Never for Nothing - CCM Record Reviews archive K
KAREN DAVIS : Sar Shalom. (Galilee of the Nations)
The Messianic Praise and Worship scene is very strong, with people
like Barry & Bata Segal leading the way. Karen Davis has recorded
a CD of songs that she says have been "given to her",
from God, during some of the most difficult times for Israel.
When war, killings, suicide bombings, and the like have happened,
Karen has taken to her keyboard and poured her heart out to God
in song. These, then, are the resulting pieces. Sadly, only a
couple of tracks are sung in English, therefore making it very
difficult for me to pass any real judgement on the lyrics. The
music sounds good and I have the feeling that "El Gibor V'El
Elyon" is a very strong and powerful ballad. "I Will
Answer you" is sung in English and sounds good, too. Karen
and Her husband continue to lead worship to Arabs and Jews alike,
and for that courage and belief, they have my blessing. Sadly,
I don't think I can give a rating on this occasion. (July 2003)
Another new name to the world of UK CCM comes in the form of Nottingham based Karen Money, a young lady with a delightful voice, and the ability to weave lyrics into a delicate musical tapestry. Imagine Enya or Mairre Brennan without the ethereal vocals, and you've got a good idea of Karen's sound and quality. I rarely use this word to describe a song but, 'pretty' describes the opening "Golden Day". I've already spoken about her lyric writing, but the words to "Surrender" are very thoughtful and makes it a very pleasant song to listen to. "Stranger" is a fairly gentle number, while the stronger "Sanctuary" tells of being with God and knowing His love. Lasting just over 30 minutes, it's a rather short album, but, nonetheless, a very worthy introduction by a new talent on the block. 8/10. (November 2005)
KAREN PECK & NEW RIVER : Triumph. (Spring Hill Music :
CMD1020).
The name of Karen Peck has become synonymous with Southern Gospel
Music. Indeed, the Southern Gospel Music Association has just
awarded her the accolade of Female Vocalist of the Year. Her flawless,
delightful soprano voice has made its way into the hearts of Gospel
Music lovers across America and won her numerous awards from the
readers of The Singing News Magazine, Southern Gospel Music's
leading fan and trade publication. this is the first album I've
heard from Karen and the band and I'm quite impressed. It's more
Dolly Parton than, say, Faith Hill, but country buffs of the old
style will enjoy this immensely. There's some great songs and
you'll find yourself foot tapping to numbers like "Working
For My Good" and "Rejoiced in the Lord" very easily.
Then, there's the praise and worship style of "Walk in Triumph".
Believe me, listening to this, you actually do feel as if you
want to go out there and do just that! It's an infectious little
album that deserves a little more media attention over here. 9/10. (July 2002)
KATE SIMMONDS : Heart & Soul. (Kingsway : KMCD2417)
What a surprise this album was! After hearing Kate's contributions
on various compilations over the last couple of years, I thought
I'd opened the wrong CD as the RnB of "When I Was Lost"
burst through my speakers. Then, it was more of the same, with
"My God is a Rock" - what was happening? Well, it seems
that Kate's decided that she wants to follow the RnB style as
practically the whole album contains this genre, in a Yolanda
Adams sort of way. I can't say that any of these songs really
caught my imagination but, perhaps, "To Be With You"
came close. "We Come in Your Name" stands out head and
shoulders above the rest of the track listing, for me. It's a
great pop p&w number that I really enjoyed. Sadly, I was disappointed
with the rest of the fayre as, despite Kate's wonderful voice,
the songs were just plain and drab. 2/10. (December 2002)
KATHRYN SCOTT : Satisfy. (Vertical : 27062)
Kathryn Scott is probably best known for her work on several Vineyard
albums. I'm told that the song "Hungry" is revered throughout
the land but I'm obviously missing something, as I found it very
ordinary. Her debut solo lets her sing some of her own compositions,
plus others like the Brian Doerksen and Sandra Gage penned "Today",
where Kathryn duets with the former. If she reminds me of anyone,
it's the sort of uncluttered pop that made Susan Ashton so popular
a few years ago. She has a lovely, natural voice and in this live
recording it's as pure as the driven snow. "Blessed Be Your
Name" is a top notch song that really praises deeply, while
"Breathe on Me Now" runs it a close second. The second
half of the album drifts somewhat and, until the last track, never
quite repeats the heights of the first. Nevertheless, Kathryn
Scott sounds as if she'll be around for years to come. 7/10. (February 2004)
KATHRYN SCOTT : I Belong. (Integrity : 42312)
Northern Irelands Kathryn Scott made a decision to follow Jesus at an early age. Her parents had a musical background and, by the age of 9, had begun to write her own songs. Following bible college, Kathryn and her husband planted a church of their own and gradually, the church grew. Her own writing skils grew too, following g a meeting with Brian Doerksen and her critically acclaimed debut 'Satisfy' was released in 2003. She's since appeared on a number of compilation albums and has now released 'I Belong' with a fresh offering of songs that flow from the deep river of worship in her heart. The theme that runs through this album is one of praise and worship for Jesus. Nothing new in that you might think, but Kathryn does it in such a way that you actually feel as if you're finding that out for the first time. She has a lovely voice and it suits the light pop style of most of the songs. 'Everything Changes' and 'No Turning Back' are both radio friendly, with the latter talking about the promise to follow Jesus wherever He may lead. The great thing about this album is that it's very easy to listen too and the messages are clear. She's been likened to Sarah Groves and Norah Jones, but Kathryn looks set to create her own mark on the music scene. 8/10 (January 2008)
KATHY MATTEA : Good News. (Mercury/Alliance)
Three years old this one but it's new to me. With a vocal tone
compared to the likes of Annie Lennox, Kathy fails to let herself
go with this collection of slow/medium paced worship songs. Quite
a few songs here that were new to my ears, made good listening
that I'd recommend for listening into in the bath. Nice, hot water,
lots of bubbles, and Kathy Mattea's CD bathing you in the love
of God. Steve Earle's 'Nothing But A Child' is a prime example
of the relaxing tones you can expect throughout. Nothing really
bad on this album but a few very ordinary songs. Nevertheless.
