Never for Nothing - CCM Record Reviews archive H
THE HARBOUR LIGHTS : Closed for the Winter. (Soul Cafe Music : SCMCD003)
With most of the writing credits going to Phil Baggaley, it's the wonderfully warm tones of Bethan Court's vocals that brings each song to life. Touted as a cross between Clannad, Fleetwood Mac and Kate Rusby, I think that is a fair description of this folk/roots outfit. I can't say that any of the lyrics were out and out Christian, but I enjoyed most of what was on offer. 'Gunmetal Grey' starts things off, and I think it's one of the strongest cuts on the album. There again, 'Five Senses' would push it a close second. It's an album of easy listening music, and one that you could play at any time of the day, whether you just want to relax or, like me, must have some music on when working in and around the house. 'Watching It Slip Away' was quite repetitive and luke warm, but the cry for help on 'Mayday' is soothing and gentle. The folk roots of this release are probably best summed up in the closing 'Another Rainbow'. It's modern folk, and produced to the highest quality. An album that I think, will grow on you. 8/10 (July 2008)
HARRY SECOMBE : Timeless Classics - Songs of Praise. (Word/IC: INCLD001)
While America has the likes of George Beverly Shea recording classic
hymns of praise, the UK has it's very own Harry Secombe. While
never been a very big musical fan of his, I've always had time
for this guy who's brought so much joy to countless millions over
the years. This recording carries 20 well known tracks featuring
the man himself as only he can sing. A surprising inclusion is
Bernstein & Sondheim's "Somewhere" alongside the
traditional "How Great Thou Art" and "Faith Can
Move Mountains". Harry's vocals are at their best on stronger
tracks such as "The Old Rugged Cross" and "When
I Survey" but there's hardly a dip in quality throughout.
I found myself sitting back with eyes closed, visualising him
singing each song, with such vigour, truth, and personal faith.
It may not be original but this release IS a timeless classic.
10/10. (April 1999, Album of the Month)
HAVALINA : Sapce Love & Bullfighting. (Tooth&Nail Records)
Well, I'm not quite sure where to start with this review. It's
got to be one of the quirkiest things I've ever come across in
my years of CCM. Havalina come from Long Beach, California and
have stayed away from current pop fads to stay true to what they
want to play. Their influences include The Pixies and Neil Young,
and the result is early 60's British pop with latin rhythm overtones.
Singer, Matt Wignall, has one of those voices that isn't always
quite in tune, yet draws the listener into staying with each song
until conclusion. The songs themselves are way out, and I had
difficulty in relating any Christian message from any. "Bullfighter"
may have had some reflection on the story of Jesus, but I couldn't
be more than 50% certain. "Losing You" is a Spanish
lullaby, while "If You Like" has some great organ sounds
within. Fun, seems to be the order of the day with Havalina and
that does come through in the songs like "Pluto" and
"Rocket Ship". It's different, it's weird, it's definitely
in a class of it's own, and I like it. 8/10. (September 2002)
HAWK NELSON : Smile, It's the End of the World. (Tooth & Nail : TND45613)
Another Canadian band is Hawk Nelson, all hailing from Ontario. With power/punk influences, this band have paid their dues by playing in all sorts of venues. The album is one which took me a few listens to appreciate and definitely improves with age. Saying that, I still think that the opening " The One Thing I Have Left" is pretty uninspiring. But, then comes "Bring 'Em Out". Unashamedly a Blink 182 clone of a song, very infectious, and 10 times better than anything that had gone before. "Everything You Ever Wanted" talks about trying to live upto Jesus' standards, and failing, while "Something on My Mind" gets the beat going again. This song has everything - great guitars, great chanting chorus, it's just a great song! Similarly, "Nothing Left to Show" has the same type of energy, and I can see some of these songs going down a storm live. Not so sure about the melancholy ending, but these guys are ready to excite. 8/10. (November 2006)
HAYDON SPENCELEY : Circles. (Knuci Records : KNUCI CD004)
Haydon Spenceley's brand of electronica and melancholic vocals remind me a lot of the Mutemath EP from a few years ago (no surprise as he states that Mutemath are an influence). There are even some Enigma elements too and on one track, "Heaven on Earth" the vocal line has hints of Duran Duran. All good comparisons in my book and all help to create an album that is markedly different from the usual CCM fayre. The former Freeslave frontman also keeps it lyrically fresh too. You have to listen hard to hear the Christian themes, but they are there and the effect is a cd that will build bridges and straddle boundaries. It's also a well crafted album in its own right and not a mere imitation of Haydon's influences. What I also like is the attention to detail - there are some real subtleties to the arrangements and production on this album which demonstrate that it has been put together with a caring and loving hand. All in all, an album that definitely lives up to its pre-release billing. 8/10 Robin Thompson. (December 2008)
HEART OF WORSHIP Vol.6 : Worship in Spirit & Truth. (Authentic : 8203852)
