Never for Nothing - CCM Record Reviews archive M
THE MACCABEES : 21st Century Spin. (www.spiritmusic.co.uk)
I never heard a single thing from this band when they were known
as Dissident Prophets, so I'm not able to say if and how their
music has changed. The press release says "think Velvet Underground,
The Ramones, and Lamb all thrown together." Well, I can definitely
hear the Ramones influences, especially in "Run For Your
Life" and the absolutely brilliant title track. The song
is pure gold. Simple lyrics that tell of how we're brainwashed
into following today's culture, instead of the truth's of Jesus.
I've played it so many times that, it just has to be a radio hit
- are reading this Cross Rhythms?. The band have obviously worked
very hard at putting this album together and the finished product
is first class. As well as those previously mentioned, I thought
there was a bit of the late lamented Television in songs like
"Keep My Lamp Burning", and the jangly pop of "Do
You Know Love At All". Not quite my album of the month, but
pretty close. 9/10. (August 2003)
It's three years since their last offering gained runner's up spot in NFN's independent album of the year, and I wondered if the guys could match the excitement of that release. With "Modern Man", they've not only matched it's excellence, but moved on musically too. They do have an individual sound, thanks in the main to Andy Jennings' vocals and guitar work, but now they've encompassed the style of, say, Franz Ferdinand with 70's punk band, Television. "Same Way" starts things off with a hypnotic beat, followed by an energetic and powerful title track. The scene is set, and track after track attacks the listener's ear with lyrics of questions and thoughts about a spiritual life in the 21st century. "Rome" is a strange little beast, with the vocals sounding almost Dylanesque in delivery. "Company Store" has a 60's sound to it, while TV evangelists get a hammering in the appropriately named "Wolves". Then, when you just thought you knew what was coming next, "Television" leaps from your speakers. It's the best track, and has some superb guitar riffs. Not sure why it's taken three years for this album to arrive, neither am I sure why one of the big labels haven't offered them a contract. The Maccabees are a here and now band, with so much to offer. 9/10. (February 2006)
THE MADDY LEIGH BLUES BAND : Nickles & Dimes. (CD £10.95
from: Maddy Leigh Ellison, 29 Chapel Lane, Walton, Liverpool,
England, L9 2BY)
Well, it's taken some time but this album has finally winged it's
way to NFN towers. The question is, was it worth the wait? Fronted
by Maddy Leigh herself, the band name sort of gives away the type
of thing to expect. It's 60's blues with a millennium twist. Take,
for instance, the opening "Faith to Follow". Great Hammond
organ from Ted Gardner, and extreme slide guitar on the part of
Jeff Scheetz. "Impossible Things" sounds like a jam
session rather than anything previously rehearsed but the result
is quit epleasing. "Heaven Sent" gives you visions of
being in a New Orleans bar, as Maddy's vocals tastefully praise
God's gift of Jesus to all. You know when you hear people moan
who never seem to be satisfied with what they've got? "Moan,
moan, moan" asks those people if they'll ever be happy. Marc
Ellison plays some catchy guitar riffs throughout and he's backed
by some quality muso's. I felt that, once or twice, the songs
were a little too samey, although "Takin' It Easy" seemed
to owe a lot to the Beautiful South's "Rotterdam". Oh
yes, before I forget, and I wish I could, please don't make me
listen to the version of "Amazing Grace" again. Apart
from that, yes, this album was worth the wait, and is a must for
serious blues fans. 8/10. (April 2003)
MAGNIFY : In Wonder. (Parachute Records - PMD 029)
This debut album for New Zealand based Magnify kicks off with four extremely strong and engaging songs. The opener "Glorious" has as catchier a chorus as you are likely to hear and contrasts well with the more hard-edged title track "In Wonder". "Love Divine" (not the traditional hymn) takes the tone down a notch before the band returns with all guns blazing in "Blown Away", complete with rap interlude. After that, it changes direction and becomes a more Vineyardesque affair, somewhat confusing in a sense and leaving me wondering just exactly what is the sound of this band? At times, its Y-Friday, other times Delirious all with a vocal style reminiscent of Bono in the higher phrases. Having said that, this is a good album and I found myself singing these songs after just a few listens - always a good sign. Lyrically, its pretty light, with simple sentiments succinctly expressed but they still have room for the odd great line, like the one in the song "Fallen for You" - 'Your heart is an ocean of love and devotion'. So I'm still going to rate this album highly because, even though it might not be entirely original or completely coherent, it is a great listen and one to keep playing. 9/10 Robin Thompson. (July 2006)
MAINSTAY : Well Meaning Fiction. (BEC : BED74433)
Mainstay are made up of Justin Anderson, Ryan Deyounge, and Dan Ostebo. They've been together for a few years and were influenced by the punk scene in the home city of Minneapolis - where they also went to college. There's still traces of that punk element on this recoding, but on the whole, it's a smoother, more rounded affair that greeted my ears. In fact, I thought they sounded a lot like Savage Garden. "These Pages" is a melodic, guitar pop song about how the rest of the world see Jesus. "Yesterday" has the same kind of beat, but "This Could Be" speeds things up a bit, with some catchy hooks. There's some nice guitar work on "Overnight on Nicollet", while "Danger" takes a look at the grace of God. The album's produced by Aaron Sprinkle, who's previously worked with Kutless and Pedro the Lion, and there's a certain polish to the finished product. My only complaint is that the some of the songs tend to drift into one another as they sound very much alike. It's a pleasant listen, without being terrific. 7/10. (August 2006)
MAIRE BRENNAN : Perfect Time. (Word : 7019965601).
The voice behind Clannad releases her first Christian album, using
the sound and formula that has made them so renowned throughout
the world. From the opening moments of the first track "The
Big Rock" you are simply carried along by the wonder and
beauty of God's gift of music. The title track tells of His perfect
timing in your life, while "The Light On the Hill" can
only be described as terrific. (Excuse me while I play it again).
All the famed styles of Clannad are there including the predominantly
vocal "Na Paisti", sounding a little like "Harry's
Game". The pipes, the whistles, and fiddles are all to be
heard, as well as Maire's moving harp playing on the instrumental
"Doon Well". I don't posess a single Clannad album in
my collection yet, after the first play, I couldn't wait to play
"Perfect Time" again. All too often, the CCM release
of a well known secular artist falls a long way short of it's
hype. On this occasion, the album more than lives up to the press
release. Buy it, and prepare yourself for something special.
10/10. (April 1998, Album of the Month)
MAIRE BRENNAN : Whisper To the Wild Water. (Word ; 7012632267)
Building on the success of her last album, plus the Top 10 UK
hit in collaboration with Chicane, Maire releases another crop
of Celtic style music. In all honesty, there's no surprises in
the resulting album, it's all cleverly produced and in the same
winning formula that has proved so poular with fans the world
over. "Follow the Word" is a good opening piece and
sounds as if it should be a film score, rather than just another
song. It's medium pace is soon slowed down the "Where I Stand"
and "Hard to Break the Seal" - more haunting in melody.
"Ageless Messengers" moves the pace on again and I found
myself re-playing this track more than any other on the album.
As I say, "Whisper…" doesn't break any new ground
for Maire but, then, why disappoint the fans? 8/10. (December 1999)
MANCHESTER VINEYARD: Reach. (ICC : ICCD63830)
Manchester Vineyard was planted in 1989. Their goal - ministry
to young adults. Described as an exciting, vibrant place to worship
God and to be challenged by his word. Looking at their website
I notice that this is a very active church involved in various
ministries and especially with young people. This is an excellent
C.D. Vocals, music and lyrics superb, and consistent throughout.
These were all new songs to me, and after having listened to the
album a few times can do no other than give it a good review,
which it well deserves. It has been put together very professionally.
The style of Manchester Vineyard is very similar to that of the
Vineyard Music Group. If this is the style of music you like,
then I would recommend this album to you. My favourite tracks
are:- No.2. All I Can Bring - female vocals and heartfelt worship
and praise; No.4. Your Love O Lord - male vocals, a praise song,
and No.8. Who May Climb - male vocals, worship and praise. I notice
that most of the songs have been written by members of this very
talented music group. The lyrics say everything. An excellent
worship and praise album. Pam Robinson 10/10 (June 2002, Album of the Month)
THE MANDATE : All For Jesus (Kingsway : KMCD2166)
Now I have to admit that I'm not a worship CD lover as quite often
the atmosphere of the occasion isn't captured on the recording,
and this one is no exception. The Mandate was a conference for
men held at the Waterfront in Belfast, and the worship was led
by Robin Mark, Northern Ireland's premier worship leader. All
the way through the album, the arrangements are very Irish folk
with an accent on accoustic guitar, fiddle and penny whistle -
a kind of male Corrs playing worship songs and hymns! Particularly
good are 'There Is A Place Of Commanded Blessing' and the medley
which immediately follows it of 'Amazing Grace/No Not By Might/AreYou
Washed?'. As the album progressed however, I found that each song/hymn
was given the same treatment - moderate to slow, folky sound which
dragged. The only exception was one of Robin's own, 'As Sure As
Gold (Revival)'. I was beginning to wonder why Barry Bynum was
credited with lead guitar, but I could just hear him on this track.
It seems to have been a tremendous evening live, but just doesn't
make it onto CD. Of course, I'll not be able to go to the next
one, it's all men. Now there's a thought ... 6/10 Julie Lord.
(May 1999)
MANSION OVER THE HILLTOP - A Tribute to the Legendary Ira Stanphill. (Daywind Records : DAY 1288D)
I'm not really sure who this Ira Stanphill is, but he's not legendary
around North Yorkshire as far as I know, so I was expecting another
collection of sickly American worship songs. However there are
enough different styles of music on here to keep it interesting,
ranging from acapella gospel choirs To jazz bands and most things in between. There are several different
people playing on this album, including various members of the
Stanphill family. However the only one that I have heard of before
is Johnny Cash, who does a track called Suppertime, apparently
this is the original recording. Most of the tracks on the CD are
in a different order to the sleeve, so it's a bit awkward to work
out who is doing what, especially with the instrumental tracks,
but this is an advance copy, so I guess they will have sorted
that out on the release version. Most of the songs are a bit corny
to be honest where the lyrics are concerned, but despite this
it's still worth a listen just for the contrasting styles. 6/10
Andy Sayner. (January 2004)
MARANATHA MUSIC : Communion.
Before I begin, I will confess to knowing next to nothing about
Marantha Music, apart from being something akin to the Vineyard
Music Group. This pre-release copy came with no sleeve or any
other details. Initially, when I put this CD on I was a little
taken aback as I really didn't think that this was quite my taste
in music at all. My husband had very similar thoughts. The first
track is verty traditional, male voice choir, Holly, Holy, Holy.
But, then, the second track "I Will Remember Thee" has
a celtic touch to it. This change of traditional to contemporary
runs throughout the album. As I continued to listen to the album
I found myself quite enjoying these different styles. This CD
is quite unique to me and has been put together very professionally.
The vocals, instruments and lyrics are all excellent. My favourite
track is "My Soul Finds Rest" and has a Middle Eastern
flavour. I doubt that this collection would appeal to the younger
generation but, otherwise, there is something for everyone. I
like this CD very much. 9/10. Pam Robinson. (July 2001)
MARGARET BECKER : What Kind of Love. (Sparrow : 7243 85171628)
Whenever I see the name of Margaret Becker, my mind wanders back
to one of the first CCM albums I ever bought, her debut called
"Never For Nothing". From it, not only spawned the idea
for this fanzine but, two roc k bands. The next two or three years
saw further excellent releases but, since then, the product quality
does seem to haveslipped somewhat. Unfortunately, this collection
of brand new songs is nothing out of the ordinary. With her sleek,
smooth voice, Margaret delivers light soul music that is perfect
for playing in the background. "Friend For Life" is
the first track, and there's no big kick to launch the album.
No, this is Margaret at her best, gently bringing thelistener
closer to God. The title number slips by without notice while
"I Won't Be Persuaded" shows what soul music is all
about. There's more of a groove feeling to "Hope in a Hopeless
World", that reminded me of several Simply Red numbers, while
the odd jazz and folk elements shine through on others. With this,
her tenth album , Margaret Becker will still disappoint fans of
her ealry work. 6/10. (January 2000)
MARGARET BECKER : My Refuge. (Kingsway : KMCD2492)
Readers with long memories will, no doubt, remember all the times
that I've mentioned that an effect Margaret Becker's first album
had on my early Christian life. The title track became the inspiration
for this publication, and another spawned the Hull based band
Giants Will Fall. Since then, I've longed for another one of her
albums to have that same effect. "Immigrant's Daughter"
came close but since then, nothing. This album sees her respond
to requests for an acoustic type recording, featuring some of
her songs from the last 10years. As much as I'd love to wax lyrical
about it, this album doesn't do much for me at all. It was, however,
nice to hear one of my personal favourites again, "Just Come
In", but in this form, it's lost a lot of quality. There
is a good version of "Hear All Creation" - which featured
on the New Irish Hymns collaboration, but those are two highlights
in an, otherwise, disappointing affair. 3/10. (July 2003)
MARGARET BECKER, MAIRE BRENNAN, JOANNE HOGG : New Irish Hymns. (Kingsway : KMCD2329)
With the pedigree of these three ladies, you know that by putting
them together, the result is going to be something quite astounding.
Composer, Keith Getty, is the man responsible for most of the
music, while each of the singers contribute to the words. It's
sometimes a little difficult to tell the voices apart but that
didn't stop me enjoying the opening "Your Hand O God Has
Guided", nor the following upbeat "With the Early Morning".
If I tell you that the musicians include Terl Bryant, Tim Harries,
Phil Keaggy and Troy Donockley, you'll also understand just how
good the sound is. As it's written by her, I'm sure that it's
Becker's lovely vocals that take the lead on the lament "Jesus
Draw Me Ever Nearer" - 4 minutes of pure joy. "Hear
All Creation" picks up the pace again while "In Christ
Alone" builds into a crescendo of celtic beauty. Each track
could be described individually for it's wonderful content, such
is the quality of this release. It's one of those collaboration
albums that comes along every so often and is truly a gift of
God. 10/10. (December 2001, Album of the Month)
MARGARET BECKER, JOANNE HOGG, KRISTYN LENNOX : New Irish Hymns 2 - Father, Son & Holy Spirit. (Kingsway : KMCD2490)
The first of this series was a storming success. Now, Keith Getty
presents a follow up that is bound to follow in it's predecessors
footsteps. There's no Mairre Brennan this time, but the voice
of Kristyn Lennox more than makes up for that loss. I had to listen
to the first album again to confirm that this one begins with
much more power in it's presentation. Co-written with Stuart Townend,
Getty let's the heaven's open with "See What a Morning -
the Resurrection Hymn. I've used this word a few times lately,
but this song is truly awesome. Then, it's "I Will Trust",
lots of energy and reminded me of something from Riverdance. "Join
All the Glorious names" swings along nicely before we, finally,
pause for breath with the gentle lament "My Heart is Filled".