7/10. (December 1996)
KATHY PETERS : Love Will Find A Way. (Private Recording. CD
£13 Cass£6 from: Kathy Peters, St Andrews Church Office,
The Rectory, Highcroft Avenue, Bebington, Wirral, Merseyside,
L63 3EX).
Kathy says "At times we all feel weak......if we can put
aside our feelings of inadequacy, or unhappiness, and share Gods
love, then love will return." The title track kicks things
of at nice and easy pace in a Susan Ashton sort of way, and some
country style guitars. The lovely feeling it emits, is carried
on by 'When We Don't Speak', as she reaches out for the father's
hand. It is a very personal collection of songs, written from
the very heart of a Christian woman trying to live in today's
world. The music is of general high quality, but I would pick
out the piano on 'You Will Find Him' as a little special. Kathy's
voice suits every song no matter what their style, whether it
be the Celtic tinged 'I Hear Your Voice' or the sweet 'Carry Me'.
Interestingly enough, I found the two songs written from a mother's
perspective the most difficult to listen to but then, I'm not
a mother. Kathy Peters is another bright light in British CCM.
9/10. (November 1997)
KATHY TROCCOLI : Love & Mercy. (Reunion : CD10003)
It's 15 years since Kathy began her career with the album "Stubborn
Love", yet I don't think that she has ever produced such
a great collection of songs as the ones here. I would guess that
the lady in question must have felt a real blessing from God when
writing these songs, as they are some of the most powerful numbers
I've ever heard. I've got to say it right now that I had a lump
in my throat and tears in my eyes as I listened to "A Baby's
Prayer". It's written from a baby's perspective about healing
and forgiveness for those who have had or considered abortion,
and it is simply beautiful - I played it over and over. "Faithful
to Me" is a ballad that tells of the constant fight of trying
to live your life for God, while "I Call Him Love" is
a song that just reaches out and praises, unrestrained. Sweet
vocals, terrific musicians, an album that's destined to become
a classic. 10/10. (October 1997, Album of the Month)
KATHY TROCCOLI : Corner of Eden. (Reunion : 02341 0007 2)
I so long for this lady to be consistent with her releases. Her
last album was simply a classic and so much better than her previous
two releases. This one begins with the powerful 'A Different Road'
which, at 6minutes 30 sounds long but simply tells the old story
of someone turning their back on God and then realising their
mistake. Kathy's vocals are right on song and the music makes
a wonderful result. It's then that she starts to lose her way
with the gospel/blues 'He Will Make A Way' and the over produced
ballad 'Goodbye For Now'. Things start to improve again towards
the end and 'Fill Me Up' will, no doubt, have many singing along
quite quickly. Kathy Troccoli's music ministers to countless folk
around the world but, until she finds that consistency, she'll
never reach the Amy Grant league. 5/10. (January 1999)
KATHY TROCCOLI : A Sentimental Christmas. (Reunion : 02341-0026-2)
Although you will know practically all the songs featured on this
album, at least Kathy and her production team have tried to make
it different. How? By using the big band sound instead of the
usual synth sounds. "White Christmas" sounds like a
late night lounge bar number, and the self-penned "Only Always"
brings out the best in both Miss Troccoli and the players. IF
you like the sound of a big band then, in the style of Count Basie,
this is for you. Tracks like "Let It Snow", "I'll
Be Home For Christmas", and "Silent Night" are
all given the right treatment, and there's a terrific trumpet
solo on the closing "Have Yourself A Merry Little Christmas".
One of the better Christmas buys. 7/10. (December 1999)
KATHY TROCCOLI : Love Has A Name. (Reunion : 40489)
Promoted as Reunion's Premier Female Vocalist, Kathy Troccoli
has quite a track record. As well as the countless awards she's
won, Kathy has also had 15 No.1 songs, as well as 5 Top 20 mainstream
hits. This is her 11th album and she's sounding as good as ever.
"Parade", I think, will be a massive radio hit. It's
one of those songs that comes around now and again, that you just
want to play over and over again. "On My Way to You"
mixes pop with some blues, before we get into typical Troccoli
ballad-land, with "Live For the lord" and "Break
My Heart". "God Said It", provides with a reminder
of God's promises, as does "Count On Me". Late on in
proceedings, Kathy sings the old Foreigner hit "I Want to
Know What Love Is". It's an interesting arrangement, and
one that is sufficiently different from the original version to
stop it being just another copy. It's not an instantly "wow"
exclamation album but one that I promise will grow on you. 9/10. (February 2001)
THE KATINAS : Destiny (Gottee : 4728302)
The five Katinas brothers -James, Jesse, Joe, John, and Sam,
have been singing together since they were children growing up
in American Samoa. Many of their songs communicate a message of
family and they have witnessed firsthand how God has worked in
their own family relationships. With this, their second album,
they've become more chart orientated and taken leaves out of the
books of Backstreet Boys and N'Sync, to become one of America's
biggest 'boy' bands. Maybe, therefore, being a 40-something adult,
I found a lot of the songs too noisy, with too many different
voices vying for prominence. It's an album that is very dance
orientated, with songs like "It's Real" and "If
You Really" getting the bpm moving. Personally, I preferred
the close harmonies on pop songs like "Thank You" -
a classic if ever there was one - and "Who Do You Love?".
"You Are" sees the boys move into a gospel affair that
really doesn't work, while I tired very quickly of "Sold
Out Believer". Hard to decide my overall opinion of this
album. In some respects, the pop side of things are good, but
I certainly took a dislike to the dance number. Perhaps I'll sit
on the fence with this one. 5/10 (August 2001)
THE KATINAS : The Katinas. (Gotee : 6694 4728042 2)
The Katinas are 5 of 12 children who have been singing together
since early childhood. The brothers, (John, Joe, James, Jesse,
and Sam), grew up on the tropical Polynesian island of American
Samoa. First up, I think that this album is a definite improvement
on their 2001 release, "Destiny". The boys seem to have
settled for a smooth groove style, with plenty of luscious harmonies
standing out in songs like "One More Time" and "Sing
Me A Song". "Takin' Me Higher" is a funky affair
while the rap of "Nothin' But…." Briefly revisits
the "Destiny" style. The guys have toured with the
Winans, Andrae Crouch, and many other top names in the world of
CCM, and this album should see them climbing the ladder of gospel
success. 8/10. (October 2002)
KATO : Seasider. (Private CD Recording £7.99 from: PO
Box 61, St Annes, Lancs, FY8 1SS).