Tracks on this double CD were recorded in the UK, USA, and New Zealand, with such singers as Simon Goodall and David Lyle Morris amongst others taking part. The sleeve notes say that "In recent years this collection of songs has set the worshipping church alight", so I was expecting great things. Sadly, the first Cd just didn't live up to those expectations. I wanted excitement. I wanted exuberant praise and worship, but there was none to be found. "Salvation is Here" offered brief hope but, mostly, the songs were very weak. "Nothing In This World" is a nice, pretty song, that was only spoilt by the intrusive use of a saxophone solo, which sounded terrible. Disc 2, however, really takes up the challenge, and things take a change for the better. "From All that Dwell" has a real expression of love within it, and "Sing of Your Love" leads worship with great effect. By the time you get to "Giver of Life" and "How Great Is Our God", you get a real feeling that those gathered have a real belief in what they are singing. Simply, the second CD knocks spots of the first. 6/10. (September 2006)
HEAT : Can I See Heaven (Survivor Emerge : SURCD049)
Survivor have started this series, 'Emerge', specifically to introduce
new worship bands to a greater audience. Heat are kicking things
off here in great style. Hailing from Manchester, they are also
Christian workers in that city by day and maybe it's that experience
which produces the depth to their music and lyrics. It seems to
me that the barrier between 'performance' style CCM, and worship
music is continually being broken down - and here is a case in
point. Guitar based, but with some nifty keyboard background fills,
the band is tight and the lyrics shine through. There were points
when I thought a guitar solo would have enhanced matters, but
that's just me. The title track, 'Arms of Love' and 'Arise and
Shine' are worth a special mention, but the acoustic track, 'To
Love You More' I found really beautiful and uplifting. All of
the songs are written and sung by guitarist James Gregory, a man
of real talent - note the name, you'll be hearing more of it.
It's a shame his otherwise excellent singing voice sounds like
Martin Smith/Matt Redman. It seems to be a trend - if you sing
this kind of worship material, you have to sound the same. But
that's only me being niggly. At £6.99 for 7 tracks, this
album represents excellent value. Go on, turn up the Heat! 8/10.
Julie Lord. (January 2001)
HEAVEN'S SAKE KIDS : Bible Songs. (Pamplin : PMCS9732)
HEAVEN'S SAKE KIDS : Father, Son & Holy Spirit Songs. (Pamplin : MMCS9809)
When someone sends you kids tapes to review, you have to forget
about your aversion to them and hear through the ears of a child.
Aimed, I presume, at the 4-9 year age group, these tapes present
a collection of easy to learn songs for use in the home, the car,
or at Sunday School. The lyrics are, on the whole, very repetative
but catchy enough to appeal to youngsters. The music is quite
robotic but, again, I'm sure that kids won't mind. New songs like
'Three in One' are quite good in their own way , but a disco version
of the traditional 'Tis So Sweet To Trust In Jesus' plummeted
this listener to the depths of despair. How can I describe the
sounds overall? Well, tune into Sesame Street and you'll get a
good idea. Both tapes have split track facility which means that
you take out the vocals for your own performances or just lower
them down for a guide. For Sunday schools...... 7/10. (January 1999)
HELEN JAYNE McKELLAR : It's Not Too Late. (www.helenjayne.com)
It's more than 7 years since I last reviewed any music from this young lady, and over a decade since I saw her live, promoting her "Safe" album. At that time, she was tipped by many for big things. Sadly, a long illness knocked the wind out of her sails and those big things have never really happened. But, like the title of this 6 track CD, it's never too late. I often thought that Helen's vocal's reminded me of Cherry Keaggy, but her delivery is very much like Amy Grant. In fact, I couldn't stop thinking how alike Helen and Amy sound in this area. 'He Will Cover you' starts the ball rolling about God's protection, and it really rocks. The title track has a big production behind it, and Helen's vocals carry the song to a very high standard. Indeed, that quality gets even better on her song for the lost, called 'Hard Cruel Day'. There's a real feeling of compassion that comes across, and I was hooked by this one. The final song is 'Do They Know?' - a question to those about knowing God beside you through all things. I'm sure that this is a terrifically personal song for Helen, and she handles it well. How I would have loved a full album of songs. If this lady enjoyed better health and lived in America, I have no doubt that she would be enjoying bigger success. There again, that would be a big loss for the UK Christian public. 9/10 (June 2009)
HELEN ROWE : Light Shot Through. (CD £12.99 from: the community, 70 Catton Grove Road, Norwich, UK, NR3 3NT)
You could never claim that this album was just another CCM release,
as it marries a fusion of so many influences and styles. There's
jazz, rock, folk…they're all there, and it's an interesting
experiment by Helen Rowe, a newcomer to the Christian scene. Instrumentally,
too, there's a whole range of electric, wind, and stringed instruments,
as well as the percussion sounds. The album is supposed to tell
of Helen's journey from darkness (before knowing Christ) to having
a full loving relationship with Him. Therefore, there are, musically,
some very dark moments, such as "Dungeons", "Lift
the Shroud" and the all consuming "Not Ready".
Her voice doesn't quite work with the rockier numbers but, in
parts, her style is that of an early Heart, or even Pentangle.
"Two-minded" finds her in reflective mood, looking at
the past, present and future, while "The Reason" even
adds a touch of Jethro Tull - whistles and all. Despite the description
of her journey, it's not an album that I'd like to listen to if
I was feeling down. I found more despair lurking within the music
and only brief shafts of Jesus' light shining here and there.