Both musically and vocally, I can't fault this recording, it's
been a real listening pleasure. 10/10. (December 2003, Album of the Month)
MARGARET BECKER, KRISTYN GETTY, & JOANNE HOGG : New Irish Hymns 3 - Incarnation. (Kingsway : KMCD2564)
As a fan of the first two albums in this series, I was really
looking forward to hearing this one, dedicated to Christmas. I
was slightly put off by the opening prologue, but settled down,
undaunted, to listen. The striking thing about those previous
albums has been the spark of life contained within each song,
that dances effortlessly through your mind. Sadly, on this release,
that spark seems to have been lost. What I did find is that a
lot of the tunes from the first releases have been re-sampled
to give an air of newness but, to the well trained ear, it's fooling
no-one. "Holy Child…" is an acoustic based tune
that is gentle in both spirit and presentation but I found the
rest of the album to lack any real passion. Certainly, there's
no feel of a joyous Christmas, and I cannot commend this album
to be on par with that of it's predecessors. 3/10. (December 2004)
MARGARET BECKER, KRISTYN GETTY & JOANNE HOGG : New Irish Hymns 4. Kingsway : KMCD2650)
Here we are, then, with the 4th release of this series. I must admit, that I thought the last album was sounding a little tired so I wasn't sure what to expect this time. What you do get, is a collection of 12 songs that range from the power ballad sound of "The Power of the Cross", to the worshipful "Speak O Lord". "Your Glory Be Ever Known" has a typical Irish/celtic feel to it, but the song is rather short in length. "When Trials Come" lends more than a passing nod to the tune of "Be Thou My Vision", while "Light of God" commands great respect as a hymn. The vocal talents of the three singers are unquestionable, but I do think that Keith Getty is slowly running out of ideas. "Every Promise" shows that the man can diversify with his sound, a slow march which tells you to stand on every promise of God's word. I have a minor moan about the printed lyrics, which are almost ureadable, being of red print on gold background. 7/10 (April 2006)
MARGARET BECKER, MAIRE BRENNAN, JOANNE HOGG & KIRSTEN GETTY : New Irish Hymns - The Complete Works. (Kingsway : KMCD2858)
With four releases before this one in the 'New Irish Hymns' series, here we have a 3CD compilation of the previous tracks. More than 'hymns', think in terms of female-vocal-led, superbly written, performed and produced 'new Irish pop ccm' and you get the idea. Keith Getty is the co-composer throughout, tracks varying from rock-pop to slow and reflective - all with high class instrumental/orchestral arrangements. The four vocalists have outstanding though quite different voices, but unfortunately the songs are not individually credited - so to know who is singing what, you need to be familiar with them. Margaret Becker first made a name for herself as a solo artist, more recently joining the 'Out of the Grey' duo to become part of Ashton, Becker and Denté. Máire Brennan and Joanne Hogg became famous as the lead singers of Clannad and Iona respectively. Kristyn Getty issued a cassette and CD as Kristyn Lennox before marrying Keith Getty four years or so ago. Stand-out tracks for me from CD1 were 'In Christ Alone' (probably Keith's most famous co-composition, with Stuart Townend), 'Join all the glorious names', and 'Oh for a heart'. Favourites on CD2 were 'Prologue', the waltz-time 'Over fields of green', and 'See what a morning'. By the time I reached CD3 I was getting a bit tired(!) but found the rocky 'Hear all creation' to be particularly strong. It is worth checking out www.gettymusic.com. All very good, worth 9/10. David Deeks (June 2008)
MARILLA NESS : How Can I Keep From Singing. (Video) (Merciful Love Music).
Every Christmas, there seems to be a new Foster & Allen, or
Daniel O'Donnell video for us to buy our respective parents. Sound
familiar? In a similar mould comes the sweet sound of Marilla
Ness, whom we meet for the first time in NFN, despite 5 album
releases. This video would never win prizes for it's originality
but, nevertheless, it does the job. Marilla is seen, and interviewed,
at various locations in both Northern Ireland and Cheshire singing
such well known songs as 'Be Still' and 'Jesus We Enthrone You'.
There's also some new songs there, 'What Colour is the Wind' being
one of my favourites. Christian music videos are few and far between
and Marilla Ness should be congratulated and encouraged by this
release. 8/10. (December 1996)
MARILLA NESS : From Where I Stand. (Merciful Love Music :MLM118)
After seeing, and hearing, just how much my own relations had
enjoyed Marilla's 1996 album and video, I was full of high expectations
for her latest release. I'm pleased to say that I have not been
disappointed, as here is a collection of old and new songs that
have been given the full Marilla Ness treatment, resulting in
a brilliant album. From the moment 'Make My Heart...' opens, you
can literally relax and enjoy the soft, gentle vocals of this
talented p&w vocalist. Most of her songs have the feel of
Irish folk and the beautiful acoustic guitar playing on numbers
like 'As Gentle As Silence' is almost perfection. 'Abba Father'
has rarely been sung better and the country tinged 'Jesus the
Healer' is just another of the list of high points on show. Delirious?
or WWMT fans probably wouldn't give this lady the time of day
but, for many others, 'From Where I Stand' it will be an essential
purchase. 10/10. (November 1997, Album of the Month)
MARILLA NESS : Resting in Love. (Merciful Love Music : MLM120)
Album number 10 finds Marilla Ness, ministering in song the only
way she knows how. With gentle, easy listening tunes she delivers
12 beautiful tracks in typical Marilla fashion. From a personal
point of view I can only tell you of the spiritual joy and uplifting
her previous releases have given to various members of my own
family. Here, using songs written by the likes of Tom Paxton,
Michael Cameron and Robin Mark, her voice is only made more outstanding
by the excellent musical backing. Stve Hindalong is a name from
the CCM past, and his "Beautiful Scandalous Night" is
an early highlight. When I heard that other writing credits included
ex-Pogue Shane McGowan, I was a little worried. However, any fears
were quickly squashed by the excuisite "You're the One".
"Don't Give Up On Me", Gently She Carried", "I
Will Love You", are just 3 more of a track listing of which
I can find no fault. Long may her wonderful ministry continue.
10/10. (October 1999, Album of the Month)
MARILLA NESS : On Holy Ground. (Merciful Love Music : MLM302) - Video
By now, regular readers of NFN will have learnt that I AM a Marilla
Ness fan. In the three, or so, years I have listened to her music
I've been constantly amazed at the way she can deliver such beautiful
numbers such as "Holy Is His Name" and "Jesus the
Healer". Both tracks are now featured on this video which
joins Marilla on a trip through the Holy Land. Here, she sails
on the Sea of Galilee, wanders through the garden of Gethsemane,
and many other historic places which help to depict the life of
Christ. As well as the fifteen songs, there's readings from the
Gospels, plus her own thoughts, to gently take you on a memorable
journey. One of my favourite songs "Beautiful Scandalous
night" is included, as are "I Am the Bread of Life"
and "Holy Ground", all sung as only Marilla can. 80
minutes of pure bliss that finishes with the triumphant "Alleluia
He Is Coming", signifying our risen Lord to all. What more
can I say? This video will minister to many, in countless ways,
as well as aiding personal worship. 10/10. (April 2000)
MARILLA NESS : Jesus My Joy. (Merciful Love Music : MLM126).
My local newspaper recently, rather unkindly, described the listeners
to this type of music as the "grey cardigan brigade"
- presuming that they all fall into the Over 60 category. Artists
falling into that category included Daniel O'Donnell, Charlie
Landsborough, and, of course, Marilla Ness. But, why do people
have a problem with this style of easy listening music? Certainly
not I, as I can testify after attending one such concert and feeling
so inspired and touched by God's spirit. And, in the same way,
I can only say, once again, just how Marilla's recordings have
brought such joy and pleasure to my family over the last few years.
Everyone knows her style, typified by that gentle voice and warmth
that carefully caresses each song. Backed by her superb musicians,
Marilla sings songs old and new on this latest release. "Goin'
Home" is sung to the tune of Dvorak's "Morning",
and the medley of "I Want to Worship" and "Come
Lord Jesus" is simply beautiful. From the Gaither stable
comes "Because He Lives" and this song, I found particularly
excellent. "Do You Love Me", "Softly & Tenderly",
and Robin Mark's "Days of Elijah" are all included by
an artist who never fails to deliver. While I don't possess a
grey cardigan, I do find great comfort in knowing that this music
will minister to many. 10/10 (September 2001, Album of the Month)
MARILLA NESS : Your Song To Me (Merciful Love Music)
It's an old cliche I know but, in a world that's constantly changing,
it's a real blessing to have the soothing, constant ministry of
Marilla Ness. After initially joining the local prayer group,
Marilla first bought a guitar and taught herself three chords
so that she could accompany them in song. As she later sang at
healing services, members of the congregations began to ask if
she could record her music for them. From that initial recording,
Marilla has now recorded more than a dozen albums, complimented
with a couple of videos and a song book. A minor surprise this
time is the introduction of three country tinged songs. All are
classics in their own right but "One Day At a Time",
"What A Friend We Have in Jesus" and "Amazing Grace"
are all given a new lease of life with a fresh sound. "Guardian
Angel" was written by an Irish nun and, therefore, it won't
surprise you when I tell you just how gentle and peaceful the
song is. "At the End of the Day" is filled with simple,
beautiful truth, and "Lady of Knock" re-kindles fond
memories, for me, of an old Dana recording. For lovers of this
style of music, I thank God for likes of Marilla and husband Brian.
10/10. (April 2003)
MARILLA NESS : Love Beyond Measure. (Merciful Love Music :MLM138)
If you'd seen the look of happiness on the lady's face after winning
a copy of this album, you'd know just how much the musical ministry
of Marilla Ness is loved. As that same lady passed the Cd around
to her friends to admire, I heard her add "She's such a lovely
singer". Indeed, Marilla is a lovely singer and her albums
of easy listening songs give much pleasure to countless thousands
all over the world. This latest offering does, perhaps, lend to
a time of meditation whilst listening and I, for one, found the
whole thing very relaxing. Gems include the Andy Park number "Only
You", Dan Francisco's "Come Holy Spirit", and Amy
Grant's "Do You Remember the Time". I can't remember
when I first heard the song, but "Mary's Song" has always
been a favourite of mine. Singing as though Mary herself, Marilla
gently portrays a view through a loving mother's eyes. Once more,
Marilla has served a dish of delights for listeners old and new.
9/10. (November 2004)
MARILLA NESS : The Psalms. (Merciful Love Music : MLM140)
It's a great testament to this lady that she is one of the most requested artists on BBC Radio Humberside's Sunday Breakfast programme. Her gentle vocals give great joy to countless listeners and her albums have proved most popular over the years. This release includes gospel meditations and songs, all linked to the book of Psalms. For instance, Marilla relates how Psalm 6 is the cry of a broken heart, while Psalm 34 tells how the Lord promises to rescue us from our afflictions. These thoughts are then centred with a lovely version of the well known song "As the Deer". Similarly, Psalm 57 reveals David's prayer whilst hiding from Saul. Marilla reads passionately and then sings the beautiful song "The Light in You". It's a simple recipe that she uses yet, somehow, Marilla has just the right song for each reading. Difficult to pick favourite tunes on this occasion but, perhaps, "Oh the Word of My Mouth" and "With A Clean Heart", stand out. A most valuable tool for reflection, meditation, and personal prayer. 9/10. (September 2005, album of the month)
MARILLA NESS : I Believe In You. (Merciful Love Music : MLM143)
It should come as no surprise that this album becomes our Album of the month for May. Over the years, I have had the great privilege of reviewing many albums from Marilla and have yet to be disappointed. This new release is no different and as soon as she begins to sing the title track, there's a warmth and glow that I feel inside. It's a love song to Jesus and says so much that I want to say myself. 'Surely the Presence/Alleluia' is such a simple song but, to me, it brings great peace. Similarly, 'How Beautiful' is just full of joy. Marilla has been blessed with a smooth and engaging vocal sound, which seems to improve which each passing year. I find all the songs so fulfilling that I found it very hard to choose a favourite. Many lift you up and bring you closer to God, and that is very important. 'You Raise Me Up', made popular by Westlife, gets a gentle delivery, while 'Holiding God in My Arms' is sung like a lullaby. There are twelve superb tracks on this album and it finds Marilla at her very best. 10/10 (May 2008, Album of the Month)
MARILYN BAKER : Overflow of Worship. (Kingsway : KMCD2061)
Marilyn Baker is one of the best-known and loved Christian musicians
in Britain with a long list of quality, easy listening releases
behind her. This album, however, is her first worship album with
songs written especially to draw us nearer to God. It's the first
Marilyn album I've heard in quite a while and it's quite a low
key affair. By that, I mean that the record starts and finishes
without ever really either lifting your spirits in any sort of
way. Towards the end of the 14 songs, "The Love of God"
and "Jesus is Lord of All" begins to stir your soul
but, by that time, all you really want to do is make a cup of
tea. By Marilyn's previous standards this is rather a disappointing
release and one that I hope won't damage her wonderful ministry.
3/10. (May 1999)
MARILYN BAKER : Changing Me & Overflow of Worship. (Kingsway: KMCD2388)
Marilyn Baker has been around, what seems like, for years.
I hope she doesn't mind me saying that but, she has! Her music
ministry has taken her the length and breadth of this country,
as well as many others and she's as popular today as she ever
was. Her easy going style is enjoyed by easy listening fans of
all ages and this double CD brings us two of her previous albums
in one package. For those of you with hissy cassettes to replace,
or introducing yourself to Marilyn's music, this is a perfect
buy. highlights of disc one include "The Day of the Lord"
as well as the slow pace of "Can A Mother". Going back
as far as 1982 for the writing credits, Marilyn's writing is centred
on gospel truths and never more so than on disc two where "Seeing
Is Believing" and "Who Paints the Skies" stand
out. Twenty-five songs for you to enjoy and use for personal worship.