Remember the band K? Well, in Star Trek terms, KATO are the next
generation, with Captain Keith Ayling still at the helm. "Seasider"
is a seven track Brit-pop mini-album that sounds more like the
Charlatans than, say Oasis, but with a distinctive Kato twist.
"Superhero" is chart material and opens things up with
driving guitars and posing the question; "If your hero (Jesus)
was 2 9 and living in your home town, what would you say to
him"? "Grow" is very similar, but "Into Your
Hands" is packed full of energy and I can see this one going
down well live. "The Waves Are High" is a slower number
that still works well, but "Walking on Water" doesn't
quite have the same class about it. Bands may come and go but
Keith Ayling and his troops continue to play where others fear
to tread. 8/10. (August 1997)
KATO : Home Movie. (Bigskymusic : BSM1106CD)
£12 from : : Keith Ayling, PO Box 61, St. Anne's, Lancashire,
England, FY8 1SS.
I can't remember the first time that I saw Keith Ayling fronting
the now defunct band, K. What impressed me most was the way he
led some fine musicians into delivering God's word, through popular
music, to young people. A few years down the line, the group name
and personnel may have changed but Keith Ayling shows no sign
of letting up in his beliefs. This acoustic album features songs,
old and new, with a few re-mixes thrown in for good measure. Favourites
like "My Imaginary Friend" and "Die For You"
now sound like Crowded House, and stand out really well in their
new style. "Can't Sleep" features some mellow keyboards,
and "Breathe" is another top tune. "So Alive"
sounds as good, if not better, than those restrained type of songs
that bands like Super Furry Animals and Suede are currently touting
about, and "Change" finishes proceedings as a crowning
glory. It's not quite perfect but "Home Movie" gives
a brilliant snapshot of just who Kato are but, by no means, is
it the complete picture. 9/10. (October 1999)
KATO : Welcome to My World. (Elevation : Eled00130)
A look back at the previous NFN reviews of Kato (and K) material
will show that I've a lot of time for frontman Keith Ayling and
his band. For longer than I care to remember, they have been leading
the line of british pop in the world of CCM - albeit living in
the shadow of Delirious? ICC's new label Elevation have finally
given the guys the record deal they've been waiting for and "Welcome
to My World" is the result. The album takes a few tried and
trusted songs from the Kato back catalogue and mixes them seamlessly
with terrific new stuff. Produced by Dave Lynch (Toploader) we
see "Welcome" open the album with an almighty crash
of pop power that is electrifying to the soul. "Know What
You Believe" is just the same, while "Die For You"
has grown up so much it is out of this world. The slower "Strong"
sounds a little like the Manic's, and "Trust Me" - although
lighter - shows that Keith's writing, too, continues to grow.
Think I've said enough? Tough! There's still the quite brilliant
"Can't Sleep" and the anthemic "#25" that
is truly God inspired. To Keith, Mick, Rick, & Mike, this
is a great album, and Bless you for being Kato. 10/10. (May 2001, Album of the Month)
KATO : Songs To Help You Survive. (Elevation : ELE00630)
The second release from Kato on ICC's Elevation label, sees the
boys trying to emulate their brilliant debut "Welcome to
My World". This time, all the songs are brand new and there's
the addition of strings to accompany the bands acknowledged guitar
sound. That makes for a sometimes confusing listen to someone
like me who's grown up with the previous material. Keith Ayling's
lyrics are as sound as ever but it may take fans a little time
to get used to this new, more mature sound. "Don't Let Me
Fall" is a song that I can readily relate to. When times
are dark and things look hopeless, you often cry to God and ask
Him not to let you fall from Him. "Butterfly" then kicks
in with an attacking thrash of guitar mayhem, as does the wildly
fantastic "Won't Back Down". Where full use of the orchestral
music is used, "Skydiver" rates as a melodic treat
for the listener. "Welcome…" contained a few songs
that I was already familiar with, whereas this album is full of
new stuff. The band are still as hot, still doing the job, and
still producing the goods. 9/10. (October 2002)
KATY RAY : Dreaming For Something More. (Parachute : PMD037)
Australian, Katy Ray has appeared at the infamous Parachute Festival and cites her major influences as K T Tunstall and Coldplay, amongst others. The tracks on this album are all written or co-written by her, and deal with subjects such as failure, survival, hopes, and dreams. "Yesterday's" has a bit of a latin feel to it but I can't say that the song did anything for me. "Dreaming" has a bluesy feel to it but I'd got to mid-album before anything really made me sit up and take note. "Rain Drops" is a smashing song and by far the best song to appear. I really like Katy's vocals on this one and it begins a mid-album renaissance. "Hey Sister" and "Don't Let Me Go" are simpler songs than the previous ones, and they are so much easier to listen to. How many times do we ask God for some time of peace in our lives? Play track 10, called "Peace" and be transported to that very place. It's an acoustic prayer and works well. There's plenty of promise from Katy Ray but, for now, I think that the best is yet to come. 5/10. (June 2007)
KEITH GREEN : Gold. (Kingsway : EMID2616)
This month's conundrum is ... how do you begin to review a CD that opens with the track that opened your eyes to the fact that Christian music goes way beyond Hymns Ancient & Modern? This double CD collection pulls together Keith's albums "Songs for the Shepherd" and "No Compromise" and throws in a couple of bonus tracks for good measure, opening CD1 with the version of Psalm 23 that prompted that initial question. There are some great songs here, including the aforementioned " The Lord is my Shepherd", his beautiful rendition of wife, Melody's, great hymn "There is a Redeemer", and the slightly rockier opener to CD2 "Soften Your Heart", and Keith's amazing heart for worship shines through in every song. Musically, however, time hasn't been so kind, and the whole thing sounds rather lightweight compared to what we have come to expect from Christian releases. But that shouldn't detract too much from what is, at heart, an amazing collection of heartfelt, worshipful recordings from a musician that gave so much in so short a time. 7/10 David Cooper (June 2005)
KELLI WILLIAMS : Kelli Williams. (Word : 701964760X).