Not your run of the mill album, as I said, but well worth investigating
if you're looking for something "out of the ordinary".
6/10. (March 2004)
HELEN SHAPIRO : Enter into His Gates. (ICC : ICCD21830).
Yes, this is the same lady who, more than 30 years ago, was 'Walking
Back to Happiness' in the pop charts. Brought up in the Jewish
faith, this is Helen's 4th album that expresses her beliefs. To
be honest, the traditional Jewish feel of most tracks can be quite
trying to the average listener. The title track is rather good,
complete with it's 'Hava Nagila' type chorus but, on two out of
three CD players, my copy curiously stopped and had to be started
again on track 2. Backing vocals are provided by the talents of
Paul Field and David & Carrie Grant while Terl Bryant and
Mike Haughton produce a lot of the music. Most of the songs have
been gleaned from Messianic Jewish songwriters but the strongest
track is the beautiful version of the Wesley classic 'And Can
It Be'. 'Enter Into His Gates' is a solid album without been anything
special, but many may find it does have warm moments of intimate
worship. 5/10. (January 1998)
HELEN SHAPIRO : The Gospel Collection. (ICC : ICCD6543)
Despite it being around 40 years ago, Helen Shapiro is still regarded
by many of the girl who sang "Walking Back To Happiness".
For the uninitiated, Helen has since had a career in tv and on
stage, as well as touring regularly with her gospel evenings.
This singly priced double CD takes 35 of her best songs to date
and captures them on one collection. As soon as the music begins,
it's her unmistakable vice that powers through on "The Pearl"
and "I Go to the Rock". The praise medley halfway through
the first cd is quite nice, but the closing duet with Cliff Richard
proves to be the highlight. For the second disc, "Oh Lord,
Our Lord" is full of greatness, while the gentler "Oh
Deep, Deep Love of Yeshua" is caressed with light piano and
a hint of strings. I can't say that many of the songs moved me,
but Helen's Mesianic praise has brought great joy to countless
thousands over the years. As a taster to her music, you could
ask for nothing better. 6/10. (September 2002)
HELEN TURNER : Permission. (CD £11.50 inc p&p from: Helen Turner, c/o Tollbooth Music, 8 Clarenden road, Reading, Berks, England, RG6 1PH).
I must declare from them outset my allegiance to Helen's musical
cause, and a certain amount of bias. We have been friends for
8 years, and have collaborated together on various musical projects,
although I had nothing to do with this album - so some element
of objectivity does still remain! Helen was previously the singer
for York based quartet The Rumours Are True, an Iona tinged band
that favoured high drama and excellent musicianship. However,
as good as Rumours were, "Permission" is a huge step
forward, due primarily to the fact that the songwriting is warm,
distinguished and frequently beyond what many bands ever achieve.
Anybody who enjoys singer-songwriters, or generally honest and
sincere music, will find something to enjoy here. Helen puts her
heart utterly into her music, and songs such as "Grass Is
Greener", "Lye-di-Dy" and "Helium" showcase
not only her ability as a writer, but also some stunning vocal,
where she manages to come close to the intimate grandeur of Sarah
MacLachlan. Best of all is "Raynbird Street", a very
moving and poignant song that's enough to soothe a raging Oasis
fan at 100 yards. "Permission" heralds the arrival of
a tremendous talent. Recommended. 9/10. Miles Cain. (June 2000)
Here I Am To Worship - Hymns. (Kingsway : KMCD2629)
The front of the CD insert on this 2 CD set proudly announces 'Now is the time when the true worshippers will worship' and '32 new live recordings' - so it would only be fair to have high hopes! In the event, it turns out to be a more than reasonable set of well recorded tracks. All vocals are good - some very good indeed, including 'How deep the Father's love for us' which is an excellent tune delivered with a simple but effective arrangement. Other arrangements of note include 'In Christ Alone' and 'O God of Burning Cleansing Flame', which includes some brilliant drumming. Another high point is 'Praise my soul the King of Heaven'. There are less successful attempts to update well known tunes however, by introducing riffs that don't match well with the melody. 'Thine be the glory' unfortunately suffers in this way, as do 'Holy Holy Holy Lord God Almighty' and 'Joyful joyful we adore Thee', both of which are forced into the sort of pre-programmed drum and bass sequences that come built into home keyboards! A personal dislike of mine is recordings where the praise leader announces the first lines, so another down point for me was 'Joy has dawned' where he does just that. Overall however, much to enjoy and worth 7/10 Dave Deeks (August 2005)
HEZEKIAH WALKER & THE LOVE FELLOWSHIP CHOIR : Family Affair II - Live at Radio City Music Hall. (Zorba Recording Group).