Just what the doctor ordered. 8/10. (July 2002)
MARILYN BAKER : All That I Am. (Authentic : 50141 82033621)
Now to a lady who needs no introduction to the thousands who have
attended her concerts or bought her albums over the years. She
is, simply, Marilyn Baker, and her songs are, simply, written
from within. "Open My Eyes" tells of the glory of knowing
that she has a real, living relationship with Jesus. "Unconditional
Love" tells of just that, while "If You Understood"
let's you know just how close God is when he's by your side. From
the songs, I got the feeling that the theme for this album was
personal renewal. There again, maybe it was just speaking that
way to me. "All I Hoped For" is a beautiful little song,
and Simeon Wood's crafted flute playing on "Son of Man"
makes for wonderful listening. Physically, Marilyn may be blind,
but spiritually she sees so much. 8/10. (September 2004)
MARILYN BAKER : Christmas with… (Authentic : 8203872)
Although Marilyn seems to have been making albums for years, this
is her first Christmas production. But, as she says, she didn't
just want to release standard recording of Christmas songs. Instead,
Marilyn has lent her own arrangements to well known carols, hymns
and song, giving them a new lease of life. Graham Kendrick's "Thorns
in the Straw" is a nice song that I don't remember hearing
before, while "Long Time Ago in Bethlehem (Mary's Boy Child)
works well in it's new guise. "The usual "Once in Royal
David's City", "Away in a Manger" and "While
Shepherd's Watched", are all on there, but Marilyn's easy
listening style adds just that certain something. No doubt, her
army of fans will lap up this festive release. 7/10. (December 2005)
MARK EDWARDS : Hymn to Grace. (Kingsway : KMCD2882)
If Mark Edwards is new to you as a performer, you may have come across him as co-writer of a number of contemporary Christian compostions including 'There is a hope' (with Stuart Townend - who says some kind words about the album on the insert), and 'Creation song' (with Kate Simmonds). Both of these songs are included, and feature the excellent vocals of Lou Fellingham. Otherwise however, this CD is an instrumental set - for Mark happens to be an ace piano player, a highly regarded musician and producer on the Christian music scene. This being his debut as a solo performer, he has been able to gather a great group of musicians around him, including Ben Castle on saxophones and clarinet. For me, the first two tracks do not get the album off to a good start - being rather expressionless and soporific versions of 'Great is Thy faithfulness' (solo piano) and 'Oh to see the dawn' (piano, keyboards, cello). Things change considerably for the better however with a superb full-group version of 'Abide with me' done to a gentle jazz rhythm. Other stand-out tracks include 'How deep the Father's love' (great gentle jazz groove), the above-mentioned 'There is a hope', 'Father God I wonder' (set to an almost bossa beat), and 'Lord, how majestic you are'. I found 'Creation song' to be strangely disappointing when compared with the Phatfish version on their 'Unplugged' CD, which features co-writer Kate Simmonds as guest vocalist. Sound quality is superb. A more than worthy first album from Mark then, albeit with the odd track that might best have been left out. 8/10 Dave Deeks (December 2008)
MARK EDWARDS : 'The Mark Edwards Swing Gospel Jazz Orchestra': (Elevation : ICC 1279D)
Towards the end of last year I had kind words to say about Mark Edwards' solo debut 'Hymn to Grace'. Here he returns with his 'Swing Gospel Jazz Orchestra' - this description pretty well describing what we have here, i.e. a largely instrumental album that successfully combines the three styles. Mark continues to show himself excellent at the black and white keys, and is again surrounded by a redoubtable band of talent. Things get off to a rousing start with 'Battle hymn of the republic' followed by 'Wade in the Water'. This may be best known by people of a certain age (mine, that is!) from Alexis Korner's 'CCS' hit in the early seventies. Mark's more laid-back 'Dave Brubeck-like' jazz interpretation makes it the first track in the running order that showcases the talents of bass player Andrew Cleyndert (who has an impressive pedigree, including playing with the Ronnie Scott quartet and sextet). Other tracks that stood out for me, with Andrew's bass again contributing particularly strongly, included 'Put your hand in the hand of the man from Galiliee' and the closing track - the beautifully played 'How great is our God'. 'How I got over' features excellently delivered female gospel vocals, although we aren't told who they are. A shame also that the collaborative writing of Mark with Kate Simmonds on 'Home into your arms' cannot be completely appreciated because this short track is delivered by unaccompanied wordless vocals. A very enjoyable listen however. Production is spot-on, and sound quality superb. Check out www.essentialchristian.com/product_info.php?products_id=29373 . 9/10 Dave Deeks (September 2009)
MARK HARRIS : The Line Between The Two.
INO Records. 000768336526
I really enjoyed this CD right from the word go, it's an album of fairly middle of the road American Rock/pop songs, but the lyrics are the thing that really stood out to me. Most of the songs are about moving on with God, taking that step of faith into the unknown, you get the idea that all of these songs are written from personal experience, and most of them are
quite challenging, and make you stop and think. I would think that most people would b able to identify with these songs. According to Mark's website this is his first solo CD, hopefully he won't just disappear from the scene after one album. If you go to www.markharrisonline.com the
tracks from the CD stream automatically in high quality audio while you are browsing, so you can hear them for yourself. These are the full tracks too, not just snippets. So have a listen I reckon you'll probably like it.10/10 Andy Sayner. (August 2005, Album of the Month)
MARK LOWRY : The Best of… (Authentic : 6178 8425592 3)
Even though the sleeve said "Gaither Gospel Series",
looking at the photograph of Mark on the front cover, I guessed
that this was going to be an American comedy CD. Wrong! Saying
that, Mark does try and be funny on the song "God Help the
USA" where he takes the role of a presidential candidate.
Sadly, the humour doesn't come over that well. On the whole, it's
an album of typical Gaither easy listening, gospel music. But,
every now and again, Mark Lowry shows just what a great voice
he has, especially on "Things to Do". Here, his powerful
vocals sound very much like those of Mark Schultz, and the song
is just wonderful. The first track, "Bein' Happy" and
the ballad "Home" are both sung in southern gospel style,
and you can really get your feet tapping to the former. It's one
of those albums that I find difficult to enjoy, yet can't say
that I dislike it for any reason. I guess that means if you like
Gaither music, you'll enjoy this. 5/10. (November 2004)
MARK MALLETT: Let the Lord Know. (CD from: www.markmallett.com
Mark is a Roman Catholic singer/songwriter, born and brought up in the prairie country of Saskatchewan, Canada, who started songwriting at the age of nine. He has a lyrical touch with a praise song, as witness this offering (mentioned briefly by Geoff in last month's NFN), which is full of worshipful melodies, so full, that it runs to 16 tracks and over 63 minutes of playing time. The opening track, 'All I Am, All I'm Not', inspired by Psalm 51, sets the mood, and whilst some of the songs are a bit repetitive lyrically, they are designed to help the listener to focus on the Lord, and bring him into a place of worship and praise. Some of the songs are already being used in worship, Mark's website reports that 'Lift Our Hands' is a particular favourite with Canadian youth groups, featuring some tasty fiddle by Natalie McMaster, and the songbook, which is available via the website, should be a useful resource to bring Mark's material to a wider audience. Well worth seeking out. 7/10 Trevor Kirk(September 2005)
Now, not a lot comes free these days, so here's something that you can download for absolutely nothing from the web. Mark has paid his dues by playing a number of bands over the years, probably most successfully in the rock outfit Damarius. This 4 track EP had me wondering straight away if he was a James Blunt tribute artist. The vocal quality of Mark is so much like that of the popular mainstream artist, that a comparison is obvious. The songs, too, are in a similar style, but don't let detract you from an interesting debut. 'Back Where I Belong', is about surrendering and coming back to God, and contains some nice rhythms throughout. 'Whole' is a smooth, laid back number, that took a couple of plays but finally grew on me. Of the other two songs, 'Out There' is the best for me. It's simple piano backing gives it an air of prayerfulness and intimacy, while 'Some Place Now' chugs along, telling about how you must find your place in the world and find happiness through the Lord. The recording quality is first class, so I would encourage you to find the website and do yourself a favour. 8/10. (March 2008)
MARK SCHULTZ : Song Cinema. (Word : 080688613624)
Mark's debut album rewarded him with 7 Dove Award nominations
and numerous other industry accolades, such as 3 No.1 singles
- including the delicious ballad "Remember Me". His
follow up album begins with "When the Mountains Fall".
The song proclaims God's glory but, after it's initial power,
the song degenerates into a cacophony of noise that sounds like
the engineer fell asleep during the final mix. However, "Back
in His Arms Again" redeems the failings of that first song
with a real polished performance by all. The duet with Rachel
Lampa, "Think of Me", is quite nice and things really
start to get stronger with "I Have Been There". Schultz's
vocals are very strong throughout but don't carry the same conviction
on "Kyrie Eleison" as elsewhere. The songs reveal the
constancy of God's presence even in the most troubled of times
and, although not brilliant, Mark Schultz can count his second
album a success. 7/10. (April 2002)
MARK TEDDER : Pilgrims Journey. (Kingsway : KMCD 2724)
This is a quality collection of worship songs from a worship leader whose name is new to these ears, as well as this august publication. Mark Tedder has quite a story to tell, having been sent out from his worship duties in the comfort of suburban America to become the worship leader of BICF (Beijing International Christian Fellowship). The liner notes contain an emotive story of his journey, which also serves as an explanation of the album's content. That content is strong, as befits a release from the popular Mission:Worship series, particularly "All For Jesus" and "Let us Be Broken", both of which are as strong a pair of examples of congregational worship as you'll hear all year. There's a good version of Tim Hughes "Be Me Everything" and the title track, a co-write with our own Paul Oakley, is another quality tune. The band of Nashville sessioners, and production by John Hartley, are both top rate, but this is musically fairly standard stuff. The power is in the lyrics, however, where passion and thirst for truth shine through. This is a great resource from the Worshiplanet pioneer. 7/10. Haydon Spenceley. (May 2007)
THE MARTINS : Above It All. (Spring Hill)
After many years of music ministry, and travelling down some of
life's toughest paths, The Martins have garnered six Dove awards
and a Grammy nomination to become one of Christian music's most
critically acclaimed and best-selling vocal groups. Consisting
of sisters Joyce McCollough, Judy Hess, and vocalist Paul Lancaster,
The Martin's manage to tell of God's truths in song, without sounding
condescending. "For the Love" tells of the crucifixion
and has nice mandolin sound to accompany the excellent vocals.
"I Can't Help Myself" is a little more modern country
in style while "Somebody Give Me a Stone" is a light
pop number depicting the story of David & Goliath. The Martin's
may have spread their wings since their conception, but they still
keep a sight of their southern gospel roots, as in the song "Glory
Days". It all adds up to a very pleasant listen. 7/10 (April 2004)
MARTYN JOSPEH : Far From Silent. (Alliance : 190198 2)
I've a l ot of time for this guy because, although he's been given
something of a slating by so-called Christians, he's actually
never once side-stepped the subject of his faith. So he once signed
for Sony in the hope of bigger and better things? If things had
worked out, I would have sooner listened to his thoughts than
the rantings of someone like George Michael. Anyway, now settled
back in the safety of Alliance Music, Martyn has created a wonderful
album, full of typical Joseph-type songs that will thrill fans
old and new. There's a laid back version of Joan Osbourne's "One
of Us", sang with great feeling, and "The Good in Me
is Dead" features just his voice and guitar. For me, the
six and a half minute "Mayor of Candor Lied" didn't
appeal, although the story line was quite good. All in all, Martyn
Joseph pulls no punches and doesn't surprise anyone by sticking
to the tried and trusted formula that works, for him, so well.
"Another Chance" is a beautiful love song that really
should be put up alongside such classics as Clapton's "Wonderful
Tonight" but, sadly, it won't. Instead, those who pack smaller
venues up and down the country to see this gifted artist will
be treated to one of the most special songs of the last twelve
months. 9/10. (January 2000, Album of the Month)
MARTYN JOSEPH : Thunder & Rainbows (The Best We Could Find) 1988-2000.
Just over a year ago, I reviewed Martyn's "Far From Silent"
album and made it my album of the month. 15 months on, he's here
again and I have to give him the same "accolade". This
time, it's a compilation of more than a decade of his best songs.
For me, it's goosebump time as he sings that classic "I Will
Follow", in a live setting. "Change Your World"
is simply acoustic guitar and vocals, but what an impact it has.
"Gift To Me" is really catchy, while "Let's Talk
About it in the Morning" keeps the listener on the edge of
their seat, clinging on to every word of the story which focuses
on marriage. Fans of Martyn will tell you that "Dolphin's
Make Me Cry" should have been a massive hit and it still
has that quality after all this time. The second of this two CD
release moves into the later half of the nineties and highlights
include "Dic Penderyn" and "Hang the World".
"In Between Rounds Girl" has a country feel to it, while
then new "This Is Us" is an instant favourite. For many,
Martyn's concerts are like being in someone's front room - lovely
and intimate. This album is no different and Martyn's back catalogue
makes a lovely album. 9/10. (April 2001, Album of the Month)
MARTYN JOSEPH : Live Don't Talk About Love.
I must admit that on first glance I was a bit disappointed on
reading the track list of this album. There is little here that
is not on the (fantastic) Thunder and Rainbows "best of"
double CD. That said, the live arrangements of many of these songs
give a greater understanding of the writers' original meanings
and I soon found myself drawn into the music. Whether it adds
enough to make buying both of them worthwhile would depend on
how huge a fan you are. My favourite song would have to be the
title track (partly, I admit, because I remember the Greenbelt
concert that it was recorded at). Musically it blends seamlessly
into an inspired cover of the chorus of Tracey Chapman's "Revolution"
and back out again. Lyrically it shows off Martyn's talent at
combining theology with social commentary, and his willingness
to point out the logs in the eyes of the church. Martyn has a
distinctive voice that suits his guitar-based soft rock style,
and I never fail to find his cynical idealism refreshing, challenging
and entertaining. This album was recorded at concerts between
1992 and 2000, and begs the question: When will we get some new
material? This is a good album, great if you don't have Thunder
and Rainbows, but it doesn't scratch the itch that many MJ fans
have to hear his new work. Martyn Joseph live is an experience
no recording could ever really capture, but this comes far closer
to giving glimpses of his humour and intimacy with the audience
than could have been expected. 6/10 (if you own Thunder &
Rainbows) 9/10 (if you don't) Rachel Ganney. (May 2002)
MARY BARRETT : 'A Breath Away...' (Thank You/Kingsway Music).
Here's a lady who's been making great easy listening worship music
on both sides of the Atlantic for years. Recorded in Ontario,
Canada -makes a change from Nashville- Mary Barrett plays us 10
songs, of which 7 give her writing credits. Quiet numbers such
as 'The Great Shepherd' and 'Only For You' are complimented well
by the more uptempo 'It is Done'. 'In My Heart' mixes both of
these styles with a finger lickin' guitar break for good measure.
