Never for Nothing - CCM Record Reviews archive G
GABRIELA & SIMINA : I Want to Live for You. (Cd £12.99 from Tel: 01844 237916 or WWW.APPLETREESTUDIO.CO.UK
As featured on the front page of NFN a couple of months ago, Romanian
sisters, Gabriela and Simina have recently recorded their debut
UK Cd at Phil Goss' AppletreeStudio. The girls' broken English
doesn't hinder the enjoyment at all. Indeed, the listener is drawn
into the songs by their native tongue. The titles of the songs
are self explanatory. "Never Without You", "Come
To Me" and "Shine your Light" are all praises to
the Almighty. Likewise, "Let Us Exalt" follows suit
but is, perhaps, more powerful in presentation. A few songs are
sung in Romanian, and gentle "Esti Necuprns" sounds
very pretty. "Why Did you Give your Life", written by
Simina, asks the question of Jesus and prayerfully gives thanks.
Musically, we're looking at an easy listening album, with Phil
Goss' production complimenting the girls' songs perfectly. A work
colleague asked if I was listening to the Cheeky Girls. Thankfully,
there's whole lot more to these two girls. God Bless them both.
8/10. (January 2004)
GAITHER VOCAL BAND : Best of... (Gaither : 6189 8425692 0)
Another retrospective - there seems to be a few of those around at the moment. This one looks back over the 24 year history of the Gaither Vocal Band and includes 37 tracks recorded between 1993 and 2003. Whilst founder Bill Gaither has remained ever-present, the band has welcomed a variety of lineups over that 24 year period, including some big names from the world of American Christian music; Russ Taff, Steve Green and Jon Mohr to name just three. In spite of the ever-changing personnel, their sound has remained much the same, firmly rooted as it is in Southern Gospel, with a splash of blues and soul thrown in for good measure, and this collection is a fine showcase for an obviously hugely talented array of singers. However, it failed to really grab me or move me to worship in any significant way. The overall quality of the songs, the singers and the production is consistently top notch but by midway through the first disk (of two) it was all a little wearing - too much "sameness" for me - with only the occasional slower song, such as "A Brand New Song" or "Loving God, Loving Each Other" offering anything by way of a highlight. Don't misunderstand me, this album is well put together and musically superb, I just found it a little flat. If you are a big fan of Southern Gospel inspired vocal groups you will love it, if not, you probably won't. 6/10 David Cooper (April 2005)
GAITHER VOCAL BAND : Lovin' Life. (Gaither : SHD2748)
There's always a little in trepidation, when it comes to listening to any Gaither produced CD. Why? Well, history tells us that a lot of the music is just so "twee" and old fashioned, that it just doesn't sit well here in the UK. Still, someone's got to do it, so I summoned up all my resistance and put the album on. Now, I've got to say, straight off, that these four guys sing some of the finest harmonies that you could ever wish to hear. 'I'm Forgiven' shows off this quality to the full, and there's some fine brass backing to boot. 'Build an Ark' has a tropical feel to it, and it becomes pretty catchy, the more you play it. I liked the country style of 'Jesus and John Wayne' - surely a contender for "Title of the Year", as well as the 80's sounding ballad, 'Home of Your Dreams'. Just as I thought that the album had really surprised me by it's quality, in came 'Search Me Lord', full of the sweet, sickly, strains of the good old US of A that I'd feared beforehand. The good thing about this album is, of course, that the lyrics are full of God's promises and, on the whole, this record does cross over well. I certainly will be playing one or two tracks on air, so maybe others will give the Gaither recordings a chance. 7/10 (April 2009)
GARETH DAVIES-JONES : A Play Upon the Conscience. (CD £12.99 from: 1 Hagg Bank, Wylam, Northumberland, UK, NE41 8JU)
You might think by the title that there's something more to this
singer songwriter than just putting together an album of songs
for the sake of it. Gareth takes the gritty writing style of Martyn
Jospeh, the simple smoothness of Fernando Ortega's sound, and
the commercial substance of David Gray, to come up with an album
that could just be different enough to make it big. The lyrics
delve into your conscience and ask those questions that we sometimes
avoid. Are we really building our house on solid rock, or is slowly
sinking in the sand? Listen, as "Out of Hand", an acoustic
blues number, asks that very question. Do you really put others
first? "Take A Back Seat" cleverly twists and turns
lyrically to pose another. Musically, Gareth leads the way with
his acoustic guitar but is complimented well by his co-musicians
and vocalists. "Solitude" flows effortlessly all over
you and wraps you in a cocoon of God's love, while the haunting
sound of "Heavenfield" explores the personal battle
that we all go through, especially times of denial. Take time
to listen to this album and you'll find a lot more than just a
talented musician. This is a gift for all. 9/10. (September 2004)