A live worship album with a difference! Instead of the usual fare
of Redman, Smith and Kendrick songs served up in an acoustic rock
style, here we have a full gospel band and choir - and a very
impressive one at that. I have a well developed softspot for this
kind of music, the light jazz/blues style and close harmony singing
has an indefinable quality that is extremely uplifting, and the
LFC do it very well indeed. There is a good mixture of uptempo
and more laidback songs, with "The Lord Will Make A Way Somehow"
and "What A Mighty God We Serve", respectively, standing
out. Towards the end some modern style dance music creeps in and,
amazingly, it works really well. My only criticism (common with
live worship albums) would be that 7 to 10 minute songs with a
myriad of repeats might work live but don't translate well to
CD. That apart, if you like gospel you should definitely check
this out. 8/10 David Cooper (November 2002)
HEZEKIAH WALKER & THE LOVE FELLOWSHIP CHOIR : Nothing But the Hits. (Verity : JADV-53744-2)
With a title of "Nothing But the Hits", you might quite
rightfully expect a few familiar ditties in there, but oh no!
I didn't recognise a single one! Does this make me a bad Christian?
I have to admit I had many pre-conceptions of what to expect from
this CD, but I was trying my best not to be judgemental before
a fair hearing. In this case though, it gives you what you expect,
an album of very stereotypical American black Gospel tracks. A
little over produced with lots of cheesy warbling "Hammond
organ" sounds, plenty of clapping and group vocal harmonies...not
my cup of tea I'm afraid to say. There were some very funky bass-lines
which were catchy & I thought these may have been the redeeming
features I was looking for, but alas, the accompanying rhythms
& vocals didn't inspire me to listen to the remainder of the
respective tracks! Neither did any of the lyrics grab my attention.
This may appeal to a small market in the UK, but I would think
that this album is likely to do more in its home US market. You
would have to have a serious heavy duty liking for Gospel music
to invest your hard-earned cash in this one, but it would have
me running for the hills rather than to my nearest church or musical
emporium! I am certain the musicians & vocalists are highly
accomplished, but Mr Walker & his choir don't float my boat
in the musical sense. Worth 3/10 for the bass-lines. Simon
Redfern (April 2004)
HILLSONG MUSIC AUSTRALIA : Touching Heaven Changing Earth. (Alliance : 1901292)
Wow! At last, worship with guts! We've come to expect a highly
professional, polished performance from Darlene and Co. but they
just keep getting better. This is definitely performance worship
but why not? Along with brilliant arrangements, superb instrumentalists
and singers, they still manage to keep that personal touch, especially
in the slower numbers such as 'Holy Spirit Rain Down', 'Jesus
You're All I Need' and 'The Potter's Hand'. It's the dynamics
that create the drama in these songs and pull us into the worship
experience. The fast songs seem to emit power and enthusiasm,
and the full brass stabs and fills remind me of the raw energy
of early soul and motown. The sentiments expressed in songs such
as the opener 'That's What We Came Here For' and the title track,
immediately make us feel part of the event. This is unusual for
a 'live' worship album. Darlene's great voice and expression,
with her inspired ad libs, are crucial and I'm sure she'd maybe
up there with Madonna and Celine Dion if she ever got tempted
to cross the great divide. Let's hope she doesn't! A really great
album. 10/10. Julie Lord. (October 1998, Album of the Month)
HILLSONGS AUSTRALIA : Hills Praise. (Alliance : 1901332).
If my church's weekly praise began like this album, it would really
shake the older members who grimace as they sing any sort of chorus.
Happy, joyful, full of life and energy, were just a few of the
phrases that sprang to mind during the first couple of songs.
"Your People Sing Praises" and "People Just Like
Us" just set the place on fire. By the time "I Can't
Wait" begins, we're in the realms of rock and roll and the
response of those gathered almost drown the backing. Hillsongs
have become increasingly more popular over here during the last
18 months and this album is sure to continue the trend. "My
Heart Sings Praises" slows things down a little but it's
back to normal with the well known "God is in the House".
Listening to this release is either going to really charge your
spiritual batteries or leave you physically drained. I need a
lie down! 8/10. (April 1998)
HILLSONGS AUSTRALIA : Shout to the Lord 2000 (Hosanna Music: 14242).
Worship leader Darlene Zschech is joined by Alvin slaughter and
Ron Kenoly on this live recording from the '98 Hillsong Conference,
in Sydney. A brilliant compilation of old and new songs, with
the guest singers only adding to the enjoyment, as I listened
to this album. It's an album to really lift your spirits. All
of the tracks are very good and "Shout to the Lord"
itself is excellent - I just had to play it again. Other favourites
of mine were "Breathe On Me" and "My Heart Will
Trust". Very listenable and very enjoyable. 10/10 Pam
Robinson. (March 1999)
HILLSONG AUSTRALIA : Jesus, Christmas Worship Down Under. (Hillsong : HMACD146).
The great thing about Hillsong albums, for me, is the fact that
they come up with some wonderful new praise and worship songs,
and breath new life into older ones. The formula hardly ever changes
and, usually, that means there's a great album in store for the
listener. And, while that rings true with most on this release,
there are some songs that have just been sung to death. "Hark
the Herald Angels Sing" and "Away in A Manger"
are just too bland and are rather irritating at times. However,
there is a particularly nice version of "The First Noel"
that is different enough from all previous recordings, to stand
out from the crowd. The best songs, however, are those written
by members of Hillsongs. Katia Bowley's "Saviour of the World"
is the first of these, and what a good song it is, too. Then,
there's Darlene Zschech and Russell Fragar's "Perfect Love",
a song supposedly sung by Mary to the baby Jesus, and quite brilliant.