Fancy a change in your music collection? You'll be pleasantly
surprised by Mary Barrett. 8/10. (September 1996)
MARY DUFF : Love Songs. (Rosette : ROSCD2085)
Mary Duff seems to have been around the music scene for years. Her nice and easy tones have warmed the hearts of many, and this album looks set to do the same. There are twenty love songs on show - some well known, some not. Mary sings them all in her inimitable style and makes the hits of others, her own. Buddy Holly's 'True Love Ways' was an early favourite for me, and Mary delivers it well. Also, 'Torn Between Two Lovers' and 'Talking in Your Sleep' may well melt a few hearts. But, perhaps, her highlights are the big hits, like 'The Power of Love' and Hopelessly Devoted To You'. On 'Have You Ever Been Lonely', Mary duets with Daniel O'Donnell, and strangely, that was possibly the weakest track on the album. 'The One You Slip Around With' was a completely new tune to me, but it has a good country beat, and made it a most enjoyable song. For lovers everywhere, get romantic, with Mary Duff. 8/10 (May 2008)
MARY KATHRYN : Dreams & Visions. (Rhythm House : RHD-7190)
Well, if the festive season has left you wanting something different to the norm, this may well be the one for you. Mary Kathryn's 4th album blends elements of soft pop, rock and folk with world music influences and delivers a delightful array of sounds. She says that she wanted to "create a spiritual experience through music", and I certainly felt that whilst listening. At times, there's a little of the Enya sound, as in 'My Father's World'. It's a sweet song of praise and worship, but there's more to it than just being "another song". There again, I could imagine Fleetwood Mac performing "You Are There" - during their "Rumours" era. It's a smoothly written number, and pulls you into it's warmth. Recurring themes of love, peace, faith, prayer and worship permeate 'Dreams and Visions'. Songs like 'Flying Toward the Sun' and 'Eve of Your Return' have you resting in God's presence, as well as being excited for Jesus' return. Both songs are well written and produced. I wasn't too keen on the sombre sound of 'Wailing Wall' but, there again, I guess it suits the mood Kathryn is trying to portray. In the world of disposable pop music, Mary Kathryn is a breath of fresh air. 8/10. (January 2008)
MARY MARY : Mary Mary. (My Block : 520469 2)
Mary Mary are in fact Erica and Tina, and let's get one point out of the way for a start - these girls can sing. Oh yes. Secondly, they are not shy about declaring their Christian faith. This is the pair who had the massive world wide hit with 'Shackles'. This latest is their third album and is again produced by Erica's husband Warryn 'Baby Dubb' Campbell, who also shares most of the writing credits, as well as doing some rapping on 'Save Me'. It gets off to a cracking start with 'Believer', a song with a pounding urban rhythm and a hook that'll have you singing along in no time, which stays with you long after the album's finished. The excellent sound quality of this opener continues throughout - and there is a lot of variety here, with the second track 'Biggest, greatest thing' being delivered in a 1930's big band 'Ella Fitzgerald' style. Other stand out tracks include 'Yesterday' (no, not the Lennon and McCartney one!) which is a blues ballad with particularly brilliant vocals featuring a chamber orchestra and horn section, and 'The real party' - again with an urban groove. Definitely worth checking out - try www.mary-mary.com (strangely, not found by any search engines I use) to find out more about Erica and Tina, their Christian faith, and this album. 8/10 Dave Deeks(September 2005)
Simply ... MARY McKEE AND THE GENESIS : "By the Rivers of Babylon" (Kingsway KMCD2593)
This triple album is one of the first to be released in Kingsway's new 'Simply...' series, which re-releases tracks by early CCM artists. The sleeve notes remind us that Mary McKee and The Genesis were gospel music pioneers in their native Northern Ireland back in the seventies. A highpoint is the (very short) opening title track, featuring excellent unaccompanied close harmonies. This proves to be untypical
of much of the rest of the album, which is 'light country', featuring slide guitars. Mary's voice is beautifully tuneful and harmonious with a pronounced falsetto that overall reminds me of Kate and Anna McGarrigle, although their music is more individual and original than what we have here. Apart from the title track, songs that stand out for me include "Enduring Love" and "Over There". An irritation is that
lyrics tend to be twee, with well-worn and dated Christian terminology - how about 'what joy it did afford... together in one accord... praising the Lord' for an example! If country music is your thing however, or if you were a fan of the band back in the seventies and have lost your original vinyl or tapes, you could find this a welcome addition to your collection. Tracks can be sampled via www.kingsway.co.uk
. 7/10 Dave Deeks (April 2005)
MATT BROUWER : Imagerical. (Reunion : 02341-0024-2)
In the Spring of 1996, two friends at Bible College in Alberta,
Canada joined together to form a band that would inspire themselves
and their fellow students to grow closer to God. Matt Brouwer
and Tim Milner were those two friends and from it, grew Monday
Night Worship. Since then, the guys have played other colleges
and toured widely. This album puts a collection of their songs
together under Matt's name, who signed for Reunion in September
last year. As an overview, I'd say that it's a similar style to
Matt Redman married to that US/Canadian rock sound. If I'm honest,
it's taken two or three plays to start appreciating the songs
like "Rivers of Mercy" and "Sanity". Instant
favourites would include "New Beginning", "Water",
and the catchy "A New Song". Matt's got a good voice,
the guitar driven sound is good, and the overall production is
sound. Of the slower tunes, "Lead" is probably the best
and I'd like to hear more of those. 7/10. (August 2001)
MAT KEARNEY : Bullet. (inpop)
When the accompanying press release read "the album features
everything - hip hop beats…." My heart sank. I very
rarely get on with hip hop beats, so I wasn't looking forward
to this album at all. But, life is full of surprises, and this
album turned out to be one of them. Because, along with those
hip hop beats are some interesting marriages of style. Take, for
instance, "Undeniable", where a great chorus makes for
a great song. If The Streets can make it to No.1 in the UK charts
with a song like "Dry Your Eyes", then this one should
topple it forevermore. "Trainwreck" and "Girl America"
both have similar sounds, in that Mat raps his way through the
verse but then entwines you around his little finger with a pop
chorus that just draws you in. Not sure about his take on the
song "Renaissance". Here, he talks about a car crash
and I'm not able to fathom out whether there's a message to be
found or not. Maybe I was looking too deep for something? By the
end of the album I was ready for another rap, but what does he
do? Mat turns into a ballad singer, and does it well to the sweet
sound on one piano. You could do a lot worse than to give Mat
Kearney a whirl. 9/10. (January 2005, February 2005 Album of the Month)
MAT KEARNEY : City of Black and White. (EMICMG)
Mat follows up his 2006 album, "Nothing Left to Lose" with this 12 track collection of original songs. Mat's sound hovers close to the standard CCM sound but has a slightly harder edge to it, with more aggressive guitar sounds and a slightly grittier feel. It's an enjoyable listen but I found that the songs don't seem to stick around once the stop button has been pressed. After several listens I can just about remember the opener "All I Have" but after that my recollections are a bit more hazy. It's a shame because Mat has such a good pedigree and overall, it is pretty good, but just not memorable. Added to that, the overal sound is a bit thin, with lots of middle and not a lot of bottom end. It could do with a bit more guts to it to better emphasise the overall feel. 7/10 Robin Thompson (August 2009)
Born in Zimbabwe, but now residing over here in the UK, Matt committed his life to the Lord shortly after his 13th birthday. His early songs were used to bless his local church, and he has appeared on both South African TV and radio. This album, recorded at Appletree Studios, sees Matt present us with 11 songs, ably assisted some competent musicians. Instantly getting you singing along is "Cling to You" - a nice opener. Matt's acoustic guitar playing has a touch of David Gray style about it, and it's most noticeable on the worship song "Wait Upon You". The song also features some lovely backing vocals from Nancy Sawyer. It's a very personal collection of songs, which seems to depict the singer's own relationship with God, warts and all. The title track tells of "flying" to God's, loving arms, and it's a song that grows on you the more you listen. Matt tries something a little different with the piano led "I Fall Down", but I personally found this to be one of the weaker moments. On the whole, Matt proves that he can not only sing well, but writes some very good songs, too. His hardest task will be to match this quality in the years to come. 8/10. (May 2006)
MATT McGEE : Worship Through the Valley. (Visionring 757754012246)
This is an album full of fairly personal worship songs, which
are obviously written from experience. It's a fairly laid back
type of style on the whole, the kind of thing you can put on in
the background while you're doing something else. It's mostly
a kind of acoustic guitar led rock album. There is one really
annoying track which has a kind of reversed tambourine being hit
at the end of every line which goes from one side to the other,
it's tedious after the first couple of times because you always
know it's coming. Apart from this, and a couple of songs that
never seemed to know when to end, this isn't a bad CD. So, not
the kind of worship that you can sing along to really, but an
honest attempt to explain what goes on inside. 6/10 Andy Sayner. (April 2004)
MATT REDMAN : The Friendship and the Fear. (Survivor : SURCD001).
Matt needs little introduction to most people, as he is one of
the most popular praise and worship leaders in the country today.
However, like his stable mates Delirious?, I personally find his
songs quite bland. This release begins with the tried and tested
"There is a Louder Shout to come", and is followed by
the uptempo style "Believer". "Bowing Down"
left me cold and I didn't really feel anything until "Can
We Walk Across the Water". There's nothing theologically
wrong with the lyrics and I am not denying that many find this
man's gift inspiring, but it's not for me. "Deep Calls To
Deep" is another highlight on an album that has too many
instantly forgettable tracks. 4/10. (September 1997)
MATT REDMAN : Intimacy. (Survivor : SURCD008)
I must have been one of the few people who didn't think that his
previous album, 'The Friendship & the Fear', was anything
out of the ordinary. Therefore, I wasn't expecting too much from
this new release. However, as on many occasions over the last
three years, I was pleasantly surprised by what I heard. Matt's
idea with this release was to get a reverent closeness with the
Lord, and what better way to start than 'Let Everything....'.
This song is very upbeat and leads into a great time of worship.
The second half of the album is, by far, the best. The superb
'The Heart of Worship' is really brought to it's peak by Matt's
songwriting abilities. 'Now to Live...' is very good, but the
depth and quality of the 'Hallelujah Song' is just something else.
If this album launch is to project Matt's music into America,
they just may well succeed. 8/10. (July 1998)
MATTHEW MACAULAY : As for Me. (Authentic : 8204792)
Matthew is a worship leader based in Chorleywood, UK, and this is his debut album featuring 11 original worship songs. As a young and upcoming worship leader one might expect something with a unique sound, edge and approach but, surprisingly, I found this album to have none of those. Matthew is credited with demonstrating a maturity beyond his years, which is great, but unfortunately this seems to manifest itself on this album by giving us 11 songs that sound rather dated, if I'm honest. The first two particularly, "With all my Heart" and "God you are my God", echo the eighties worship albums from Spring Harvest with a little bit of Matt Redman thrown in. Things start to get a little more Vineyard in sound as the album progresses but then so many others are trying to emulate that, so I was still hoping for something fresher and more unique. Maybe expectations have coloured my perceptions of this album - maybe this really is excellent but I can't see because I'm disappointed - I'm willing to accept that it may be the case. However, whilst I cannot doubt that these songs are probably a hit in his home church, I have to wonder if they have the potential to have a wider appeal than that. 6/10 Robin Thompson. (December 2008)
MAYFAIR LAUNDRY : Scrub. (Pamplin/Word : CD ORCD9725).
Based in California, USA, Mayfair Laundry formed over 2 years
ago when the critically acclaimed band Clay House drew to a close.
Three of the band have now been joined by Shannon Woolner, who's
vocal contributions to this album lean very much towards the sound
of No Doubt. The opening "Bucket Brigade" begins with
a brass ska sound that is only once more visited in "Wavy
Gravy". There's almost a mad feeling about "I Want lovely
Feet" - to follow in Jesus' footsteps - and "Swing Your
Partner" but it's the acoustic based "Wonderful Wonder"
that makes you really sit up and take note. Catchy, simple, easy
going, and one you will want to play over and over again. It's
guitar driven pop, on the whole, with the aim to reach teens and
encourage the church. Not an instantly likeable album., but it
has started to grow on me. 6/10. (June 1998)
MELANIE : Deep. (Maranatha : 50285 1903012 2)
So, following the recent chart success of Stacie Orrico, we find
another young lady trying to capture the teen market, with pop
songs based around the Britney Spears sound. Melanie has, it appears,
been recording for years, but this is her first major release.
The songs are, sometimes, rather quirky but each one carries a
simple gospel message. The opening "1..2..B With U (see how
the spelling's done?) is one of the best on the album and is a
testimony of the Lord she wants to follow.. also high on the list
of goodies, is the slower "Do They See Jesus In Me?",
where she questions how she lives as a teenager in today's world.
"@ the C" has an infectious Arabic sound to it while
"U 4 Me" has a more rockier feel. Both songs are quite
catchy and I can see the younger market enjoying as a whole. 7/10. (June 2004)
MERCY ME : Almost There. (INO Records : 080688613327)
Formed in 1994 Mercy Me were originally based in Oklahoma City.
At the invitation of an evangelist friend in Dallas, the band
moved to Texas and quickly found themselves playing as many as
200 dates in a year, with their and worship with a modern rock/pop
flair. For this 7th studio album, Mercy Me combine layered guitar
work, with plenty of synths, and percussion that, I believe tries
to produce an attack minded CD. Does it work? Well, no! It took
me three listens to pick out anything positive about the finished
product, bar the lyrical content. Their rock approach is just
so dated - a sort of early 90's version of Split Level without
the polish. Personally, I eventually found their slower numbers
like "Cannot Say Enough" and "House of God"
to be the best. "Almost There", for me, just turned
out to be one of those albums that really meant very little. Sorry.
2/10. (August 2002)
MERCY ME : Spoken For. (Integrity : 621827)
When I received this album it showed me just how jaded and cynical
I have become - my first thought on seeing the picture of the
band was that "they must be Christians because they don't
look like they just stepped out of a magazine". Hmmm …
But enough aesthetics, what about the music? Well, Mercy Me have
3 Dove awards under their belt as a result of their debut album,
"Almost There", and this follow up has garnered five
further nominations so the pedigree is certainly there, and the
sound is certainly slick and well-presented. There are a few shades
of Delirious? in there, as well as a smattering of other influences,
but it never seems quite sure where it is going and too many songs
sound too similar particularly in the first half. The quieter
songs are the highlights, with some excellent use of melody and
harmony, and "The Love of God" especially is a beautiful,
worshipful song. Overall impression - lyrically strong? Yes. Uplifting?