Rooted in the folk/acoustic tradition, Gareth Davies-Jones is a singer songwriter and guitarist who's previous work I've had the pleasure to hear. Since turning professional 3 years ago he has been gigging his way around the UK and Ireland, building a reputation as a strong live performer and a perceptive songwriter. He says that this new album deals with the "travails of life, the things that can affect us all regardless of our standing". Staying true to his live sound, Gareth's songs are accompanied by simple, stripped down sounds. "Money Goes Round" starts things off, with a look at universal wealth and poverty. "Hard Reality" sounds good with it's guitar and keyboard backing, while the first really catchy number comes with "Asylum". Here, Gareth looks at the growing problem of asylum seekers all over the world. Gareth plays the sort of music that would go sdown best in an intimate setting. It's the type of thing that Martyn Joseph has been doing so well over the year's, and now, here's someone of quality to rival his talents. 7/10 (June 2006)
Here's a chap who's a seasoned professional singer/songwriter and guitarist, who has played at many of the UK's best known festivals and venues. In the past, I've likened him to Martyn Joseph and David Gray, and it's the former category that he sits in best. One thing I like about Gareth's music is it's simplicity in sound. There's some fine music in the background, but it's uncluttered and lets him, as the singer perform his trade. He starts this album off with the excellent 'Borderland', a strong opener. 'Breathe' is also a superb song which is full of passion and good hooks. Away from the usual praise and glories to our Lord, Gareth can also write folky numbers that tell of a story. 'Shoreline of Ghosts' depicts a time, not so long ago, when miners worked down the pits in his native north east of England. Similarly, later on, Gareth weaves his words into a delightful story about an ill-fated ship. As a singer and performer, Gareth is slowly building up a reputation that I'm sure will see him become even more popular in the years to come. As for the album, it's a joy to listen to. 9/10. (June 2008)
GARETH ROBINSON : Be Glorifed. (Kingsway : KMCD2625)
Recorded at St Thomas' Church in Sheffield, England, this is the long awaited album from acclaimed worship leader and songwriter, Gareth Robinson. Well, that's the claim of the sleeve notes anyway. To be honest, I'd never heard of Gareth and no-one in my immediate circles had either. So, I played the CD, hoping that this would push back the frontiers of worship and spark something new. Sadly, that hope was to be dashed by an album full of mediocre praise and worship songs, beginning with the uptempo "We Come to Be With You Today". It's a typical happy clappy start to a live event and is followed in similar fashion by "O God the God of blessing". Gareth has a good voice, but he really made me cringe with his OTT evangelist type opening to "Jesus You Humbled Yourself". From then on, it all becomes much of a much ness. I got the feeling that this recording was much more a planned performance, rather than a spontaneous act of worship, and therefore it all falls rather flat. In my humble opinion, there are better worship albums on the market than this. 4/10.(September 2005)
GARETH DAVIES-JONES : Faith, Folk, & Fair Trade. (CD from www.fairtrademedia.co.uk)
This EP features four songs which each touch on poor people's struggle for dignity in a world where the rules are stacked against them - a problem the world is increasingly in tune with in this year of the MAKEPOVERTYHISTORY campaign and Live 8. Gareth, who has the knack of writing in Martyn Joseph style, has a very listenable voice and the simple instrumentation is well recorded. Indeed, the acoustic guitar sound is some of the best I've heard for a long time. "Greed For Gain" says " I Work all day for a very low wage…it's time to make a better deal". If you listen to the words, Gareth brings home the message of just what Fair Trade is all about. "Love thy Neighbour" is the message contained in "These Days" and the overall feel of the CD is very intimate. Close your eyes and you can almost imagine Gareth performing the songs just for you. Overall, the well crafted lyrics weave and connect well with the simple acoustic backing. 8/10. (October 2005)
GARETH DAVIES-JONES & ROB HALLIGAN : Try This at Home. (Rough Mix Records, 11 Firs Chase, West Mersea, Essex, CO5 8NG)
This is the first collaboration from these singer/songwriters who champion the cause of Fair Trade and Trade Justice. Engineered and produced by After the Fire's Peter Banks, there's a "no frills, raw sound" to this 8 track CD. Musically, it's primarily just they guys' guitars providing the backing and consequently, the sound feels a little empty at times. However, it all kicks off very nicely with Jones' 'Upside Down', which I found to be quite appealing. Halligan's 'Eleana' has a Latin feel about it, and tells the sad story of a Spanish girl who got mixed up in the drug scene and eventually died of HIV. These guys play a lot of concerts and I think that seeing them live would be a lot better than this resulting CD. The songs are quite thought provoking, such as 'Money Goes Round' and 'Do Justice', and shows the writing skills of both men. Memories of Julie Miller came flooding back to me towards the end of the CD, as Gareth sings his rendition of 'Broken Things'. A pretty little song, and well, delivered. All in all, a taster of two of the UK's busiest independent songsmiths. 6/10. (November 2008)
GARTH HEWITT : 'Journeys with.... - Pray for Peace'. (Kingsway).
