'Look Upon the Cross'. Certainly one of the best DVD's I've come across. 8/10 (November 2009)
PSALMISTRY : Armchair Rebellion. (Word : WMD005).
Not knowing much about the dance/club scene I asked a few people
"in the know" for their opinion of this release from
this British outfit. "It sound's American in a sort of Beastie
Boys way" said one. "They wouldn't play anything like
this on the radio or in the clubs around here", said another.
Further opinions weren't too helpful or encouraging so I decided
to go it alone, after all. Track 4 "Hectic", that ,must
be the one like the Beatie Boys! Quite hectic, lots of 90's rap/hip-hop
and loud "pump up the volume" beat. From there, we move
to "Didgereborn" which actually seems to feature a didgeredoo
throughout. The two 'tunes' I did pick up on though both featured
the vocals of Helen, "Frontline2" and the slower "Jesus
Armchair". To me, they seemed to be in a different league
to most of the other tracks and the former gave me visions of
a motion picture theme. Remember the band Therapy, complete with
100 miles an hour attacking thrash but still having a catchy hook?
Fans of that sort of music will love "Paul Daniels",
- I can see the moshpit going wild right now. I don't think that
Psalmistry would ever convert me but then, would Psalmistry fans
enjoy Stryper? 7/10. (May 1999)
PureNRG : reNRGized. (Curb Records : 8878152)
PureNRG are a three piece Christian Teen Band from America and this is their 4th studio album in two years. They've certainly been a busy bunch, having performed frequently over that time including appearances on the same bill as bands such as Mercy Me, Barlow Girl and, unbelievably, Christian rockers Skillet. There is certainly great strength in teens ministering to teens and this seems to be the main reason why pureNRG do what they do. However, I do find that at times the immaturity in their voices can make them sound one step short of a school choir which may also have the opposite effect. The opener on this album, "Are You Ready" is a great song that I enjoyed immensely but the rest is very mainstream and a little bland. Perhaps their strength lies in their live show and testimonies but on the basis of this cd, my kids remain unconvinced. 5/10 Robin Thompson (September 2009)
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