In her home country of America, Kelli won three consecutive times
on Ed McMahon's Star Search 1993' and landed the crown of Teen
vocalist - which led to her recording contract. While she credits
the likes of Whitney Houston as an important influence, she certainly
does have her own style. In parts, that she is a very capable
and
talented gospel singer. She has some sweet vocals that are best
used on tracks such as "You're Never Alone" and the
summery "I Wish", but wails intolerably on the big production
numbers like "Counting on You". "Thank you"
leads us into an Eternal style dance number, the style of which
is reprised on track 6 "Holy Spirit". Kelli Williams
can only improve with age and she looks likely to be around for
some time to come. 6/10 (September 1997)
KELLY MINTER : Good Day. (Word: 080688607326)
The debut album from singer/songwriter Kelly Minter explores the
basic Christian themes of faith, hope and love through a solid
sonic foundation of rollicking guitars, insightful lyrics and
raw vocals. Imagine the rocky Jennifer Knapp being crossed with
the more restrained Sarah Masen and you'll get a good idea of
what Miss Minter produces. "Believer" is a self assured
song that proclaims her as a "Believer" and even though
the song is quite repetitive, it's one of those you find whizzing
through your head for days."On My Way Back Home" is
nice and bouncy, and "Speak to Me" is really good. Listening
to Jesus and hearing Him say "Return to Me" is just
what track 8 is all about and it's delivered in a really uplifting
style. Kelly sounds good enough to make a real difference in the
world of female CCM and the lovely "Whatever I Do" is
a great, worshipful ending to the album. 8/10. (June 2001)
KENDALL PAYNE : Jordan's Sister. (Capitol : 8517712 5)
The press back up tells us that Kendall Payne's music has some
of the jaggedness of Alanis Morisette but with a far more positive
message. To be honest, I wish I'd written that as it really goes
some way in summing up this album. As for the positive message,
you've really got to get deep into Kendall's way of thinking before
you even attempt to understand what she's trying to say in her
songs. Complicated lyrics? Well, they were, for me. The overall
sound is, undoubtedly, akin to Miss Morisette and prime example
is "Supermodel", a little ditty about, er…supermodels.
Sadly, Miss Payne is a couple of years out of date with her style
of music and, to be honest, it shows. "It's Not the Time"
is not a raunchy and lends itself to some good hooks but it's
all far too late. By far, the best songs come at the end and in
a different style to the rest of the album. "Never Leave"
is sung with such feeling and a cry for God to that it really
shows the mediocrity of the previous tracks. Finally, "Fatherless
at 14" looks at what a father, looking down from heaven,
might say to his grieving daughter - simply terrific. Unfortunately,
three good songs don't make up for the previous ten. 4/10. (June 2000)
KENDALL PAYNE : Grown. (Fierce! : FIERC13)
Already owning Kendall Payne's excellent 1999 CD 'Jordan's Sister', I was pleased to receive this follow-up for review, all of six years later. Kendall's story is one of a brilliant debut 100,000 selling album supported by highly acclaimed personal appearances, a Dove award in 2001 for 'Best Alternative Rock Album', then dropped by a changing record label management who inexplicably did not see her as part of their plans. Here Kendall is back on our CD players - and what an excellent album, more introspective and serious than the first but
with a strong character of its own. A bonus is the good sound quality. Those familiar with Sarah Masen will find similarities here, but there is something special about Kendall's voice, perhaps best heard on the opener "Scratch". It's easy to understand why this became a firm favourite with audiences when Kendall supported the Delirious tour on their 2001 D:Tension tour and it is possibly the stand-out track. It is followed by the excellent 'Rollercoaster' - more up-tempo but
similarly well arranged and delivered. The remainder of the album remains very good indeed, with best tracks probably "The Moon", "Stand" and "Twenty three". Worth a visit to
www.kendallpayne.com, where you can sample the first five tracks. But be warned - you'll probably be tempted to buy! 9/10 Dave Deeks (May 2005, Album of the Month)
KESWICK PRAISE VOLUME 15 (ICC : ICCD48130)
There seems to be no shortage of 'live' praise and worship albums
being released these days, especially in the run up to Christmas.
Although they appear to sell well, I often wonder why, and my
cynical self says 'Well, that's why they release them!'. To me
live worship just doesn't transfer to CD, and so it puzzles me
that any record label should expect to sell beyond the people
who were there, unless there was something different, a definite
buzz (such as Hillsongs), or the songs are new. Here is a case
in point. If you were at Keswick this year, it was probably a
wonderful worship occasion, but unfortunately what comes across
is very mediocre. When the full band plays, the musicians are
good, but there are too many very moderate to slow songs/hymns
which make the album drag. Some, such as 'I Will Sing The Wondrous
Story' seem to be with only piano accompaniment, which is nice
for quiet contemplative worship, but comes over here as Mrs Brown
playing in the church hall - with a few more people than usual!