According to Garth, this album represents "a journey of discovery,
as I travelled round the Holy Land and have met Christians and
peacemakers." What we actually get is a collection of songs
that have been previously released on 5 different albums. I suppose
it's the nearest we'll come to Religious marketing ploy, but does
this mean that - like Take That - Garth is about to spit up? The
opening 'Ten Measures of Beuaty is an awful song and is equalled
by many of the 10 songs here. However, things take a turn for
the better as the accoustic guitar is joined by fiddles and accordian
on 'Stronger Than the Storm' and 'Where is the Land of Palestine'-
both up tempo foot tappers. On the whole 'Journeys' reminded me
of those 1960's protest albums that the likes of Dylan released,
and the durge like 'Oh Palestine' is one of the most depressing
pieces I've heard in a long time. It's another one of those albums
for fans alone but, if you've already got his previous albums,
will you really want to buy this? 3/10. (May 1996)
GARTH HEWITT & FRIENDS : 'The Greatest Gift'. (Alliance Music).
I almost screamed when I received this one to review. My last
verdict on a Garth release brought telephone calls from some of
his fans. This album was originally released last Christmas but
has surfaced again in time for this festive season. It opens well
enough with 'Peace at Christmas', the sort of number that Sir
Cliff might release. There are some other good tracks featured,
such as the ambient 'Mary's Child' and the choir assisted 'Into
the Darkness'. However, (here it comes) there are some quite dreadful
songs that I personally wouldn't dare to put on an album. I've
no quibble with Garth Hewitt's work or his lyrics, but his presentation
leaves a lot to be desired. For his fans only. 4/10. (November 1996)
GARTH HEWITT : The Feast of Life - A Musical of Hope From Christian Aid. (Word : WMD004)
This musical has been written to reflect the joy and hope of Christian
Aid's Statement of Commitment "All Shall Be Included".
It's also been produced so that churches can use during certain
weeks of the year and result in an enjoyable community experience.
Sadly, this is nothing more than a Garth Hewitt album with a theme.
I really want to like his music because of the tireless work he
does but, I can't. Starting with the 'happy clappie' title track
it meanders through twists and turns in, mostly, second rate mode
and rarely moves out of first gear. "world of Difference"
is a nice duet but "Dance of Injustice" is terrible.
Here, Garth sounds like Neil Diamond and sings a song that is
far too close to one of the American artists own hits. "A
Child is the Future" raises things a little, a gentle ballad
sang by one of three females featured. Oh Garth, I do promise
never to review another album of yours again. Me and your music
just don't mix! 4/10. (August 1998)
GARTH HEWITT : Journeys - Holy Land, Africa, Asia and Latin America. (Word : W MD014)
I am pleased to review this four CD set from Garth Hewitt having
been a fan of Garth's music and ministry since being challenged
at Greenbelt years ago by the message he brings. In his distinctive
'folky' style Garth's songs tell stories of places he has visited,
people he has met and situations he has witnessed on his many
visits to the Holy Land, Africa, Asia and Latin America over 25
years. Garth's is a voice speaking out against injustice for those
often with no other voice and although some of the topics are
out of date now, as Garth says, he's left them there "to
tell the story of the pain on the journey to dignity for those
countries". My own favourite is the Holy Land CD provoking
memories of a journey I made accompanying Garth to Palestine -
the most challenging and disturbing journey of my life. Singing
'O Palestine' in a Palestinian school together with Palestinian
Christian, Jewish and Arabic teenagers is something I will never
forget. For all Garth fans and anyone seeking to learn more of
the injustices in our world this is a thought/action provoking
must, listen to the lyrics of Garth's songs and you cannot help
but be moved. 8/10. Val Hunter. (November 1999)
GARTH HEWITT : Gospel Singer. (ICC : ICCD37830)
Okay, it's "take your life in your own hands" time as,
despite all my previous reservations, I look at Garth Hewitt's
latest release. Moving to ICC has given Garth the opportunity
to return to his folk roots, labeit keeping to his tried and trusted
songwriting formula. However, introducing the slide guitar of
Melvin Duffy, Hewitt leans into country with the opening "Guide
My Feet" and "Oasis of Mercy". So, with my initial
fears laid to rest, I was rather surprised to find myself actually
enjoying some of the material. I've never questioned Garth's lyrics
but, for me, this is the best thing he's done in years - despite
the throwaway "Words of Peace". The Christmas song "Candle
of Hope" isn't just a typical festive jolly, it's been written
in conjunction with Garth's book of the same name, which is a
journey through Advent. Standing out, the harmonica lifts the
sound and really does set this album alight. I've still to become
completely won over to his music but this one certainly goes a
long way towards it. 7/10. (January 2000)
GARTH HEWITT : 1973-2003. (ICC : ICCD
Let me get two things out of the way right from the start - first,
Garth Hewitt's heavily Nashville inspired style of music has never
really "floated my boat" and second, a Garth Hewitt
concert way back in the mid-1980s was my first ever experience
of Christian music other than traditional hymns so (number 1 notwithstanding)
I will always have a soft spot for this particular heavyweight
of Contemporary Christian Music with a Social Conscience. So what
do we have here? Simple question, simple answer. This collection
of some of his finest songs of the last 30 years demonstrates
a good variety of style and content, including country, gospel
and protest songs all filled with an unmistakeable sense that
here is a songwriter who passionately cares about Jesus, this
world and its people. Stand-out songs for me are "Light a
Candle in the Darkness", "The Feast of Life" (a
wonderful duet with Jessy Dixon), "Dance on Injustice"
and a nice re-recording of "When Johnny Cash Sang 'Men In
Black'" with Martyn Joseph. If you like Garth Hewitt this
is probably an essential in your collection. If, like me, you
can only take this kind of music in small doses then give this
a try anyway - you won't regret it. 9/10 David Cooper (February 2004)
GARTH HEWITT/PAUL FIELD : The Dalit Drum. (ICC : ICCD58930).