Each Christmas, I wait for one new song to rise from the host
of festive releases and with the closing "Glory to God",
I think I've found this year's pick. Great drum sequences that
give the song a real taste of the Australian outback, with simple
lyrics and full of the love of God. 7/10. (November 2001)
HILLSONG AUSTRALIA : For All You've Done. (Authentic : HMACD177)
With a choir of some 500 people, and thousands in the congregation,
this is Hillsongs' annual live recording. What an event it must
have been, by the sound of things. Disc one starts with electrifying
praise in the form of the title track, "One Way" and
"Evermore". All three songs have great power, and boy
do these Aussies know how to whip up a praise frenzy! "With
All I Am" brings an element of quiet to proceedings for some
beautiful worship and the 9 minute "Hallelujah" follows
this closely. Disc 2 is more of a worship album and doesn't quite
reach the heights of its' predecessor, but there's still some
lovely moments. One disappointment is the abrupt starts to some
of the tracks which sounds quite amateurish but you still can't
take away the power of Aussie praise. 8/10. (November 2004)
HILLSONGS FELLOWSHIP : God is in the House. (Alliance : ALD089).
Oh how I cringed when I heard the opening songs of this album.
The Happy Clappies are here in a reincarnation of, what sounds
like, the late lamented 'Rock Gospel Show'. However, after a couple
of listens I decided that it wasn't so bad after all. "I
Give You My Heart" is a bouncy number about submitting to
God, while "My Heart Sings Praises", does exactly that.
The pace falls towards the end of the album, inlcuding the 7 minute
epic "I Will Run to You" - an excellent song of pure
worship. This album still rings of quirkiness but it's worth a
listen. 6/10. (May 1997)
HILLSONG : Live Worship For Kids - Jesus is my Superhero. (Hillsong : HMACD181)
Regular readers will know that I usually cringe when I get a kids album to review. So often, they're so condescending in their delivery, but that's not the case here. Some of those cringe tingling album makers should take heed of the fantastic collection that's on offer here, and learn how to produce a good kids album. Hillsong take all their know-how into using the modern chart sounds, and use great sounding vocals to accompany the thumping bass, and electronic sounds. "King of Majesty" is a pop/groove thing that's bound to get the kid's dancing and singing along, and "You're the One" follows in similar style. Recorded live, it really sounds like a brilliant party atmosphere, although things do slow down a little for classy worship songs like "Oh How I Love You" and the powerful "Anthem of Praise". If, like me, you thought you'd heard enough kids songs to last a lifetime, think again, and buy this now! 9/10 (May 2005)
HILLSONG : Songs for Communion. (Authentic : HMACD191)
Subtitled, 14 songs for intimate worship, that really does describe the contents of this album. It's certainly not one for listening to in the car whilst you're driving, as I'm afraid that your concentration may well be affected. For best results, relax and close your eyes, and let the waves of prayerful reverence wash your spirit clean. Songs such as 'Nothing But the Blood' and 'The Only Name' are very soft and gentle in sound, whilst 'Saviour' is sung with real authority and is a tremendous song. Throughout the album, you're simply pulled into a time of closeness with God, and whether you're alone or with friends, this collection will empower. 8/10. (June 2006)
HILLSONG UNITED : United WE Stand. (Hillsong : HMACD193)
"United We Stand" is the latest offering from Hillsong United, the youth ministry of this Australian based church. It features 13 news song, and is an expression of the hearts of young people towards their saviour Jesus Christ. There's some cracking songs come out of this church in the past, and
this collection is no exception. "The Time Has Come" is an excellent song of praise and is followed by the brilliant "Take It all" - complete with football chant chorus. "From God Above" is another uptempo song, sung in praise of Jesus and you really need a breather in the pace by now. Thankfully, that comes in the shape of "From the Inside Out",
where the voices of those gathered really do join as one mighty voice. Mid album, there's a quieter time of worship before the speakers explode with the punk style "Revelution". The album closes with 4 slower songs of worship
which help to bring the listener into a closeness with God. The bonus DVD promised on the Cd sleeve was missing from my package but it apparently features a history of Hillsongs and interviews with many who have been involved. Great album, great package. 9/10. (July 2006)
HILLSONG : Live - Mighty to Save. (Hillsong : HMACD198)
This is Hillsong's 15th annual live worship album. Hillsong was founded in 1983 and now has over 19,000 worshippers attending each Sunday. Recorded earlier this year at the Sydney Entertainment Centre, this latest offering is just full of inspirational music like only Hillsong can produce. "Take It All" and "The Freedom We Know" give the album a great triumphant start, and "For Who You Are" really sets the place alight. "You Alone Are God" slows things down a little, but it's a wonderful, atmospheric number. Similarly, "At the Cross" I found to be very moving and passionate. I wasn't so keen on their gospel number "More To See" but songs like "Adonai", "I Believe" and "Oceans Will Part" sound like everyone is praising God in one terrific cacophony of noise. It's an album for everyone to enjoy. 9/10. (November 2006)
HILLSONG LONDON : Jesus Is. (Authentic : HMACD197)