Okay, I might be missing the point, you say, and we certainly
can't forget to mention the wonderful worshipful words of this
collection, that there's a good mix of ancient and modern here,
and that the album ends with a great solo performance from Jayne
Lewis on 'We Bow Down'. More solo items could have benefited this
album, in my opinion. A final note - there's a misprint in the
credits which had me amused. Martin Smith's 'Shout To The North'
is credited to Curious? Music! A Freudian slip? Or have
Delirious? played Keswick yet?! 5/10 Julie Lord (December 2000)
KESWICK PRAISE 16 (ICCD55130)
I know very little about Keswick Praise apart from being aware
of it's existence. However, if this album is typical of praise
events held there previously, and I was visiting that part of
the country, I would make a determined effort to go along. This
is an album with a good mixture of traditional and new songs like,
"Be Thou My Vision", "Come Lord Jesus", "Tell
Out My soul" and "My Jesus, My Saviour". Other
songs I particularly liked were "Break Thou the Bread of
life", the rousing Kevin Prosch song "He Is the Lord",
"Light of the World" (Matt Redman), and "We Have
Sung Songs of Victory", a quiet, prayerful number. The vocals
and music are very good throughout and it's a nice CD to add to
your collection. 7/10. Pam Robinson. (April 2002)
KESWICK PRAISE 18. (ICC : ICCD76530)
Steve James, John Risbridger and Colin Webster are the three leaders
on Volume 18 of the Keswick Praise series. Whether it just hit
me at the right time I don't know, but this album of well known
contemporary songs and old fashioned hymns was just so refreshing.
Imagine a mighty church congregation singing to music played by
a very competent band. That, in essence, is what you have. But,
how alive that congregation sounds! "O For A Thousand Tongues"
is sung so brightly and "Love Divine, All Loves Excelling"
is superb. The version of "Lion of Judah" is certainly
the best I've heard since the original Robin Mark one, many moons
ago - it's filled with power and vigour. There's also a heartfelt
rendition of "Pierced" which is beautifully delivered,
and "What A Friend We Have in Jesus". One of the best
praise albums around. 9/10. (February 2004)
KESWICK PRAISE 19. (ICC : ICCD82130)
No shocks here I'm afraid. If you've collected any of the previous 18 Keswick praise albums, you've got the idea of what this ones all about. The worship leaders are Sam Chaplin, Steve James and John Risbridger, and I wonder if it's the same Steve James who released a cracking "Voices in the Desert" album some years ago? The musicians are as good as any you'll hear on this type of album, and the songs are all fairly good. "Crown Him with Many Crown", "Holy Holy holy", and "How Deep is The Father's Love" all have that singalong quality that raises your heart a beat or two. What follows, is more of the same, never straying far from well known songs. "Open the Eyes of My Heart" and "Lost in Wonder" are just two more of themany songs that make this album a worthy addition to your Keswick collection. 7/10 (March 2005)
KESWICK PRAISE : Precious Moments. (ICC0918A)
Being a bit of a 'purely music' buff, when this DVD arrived it meant either sitting at the computer to watch it, or finally giving in and buying a DVD player! In the event, the latter found me suitably equipped with a cheapie (amazing for the price!) and the review session began. This is the first DVD in the 'Keswick Praise series', until now CD only. Here we have eleven hymns from the annual Keswick Convention - evidently the world's longest running Bible Convention, now in its 128th year - with beautiful scenes from the Cumbrian area, well chosen to match the mood of each hymn. A pity that there is no way of identifying the scenes - although it is possible, 'Songs of Praise' style, to select the captions for the words being sung. Such is the clarity of the voices however, that much of the time the captions are an unnecessary distraction unless you want to sing along. For me, the two stand-out tracks are 'The power of your love', and 'Be thou my vision' - which includes powerful drumming set against equally powerful sunrise/sunset shots. In the main, arrangements and performances are very good. Weak spots include a 'just the ladies' from the worship leader on 'Crown Him with many crowns' (unnecessary on a recording, and irritating on repeat listens) and voices lagging behind the piano at the beginning of 'Tell out my soul'. It is a pity that details like these should find their way onto a commercial product. Overall however, an uplifting DVD. Check out Keswick Praise CD titles on www.iccrecords.com. 7/10 Dave Deeks (January 2006)
KEVIN MAX : Stereotype Be. (Forefront Records).
So, as the first of the solo projects from the members of DC Talk
hits the streets, I wondered just what sort of sound Kevin Max
was going to produce. Thankfully, although there are DC traces,
the album is different enough from what he's well known for to
stand up on it's own. In fact, my initial listen had me thinking
back to those heady days when Steve Taylor delighted everyone
with his inane sense of humour and great delivery. "Return
of the Singer" is one such song that kicks off proceedings,
complete with middle eastern instruments defining their own way.
"World music, progressive rock and pop" say the sleeve
notes and that's quite true. It's a mix that works well on songs
like "Angel With No Wings" and "Alycen". Max's
vocal strengths are tested to the full on "Dead End Moon"
and this has quickly become my favourite track. "I Don't
Belong" is another strong number while "Be" left
me rather cold. "Her Game", "Deconstructing Venus"
and "I Went Over…" didn't set my soul alight either
but, as a DC Talk fan, I guess they may grow on me. 7/10. (October 2001)
KEVIN MAX : The Blood. (Fierce! : 829569803927)
To be honest, I've not found much to enjoy in Kevin Max's releases since the demise of DC Talk. He's not really settled to any one particular style and this new release sees him try something else. In his own words this collection contains "stylized adaptations" of gospel classics - not that I'd heard of many of them! He starts things off with one verse of 'The Old Rugged Cross', sung in the style of Iggy Pop. It drones on with a total lack of feeling and it's a real blessing when it stops. Then, we get DC Talk back together again for a version of Prince's 'The Cross'. To be fair, and as a DC fan, I wish they hadn't bothered. I think that it's Toby Mac taking the lead with Kevin Max in the background, but the result is pretty poor. 'Run For A long Time' is pedestrian gospel blues while 'I Know His Blood Can Make Me Whole' is just painful to listen too. It must have seemed like a good idea at the time, but when Amy Grant and Vince Gill join him for 'Up Above My Head' I really shuddered. This is just awful. Even the foot tappin' beat can't rescue it. What possessed Kevin Max to record this album is beyond me, and I can't see many DC Talk fans enjoying it. Towards the end, he does pull things together when he duets with Erica Campbell on 'People Get Ready' but by then, the damage is done. 2/10. (July 2008)
THE KEVIN PROSCH BAND : "Kiss the Son". (Kingsway Music).