Earlier this year, Garth & Paul travelled to India and visited
Christian Aid partners in Tiruchirapalli, as well as the Dalit
Resource Centre in Tamil Nadu. The trip turned out to be a real
eye opener, giving the duo an insight into the history of dalit
suffering. This album features many of the dalit musicians and
singers, as well as a guest vocal from Sir Cliff Richard on the
song "Indian Sun". Garth's earthy folk style is well
complemented here by Paul's leaning to pop music and, mixed with
the dalit culture, the result is quite good. "He's Holding
On" tells the story of an old man and his life and struggles,
while "Raise the Flag" depicts the dalit woman who was
stopped and attacked for trying to raise the national flag. Sung
by one of the villagers, it leaves a deep feeling in your heart.
The drums are evident throughout but, perhaps, more strongly in
"I Am the Drum". Then there's a celebration. "Caste
Out Caste" is a great song but suffers from one of the best
mis-heard lyrics for a long time; "Let the darlek's dance".
The album is full of songs of hope and "One Of Us" lifts
up the Christmas story as a sign of hope for the dalit community.
Never one to portray the run of the mill album, Garth's musical
marriage wroks very well indeed. 8/10. (December 2001)
GARY CHAPMAN : Outside. (Reunion : 02341 0003 2)
In his 5th album in 10 years, Gary Chapman invites his listeners
to come in from the cold to experience the warmth of a loving
God. Throughout the album, he continues to point you to God's
mercy, grace and love, using songs of differing quality. "Daddy
Cut My Hair" is a song about forgiveness and the 'lost sheep'
syndrome. It's a poignant number and works well. "Hold On"
is a ballad that has similar qualities but whatever possessed
him to record "I Love You", I don't know. It's the kind
of twee song that even the likes of Pat Boone and Perry Como would
be ashamed of recording! The title cut takes the biscuit in 'best
song' award, even though it's a complete rip-off of Carolyn Arends'
"Seize the Day". Gary has a loyal fan base in the UK
and I expect they will clamour for this release. As for me, I'm
not quite there, yet. 6/10. (December 1999)
GARY CHAPMAN : Circles & Seasons. Crowne : 785277700326)
His careers spans more than 20 years, and includes 8 Dove Awards,
4 No.1 songs, 3 Grammy Award nominations, and a successful run
of 3 years as host of a US Country TV show. For this new album,
Gary Chapman single-handedly recorded, produced, and engineered,
along with writing all the songs, playing all the instruments
and singing all the vocals. So, he's quite a talented guy. But,
what about the resulting album? Where does it lie in the life
of one NFN editor? Well, I like new country, and smattering of
old style too, and it's in the latter where this falls. Simple
and honest lyrics, accompanied by music that, on the whole, failed
to move me at all. In all fairness, I've played this album 5 times
for this review, hoping that something extra would light a spark,
but it doesn't. I find Gary's voice carrying little or no emotion,
resulting in a very monotone delivery. I looked at "Walk
On" closely as I thought this was the best track, but couldn't
work out why, other than, I did. 10 tracks of MOR country that
left me feeling that it was no more than bland. 3/10. (May 2002)
GATEWAY WORSHIP : Wake up the world. Integrity Music 43722
This is a live recording of a worship event taking place at the Gateway Church, which is presumably somewhere in America. I really thought this CD would grow on me after a couple of plays, The style of music is more or less the style that I would choose should I ever get to lead a worship band. I really liked the driving basslines and the rhythm guitars, but somehow, and I can't quite put my finger on why it is, this album doesn't quite seem to hit the right spot. The CD opens with "New Doxology", which as far as I can tell is no different from the old one, in that it uses the same words and the same tune, but it is a fairly good rendition. After a few songs a female vocalist takes over for a few songs, and although she hits all the right notes, it just sounds kind of noisy, perhaps unsubtle would be a better description In fact that could be the problem with it, the whole thing is a bit too much "in your face". Even during the quiet bits there seems to be too much going on. I think that this is more down to the engineering than the performing though. In fact I strongly suspect that someone has strapped an enhancer across the mix to make it sound more lively, and overdone it to the point where it's tiring on your ears. On the other hand perhaps that's just how the Americans like their music to sound. So a bit of a mixed bag then. Given the never ending stream of worship CD's, of sometimes dubious quality that are churned out non stop I would have to say that I've heard (and played probably) stuff that's a lot worse than this album by a long way, but I've heard material that is a lot better too. 5/10 Andy Sayner. (October 2008)
GEMMA McQUEEN : The Rescue. (CD only £12.99 inc p&p from: Spirit Music, 143 Leeson Drive, Ferndown, Dorset, BH22 9RF.)