If you want a contemporary worship album that's full of purpose and passion for God, this is the one for you. It's in your face, high octane stuff that leaves a burning in your heart to know Jesus more. I'm not sure what these people at Hillsong London have, but please can you send some to my part of the UK? From the very first song, there's just a feeling of "togetherness" that springs out and wraps around you. Whereas, some live albums leave you a little distant from proceeding, this one really does reach out and grab you. Songs like "Lord of All", "Only One For Me" and "Follow the Son" are just full of praise and power. "Hosanna" is such a simple song, but the collective praise makes it stand out as something very special. "Above All" has a touch of Coldplay about it, in style, but everything else is just so original. The accompanying DVD is well worth a look too, as it gives you a little more insight of actually "being there". 9/10 (September 2006)
HILLSONG : Live - Saviour King. (Authentic : HMACD206)
This is the 16th Hillsong praise and worship album, recorded live in March after two and a half incredible days of the annual Hillsong Colour Your World, Women's Conference in Sydney. More than 13,000 worshippers gathered, led by Darlene Zscech and the team. There's a whole host of new songs on show, for you to enjoy and use in your daily walk with God. From the opening jumping up and down feel of 'I'm Not Ashamed' to the quieter 'Lord of Lords', Hillsong provide a super collection of songs. 'In Your Freedom' is an epic worship song about being rescued, and it's a very powerful number. 'God of Ages' is one of my favourite tracks and easy to pick up, but perhaps the highlight is 'Hosanna'. It's a female vocal (Darlene?) and is praise of the highest order. Hillsong rarely disappoint, and this release is amongst the best. 9/10. (October 2007)
HILLSONG : This is Our God. (Authentic : HMACD216)
Upon hearing this album, a colleague said to me "Hillsong albums are too predictable." Well, if he meant that they're all full of high quality contemporary praise and worship songs, then I guess he's hit the nail on the head! From the moment the album launches into 'Your Name On High', you sense that you're part of a very special gathering. It's the usual high tempo start and you're soon sucked into praising with all your might. 'Run' and 'Desert Song' follows the same pattern, before you're led into some beautiful worship with the title track. There's a sure claim that Jesus is coming back to this earth on 'High and lifted Up', while 'You Are Here' has a warm, reassurance about it. There are 16 tracks on this release and rarely does the quality dip. Hillsong provide some great music for God, and this is another top quality release. 9/10 (March 2009, Album of the month)
Hillsong Kids Live Worship - Tell The World Hillsong HMACD209
Like many people, I am filled with a mild sense of dread when I see Kids Worship on a CD as on many occasions these consist of older people (like me) trying a little too hard to reach out to the younger generation. How wrong could I be in this case? Oh so very wrong! The vast Hillsong empire has produced a gem of a CD that blows those preconceptions straight out of the water, with one of their most well known sisters Darlene Zschech at the helm as an Executive Producer in conjunction with Julia A'Bell, the Children's Pastor, who has also co-written a number of tracks. The CD recorded at Kidsfest 2007 is live 'n' loud from the off complete with massively enthusiastic cheering from the congregation plus a bouncing title track "Tell The World". If you've not run out of energy by the end of this one, "My Number One" will continue the aural workout with a style not far removed from our very own TBC, until "My Redeemer Lives" brings us to slightly calmer waters. Some of the tracks have e.g. "Forever", "I'm Not Ashamed" & the title track itself have also made appearances on previous Hillsong releases which were not directed specifically at children. With the catchy choruses & uncomplicated lyrics packing a punch, they hit the mark with the kids as well as appealing to a wider audience, firing you up to get out there & do just as the title track asks! As you would expect, quality runs all the way through but worthy of particular mention is the kids choir that provides some excellent backing vocals. Works well keeping the kids entertained whilst getting the gospel message across - a great formula! This one will soon be worn out, by me if not the kids! 10/10 Simon Redfern (July 2008)
HISTORY MAKERS : Get Up. (Authentic : 8204702)
I'm not sure why it's taken several months for this release to find it's way to my desk, but I first read about this album last June. It's emanated from the Australian Youth Conference of the same name, and this album starts off in loud tones. In fact, the first four tracks are so loud, I had to turn them down to try and hear the vocals properly. It's a guitar rock sound and the singer on 'Praise Him' seems to do nothing except yell the title at you. The title track follows in similar vein but is the strongest of the early numbers. Then, just as you're ready for another blast of your ear drums, things go quiet. The pace finally drops and out of your speakers comes praise and worship songs such as 'Away With You' and 'All I Need'. 'I Exalt Thee' is quite an epic piece of music as it plods along at medium pace. These three songs are, indeed, the purple patch of the album but from there after, it rather splutters to an end. Australia has a vibrant Christian youth culture, but I'm sure that there's better sounds than this. 4/10. (March 2009)
HOG. 'Booitz'. (ICY/ICC).
Lee Jackson and Justin Thomas are the Leeds based Hip-hop kings,
with style and humour to keep their audience happy. Matching this
EP against similar chart sounds, it compares favourably, even
with the West Yorkshire accents. The title track opens things
off in rap mood, with Justin supplying the vocals and Lee providing the mixing
techniques that have made him such 'hot property' on the DJ circuit.