Kevin Prosch visits our country on such regularity that he's almost
been 'adopted' by the British worshipping churches. Here's a live
album that has nine tracks, with some of them lasting well over
nine minutes! Listening, I asked myself the question; "Would
this CD aid my own, personal worship?". Sadly, the answer
was a big "No". Kevin's gravel laden voice takes you
through some very repetitive and mundane numbers. However, the
epic "Lord of the Dance" is particularly good for half
of it's twelve minute duration, while the tasty "Holding
On" is far too exceptional for this poor show. "Revelation"
is the final track and I was really sunk by the time the whale
noises appeared! The live worship event may have been worth while,
but it fails to cross onto CD. Sorry. 4/10. (October 1996)
KEVIN PROSCH & BRYN HAWORTH : The Finer Things in Life.
(Kingsway : KMCD2028).
This is a collection of songs that use the minimum of instrumental
backing, often letting just a couple of guitars stringing the
words along. I suppose it could be classed as Folk/Roots but it
would be difficult to confine the album to just one style. Prosch
leads off with a toe-tapping number called "I Need To Sing".
This is followed by an instrumental duet which, although repetitive,
is excellent. Not sure what Kevin was doing when writing the title
track but it includes such lyrics as "Like the smell of electricity,
you're not seen but you are there". Bryn Haworth excels on
various mandolins and slide guitar but I did start to get bored
with the simple sounds. Indeed, by the third listen, my score
had gone down two points. One of the few albums that I've disliked
the more I've listened. 6/10 before it falls further. (December 1997)
KIDS COLLECTION. 20 More Songs for Kids. (ICC Records)
Hang on. What's this? A punk song on a children's album?! You had better believe
it. The song in question "Stop, Look and Listen", is written by Steve
Morgan-Gurr, and just about sums up the spirit of the whole album. Having fun is
definitely the key here, which you can gleam from glancing at some of the
contributors to this collection. Capt Alan Price pens several numbers, including
the first track "La La La La La Jesus is our King", which is one of the
strongest and one of my favourites, as it Dave Godfrey's "I Love Ya". I can't
really think of any bad thing to say about this album really as it is strong in
every respect; the songs are excellent, they are performed well, and the
production is very much of the quality you would expect from ICC. In fact, it
makes me wonder how the same people could produce the disappointment that was
"Kids Praise 2003". If you've got kids, buy this, if not, buy it anyway and have
a laugh! 9/10 Robin Thompson (November 2003)
KIERRA "KIKI" SHEARD : This is Me. (EMI : EGD32483)
When this album was released in the US, it rocketed to the top of the Billboard Gospel Album Charts, and entered at #3 in the Christian Album Charts. She is just 18 years old and is the daughter of Rev. J Drew Sheard, and Karen Clark-Sheard, a founding member of Gospel legends the Clark Sisters. The sound is unmistakably urban RnB with a little hip-hop thrown in the mixture. Her producers have worked with the likeso f Mary Mary and Destiny's Child, so there's little wonder I thought that a couple of the tracks sounded vey much like Beyonce Knowles. Not that I'm a great fan of this genre, but I did think that the opening three songs did stand up well to current chart material of a similar sound. But, for me, the album runs out of steam before it really gets going, and one song seemed to aimlessly blend into another. She says that she writes from her own experiences of life. That she may do, but the resulting songs, on the whole, are very limp. 4/10. (December 2006)
KIM BOYCE : As I Am. (Diadem/Word : 92193-1009-2)
It's almost 10 years since I bought Kim's debut album. A former
beauty queen, it was quite a novelty to hear this pretty young
thing sing about Jesus. Several albums later, Kim Boyce has matured
into a fine songstress without ever really hitting the same heights
as Amy Grant. From the opening "You" and it's good to
be alive feeling, she presents 10 songs from a self prospective.
At times, Kim is reminiscent of an early Madonna and the catchy
"I Fall in Love" confirms that ideal. She duets with
husband Gary Koreiba on "Amazing Love..." and sings
passionately for the Lord on "The Communion Song". Kim
gives consistantly good albums but there always does seem to be
a little something missing. 7/10. (May 1997)
KIM HILL : Surrounded byMercy. (Spirit-Led Records)
Kim Hill is one of those singers who's albums have, so far escaped
my attention. True, she's featured on many compilations but this
the first time I've had the pleasure of just hearing her. It's
a live worship album and features 12 songs. Kim gives everything
in her heart to songs like "Born to Worship" and "Famous
One", as they sound the glory of God to the fore. "Glory
Unto You" gets a bit out of hand and you lose the continuity
a little. However, Kim soon pulls things round with "Your
Mercy" and the worshipful "Love You More". A competent,
if not outstanding, release, and you can see why she's so popular
in her own country. 7/10. (December 2003)
KIM HILL : Broken Things. Authentic : 8204252)
Renowned for her leadership at women's conferences and events, it's more than 10 years since Kim Hill last recorded a rock album. But, she returns to her roots with this offering which is very reminiscent of Sheryl Crow, in style. "Here Inside of Me" is about an amazing God, living in you, and it's a strong opening track. "You Don't Belong Here" is a very interesting song. If I read it right, it asks if the likes of gay people and divorcees should really go to church. I'm sure there will be a few comments about that one. "Blame Somebody Else" asks you to take a look at yourself while "Clean" says that God can wash you clean, no matter what you've done. Kim gets writing credits on a few of the songs, but there's also contributions from the likes of Margaret Becker, Jill Phillips, and Kate Miner. Pity is, Kim makes them all sound very much alike. Her vocal range is never really tested, and it makes for a very tired feeling collection. 5/10. (June 2007)
KINDLE : Screaming Serenades. (Alliance : 1902402)
Following their recent successful tour with Kato, I was interested
to hear just how this, relatively, new band would perform. Pre-album
material wasn't too impressive and, on first hearing, neither
was the finished product. But, I'm rarely one to review on just
one listen, so I persevered. And, I'm pleased to say, I'm glad
I did. Simon Parkin's vocals almost snarl the words at you and
I still don't like the opening "Every Little Thing You Do".