Launching her debut album, Gemma McQueen is donating some of the
proceeds to CLAPA, a charity supporting babies born with serious
facial deformities. The lady, herself, has received acclaim as
a singer/songwriter from such personalities as the late Roy Castle,
and EMI's Bruce Welch, and was also invited to audition for the
role of Cathy in Heathcliffe. Although I have plumped for the
style of soft pop overall, there's more than hint of Celtic roots,
running throughout. Some tracks, including the opening 'Nothing',
are both malleable and powerful in a Kate Bush sort of way, but
Gemma's individuality shines in it's own right. The anthem 'I
Will Stay' tells of a child-like love for the Father and ministers
right to the heart. Pounding drums and dynamic use of fiddles
accompany her passionate vocals on the title track, before the
gentle 'Can It Be True'. Here, Gemma sings softly over sparse
string pads, and exquisite guitar work. The honest theme of her
own relationship with God, together with the quality of thefinished
product make this album very special. If it was a painting, it
would be hung in the Louvre. 'The Rescue' is a work of art. 10/10.
(March 1998, Album of the Month)
GENIE & TROY NILSSON : Whisper. (Everland/Word : CD7019968600).
On hearing the first track, the temptation of the listener is
to turn up the volume as you try and increase Genie's gentle vocals.
However, if you simply relax and tune in to the sounds, she -
and husband, Troy - will carry you along with their peaceful and
soft music. Troy produces almost all the music while Genie concentrates,
primarily, on those wonderful vocal tones. "Shalom, shalom"
carries few words, but what power there is within them. "Your
Love Calls To Me" is my favourite piece, and conveys the
knowledge that God is always with us no matter what we're
going through. As well as original material, "The Lord's
Prayer", "The Beatitudes" and "Be Thou My
Vision" are all given the Nilsson treatment, with outstanding
results. The marketing people say "Ambient and gentle, perfect
for devotions and meditation". Who am I to argue? 10/10.
(June 1998, Album of the Month)
THE GENTLEMEN : A Candid History of Faith, Hope, Love. (Stereo Tree : 8204692)
This 4 piece indie band from Sheffield, formed in 2005. Since then, they've gathered a large following and have played sell-out gigs in their home town. Their latest single, 'Something You Can't Regeret' has garnered plenty of airplay, and there's quite a buzz around these guys. Musically, when they rock, they sound a little like Kasabian, and the single only adds weight to that thought. 'I'm Not Leaving' follows in similar vein, and there's plenty of energy too, on songs like 'Push Back!' and 'Fairy Tales'. Nicholas Noble has a fine voice but I did find his falsetto moments to be quite irritating, especially on 'Unique'. Guitars fly, and drumbeats crash as the boys gel well together as a band. One thing that did cause me concern though was the lyrics. I think I understood the theme of 'Protest Song', and how the media stereotypes the youth of today, but I failed on most of the other songs to gain the meaning. 'Fairy Tales' was a prime example, with lyrics about dragons and princesses failing to make sense to this listener. But, maybe it's just me, and I'll hold my hand up and say that these guys do sound good, and I'm sure even better, live. 8/10. (June 2009)
THE SONGS OF GEOFF BAKER : From A Grateful Heart. (ICC: ICCD27530)
No, I hadn't heard of Geoff Baker before, either. Why I haven't
come across his music before is beyond me, after listening to
this album, featuring a whole host of top British musicians. It's
not an exceptional collection of songs but, apart from the awful
'Let Us Celebrate', they are pleasant. 'I Know My Redeemer Lives'
is an m.o.r. pop based praise & worship standard, but you
can't help tapping your foot to it's sound. There's some very
powerful vocals and accompaniment on the superb 'Nothing Can Keep
Me From His Love', and a lighter feel to the country tinged 'He
Rescued Me'. It's not as 'in your face' as Hillsongs, but many
will like the more peaceful style of Geoff Baker. 7/10. (October 1998)
GEOFF BULLOCK II : "Now is the Time" (Kingsway Music)
Subtitled "The Songs of Geoff Bullock II", this 11 track
release is performed by a whole host of unknown Australian artists.
Apparently, Mr Bullock is a very popular contemporary praise &
worship song writer but, all too often, I found that this collection
would send me to sleep. The opening number "The Power of
Your Time", is a powerful number and one of the strongest
tracks featured. The words of the title song tell of a love for
the creator that we really don't deserve, as we fall so short
of His perfection. Now, that really did have me singing and worshipping.