All 5 songs proclaim the gospel in HOG's own inimitable style,
of which the slower 'Catch My Drift' is my favourite. HOG are
playing at many of this summer's festivals. Go and look in their
house! 7/10. (July 1996)
HOLLAND DAVIS : Healing Word. (Calvary Chapel Music : 69002)
Acoustic worship doesn't come much more unimaginative than this.
Honestly, it was a great joy for me not to have to listen to it
again, it was that boring. Holland begins with an edgy sounding
number called "Wait For You" which, I guess, isn't too
bad. However, by the time he uses a well used worship cliché
in "I Will Stand", the writing was on the wall. Just
how many more songs can include the tired and drained line "I
was lost, but now I'm found". Words are predictable in many
of the songs and the tedious 8 minute (it seemed longer) "Healing
Word" consisted mainly of the title being repeated over and
over again. I suppose it was meant to be prayerful and meditative,
but "painful"was the word that sprung to my mind. Based
at the Calvary Chapel in California, Holland is a worship leader
- I trust his ministry there is more useful than this. 2/10 (January 2004)
HOLY SOLDIER : Encore. (Spaceport/Word : SPRCD9701)
This collection of songs have previously topped the CCM radio
charts in the US. Basically, it's a best of album, recorded -
on the whole - live and brought back original lead singer Steven
Patrick. 5 tracks come from their 1990 self titled album which
was, arguably, their best. Unfortunately, 'See No Evil' lacks
any real punch and 'When the Rain Comes Down' is quite soggy.
'Lies' brings a reprieve to the tedium, aligning stadium rock
and heavy metal to one point of glory. "Have You Got A Ticket
For the Last Train", asks track 8. Nice idea about judgement
day, pity about the song. 'Eyes of Innocence' gets the acoustic
treatment, and comes up quite well but I was pretty disappointed
with this. 3/10. (November 1997)
THE HONEY THIEVES : Heart Shaped Hole EP (CD from: 8 The Avenue, Gorebridge, Midlothian, Scotland, EH23 4AG.
This is the forth self financed CD from this Scottish band, and
is an excellent EP of four songs - well, five really as they've
tagged a 'hidden' one on at the end. Difficult to define the style,
as I thought I was in for some blues from the first track 'Blinded'.
Great lyrics based on the road to Emmaus story, and Peter Semple's
vocals are moody and atmospheric. He reminded me a little of David
Gray. But with the addition of mandolin, and acoustic guitar based,
the next three tracks were more of a soft rock, almost country
rock style. 'A Pleasant Passing' was very memorable, and had a
good hook, but I wasn't so sure about the falsetto vocals on 'Morning
Sun'. However, why or why did they include 'God Bless America'
as a hidden track?? Apparently it's an avant guard, experimental
arrangement of a guitar-attack version they play live. I liked
it a lot. Very poignant lyrics, especially in the light of September
11, and an ambient background to what can only be described as
electronic reggae. I can see this on MTV and charting in the secular
charts, given slightly better production. It's different, and
things that are different catch the ear. I really hope this lot
travel the hundred miles south to Tyneside - I'd love to catch
them live.
8/10 Julie Lord. (March 2002)
HOPE OF THE NATIONS : A Cry For Mercy. (Hosanna! Music : 21382)
To praise and worship God is one of the most important things
that we do on earth. This album has been produced to encourage
just that, and contains songs old and new from a whole host of
writers. It's a smashing start, as Eoghan Heaslip (very underrated
in my opinion) belts out "Arise King of Kings" in typical
uptempo style. Equally as stirring is Brian Doerksen's "Hope
of the Nations" which captures the very essence of power
praise. Another writer I've come to admire over the last few years
is Paul Baloche, as his songs always seem to have that extra little
something about them. Here, both "The Way" and "You
Are the One" (the latter co-written with Lincoln Brewster)
shine really bright. On the down side, I found Darrell Evans'
closing "Lay My Life Down" rather OTT with full musical
backing and would much prefer it done with quieter feeling. But,
again, that's my opinion and that's why I'm here. 8/10. (October 2003)
HOPES & DREAMS - A New Musical for a New Millenium. (Kingsway: KMCD2058)
Not having actually seen the musical itself, I've found it very
hard to link one piece of music to the next. An ordinary album
usually flows quite well but this is not the case with Hopes &
Dreams. Paul Field is the driving force behind most of the writing
and it's not a whole lot different to a project he wrote more
than 10 years ago. There's a couple of short pieces to open things
up befire we're led into a jazz/funk affair called "Step
By Step". Then, it's MOR pop with a dash of gospel until
we reach "Breaking Point". Here's a powerful song that
is closely followed by the title track that has a wonderful choir
in full voice - possibly the best cut. Sir Cliff's contribution
on "The Lord's Prayer" is nothing special and the country
tinged "Glorious Sight" sounds pretty dated. An overview
of the story in the sleeve notes might have helped the listener
but this one wasn't too impressed. 5/10 (April 1999)
THE HOPPERS : Great Day. (Spring Hill)
The Hoppers have enjoyed tremendous success through three decades
in the US. Although the have enjoyed many popular hit releases,
their first Number One release came in 1990 with the song entitled