"Don't Fly Away" becomes more tuneful and this is the
track that I think deserves more airplay. Not sure what happens
during the album but, halfway through, it steps up a gear in class.
"Live For Heaven" finds this Radiohead sounding band
in more mellow mood, as does "Someone to Live For".
Then, the brilliant "Step on Up" becomes almost anthemic
in it's delivery. Predominently a guitar band, these guys have
had great backing from a whole host of people in making this a
solid, if not excellent, debut. 7/10. (July 2002)
KING OF KINGS ASSEMBLY : "Worship in Jerusalem". (Kingsway Music)
After some of the music I'd listened to this month, this came
as a welcome relief. Praise and worship that I could really use
myself, and enjoy. Don't expect any sort of Worldwide Message
Tribe stuff here, this is pure 'old fashioned' p&w of a powerful
kind. Sung by a congregation from Jerusalem, there's slow meditational
music, as well as up tempo numbers to clap along too. Yes, I know,
it's not the sort of thing I'd usually listen too, but I'm glad
I did. 7/10. (October 1996)
THE KINGS CHAMBER ORCHESTRA : String Heaven. Fierce : FIERCD36)
This orchestra has a career spanning 25 years, bringing improvised music to audiences. They say that this is the first time that they have used worship songs and promise "special moments". Like any music, I guess that you have to be tuned in to enjoy a specific style, and maybe this was why I didn't enjoy this collection. All the pieces seemed to be of one pace, and many sounded alike. My hopes had been raised by the opening 'Be Still for the Presence of the Lord' - a tune that had a calming effect after my busy day. Sadly, as I say, these hopes were short lived, and I found myself dozing off in between 'Jesus Christ, I Think Upon Your Sacrifice' and 'In Christ Alone'. The instrumentation is fine, and the orchestra are fine musicians but I just thought the whole concept felt, like me, a little tired. 'Amazing Grace', 'Here is love' and 'What a Friend I've Found' are three of the other songs on show on a rather disappointing release. 4/10. (Feburary 2008)
KINGDOM FAITH : I Make All Things New. (ICC : ICCD60830)
Here's a collection of 17 songs (mostly new) that are aimed at
capturing the presence and holiness of God and those who focus
on His majesty and glory. It opens with three songs of exciting
praise before going into four quieter, worship numbers. Darlene
Zschech's "Overwhelmed" is quite outstanding - the female
vocalist excelling in her delivery. "Jesus, Awesome God"
is also very strong and powerful. From then on, things get a bit
samey although Martin Stanesby's "Jesus, Your Glory Fills
This Place" is pretty good. For the other tracks, I just
felt that the production left a little to be desired. Somehow,
many of the songs sounded too old fashioned in their end result.
Couldn't quite put my finger on it but, after several plays, I
was still waiting for something to happen. 4/10. (April 2002)
KINGSWAY WORSHIP LEADERS (KMCD2478)
Now, I usually don't review samplers due to the time and space
limitations of NFN, but this one slipped in by accident. For £1.99
you get 12 full tracks from worship leaders such as Kate Simmonds,
Geralidine Latty, and Noel Richards. Robin Mark's "Find Rest
All the Earth" is delivered in typical Mark style, and I
loved playing the track. Brian Houston's gritty display is a little
different to the norm' on "You Are Mystical", and Dave
Bilbrough is at his best with "Everybody Sing". The
only one I really didn't like was Robert Critchley's "Your
Love is Better Than Wine". How many more songs will use the
cliché about being drawn "like a moth to the flame"?
Well worth your money. 9/10. (July 2003)
KIRK FRANKLIN'S NU NATION : God's Property. (B-Rite Music: IND900093)
Promoted as a 'Top Hit' in the USA, I wondered just what to expect
from this black gospel team. What you do get is a mixture of traditional
and rap music, recorded in Dallas. Certain tracks, including 'Stomp'
sound very much like MC Hammer did in his day. Others, such as
'It's Rainin' and 'So Good' are just what you would expect from
a gospel choir - sweet backing and a front singer who can holler
with the best. 'Love' is a personal testimony, that works well,
but it's the straight forward choir filled songs that stand out.
'The Storm is Over' is, perhaps, the pick. It's an album that
begins well, dips into tedium during the middle, and then rises
again for a strong finish. I've heard better, but then, I've heard
a lot worse! 5/10. (January 1998)
KIRK FRANKLIN : The Fight of My Life. (Integrity : GC71677)
It's hard to believe that this album marks the 15th anniversary of Kirk's involvement in contemporary gospel music. This album contains over 70 minutes of music, as Kirk is joined by many friends to play, mainly, gospel music, with some RnB and pop styles thrown in for good measure. The song 'Declaration' is as hard hitting as any pro Jesus song that you will hear. Realising that your life is a mess and that our Lord is the only one who can save you, hits the nail right on the head. There's lots of smooth female harmonies on songs like 'Help Me Believe' and 'Hide Me', and Kirk shines through on 'How It Used To Be'. 'I Am God' produces a rockier edge to the sound, with distorted guitars and well used string pads. It's a corker of the track, and gets my vote for being a radio hit. Friends on the album include 11 year old Donovan Owens, who he duets with on 'A Whole Nation'. Also appearing is DA T.R.U.T.H, who gives his all on the rap orientated 'I Like Me'. With 16 tracks on show, I thought that the album seemed to run out of steam towards the end, but I'm sure that true Kirk fans will lap this up. 7/10. (April 2008)
KIRSTY STARLING : Kirsty Starling (Word : 8862632)
Kirsty's life changed when she joined 6 other finalists on a live
TV talent showcase, wit the winner being picked by an audience
phone in. although Kirsty came second, Warner Bros legendary producer
David Foster had seen enough to offer her a recording contract.
Her songs reminded me of all sorts of singers, from the Whitney
Houston type balled "Broken" to the well written Faith
Hill sound of "All For You". "Water" is the
best song for me and it's given two outings on the track listing.
The first is obviously a radio edit mix, with edgy guitars, while
the second version features some more string effects for that
easier listening touch. "There Will Come a Day" gets
a little raunchier, and Kirsty's delivery isn't quite the same.