Certainly, but all a bit too "CCM by numbers" for me
to get really excited. 7/10 David Cooper (April 2003)
MERCY ME : Coming Up To Breathe. (INO : 38722)
How many times do you play a CD for the first time, and simply sit there with a satisfied smile on your face? This is undoubtedly the best album that I have had to review for NFN. Mercy Me are a rocking Canadian band led by the tremendous voice of Bart Millard. Regular readers may recall that Bart's 'Hymned' project gained a fairly lukewarm review from me a while back. Here he heads something entirely different, and this is clearly where he belongs. Going mainstream in 2001, Mercy Me have evidently become one of the most popular Christian bands across the pond. Whilst I understand that previous offerings have featured a pop/rock sound, here they head into full-on rock territory whilst still including some slower numbers. The impression throughout is that the Mercy Me members really know how to play off one another. All aspects of the performance are so tight and simply 'together', and production (by the justifiably well-known Brown Bannister) and mixing so professional, that it shows other bands how it should be done. As well as delivery being so spot-on, writing is grown-up and polished - including lyrics that skilfully reflect personal crises that some of the band members have evidently been through recently. It is difficult to pick stand-out tracks because the whole album is so good. For me, 'Safe and Sound' came over particularly well on first listen, and I found 'I would die for you' to be an especially strong arrangement. 'One trick pony' doesn't quite measure up to the rest in my view, but it's a close thing. What a boatload of talent. And they even have an excellent web site www.mercyme.org. Excuse me while I press 'play' again .... 10/10 Dave Deeks. (September 2006, Album of the Month)
MERCY ME : Almost There Platinum Edition. (Ino Records)
Alright, hand on heart time, I'll admit it: I was pre-disposed to slate this record. I hate the (seemingly) cynical way in which record labels release an album, wait a pre-decided period of time and then re-release said album, perhaps with a few extra songs, maybe even a hastily-shot dvd, all the while safe in the knowledge that the devoted fans of said album will rush out and purchase, the re-released album, which is essentially the same product but with different packaging. All of which is not to say that "Almost There" the debut INO Records album for American band Mercyme is no good. Far from it, the album contains several top songs, including "I Worship You", the stonking "House of God" and of course, "I Can Only Imagine" which, in part at least, seems to be the reason for this re-release. What you actually get with this package is the whole original album, plus a bonus disc with three versions of "I Can Only Imagine" which differ in varying ways from the cut on the album, along with illuminating song by song and history of the band chats with lead singer Bart Milliard, and the video for that song. If you're a fan of Mercyme, you probably already have the album. I wouldn't be sure whether to recommend this release to you or not, as while the interview segments are interesting, and caused me to see the band in a much more positive light, they probably don't say anything utterly groundbreaking. I did find myself being drawn in to the band as I went through this release, however. Overall, points to the band for originally making a thoroughly essential modern worship album, but major complaints to the label for its cynicism in pushing another edition of the album on an already-saturated record buying public. 6/10. Haydon Spencely (March 2007)
MERCY OVER ME : Catch the Fire, Toronto. (Kingsway : KMCD2531)
Ten years after the first Catch the fire conference, the largest
gathering in it's history took place in October 2003, to show
that God's business is still very much at the top of the agenda
in Toronto. Worship leaders Robert Critchley, David Ruis, Tom
Lane, and Jeremy Sinnott are joined by a cast of thousands for
this latest recording. Now, I've always enjoyed these albums in
the past but I found this one to be a little tiresome. There's
no excitement during the first two songs, and the new version
of "O Worship the King" wasn't much better. Indeed,
it's track 5 before any real spark ignites the fire. Tim Hughes'
"Beautiful One" really sets the place alight and you
really believe that those gathered have "caught the fire".
There's some nice guitar and keyboard work on "Jesus Shall
Regin" but it's the last song that will stay in my memory.
"Can't Help" is just full of praise and power and reminds
me of Robin Mark first singing "The Lion of Judah" a
few years ago. A patchy, rather than a polished, affair. 5/10. (April 2004)
MIC : Good Night...God Bless. (Integrity : SARCD137)
MIC were giants of the South African youth music scene until they ended their career at the end of 2007. Now just over 1 year on & they have released Good Night...God Bless; a greatest hits compilation, featuring 10 of their best loved tracks. Instead of just plonking 10 golden oldies onto a CD, their founder Steve Rothquel recruited 8 former band members & re-recorded the lot, keeping the production much more fresh and relevant than they might otherwise have been. The music generally has a commercial dance/pop flavour & the formula has worked particularly well on tracks such as "Brand New Day" & "Lollypop" making for some very catchy & addictive beats which can have you humming/singing along before you know it! The is a slight downside in that some tracks can blend in to one another & touch on being slightly cheesy / boy band-ish which can get a bit irksome after a while ("Catch Me" being a prime example). You certainly can't knock this package for value as there's also a DVD containing a documentary, music videos , live footage AND 50 of MIC's hits in MP3 format which is corking value for your hard-earned cash. I saw these guys live in 2007 at New Wine just before they disbanded & they really did get the place rocking with kids & adults alike getting fired up for Jesus which was an awesome experience. Unlike many bands formed in the 80s though, it's doubtful there'll be a series of reunion tours, etc so the likelihood off seeing anything else from these guys is slim. Such a shame! 9/10 Simon Redfern (May 2009)
MIC - Re-Invention. (All Access Records : SARCD110)
This is the 12th album from the South African based trio MIC (although, rather confusingly, there are four in the band on this album). The first track "Re-invention" is pretty good, and has a Duran Duran meets Depeche Mode sound to it. This is by far the strongest track, the rest unfortunately not really reaching the same standard. This album is strongly rap oriented, but lacks the catchy hooks and melodic influences that characterise the current direction of this genre even though they make a valiant attempt with "Bottlerocket". Lyrically it's good, but musically it doesn't excite. The band took a different approach to this album and I'm left with the feeling that in this case, it didn't quite work. 4/10 Robin Thompson. (May 2006)
MIC : Snapshot (Integrity : SARCD124)
Over the course of many years, and a dizzying number of lineup changes, South Africa's MIC, led by Steve Rothquel, have proven themselves a durable and creative force in the dance/pop scene. More than that, it's apparent that the strong ministry values at the core of the organisation have led to many thousands of lives lastingly changed. Like compatriots Tree63, MIC are a prime concern in their homeland, but remain relatively under-appreciated over here, despite regular visits to summer festivals. After their recent stellar DVD release, the new album from the current lineup (completed by Theran and Pete), is another strong entry in their growing canon of groove-laden pop music. Mixed by former Tribe aficionado Zarc Porter, there's not a weak cut here, from the opening party starter "Get Up", to the guitar-laden "Sake of Love", right through to the soulful "Don't Change", this is R&B infused with the hooks and harmonies so beloved in the charts at the moment and, unsurprisingly, with the production values to match and even surpass their more vaunted contemporaries. Lyrically, this is aimed squarely at the teen/young person's market, but that does not suggest by any means that the more experienced listener will struggle to find candy for the ears and food for the soul. Closed out by a couple of remixes, as well as tracks from "The Captain" and "Steve Solo" which appear to be signs of things to come from forthcoming solo records out on the bands' label, All Access Records, this is a strong package. Apart from anything else, the ministry undertaken by bands such as MIC should be applauded and supported, but the sheer quality of this record means it should be sought out on its own merits. 8/10. Haydon Spencely (February 2007)
MICHAEL & CHRISTINE HARCUS with Friends : Green Pastures. (Island Image Records : IIR003CD)
Until a couple of weeks ago I was new to the name of Michael Harcus. Then Geoff Howlett reviewed his latest CD in last month's NFN, I saw two of Michael's songs in the NCM Euro charts, and this earlier 'Harcus' CD popped through my letterbox! Based in the Orkney Islands, here Michael brings us a selection of songs mainly in the traditional/old time gospel style. Writers include Loretta Lynn, Ricky
Scaggs and Rich Mullins - with one particularly 'hootenanny' track written by Michael himself. Michael has a voice that really does communicate, and he and Christine certainly have the right friends when it comes to making a CD. Other members of the Harcus family also contribute, with Kenneth on bass guitar and drums, and John singing bass vocals on a couple of tracks. Much use is made of vocal harmonies, very well done. Mandolin and 'country fiddle' also feature -
the latter to particularly good effect on 'Far side bank of Jordan'. Several times, Ken's inventive drumming adds particular interest. Whilst much of the musical style presented here is not really my thing, the quality of the performance, production and sound is such that I soon found myself enjoying it - the best tracks for me being "Green Pastures" and "Where Could I Go". For more info about Michael and his band, visit www.michaelharcus.com . 7/10 Dave Deeks (July 2005)
MICHAEL ANDERSON : 'Love Is the Hard Part'. (Forefront/Alliance).
He's been around for years but this is the first album that I've
ever heard from Mr Anderson. He starts of with a song that could
have had me believing that I was listening to Michael W.Smith,
- the title track. An upbeat number with a catchy chorus. There's
a great jingly jangly guitar opening to my favourite track 'I
Know It's Not the Rain', but he then goes completely off the rails
with a rock ballad that is simply dreadful! Great messages of
faith in the lyrics of 'Shot Down' and 'Fighting to Surrender',
but Michael shoots himself in the foot again with the moody six
and a half minute 'Revival' - more like 'Relapse'. It's not a
bad release but, again, I feel he could do a whole lot better.
6/10. (August 1996)
MICHAEL CAMERON : Fragile. (New Dawn : NDD003).
New Dawn Music's 3rd release comes from an Irishman who, on the
whole, is largely unknown in mainland Britain. Mind you, who had
heard of Robin Mark a couple years ago? In contrast to Mr Mark,
Michael Cameron is a little more folk orientated but not in an
old fashioned style. With Louise Wilson's excellent backing vocals,
it's hard not to compare the resulting sound to a stipped-down
Deacon Blue. Great harmonies, wrapped within some very catchy
lyrics, will have you tapping your foot along with songs such
as 'Someone Who Can' and 'Anywhere'. 'Rescue Me' is a song that
pleads for forgiveness, to a heavenly Father that we've let down
so many times, and the title track continues the feeling. Michael
himself, is a t ease with most of the vocals and he certainly
has an engaging voice. I just thought that the quality of the
some of the songs dipped a little and, therefore, made a good
album of what could have been even better. 7/10. (January 1999)
MICHAEL CARD : Strarkindler - A Celtic Conversation Across Time. (Alliance)
Michael Card's 20th album sees this prolific writer turn his hand
to Celtic music as he uses ancient melodies and traditional lyrics
from a cross the centuries to reset 8 hymns. The album includes
only one of his own compositions, the title track, which is one
of the highlights for me. The album contrasts with his usual style
of folk songs, with layers of vocal harmony, by using traditional
Celtic instruments, some of which he plays himself and a softly
sung vocal. The album begins and ends with 'Be Thou My Vision'
and was not quite what I was expecting from Card, but it is definitely
listenable and very suitable as mellow background music with a
lilting style and timeless lyrics. The other highlights for me
are 'Jesus Lover of My Soul' and 'I Heard the Voice of Jesus Say'
which have upbeat themes. The record represents a worshipful conversation
and recognises God's authorship of creation. 7/10. Rose Waring.
(December 1998)
MICHAEL CARD : Telling the World! Word : (TIME029)
Michael Card's light-folk style has always promoted his clean
cut, wholesome, Christian values. I first came across his music
in 1990 with the release of the wonderful "The Way of Wisdom".
This budget priced release is a compilation of some of his earlier
work and includes classics like "El Shaddai" and "I
Have Decided". Despite the fact that the whole thing begins
with a little kids song, the quality of the songs are quite high.
You can tell how Card's songwriting abilities have improved over
the years but there's still plenty to get your teeth into here.
"Abba Father" sounds incredibly like REM's "Losing
My Religion" and "don't You Know had thinking along
the lines of an early Beatles sound. The prize track, in my mind,
is "Jesus Loves Me". Upfront, unashamed lyrics, and
a tune that will have you foot tapping straight away. From full
blooded orchestral backing to simple acoustic led songs, Michael
shows that his song - on the whole - have stood the test of time.
7/10. (June 1999)
MICHAEL CARD : Scribbling in the Sand. (M? Communications)
With the sale of over 4 million records and 400,000 books over
his twenty (20) year career, Michael Card's response to God's
creation has clearly impacted many, but with his new project Scribbling
in the Sand (CD/DVD/VHS), Michael Card invites his audience
into the creative process which has inspired him. A live album
featuring some of the best of Michael Card's classic material,
Scribbling in the Sand is accompanied by a companion video
of the private concert taped in Nashville in the Fall of 2001, (July 2002)
MICHAEL CARD : Scribbling in the Sand. (M? Communications)
With the sale of over 4 million records and 400,000 books over
his 20 year career, Michael Card's response to God's creation
has clearly impacted many. "Scribbling in the Sand"
is a live album featuring some of the best of his classic material,
recorded at a private concert taped in Nashville in the Fall of
2001. It kicks off with the classic "El Shaddai" and
then tumbles from it's great height with dull and uninspiring
offerings such as "Immanuel" and "Soul Anchor".
Guest artists appear every now and again, with Phil Keaggy adding
to the album's purple patch - including "The Poem of Your
Life". As a fan of Michael Card, I found this live album
to fall rather flat with previous favourites like "Love Crucified
Arose" and "Sunrise of Your Smile" just not making
the grade. To be honest, you'd be better off paying more but buying
the original albums. 3/10. (August 2002)
MICHAEL ENGLISH : The Prodigal Son Comes Home. (Curb : 8790262)
I guess most people will remember Michael's, much publicised, fall from grace a few year's back. The title of this new album tells of his renewed relationship with God, and the thanks for a second chance. Indeed, both 'Sanctuary' and 'The Prodigal Son' must be very personal songs, and Michael sings them with great passion. 'Feels like Redemption' is self explanatory, and I loved the song 'The Only Thing Good in Me (is Jesus)'. His voice seems to be better than ever, and he effortlessly caresses ballads such as 'Redeem Me' and 'Time'. I remember feeling very sad when Michael disappeared from the CCM scene, but this album see's a reborn Michael English doing what he does best. 7/10 (April 2009)
MICHAEL GUNGOR : Bigger Than My Imagination. (Vertical Music : 28172)
Michael Gungor is the son of a pastor and worship leader. A student of music since the age of 10, he has led worship since his high school days. Michael credits his musical development to his parents in particular, but also worship leaders such as Israel, Tommy Walker and Darrell Evans. Personally, I found his sound to be very much like that of Chris Tomlin, grasping those Bible truths and wrapping them within an up to date sound that can stir the listener. "Friend of God" could be sung in any church, and easily learnt. I'm sure it would be very popular wherever it was performed. The title track sums up just what God means to him while "Move Me" prays to be brought closer to Him. Mid-album, Michael seems to loose his way a little with some jazzy and latin effects that aren't as good. "Little Kingdom" lasts for more than 6 minutes and fails to inspire but "Beautiful Face" lays bare the face of the Lord for a true act of worship. Apparently Michael used to suffer from shyness, speaking and singing to large groups, lets hope this album sees his music get the recognition it deserves. 7/10. (March 2005)
Michael Harcus and his wife Christine live on the island of Westray, which is one of the northern isles in Orkney. In 1998 he released his first album called "There Is", and received invites to play in prisons, church's and events. Since then, he's toured Scotland regularly and now releases this latest CD. The songs are unashamedly MOR, but there's a certain quality contained within each. Also, Michael manages to squeeze the best sounds from each individual instrument such as the mandolin on "Love Didn't Come Easy" and the guitars on "You Are God". Perhaps the most radio friendly track is the 60's sounding "Never Walk Away". It's got a great hook, a catchy tune, and I was singing along almost immediately. At times, Michael's vocals remind me of James Taylor, with a warmth and quality, especially on "Keep Me From Falling - a shuffling type of song! It's always pleasing to hear new British artists, and especially pleasing when they're as bright as Michael Harcus. 8/10. (June 2005, Album of the Month)
MICHAEL HARCUS with FRIENDS : One Day I'll Know. (www.michaelharcus.com)
This is the 5th album from Orkney based Michael Harcus and what a good one it is too. With gospel harmonies and contemporary country styles, he weaves a clever array of sounds that is pleasing to the ear. On the opening "Carry Me", he uses only piano to back his engaging vocals. Meanwhile, the title track carries a fuller, richer sound with some effective guitar playing too. The album's purple patch comes mid-album with the uptempo country song "I Believe, I Believe". It's a good song and begs for radio play. A female vocal takes the lead on the sweet "Ten Thousand Angels Cried" but it's those country songs that really stand out. "Why" is a thoughtful, mid-paced number while "God Is Good Isn't he" and "Higher Are Your Ways" contain simple biblical truths. Michael isn't scared to state the obvious in his songs, but he has an effective way of conveying an evangelistic message without it being "in your face". In my humble opinion, if this man lived in the US, he would already have a recording contract. As it is, let's be thankful that he shares his music so freely here in the UK. 9/10. (January 2007, Album of the Month)
MICHAEL HART : The Heart of the Matter. (CD £9 Cassette £7 from: Soul Keeper Records, 5243-57 A Street, Ladner, British Columbia, Canada, V4K 3H2).