Like all the album I've had the pleasure of reviewing, I have
no qualms about the lyrical content, it's just the presentation
in music. 5/10. (October 1996)
GEOFF HOWLETT : Fear No Evil. (Private Recording : NFN001. CD £7.50 + 75p postage; Cassette £5 + 50p from : Geoff Howlett, 113 Bricknell Avenue, Hull, E. Yorkshire, England, HU5 4EU).
If the artist's name doesn't give it away, then the label does.
This is NFN's editor in full flight on his first solo album. Recorded
at Hull's Eastside studios over "far too long", it kicks
off with "You Promised" and the tone is set. Geoff writes
songs with catchy choruses separated by verses that do far more
than simply fill the spaces: they tunefully explain the words
that you'll go round singing for ages after first hearing them.
Then just as you think you've got the album sussed and are ready
to give it a solid 7/10, it steps up a gear: "Ebony Blood
and Snow", "When the Son Comes Down" and "Sea
of Flames" are the album's purple patch, "When.."
featuring some of the best-recorded acoustic guitar I've heard
in a long time. Asking around, the track that's raising the most
interest, though is "No", a re-working of a song Geoff
first aired with "95 Foot Wave". This is a calmer version,
and took me a couple of listens to decide that he's done the right
thing. If the album has a fault (and as a reviewer, I'm supposed
to find at least one) it's in the ordering of the tracks: it runs
more like a live gig than an album. It starts strongly and closes
with a stomper, but lacks a cohesion in places, that, live, would
be given by the introductions. Did I mention I like the album,
by the way? 8/10. Paul Ganney. (November 1998)
GEOFF HOWLETT : Always & Forever (Private Recording : from Geoff Howlett, 113 Bricknell Avenue, Hull, England, HU5 4EU. CD : £3.50; Cassette: £1.50)
It must be at least 18 months now since Geoff released his solo
album, 'Fear No Evil', so it's about time we heard from him again!
Since then, Geoff has found himself playing much more to audiences
of over 35s, so has built upon those experiences to produce a
more mature style of music. Released for St. Valentine's Day,
this EP of four more Howlett compositions certainly shows this.
All are love songs, treated in different ways but with Geoff's
lyrical style stamped all over them. The EP opens with the title
track, unashamedly retro 60s - but doesn't he do it well? And
it goes on ... 'My Love' , also 60s style, is a slower number
with the arrangement really catching the style of the time. 'I
Love You' is more of an acoustic number with Geoff's guitar work
coming to the fore, whilst 'The Positive Sign' makes use of modern
technology and reminds me of 80s synthesiser stuff such as Soft
Cell and early Depeche Mode. I like this collection as a whole,
and the variety works but I have to say that Geoff's forte
is definitely in the 60s retro material. His voice is perfect
for it, his original songs just seem to slide into it, and the
way he uses modern sounds to recreate it is great. No crackle
and hiss! Geoff's version of the Billy Fury classic 'Halfway to
Heaven' adorns the late star's fan club website, so surely that
is recommendation indeed. Nice one, Geoff! 8/10. Julie Lord. (March 2000)
GEOFF HOWLETT : Golden Days. (CD £5.50 from 83 Parthian Road, Hull, Yorkshire,UK, HU9 4SX)
Well, if Daniel O'Donnell can record an album of secular classics,
why can't Geoff? After all, as he takes his music into various
venues, there's always a smattering of smash hits from the 50's
and 60's to help roll back the memories. His love for British
rock n' roller Billy Fury results in three of the legend's tracks
on show, "Be Mine Tonight", "Cross My Heart"
and the classic "Like I've Never Been Gone". Similarly,
three songs made famous by Johnny Tillotson also get an airing,
"Judy Judy Judy", "My Special Angel" and "Poetry
in Motion". Despite the age of some of these songs, Geoff
has the happy knack of making them sound just as fresh as the
day they were in the charts. Hit's by the Beatles, Buddy Holly,
and Bobby Vee slip together nicely with songs like "Venus
in Blue Jeans" and "Summertime Blues," all helping
to make this an enjoyable listen. 7/10. Warren Harry. (September 2004)
GEOFF MOORE : 'Familiar Stranger...The Early Works of...'(Benson).
Actually, it's only a couple of month's since we heard Geoff's
last album, 'Home Run'. What we have here is the chance for relatively
new fans to catch up on some of his early releases. The familiar
traits of good, catchy choruses are here - if only on a couple
of songs - but most of the songs are written by members of Whiteheart.