It's a sound debut all in all, and there's plenty to build on
for the future. 8/10. (October 2003)
KISSES FROM HEAVEN - Streams Of Worship. (Kingsway : KMCD2557)
Three of the most well known, and talented US female singers get together on this album of well known praise and worship songs. But, before you think, "Oh, not another worship album", let me tell you that most of these songs have been given a makeover that really does bring more life to them than before. Tim Hughes' "Beautiful One" must have been sung in churches up and down the land, thousands of times over the last couple of years but Michelle Tumes' version has a great production that suits her voice to a tee. In fact, a great deal of thought has gone into a lot of these songs to make them shine. Christine Dente brings a good version of "Here I Am to Worship" and then produces her best moment on Matt Redman's "Once Again". Michelle, then returns to triumphant form with Godfrey Birtill's "Outrageous Grace, while Susan Ashton's highlight must be her powerful rendition of "In Christ Alone". No, it's certainly not just another worship album! 8/10. (April 2005)
KITE : Mighty Flood. (Little Misty Music : LMSTAD4D).
It's almost a year since I first heard this guy in concert, and
I believe that this album was practically finished then. So, a
year on, Kite's songs stand up well to my memories of that live
performance, and the crafted opener 'Precious Holy Spirit' kicks
things off nicely. The style that runs through is a laid back
soul feel, although at the forefront of one such song called 'My
God, Holy God'. The album's title comes from track 6 in which
Kite cries that Jesus came into his heart "like a mighty
flood". "How High" was the song I really wanted
to hear again, and I wasn't disappointed by it's immediate freshness.
Kite has a knack of finding the right sort of catchy chorus and
the formula is repeated on "Carry Me Home". His voice
does seem to be stretched once or twice but, as a whole, carries
quite a bit of texture. Not specifically a p&w album, but
I got quite a lot out of it. 8/10. (December 1997)
KRIS BAINES : Selah Hymns 2. (ICC : ICCD73830)
Following on from his successful first collection, New Zealand based Kris Baines
plays more well known tunes on solo piano. Undoubtedly, a very talented pianist,
Kris manages to make this simple sound into a very pleasant experience, whether
for private or small group worship and meditation. Saying that, if you just want
to relax and unwind from the pressures of the day, hymns like "Great Is Thy
Faithfulness" and "Jesus, Lover of My Soul" will help you do just that. Other
tracks include "Be Thou My Vision", "I Cannot Tell" and How Great Thou Art".
6/10. (November 2003)
KRISSY NORDHOFF : Thank Him. (ICC : ICMKCD006)
I've not come across the songs of Krissy Nordhoff before so this was a pleasant surprise. Reminding me a lot of Canadian, Carolyn Arrends, Krissy bases her tracks around simple acoustic settings, with the minimum of backing. Not that it's just one girl and her guitar, it's just that the music is kept simple, thus you can concentrate more on listening to the lyrics. Indeed, the lyrics are a strong point of this album and never more so than on the sweet "Little Things". But, back to the beginning, and it's the title track that starts proceedings. It's a nice start, too, with Krissy's voice instantly getting your attention as one of quality. The song "Ninety-nine" sings about how glad Jesus is when "one lost sheep, is found", and this has a really strong chorus. Krissy wanders, occasionally, into a country feel and I felt this strongest on "Daisy Days" - it wouldn't be lost on any country radio station. All in all, it's a lovely album. 9/10. (April 2005, Album of the Month)
KRYSTAL MEYERS : Dying For A Heart. (Essential : 083061081522)
Since the release of her self-titled debut album, 17 year old Krystal Meyers has received awards, performed before more than 400,000 people, fisnihsed school and now completed her second album. It's style is definitely rock and, in the mould of Avril Lavigne and Kelly Clarkson. She takes on issues that are faced daily by her peers and attacks them with great venom in songs like "Collide" and "The Beauty of Grace". "The Situation" is a hard hitting number revealing to the spiritually blind about God's love reaching out to them, while "Only You Make Me Happy" is a declaration of her own faith, and relationship with an almighty God. If you like your modern rock loud and proud, you'll love this album. For me, the one nagging question was "were the songs all too much alike"? Nevertheless....9/10. (January 2007)
KUTLESS : Hearts of the Innocent. (BEC Recordings : BED50969)
This is the Oregon based band's 4th album. The title track is a message of awareness, of which vocalist Jon Micah Sumrall says is "a wake up call to the generation of adults to take a closer look at the neglected youth across the world". The track itself is full of driving guitars and rhythms, and makes a great start to the album. The next track is the current single, "Shut Me Out", which claims that no-one should stop you from speaking about the truth of God. Anyone who has seen the accompanying video will know just how superb this song is. Kutless play modern rock but that shouldn't stop old rock school lovers from sampling the delights of this release. The slower "Smile" tells about faith, and just what a difference your smile can make to someone, while the power and love of "Promise of a Lifetime", made this track my favourite. The closing acoustic versions of some songs lack the same conviction of their full blown version, but this is a terrific album. 9/10. (September 2006)
KUTLESS : Live From Portland. (BEC Recordings : BED64848)
As with many live albums these days, this is a two disc set featuring both a cd and dvd of the concert in question. Interestingly, the track listing for both is the same although there has been some editing of some of the songs to fit them on the cd. I'm not sure I like that, but at least it means that songs aren't missed off. As a band, Kutless are a great outfit, a Casting Crowns with more attitude in a way, but with as much sincerity. Crunching guitar sounds abound here and the two guitarists work extremely well together, almost sounding as one instrument. For all that though it is the two worship songs that stand out, "Strong Tower" and "Better is One Day", neither of which are Kutless songs. That in a sense emphasises their main weakness - their own material just isn't quite as memorable or melodic. Their songs are good but lack that little something that makes them great. However, as a package they are a good band, strongly evidenced by the dvd which is engaging both visually and aurally. I suspect this is also one of those albums that gets better with each repeated play too and that is not a bad thing at all. 8/10 Robin Thompson. (May 2007)
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