"Here I Am", which stayed at the top of the charts for
4 months and was awarded song of the year. In fact, no Southern
Gospel recording artist has enjoyed more Number One hits or more
Top Five single releases than The Hoppers. So, with that build
up behind me, I played the new release. Now, over the past couple
of years, I've come to enjoy quite a few Southern gospel artists,
such as Legacy 5, for instance, but I'm afraid The Hoppers didn't
manage to catch my imagination. It's a very tired and old fashioned
sort of album that had me, at one stage, thinking back to second
rate seaside variety shows. "I Sing The Mighty power…"
reminded me of Christmas, while "See How She Loves Him"
is a cross between a negro spiritual song, and one of those awful
half-spoken country numbers about someone dying. "We Are
America" holds up the stars and stripes as America the Great,
and is the most terrible trans-atlantic rubbish I've heard for
some time. The only line the song doesn't actually say is "We're
American and we're the best people in the world".. Saving
the album from complete oblivion comes the ballad "Child
of God", and the tastefully produced hymn "Come See
Me". Otherwise, in the words of Jukebox Jury, I'd give it
a miss. 3/10. (March 2004, also April 2004)
THE HOPPERS : North America Live! (Curb :4900192)
The Hoppers' musical legacy has so far lasted more than 50 years, and it shows no sign of slowing down. This current ensemble seems to be more popular than ever in their native U.S. but, as yet, they've made little headway here in the UK. I may be wrong, but I don't think that the group has toured here in the last few years but I'm sure that they'd get a warm reception. Their music is downright, easy listening, southern gospel and from the opening 'Holy Ghost Wind' you can tell that the audience warmly appreciate what's on offer. The harmonies and counter melodies on 'Jesus Saves' are top notch, while the song 'Pathway Built For Two' is well sung, too. There's a theme of love that runs through the album, and a few vocal introductions to songs help you feel part of the event. 'On My Journey Home' is a catchy number, but I thought the touching 'Mama Was Praying For Me' would bring a lump to most people's throat. It could be a song that sung wrongly, would have a lot of people reaching for the "skip" button on their CD player, but here, The Hoppers excel. A worthy release that warrants a listen or tow. 8/10 (September 2009)
HOSANNA MUSIC : Songs of Praise & Worship. (Hosanna/Word: 110002)
"AS you listen to these songs, you will find yourself drawing
closer to God as He strengthens and encourages you with His Word".
Well, that's what the sleeve notes say, and that's exactly what
happens. Ten tracks of highly listenable p&w music in an array
of styles. From the Caribbean feel of "Lord Be Magnified"
we're led into a rock ballad called "Enter Into His Gates".
There's a reggae style about "Trust in the Lord" and
lovely harmonies to the light, "No Condemnation". All
the songs are linked to scripture verses and display a happy and
joyful feeling throughout. Serious musicians may find the songs
nothing out of the ordinary, but their simplicity is the real
strength here. "Wings Like Eagles" is a powerful ballad,
and only "I Will Sing Praise" dips in quality. Pity
there's less than 40 minutes. 8/10. (March 1998)
House of Worship : More Than Life. (Integrity : 24562)
Integrity have a habit of bringing lesser known US praise &
worship albums to the notice of the UK, and this is just one.
11 all new songs, written and performed by emerging worship leaders
from the New Life Church in Colorado Springs, with sounds that
border on soft rock. Glenn Packiam's "We Lift You Up"
springs no surprises lyrically, but it's a good song, with a good
feeling about it. Ross Parsley asks for "More of You"
in his life, as he praises the Lord in a nice production, while
Matthew Fallentine's "Essence" is slightly lighter in
feel. Although there's many different songs featured, there is
still a feel of continuity about the finished product, thanks
to the use of the same musicians throughout. Darren Morehouse's
slower number "My Soul Cries Out" is a song of great
strength, and I can see great potential with this one with congregations
all over the world. One of the many good things about this album
is that the music does travel well. By that, I mean that if I'd
been played the songs only, and had no press release, it could
have been Spring Harvest. 9/10. (May 2003)
THE HYMN MAKERS - Charles Wesley. (Kingsway : KMCD2817)
Now, the first thing that caught my eye with this release was the interesting, and thoughtful packaging. It's a 2CD collection of the hymns of Wesley, in a sleeve that looks like a hardback book. Also included is a 7 page booklet, as well as the words, giving a brief history of the man himself. There are 27 hymns featured, and I'm sure that you will know most of them. However, like I, you might be surprised that it was Wesley who wrote a particular favourite. All the hymns are song in choral form, with accappella numbers being mixed with church organ accompaniment. Favourites of mine include a rather refrained version of 'And Can It Be', 'O For A Thousand Tongues' and 'Ye Servants of God'. From those new to me, 'O Love Divine, How Sweet Thou Art' and 'Lord, We Believe to Us and Ours' stood out. All in all, well put together and a must for lovers of traditional hymns. 7/10. (Feburary 2008)
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