"He has a nack for writing catchy tunes"....the record
"emanates strength and faith".... "He shows his
convictions openly & in a way that touches your heart".
These are just three quotes from the many wonderful reviews that
Michael received when this album was first released in Canada.
As for writing "catchy tunes", I can confirm that this
is the case, as he shows in both "The Righteous" and
"You Are My Confidence". "Paper & Phone"
has a tropical feel to it, as Michael comes up with a story like
ditty about media dating. His tenor vocals are slick and precise
throughout, with "I Had No Idea" being one of many strong
points. Here, Hart's lyrics tell of life's journey, his music
providing the perfect accompaniment. Just one track out of ten
that I didn't rate, that holds this release from being my album
of the month. If, as he hopes, Michael returns to the UK next
year for some concert dates, be sure to check him out. In the
meantime, check his sounds. 9/10. (May 1998)
MICHAEL HART : Dulcimer Light Christmas. (CD £9 Cassette £7 from: Soul Keeper Records, 5243-57 A Street, Ladner, British Columbia, Canada, V4K 3H2).
Since I first wrote about this singer in NFN earlier this year,
Michael Hart has continued to win friends wherever his ministry
has taken him. A recent Cross Rhythms review of his previous release
"The Heart of the Matter" only confirmed the well deserved
interest that this man is gaining. Released in his home country
last year, "Dulcimer Light" is not just another artist
jumping on the Christmas bandwagon. True, well known songs like
"Joy to the World" and "Angels We Have Heard.."
are included but, given the Michael Hart style. Listening to it,
you can close your eyes and imagine a typical family Christmas,
sat around the tree and a roaring log fire in the background.
On the other hand, there's enough carefully thought out music
and lyrics to touch the heart of many. Other, less familiar songs,
are just as impressive with Michael adapting the sound of the
dulcimer to carefully wrap each track with care. Well worth your
effort to order. 8/10. (November 1998)
MICHAEL HART : Lord of the Mountain. ($20 from: Soulkeeper Music, 5243 57A Street, Delta, B.C. V4K 3H2, Canada. Secure server: www.stairway.org/mhart2/michael.html).
When you think of Canada, what to associate with it? Mounties?
Ice Hockey? If you do, then, you're missing out on a lot of good
Christian music. One of the many talented - and often underrated
- artists to come out this country is singer/songwriter Michael
Hart. For this, his 5th album, Michael collected some fine musicians
around him and recorded most of the sounds live. With his trademark
dulcimer featuring throughout, he and the band present a collection
of songs in the style of contemporary hymns, blues, jazz, light
pop, and sweet harmonies. Michael's voice is rich in tone and
is immediately on top form with the opening "I Put My Trust",
where piano and acoustic sounds are so fresh. The title track
includes some lovely violin and "Call Me" really soothes
all inside you. Lyrically, Michael writes from having a deep longing
to serve a loving God and from enjoying the beauty of such a relationship.
Two short instrumental pieces are a welcome addition to the running
order, while "Praise Him" and "There Is Forgiveness"
stand out towards the end. Overall, it's an album that should
see Michael's music reach far further than the boundaries of his
native Canada - it just needs someone to sit up and take note.
9/10. (June 2000)
Canadian based singer songwriter Michael Hart has a clear track record over the last 20 years from both secular and faith based press. His previous albums have been sweet music to the ears of this reviewer and I'm pleased to say that this new offering continues the trend. "You Are the One" kicks things off in alight pop mode in praise of the Lord, and I think that it's a prime choice for radio play. "Psalm 20 Dance" has a Celtic sound to it, which is repeated on "Glory to You Lord" - where Michael also displays his dulcimer skills. Mid album there's a couple of jazz-blues tracks which I personally didn't find as enjoyable, but they're very competently done. His themes for songs are very straight forward in Christian terms and therefore the lyrics are easy to digest. His musical styles also include a little bluegrass, which plays well on the title track. Indeed, this song was nominated for Best Folk Roots Song of the Year at the recent Calgary GMA. Other songs of note are "Healer", "Who Is A God Like You" and "My Soul Finds Rest". The former is a pretty little song and one I found myself humming long after the CD had finished. Michael's high tenor voice is a delightful sound, and this album deserves to be heard by a much wider audience. 9/10. (December 2006, Album of the Month)
MICHAEL NEALE : No Greater Audience. (Integrity : 41752)
Recorded live at the 11,000 member Christ Fellowship in Palm Beach Gardens, Florida this album sees Dove nominated worship leader Michael Neale's 4th Integrity release. And, what a fantastic release it is too! After a short introduction, Michael launches into the powerful "You Amaze Me" - a song that would grace any God centred gathering. "As For Me" is unashamed, buoyant praise while the brilliant "I Am Yours" feels so full of the spirit as you submit to God in your life. Michael doesn't use fancy words to convey his message but he cleverly uses every day language to praise and worship and almighty Lord. There's strong worship in "I Will Dwell" and, just when you think it can't get any better, what a terrific song "Beautiful King" is. The songs on this album are just pure quality. They moved me very much, and how I wished I had been at the live event. A must have album if ever there was one. 10/10. (August 2008, Album of the Month)
MICHAEL SPEAKS : "Praise At Your Own Risk" (Word: 080688605)
This is the debut gospel album from a remarkable vocalist/composer/producer
Michael Speaks. His singing career was launched in 1995 when he
was discovered singing in a New York subway system/ His critically
acclaimed album "No Equal" positioned him as an R&B/pop
star. Now, he's returned to his roots and this son of a Pentecostal
preacher delivers music in similar vein to that of Mary Mary and
Destiny's Child. I'll come straight out and say it that the album
is not my type of music - never has been. There again, the recent
Tonex album was a real pleasure to listen to. Michael Speaks gives
gospel funk and hip hop in the shape of "Jump" and "Born
Again". The opening "I Just Wanna Dance Now" won't
fail to get your feet tapping and he delivers the same message
throughout the 10 songs. His lyrics are very strong and, sometimes,
very simple. If you got a problem, that's no worry, just "Praise
Your Problems Away". In similar vein the title track says
that you "Praise At your own Risk" - don't be surprised
at just what wonders God will do when you really start to praise.
No, not my cup of tea, but strong songwriting on show. 6/10. (February 2001)
MICHAEL SWEET : 'Real'. (Nelson Word)
For me, the name of Michael Sweet still conjures up those exciting
days of finding my first CCM rockers, clad in their yellow and
black spandex and playing some great songs. Following his first
solo album, Sweet is back with an album that his record company
compare to Bon Jovi. Well, let me tell you, there's no way Jon
Bon Jovi would want to be compared with this. If that first solo
album was disappointing, then this one is even more so. He does
give a good account on the revamped 'Always There For You' and
the Stryperesque "Second Chance", but there's so much
weak material here, it's hard to pick out any more worth listening
to. Sorry. 3/10. (April 1996)
MICHAEL W. SMITH : Live the Life. (Reunion : CD10007Y).
One thing you can be sure of, a quality recording from Smitty.
Yes, this is no exception as the No.1 best selling male artist
produces another fine album of songs. Pop, at it's very best,
is apparent from the start, especially with the opening 'Missing
Person', which asks why your child-like faith has to disappear
as you grow? The hit US single, and title track is another top
tune that oozes class and shows just why it was such a smash.
Pairing up with the likes of Brent Bourgeois and Wayne Kirkpatrick,
the quality of the writing never dips on other greats as 'Don't
Give Up' and the truely tremendous 'Hello, Good-Bye'. This is
an album that you'll play over and over again. 10/10. (Album of the Month, July 1998)
MICHAEL W.SMITH : Christmastime. (Reunion : 02341 00152).
I'm sure it must have seemed like ma good idea at the time but
what possessed Smitty to record this album is beyond me. Just
how many versions of 'Jingle Bells' and 'O Come O'Come Emmanuel'
can one stomach? 'The Happiest Christmas' reminds you of those
tacky American TV Christmas shows were the artist mimes to a record
while happy families frolic merrily in the surrounding snow. There
is, however, a plus side to the album. The title track was is
written by Joanna Carlson and is one of the best, new Christmas
songs to be released in ages. Full choir backing, gives it an
old fashioned sort of feel and Mr Smith does the rest. It's great
and should be a massive hit. 'Carols Sing' is another highlight
amongst this rather bleak offering that I certainly wouldn't want
to find in my stocking! 4/10. (December 1998)
MICHAEL W. SMITH : This Is Your Time. (Reunion : 02341 00412)
Studio album number 13 finds Michael in his usual fine form, producing
a collection of songs ranging from pop ballads to guitar driven
anthems. "Hey You It's Me" is a prime example of the
latter, co written with 80's chart man, Nik Kershaw. The title
track was inspired by the tragedy of Columbine High School, Colorado,
and Michael challenges us to live every moment and leave nothing
to chance. Chris Rice, Cindy Morgan, and Wayne Kirkpatrick have
all helped Smithy to produce some excellent songs and keep to
the standard that we come to expect from the "King of Christian
Pop". Even the throwaway love song "I'm Gone" is
nothing short of a classic as he really gets over the message
of what true love is all about. Another hit, no doubt. 9/10.
(February 2000, Album of the Month)
MICHAEL W SMITH : Freedom. (Reunion : 02341-0002-2)
When you think of Michael W Smith, you immediately think of classic
pop music. But, for nearly two decades, Michael has dreamed of
making an instrumental album, and this is it. Using a famous letter
written by a soldier in the American Civil War, he has written
pieces that tell of the bloodshed, the battles, and the love contained
within. The title track itself is on such example where you can
almost hear the bitter struggle of guns and cannon's firing. "Carol
Ann" has to be my favourite piece of music, totally inspired
by the death of a close family friend. It's a beautifully orchestrated
piece, led by great piano playing. In fact, it's so good that
it sounds as if it's come straight from an epic film score. "Hibernia"
is more like "Riverdance". Close your eyes, and you
could almost visualise hordes of Irish dancers, kicking and leaping
across the stage. "The Call" gets a wee bit messy for
my liking, especially when a rogue guitar is let loose, quite
spoiling the whole effect. But, with other pieces like "The
Giving" and "Thy Word", Michael has produced a
something that will surprise many. 9/10. (February 2001)
MICHAEL W. SMITH : Worship. (Reunion : 602341002523)
A crowd of nearly 8,000 filled Carpenter's Home Church in Lakeland,
Florida to take part in Michael's live praise and worship album.
Artists such as Amy Grant, Mark Schultz and a host of others joined
him on stage as part of a 23 voice choir. The result is one of
the best contemporary praise and worship albums that you're ever
likely to hear. I'd already heard "Above All" and what
a great track that is, so powerful. Even Matt Redman's "The
Heart of Worship" has new life with a quite moving and astonishing
version. The middle part of the album is the real purple patch
which includes "Let It Rain", "Angus Dei",
and truly awesome version of Rich Mullins' "Awesome God".
As I listen to albums, I jot down notes and, as I read mine for
this album, words like "brilliant", "wonderful"
and "excellent" constantly appeared. I guess that sums
up this release perfectly. 10/10. (November 2001, Album of the Month)
MICHALE W SMITH : TheChristmas Collection. Reunion : 02341-009142)
I'm a big fan of Smithy, so it's very hard to give this review
as I am going to. A two album collection, packaged together, featuring
songs recorded nearly 9 years apart. "Christmastime"
is the most recent of the two collections and it sounds no better
than it did when it was first released in 1998. The title track
stands head and shoulders above any of the mind numbing renditions
of carols like "We Three Kings" and "Away in a
Manger". Indeed, on it's own, the song would have made a
splendid single. As for "Christmas", recorded in 1989,
I'm afraid it's more of the same. "Anthem For Christmas","First
Snowfall", "Christ the Messiah", all fall into
the "trash at it's most highest" category. It's bad,
and I wouldn't waste your money on this package at all. 2/10. (December 2004)
MICHAEL W SMITH : Healing Rain. Reunion : 4100732.