It opens, however, with Larry Norman's 'Why Should the Devil Have
All the Good Music', and is followed by a foot stompin' rocker
called 'Never Wanna Go Back'. If you're a fan of his Huey Lewis
type music of the 90's then you may well be disappointed with
this retrospective release. There again, there is a classic track
'Make Your Mind Up' from 1986 which just may persuade you to add
this low-price album to your collection. 5/10. (May 1996)
GEOFF MOORE : Speak To Me. (Rocketown Records)
With 16 albums to his credit in a 22 year career, Geoff Moore will always be found doing what has sustained him throughout this time - Loving God, loving his children and especially their mother, and taking advantage of every opportunity to make Jesus known. The album starts off strongly with, what I believe to be, a sure fire radio hit, 'Speak to Me' - a reminder hat God speaks to His children through a variety of means. 'When I Get Where I'm Going' was originally a huge country radio hit for Brad Paisley and Dolly Parton. Here, Moore duets with Christy Nockels and they do a fine job too. It's a fact that God sees everything that we do, and that's the story behind 'He Knows My Name'. Geoff's got a good voice and at times he reminded me of Bruce Springstein with his delivery. Certainly the rocky 'So Long, Farewell' rates well. It's the first time I've heard anything from Geoff Moore for a little while and the wait was well worth it. 8/10. (December 2007)
GERALDINE LATTY : Devoted. (Kingsway : KMCD2439)
This is the first time that I've come across Geraldine Latty outside
the usual live worship and other such compilation albums, so I
wasn't too sure hat to expect. She writes most of the songs listed,
and interprets passages from the Bible into song. "O Lord
Our God", for instance, is straight forward praise, linked
to 2Chronicles 6, and it's one of the strongest songs, complete
with "happy" feeling. It took three listens before I
started to enjoy this album as the first two plays seemed to pass
me by. The old hymn, "Take My Life" has been given a
new lease of life and I honestly hated it on first hearing. By
the third, however, I began to change my mind, and can say that
I really enjoy it now. Strange how things grow on you isn't it?
In fact, I could say that about the whole album. "Wash Me
and Cleanse Me", and "We Will Proclaim" are two
more songs that seem to improve with repeated plays, so I'll persevere
and, for now, give Miss Latty's album 6/10. (June 2003)
GERALIDINE LATTY : 2-4-1. (Kingsway : KMCD2794)
Geraldine Latty is an increasingly-in-demand worship leader, who sensitively treads a fine line between gospel/soul and pop. She is becoming widely known through leading at a wide range of conferences and events, including Spring Harvest and New Wine. What we are presented with here, as the title suggests, is a "2-4-1". That is, you, discerning reader, get twice the Geraldine for your money. Disc one is her album "Make Me a Channel of Your Peace". Whose production and recording is ably handled by Caroline Bonnett and a slew of UK sessioners. Disc two, is handled by US powerhouse John Hartley, and features, among others, Phil Madeira and Matt Slocum, providing Latty with their sessioning help. Both albums are, of course, strong in both song and performance, whether the songs be original or old-faithfuls re-invented, with the clarity and soul of Geraldine's voice shining throughout. If you are a fan you probably have both of these already, but if not, this compilation would be a good place to start. 7/10. Haydon Spenceley. (October 2007)
GERALDINE LATTY : Shout It! (Kingsway : KMCD2911)
Geraldine is as well known for her contributions to worship leading at big events such as Spring Harvest & Focusfest as she is for her solo albums. "Shout It" is her 5th solo release & she has just finished her UK promotional tour. All songs on the CD bar one are new with the title track having been written in celebration of 21 years of Steve Chalke's Oasis Trust charity. What I do find a big bonus with her material is that as
well as the usual print of lyrics on the CD insert, Geraldine digs a little deeper & also gives us her scriptural references for each song as well as the background/inspiration behind it - quite refreshing! However I wasn't quite so inspired by the musical contents, despite the smooth vocals & professional musicians. This was a bit of a let-down as I always saw Geraldine as a rather passionate & bubbly person from listening to some of her live worship from the festivals, but here the passion lies more within the lyrics. The songs are very relaxed affairs and apart from the occasional bit of flavour such as the dash of salsa spice in 'Shout It' or
Celtic-style accompaniment in 'Our Hope', I found the songs somewhat bland. Chances are that in most environments they would have passed me by unnoticed, a bit like lounge jazz - pleasant enough at the time but will it be remembered later? There's little doubt that followers of her ministry
will be blessed & encouraged by the contents but I cannot see "Shout It" making huge inroads with those outside this sphere of influence. 5/10 Simon Redfern (March 2009)
GERON DAVIS & KINDRED SOULS : Let It Rain. (Daywind : 4187000922)
Geron Davis established himself as a singer, songwriter and worship
leader at the age of 19, after writing the popular worship song
"Holy Ground". The Kindred Souls are none other than
his wife, sister, and sister's husband. Together, they regularly
lead worship seminars and perform concerts in churches throughout
America. This new album sees plenty of songs in the Yolanda Adams
genre, not least the title track and "There's a Light On".
Not for some time, have I heard an album with direct messages
of the Gospel, in traditional style. "Undenying Love"
is full of God's promise and sung as a testimony of His love.
"Go" (tell the world) produces an awesome choir of angels,
singing their hearts out, while the quieter "Don't Be Afraid"
is just beautiful. When the sound gets funky, it lost my attention.