Five years. It's seems an eternity since we had a studio pop album from this man. There's been some cracking praise and worship songs from him in that time, but this release has been eagerly awaited. So, was the wait worth it? In a word, no. Oh, it's not a bad album, but a lot of the songs sound very dated. "HangOn" for instance includes some very 1980's Howard Jones type synthesizer sounds, and "Fly to the Moon" follows a similar pattern. It's an outdated, 2nd rate Euro-rock song that should be confined to some American TV Show, like Baywatch. It's not all doom and gloom though. The title track is typical Smith at his best. Big production, classy vocals and a song that literally rains down on you. Later on, he also manages to stamp his mark on the classic "Bridge Over Troubled Water", and these two songs show that there is life in the old dog yet. Let's hope when he returns again, that Michael has left the 80's far behind. 6/10. (March 2005)
MICHAEL W SMITH : Stand. (Reunion : 602341010924)
In the late 80's and early 90's I bought everything that Michael recorded. His music was like a breath of fresh air to this relatively new Christian. Indeed, as I write, I've just played his version of "Above All" on the radio - a version that I believe is the best I've heard. But, when it comes to this new album I found myself listening and drifting. Drifting, because so few of the songs captured my interest. "Come to the Cross" has lots of layered guitar sounds on it, and the result is a very full sound. "How to Say Goodbye" and "Be Lifted High" are two, gentler sounds that have worship in mind and are quite passable. But it's songs like "Cover Me" and "Grace" that seem very ordinary and lack any real spirit. "The Stand" is a strong number, but the big production sound of "Come See" probably brings out the best in Mr Smith. The album's title calls for the listener to stand for what you believe in but listening to this, I'd need a bit more persuasion. 5/10. (May 2007)
MICHAEL W. SMITH : It's A Wonderful Christmas. (Reunion Records)
Recorded at London's famous Abbey Road Studios with a 65 piece orchestra and four choirs, this is Michael W Smith's offering for Christmas. If, like me, you were expecting an album of songs containing Smith's trademark lyrics and melody's, then you will be sadly disappointed. Instead, the maestro has gone for big, orchestral moves which, at times, sound more like film scores than anything else. It all starts with, for me, the best track on the album - 'Christmas Angels'. Both orchestra and choirs are at their peak, with Smith's vocals adding to the performance. 'Song for the King' is, in fact, an instrumental, showing off his piano skills. Right out of the blue come the bagpipes on 'A Highland Carol'. It just doesn't work, and the sound tails off into oblivion. I suppose that Michael should be applauded for trying something different with this album but the finished product is as weak and watery as the winter sunshine. It left me quite cold. 4/10 (December 2007)
MICHAEL W SMITH : New Hallelujah. (Reunion Records : 602341013321)
I am not a big fan of live worship Cd's in general, it always seems to me as if they are an attempt to re-create a moment that's gone, and unless you were there at the time I don't think they mean that much. However, there are a few albums that I find enjoyable, and this one will be added to what is, I
admit, a fairly short list. I wasn't too sure when the album kicked off with a drum solo, but once things got going I found this to be an excellent CD. The title track is obviously one of the best known songs on here, but there are also impressive versions of "Healing Rain", "The River Is Rising" and
"Amazing Grace" There's also a version of Delirious' "Majesty (Here I Am)" which works well. The standout track for me though is "Mighty To Save". There's a couple of guests on here too. The African Children's Choir, Israel Houghton, and Coalo Zamorano help out on three of the songs. There's one track called "MWS Shares" which you may feel the need to skip, but otherwise this is one of the best CD's I've heard for months. 9/10 Andy Sayner. (March 2009)
MICHELLE TUMES : Listen. (Sparrow/Alliance : 72438515462 1).
So far this year, I raved about albums from Maire Brennan, Janis
English, and Gemma McQueen. Now, a fourth lady has won my musical
heart with her debut album. Born in Australia but now living in
the U.S, Michelle's release has been produced by Charlie Peacock.
Her voice is sometimes like that of Enya and, then again, sometimes
like 80's starlet Judi Tzuke. Music is so carefully put together
and used to it's full potential for Michelle's beautiful vocals.
The title track literally drenches you in a lovely feeling of
God, which is carried on by the following number, "Healing
Waters". How may times I wanted to describe a track as, simply,
"beautiful" I don't know but that is exactly how I felt
about this album. "Please Come Back" is a song that
is lyrically drawn from the parable of the prodigal song, while
"Life is Beautiful" directly sums up Michelle's own
spiritual and emotional journey. No matter how I try, "beautiful"
is the only word for this album. 10/10. (May 1998, Album of the Month)
MICHELLE TUMES : Center of My Universe. (Sparrow : 7243 85169625)
I must admit to being very excited when I heard that this album
was on its way. I simply loved Michelle's debut release and couldn't
wait to play this brand new offering. "Centre of My Universe"
opens with one of those songs that give you a lift, no matter
how down and depressed you may be feeling. "Deep Love"
is filled with deep love, and a joy of knowing that God is with
us, always. "Lovely" is a more refrained number, but
"Do Ya" is a snappy, guitar, pop song that is more in
the style of Natalie Imbruglia. It's hard to compare her with
the likes of Clannad but there is that sort of sound to most of
the songs. Vocal wise, Michelle sounds a little like Genie Nillsson,
especially so on the very beautiful "Missing You". The
monasticism "Chant" is something a little different
and just provides another twist in the delights that await any
listener of this rather delicious and sensitive release. 10/10. (May 2000)
MICHELLE WILLIAMS : Do You know. (Sony : 5151152)
While Beyonce Knowles has become one of the hottest properties
in the secular music market, her Destiny's Child sister, Michelle,
has stayed true to her faith and recorded her first gospel album.
The result is rather a tepid affair with some watered down DC
sound's and second rate song writing. Unlike some recordings,
the more the played this album, the less I liked it. Tracks like
"The Movement" just grated on me and it was a relief
when it finished. Michelle does posess a silky, warm voice and
her smooth vocals on "Never Be the Same" are a real
joy to listen to. It may be just coincidence that the two songs
I thought stood out, were both written by someone called T.Sims
- they stood head and shoulder above anything else. "15 Minutes"
is a personal retrospective of her life with DC and time in the
media spotlight, and I had the feeling that it was very Yolanda
Adams inspired. Hats off to Michelle for her beliefs and stance,
but she needs stronger songs if she's going to make an impact
on the Christian scene. 3/10. (April 2004)
MIKE BURN : Get Into the Word. (ICC : ICCD81930)
Here's a new idea from Mike Burn. A two Cd presentation for children.
CD1 is a normal audio CD, while CD2 is an interactive CD Rom containing
a simple overview of the Bible, a fun quiz, and lots more. The
songs range from the simple nursery rhyme type to some solid musical
numbers. "I'm Putting on God's Armour" and ""Don't
Be Like the Hypocrites" are both simple, repetitive songs
that younger children will enjoy. The older ones will like songs
such as "Do Your Best to Present Yourself" and "Get
into the Word". The latter opens with a guitar riff that
sounds like the Rolling Stones' "Start Me Up", and what
a good song it is. As for CD2, I had no-one but myself to try
it on, but I think that it looks like an ideal, fun thing for
young people. All in all, Mike Burn presents quite a hit. 8/10. (November 2004)
MIKE ROBERTS : Still Time. (CD Recording £11 inc' p&p from: Still Time Music, 5 Carlton Avenue, Feltham, TW14 0EE, England.)
How often do we get Christian jazz music to review? Once in a
blue moon, that's how often. But, here we find talented pianist
and composer, Mike Roberts conveying God's word in a style that,
unfortunately, get's pushed aside all too easily. As he says in
his biography, "the relaxed style cuts across all generations".
Indeed, listening to this album I was instantly transported back
in time to the late 40's (before my time, honestly!) and those
smokey bars were all the best dressed people used to meet. With
excellent musicians gathered around him, Mike has produced an
album of jazz that may well fill a hole in the music market. From
the piano led "See What God Can Do" to the lovely title
track, there's a real quality to the sounds. "No One Can
Take the Place of Jesus" is a straight forward praise of
the work of the Lord in his life, but Mike's stlye, somehow, makes
it all sound so fresh. Do not worry, is the message behind "God
Is Much Bigger Than You", complete with it's gripping trumpet
solo. Nostalgic, yes, it certainly is but I'm not so sure about
it's appeal to the younger age group. Jazz musos will have to
go a long way before finding something better on the British scene.
8/10. (February 2000)
MIKE SCOTT : Still Burning. (Chrysalis/Steady)
For those unfamiliar with both Scott and The Waterboys, where
have you been? It's not too late, and if you can find this import
it is a good place to start as any. You can expect uncommonly
good, high energy rock and roll with influences as far reaching
as Van Morrison and Big Country. Also, like Bill Mallonee of Vigilantes
of Love, Mike Scott's voice is atypical. With respect to his Scotish
heritage, he sounds as if he might have a bit of the leprechaun
in him, such is his gutsy, yet higher-pitched pixieish trolling.
The rest of the sound is fleshed out with elexctric guitars, drums,
bass, and some interesting additions, including horns, pianos,
a mellotron, RD500 synths, Hammond and Wurlitzer organs, a Bellzouki,
and something called a rainstick. There is also some lush orchestration
on one track. The result is a batch of ten songs ranging from
the full-throttle rocker that is opener "Questions"
all the way to the hymn-ballad hybrid of "Everlasting Arms".
There's nary a dull moment in between. 8/10. Steven Baldwin
(Courtesy The Phantom Tollbooth e-zine http://www/tollbooth.org
) (March 1999)
MILES CAIN : Fairground Town. (Private CD Recording. £3.70 from: M. Salter, 32 St Matthew Street, Boulevard, Hull, HU3 2UA, England).
Miles Cain - man of precision. He must be. Every song on this
CdD is exactly 3:58. Oh, all right, both songs are 3:58. Oh, all
right, the second song fades out, let's not get picky. And what
musical adventure waits for us in that 3:58? Both songs are written
by Miles and his chum Syd Egan and we're somewhere in Deacon Blue
land. Or, for those of more mature years, Jackson Browne land
(ask your mom). Printed lyrics would have been nice - I am President
of W.H.E.W. (Wanna Hear Every Word) but if you like singer/songwriter
stuff, this could be for you. Chumbles along at a good pace then
has a nice change in tempo. R.E.M. but not so weird. Beautiful
South but with a tune. 7/10 Geoff Allen. (June 1998)
MILES CAIN & THE LOST MARBLES : Live Form Planet Hull. (Private CD recording £7.99 from: M.Salter, 32 St Matthew Street, Boulevard, Hull, England, HU3 2UA.
To celebrate his 10 years of musical performance and recording,
Miles Cain has produced this live album containing the best of
his repertoire, so far. Already pigeon holed as a cross between
REM, Bob Dylan and Bruce Springstein, his music is based around
his acoustic guitar but is more than ably accompanied by his electric
colleagues. "The One I Love" is so REM, you might even
search your collection to see if he's nicked the track, but he
hasn't. That Michael Stipe drone is there and the backing is sheer
delight. "Mystery Girl" rocks well, while "All
Of Our Lives" and "Not Everybody Makes It Into the Light"
slows things down and makes you sit and ponder just where you
are in your life. The pick of the album has to be "Song For
Becca", written in memory of a dear departed friend but,
once again, celebrating her life and being thankful for it. "Fairground
Town" (his single from last year) features well towards the
end as the overall quality begins to fade. 13 songs for under
£8 from a guy who also busks to the late night club crowd
of Hull. Now, how many of you would do that? 7/10. (October 1999)
MILES CAIN : 3 Songs. (CD : £4.50 from 8 Ambrose Street, Fishergate, York, England, YO10 4DR.
Produced by Paul Davies, this 3 track single is a taste of things
to come from a guy who's spent an awful long time recording his
latest album. Previously, his style fitted into the REM and Crowded
House mode but that seems to have evolved this time round. "Don't
Care About the Weather", written by Rosario & Tomlinson,
is a great song, and spot on for radio play. And, if Miles ever
fancies an entry on TV's Stars in their Eyes, then he's got to
do Ricky Ross of Deacon Blue. "Waking Up With the House on
Fire", on the other hand, has one of the most dark, depressing
feelings to it that I've ever heard. Not quite sure that I understood
this one, but Miles tells me that he doesn't just sing about the
good times in life. And, finally, "The Other Side of Midnight".
This is more like it. Nice guitar work, and the quality of the
voice oozes out. Helen Turner's accompanying vocal is very Annie
Lennox and works well. Nice taster Miles, so please finish that
album soon! 7/10. (May 2003)
MILES CAIN : Different Destinations. (CD £13 from M.Salter, 8 Ambrose Street, Fishergate, York, England, YO10 4DR)
Recorded and assembled over a period of nearly 5 years, Miles
certainly doesn't rush when he's making an album. Over the years,
I've pigeon holed him as a Ricky Ross soundalike, and this release
does nothing to make me change my mind. That Deacon Blue sound
comes to the fore on songs like the distinctly pop sounding "Don't
Care About the Weather" and the relaxed vein of "All
of Our Lives". On both tracks, Miles' vocals are complimented
by the passionate harmonies of Helen Turner. The oddly titled
"Ozymandias" is, perhaps, one of the most commercial
tracks on show and there's some nice mandolin sounds used effectively.
Topic wise, Miles looks at relationships, wealth & poverty,
and the wonder of life itself. Indeed, the latter is born on the
final track where it's a case of Pink Floyd meets War of the Worlds.
Mainly guitar based, it's an album of which you need to take careful
note if you're to get the best out of it. It's not one for just
putting on in the background, you really do need to listen as
Miles carefully weaves his lyrics and hooks into each individual
song. For those of you who like something different to the norm,
try this cleverly produced piece of art. 8/10. (June 2004)
MISS ANGIE : Triumphantine (Myrrh : 080688587826)
Now here's an interesting album. This is the follow up to 'One
Million Eyeballs', an album that surely must have won an award
for the title. (I'm thinking of calling my next album 'Two Million
Ear Drums'). Myrrh describe Miss Angie's unique style as Techno
Rock but there are touches of Indie here. Heavy on the synthetic
effects, lots of distorted guitar and some great pumping rhythms
give this album the edge. Miss Angie's vocals remind me a lot
of Nina from The Cardigans, but the music couldn't be more different.
It's a shame that some of the vocals are covered over by excess
use of effects as in the opening track, 'Jesus Get Me', but that
aside it's an album that definitely grows on you. 'Let's Get Together',
'Dancin' In My Head', and 'Doom' particularly stand out for me
- they've got that indie touch but a very commercial, polished
production. Clever lyrics too, but I can't understand why some
of the tracks are so short. There are 10 tracks on this album
with a total running time of 31mins 32 secs - and this is a full
priced album at £14.99. Ever get the feeling that we're being
ripped off? Message to Myrrh - this is good stuff, so give us
more for our money! 8/10 (would have been 9 if there was more of it) (October 1999)
Mission Worship - Hymns Kingsway KMCD2772
Although I am well aware of the Mission : Worship series, I have to be honest & admit I wasn't expecting great things from this CD as like many, I often think of hymns as powerful yet rather dreary old tunes that you really have to be in the right mood for. Nevertheless, this long-held opinion was quite rapidly turned on its head by the contents which really do prove a book shouldn't be judged by its cover! The performances on this CD are by major contemporary artists Paul Oakley, Andy Bromley, Lou Fellingham, Stuart Townend, Godfrey Birtill & Brenton Brown & on the whole give a refreshing new perspective on classics such as "Before The Throne of God Above" & "Lift Up Your Heads". As well as this, we also are treated to a batch of contemporary hymns from the likes of Townend/Getty & Robert Critchley. Things start strongly with "Sometimes it's Hard (Well With My Soul)" from Brenton Brown/Danieil Ornellas which whilst remaining powerful & energetic it is less hectic than other versions I have heard which gives it certain edge. "O Church Arise" slows the pace a touch but stirs with the uplifting lyrics, with the pace relaxing still further with "My Troubled Soul". The only disappointment on here is track the revision of "Take My Life & Let It Be" from Paul Oakley - I am a great fan of Paul's but I am sorry to say that the annoying & repetitive piano refrain for me detracts my attention from an otherwise great tune. The musical arrangements & quality are what you would expect from such prominent artists, breathing new life into the hymn genre that may often be overlooked in favour of more modern worship songs. This CD is an enjoyable listen & does a good job of combining old with new in a highly effective way that bridges generations. 9/10 Simon Redfern (June 2007)
MITCH McVICKER : Without Looking Down. (Spindust Records :
0688623128)
This is an acoustic rock album, which it took me a few plays to
get into, but it was worth the effort I think. The lyrics are
the thing that I found a bit strange. There's nothing wrong with
the content, but Mitch sings the words as if he were speaking
in conversation rather than how you'd expect a song to sound,
which does give the album quite a unique style. The words are
on the whole very well thought out, although a few of the songs
left me a bit unsure as to what they were about. The sleeve notes
describe this as an album of "Progressive acoustic driven
songs that encourage the listener not to look down on their fears
and doubts, but to focus on God". I guess that sums it up
nicely really. Mitch received a Dove award for "My Deliverer"
which he co-wrote with Rich Mullins, whom he described as his
mentor. In fact Mitch was in the car with Rich when the accident
occurred and this is his first serious piece of work since. It
reminded me a lot of Soul Asylum, and it's certainly worth a listen
if you can find a copy. 8/10. Andy Sayner. (February 2003)
MIX : Acoustic. (Spark : SK708)
MIC are South Africa's biggest and brightest CCM act, best known
for their dance/pop productions. Here, however, is a 7 track CD
that sees them stripped down to an acoustic guitar and a little
percussion thrown in for good measure. It's not a well produced
release and it's all done very much "off the cuff" to
try and get that spontaneous feeling across. "Superhuman"
is the title track from their last full length album but fails
to live up to what many fans will know and love. Cover versions
of Crowded House's "Weather With You" and Matt Redman's
"I Will Offer", also come through as limp as a wet lettuce
leaf on this, what is overall, disappointing release. Plenty of
artists can make an un-plugged album sound really good but MIC
have a lot to learn. 4/10. (May 1999)
MONDAY MORNING : Fool's Paradise. (Selectric : Sel0501)
Here are four good old American boys presenting their own slant on the Bible, God and Jesus in the modern rock genre. You know the type of thing I mean. It's got heavy guitar rhythms, thumping drums, and a lead vocalist who seems intent on being as inaudible as possible. Maybe I'm getting old, but I do prefer to hear the words being sung, rather than have to sit and follow every word from the sleeve notes. To that end, my favourite song, therefore, was "Wonder of It All", when the words COULD be clearly heard. "These Eyes" tells of one putting on an outside show that all is well, while inside we're burning up. The prescription is easy, open up, and give it to God, HE can see everything anyway - so why try and hide it. In recording terms I think that Building 429 are similar in style, and maybe Monday Morning should take a leaf out of their book and get the vocals sorted out. Perhaps, then, they might go places. 3/10. (March 2006)
MONTREL DARRETT : Chronicles Of The Soul (EMI Gospel: 7243 8202202 2)
If you're into modern R&B/rap stuff, you'd better check this
out, bro. I find it difficult to get into this style, but if you
like Fugees and Boyz II Men, you'll find elements of both on this
album. Montrel's voice is reminiscent of Stevie Wonder in parts,
and really comes into its own on the slower ballads, especially
'So Sorry'. All tracks tend to be on the slow side, with the R&B
rhythms dominating a superb production. I found myself wanting
a faster number to break up the album, but alas, it was not to
be. The opener, 'Tough Love' is a kind of R&B 12 bar which
works well, apart from some of the backing vocals which really
made me laugh! The main criticism I have is that the lyrics are
generally masked by the ornamentation of the singing. Why sing
one note when five will do? And they're excellent lyrics, it's
a shame we can't hear more of them. The other thing that bugged
me was the length of the tracks. Eight out of thirteen tracks
are over four and a half minutes long, and I found myself getting
bored. I quite like long tracks if the music is interesting and
my attention is kept by variation, but these tended to just keep
going on the same tack. But then, that's the nature of modern
R&B. Full marks to Montrel for using a topical idiom for Christian
music. It's a risk that can have dire consequences, but he definitely
succeeds. Check it out.
THE MOUTH OF TRUTH. (CD from : M Smith, 29 Brookmead, Hildenborough, Tonbridge, Kent, UK, TN11 9DN).
Over the years, I've had dozens of independent albums sent to me for review and never have I been so dumbfounded by one such as this. Chris Hearn, Mike Smith and Samantha Stagg are the people responsible for this CD, while Sarum Studios, Tonbridge must take it's share of the blame for it's recording. From the opening 7 minute epic entitled "The Hoarse Whisperer", the listener is treated to vocals of questionable quality, sparse backing, and utter boredom. The song "Cash" is placed in the running order three times and, not for the first time, includes the most uninspiring guitar solo imaginable, and Samantha's vocals that barely holds a tune. Production is so poor throughout, that little thought seems to have gone into the recording as a whole and if Sarum Studios are more than just a name for a bedroom recording outfit, they should hold their head in shame for such shoddy workmanship. Acoustic guitar based songs do offer some respite from the torture and, if I was pushed, I would name "Living Apart Together" as the best song on the album. "Coming Home" shows promise, too, but those vocals need working on. I'm sure that the idea and intentions of the album were sound, but all in all the result only goes to show that you need talent and musical skills too. 1/10. (August 2005)
7/10. Julie Lord. (July 1999)
MOWGLEE : Go! (CD. £6 from : Kingship ltd, PO Box 7981, Birmingham, England, B23 5PL)
Mowglee are 4 childhood friends from Birmingham's inner city,
who have played together in bands for the last 10 years, and who's
talents have been matured in the church. This 6 track EP shows
some of those talents from brothers George, Marcus, and Patrick
Masih, and Bobby Frank. I was a little surprised by the style
of the music on the record, as so many of today's independent
guitar bands are very similar. Here's, although not as technically
gifted, there's a definite Simply Red undertone running throughout
the listing. There's good harmonies on the poppy "Crazy",
while "Beautiful Lord" (recorded in two guises) is more
worshipful and laid back. The opening track also gets two outings,
firstly as a funky number, and latterly with an "R'n'B mix".
I get the feeling that they couldn't decide which version to use,
therefore, Mowglee recorded them both. That's the slight downside
to the album, as I would have liked to hear different songs rather
than just different mixes. Saying that, Mowglee do a fine job
that would, if I'm honest, benefit from a bigger production. There
again, many independent recordings would fall into that category.
Nice to hear from the boys in the Midlands and they should be
very pleased with their debut efforts. 7/10. (August 2003)
MOYA BRENNAN : Two Horizons. (Universal Reords)
She may have changed the spelling of her name, but Moya Brennan
hasn't surprised anyone with the sound of this latest CD. All
the ethereal Celtic sounds are there, just as in her previous
releases. In fact, if you played her old albums alongside this
one, you wouldn't be able to tell what was new and what was old.
Rarely does she get out of first gear as Moya ponders on various
aspects of life to the accompaniment of various whistles and pipes.
Dreary, was one word that came to mind whilst listening to the
songs. Most of them blend into one another so easily that it becomes
a bit of a release when you do realise that a track has finished.
"Tara" brings momentary freshness and the jungle drums
of "Sailing Away" break up, what is, an otherwise monotonous
album. 3/10. (September 2004)
MOYA BRENNAN : An Irish Christmas. (Fierce!)
In the history of Celtic music, one of the legendary names
must be that of Clannad. In case you didn't know, Clannad means
'family' in Gaelic, and it has truly been a family affair since
the early 1970s, with cousins, uncles and the like, as well as
perhaps the best known relative, Moya's sister Enya. Moya's parallel
solo career in the field of more up-front Celtic Christian music
took off in 1998 with the release of her album 'Perfect Time',
which she followed up with an equally stunning CD, 'Whisper To
The Wild Water'; she has also been involved in various projects
with other people, notably her contribution to Graham Kendrick's
'Millennium Chorus' album in 1999, a truly awesome reading of
'No Scenes Of Stately Majesty' which never fails to raise the
goose bumps every time I hear it, and her collaboration with Margaret
Becker and Joanne Hogg on 'New Irish Hymns' in 2001, another landmark
release. So, with that track record, if the lady wants to do
a Christmas album, I for one wouldn't stop her, and this is the
inevitably classy result. She's gone on record as saying that,
instead of doing yet another 'Celtic' Christmas album, she wanted
to do something more obviously Irish, hence the title, and it's
a delight from start to finish. Well-known (some may say well-worn)
carols and Christmas pieces ('Deck The Halls', 'God Rest Ye Merry
Gentlemen', 'In The Bleak Midwinter', 'Joy To the World') sit
alongside less familiar stuff ('The Wexford Carol', 'Carol Of
The Bells', and an original piece 'I Still Believe'), and Moya
adds Celtic lyrics to 'Do You Hear What I Hear' and 'Silent Night'.
And to all that, add arguably one of the best female voices in
any sort of music, let alone Christian music; stir in several
truckloads of authentic Celtic ambience; and you have just about
the best Christmas album I've heard this century. Buy with confidence.
9/10 Trevor Kirk (December 2005)
MOYA BRENNAN : Signature. Fierce : Fiercd91)
Now that Mairre has changed the spelling of her name to Moya, I wondered if she'd also changed her style of singing. It's her first new album in quite a while, so I was excited to hear what moves she was about to make. Well, it got to track 3 and I was already very bored. "Purple Haze", "No One Talks" and Merry Go Round" are all so uninteresting. Moya's listless vocals are a sure cure for sleeplessness as they manifest almost apologetically over the music. "Tapestry" shows some light relief, as the use of fiddle playing livens things up a bit. "Black Night" is a gentle folk song, and "Hear My Prayer" deserves radio play. The one new thing Moya does try is a little Messianic praise with "Many Faces", but the likes of Barry and Batya Segal do it so much better. "Hidden Stories" carries the repetitive phrase "I'm Running". Unfortunately for Moya, she seems to be running in circles, as the song just goes nowhere. Still promoted as the voice of Clannad, I'm afraid that Moya is light years away from repeating her previous success. 4/10. (January 2007)
MOYA BRENNAN : Heart Strings. (Fierce! : FIERCD43)
Recorded at the Liverpool Philharmonic Hall and in Germany during October 2007, this sees Moya's first ever live solo recording. The track listing draws three songs from Moya's days as "the voice of Clannad", including 'Harry's Game', as well as numerous songs from her more recent albums. There's no mistaking her voice but on this recording, I did strain my hearing at times to actually hear the words that the lady was singing. 'Tapestry' and 'Perfect Time' show Moya's celtic roots, but I found little to get excited about. Indeed, by the time she performs 'Molly Fair', the music sounded very laboured and uninteresting. By mid-album the most enjoyment I'd got was from the fiddle playing on 'Sailing Away'. The 'Tunes Medley' is a strange concoction. It begins with Moya playing the harp beautifully, and then degenerates into an awful jazz jamming session with every instrument under the sun, thrown in for good measure. The high spots for me on the album came from 'I Will Find You' and 'Merry Go Round'. Both songs were ultimately stronger than those which had gone before, and were much more listenable. The audience cheer and clap enthusiastically throughout but, for me, the album is little more than luke warm. 5/10. (November 2008)
MUDHEAD'S MONKEY : 'Shout!' (Private Recording. CD £10.50
Cass £6.50 from : Paul Loader c/o Counterslip Baptist Church,
648 Wells Road, Bristol, BS14 9HT).
Fancy a good meal? Try this. It's raw and it's meaty. It's tangy,
and it's quite hot. This is the debut offering from Bristol's
Mudhead's Monkey. 12 tracks to feed on here, starting with the
tempting version of the old Donna Summer hit, 'Unconditional Love'.
Prepare your tastebuds for the main course which consists of a
stonkin' good title track and a guitar driven gourmet's delight.
Of course, you need a good wine to accompany this and I personally
recommend the vintage ballad 'Ashes'. Feeling like a wickedly
fattening sweet? Both 'He Died For Me' and 'Johnnie's Song' are
specialities of the house and guaranteed to get you excited. There's
one or two bland servings on the menu but you'll soon pass them
by and loosen your belt a notch or two, well filled. Tasty. 8/10.
(June 1996)
MUMBLE : Dated. (Private Cassette Recording. £3.99 from
Nick Kinsella, 37 Gracedale Road, London, SW16 6SW).
The 23 year old singer/songwriter behind Mumble is Nick Kinsella.
After previously working alongside various CCM bands, this is
his first solo venture. 5 tracks on offer, opening with the engaging
"I'm Scared". This shows Nick's vocals and guitar playing
at the best, with some nice fx used to enhance the sound. This,
like the rest of the tracks, is a song about faith and life, and
a perspective which allows you to see the world from a slightly
different angle. Instruments used are few, but that doesn't stop
Nick's basic writing skills showing what he is capable of. I'm
assured by the man himself, that the strange vocal mixes on 'Get
To Get Out' and 'Dated' are done on purpose, but I'd like to see
the former played straight. 'Invisible Friend' is a more acoustic
number but, with influences such as Radiohead and Crowded House,
it's the warped guitar playing that is performed most freely.
I think that Nick lacks a bit of confidence in his singing ability
- almost scared to let go - but that should improve with time.
This debut is not going to change the world but if you want to
support a new artist and feel like something out of the ordinary,
give Mumble a try. 6/10. (July 1997)
MUTEMATH : Reset. (Word WD2A-886325)
It is very rare as a reviewer to get a recording that is so good
you want to play it to everyone you know. It is also rare to get
a cd that lives up to the hype printed on the sleeve. However,
this is cd is just one of those. The cover states "Reset
is guaranteed to be THE most innovative new project in Christian
music this year" and it would be difficult to argue with
that. A fusion of many styles ("jazz, rock and electronica"),
from the Police/Sting sounding "Peculiar People" to
the Lemon Jelly type instrumental "Reset", this EP is
nothing short of stunning. Succinct and poetic lyrics supported
by original and exciting melodies raise the standard of Christian
Music to a new level, making much of what has been termed great
in the past seem uninspiring. What is more, this is just a taster
of the full album due out sometime next year. Buy this and then
buy the album as sson as you can. Sublime 10/10 Robin Thompson (January 2005)
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