The "grooves", as they say, just don't excite me. Mind
you, the rest did. 8/10. (April 2003)
GERSH : Awakening (Spring Hill Music)
Gersh is Mark Gersmehl and Awakening is caused by his realisation
that this world is infinitely more beautiful and fragile than
he had dreamed and that who he was yesterday was no longer good
enough. The music comes from a spiritual and musical journey to
seek more and more of God's heart. There's no doubting the sincerity
of the driving force behind the CD, but does it communicate and
is it, to put it bluntly, any good? Yes and yes. Gersh's vocal
is very reminiscent of Peter Gabriel. The musical style is very
singer/songwriter (albeit with a band rather than solo). If you're
into Gabriel/Dylan/Toploader then you'll like this. "I believe"
is almost funky and very clear in where Gersh is coming from,
although "Awakening" (the track) is probably the best
even though it is also the most Gabriel-esque. Listen before you
buy, but it's worth the effort. 8/10. Paul Ganney. (September 2002)
GEORGE BEVERLEY SHEA : How Sweet the Sound". (Authentic)
Here's the guy who's been around as long as the Bible itself!
Well, I may jest, but George Beverley Shea seems to have been
sharing the gospel through hymns and testimony since time began.
Indeed, as a soldier of God, he must have seen some spirtual fights
in his time. This two disc set contains his gentle delivery on
songs like "I Will Sing the Wondrous Story", "The
Old Rugged Cross", "Amazing Grace" and "Rock
of Ages". According to the sleeve notes, George has sung
in front of over 225 million people around the world, many of
which have been through Billy Graham Crusades. There's a few songs
new to me on the discs and this collection is a fine tribute to
a wonderful man. 6/10. (January 2005)
GEORGE HUFF : Miracles (Word/Curb/Warner - 8863802)
George Huff is 22 & has been singing since he was 5 years old; he also lists writing music & plays piano playing amongst his talents, so I was expecting great things. He hails from New Orleans which can be a great place to be from if music is your thing. The hype this album has had in the USA has been quite something, which I guess comes with the territory of being an American Idol finalist. Listening to the content of the album however doesn't quite display the expected "X Factor" (sorry about that pun)!! George is without doubt a good singer, but the material that's been chosen for this album does him no favours - it tends to be bland & somewhat lifeless which is disappointing. His style of vocals is somewhat remeniscent of Boyz II Men (remember them?) which is a positive as their quality level was outstanding. The 1st track "Real Love (I Got It)" is a medium-paced American R&B track which is quite catchy with some good if rather predictable musical arrangements which are quite typical of music of this genre. The remeinder of the album slows right down all the way through & is so laid back, it's horizontal - reminds you of end-of-the-night type music but sadly does nothing to ignite a great deal of further interest, with the music sounding rather manufactured & heaps of "whoa whoa", ooh, ooh" & "yeah, yeah" lyrics in the intros. Good as background, but come on George...you've got more in you that's way better than this! 4/10 Simon Redfern (April 2007)
GINNY OWENS : Something More. (Rocketownrecords : 080688618926)
When I heard a couple of Ginny's songs on a sampler, I was impressed
by the freshness of the sound, and her vocal qualities. So, it
was with eagerness that I listened to this album, hoping for more
of the same. The theme of the album is a "timeless message
of love and hope", and Ginny does write intimate and thought
provoking lyrics but the end product is quite ordinary. "With
Me" is an "OK" sort of pop song but nothing special.
"This Road" gently sees the piano accompanying Ginny's
"little girl" voice and this IS quite pleasant. But
it's through to track 8 before there's a song that rises head
and shoulders above mediocrity. "Simply Love You" tells
how, sometimes, our lives become so busy that we forget that our
Father is there to guide us and the prayer response is that we're
sorry and we just want to love Him. It's a great song and such
a pity that it's a gem amongst some dull stones. 4/10. (July 2002)
GINNY OWENS: Live from New Orleans. (Rocketown Records : RRD3723)
I quote Ginny's own words, "By the time we recorded this project, the band guys and I had been on the road together a little over 200 shows so this set of live songs sounds low key, lived-in, relaxed". Unfortunately, it is all too much of these things, to the point where what has been produced is a lifeless collection of tuneless banality. It's hard to distinguish one melody from the next and even the arrangements of each track seem similar and unvaried. I would really like to be positive about this album but it is difficult to find a redeeming feature, not helped by the fact that I have struggled on every occasion to reach the end of the album. The extended spoken intro to "Call me Beautiful" is unnecessary and distracting, starting with her comments from a reviewer that this track "could have been written by anybody". I concur, and venture that this extends to the whole album. I don't doubt Ginny's sincerity, and her songs are reflections of her experiences, but this album is delivered in such a way that prevents me from sharing and engaging with them. 2/10 Robin Thompson (August 2005)
GINNY OWENS : If You Want Me To - The Best of... (Rocketown : RRD5024)
Ginny Owens has won three Dove Awards and scored several radio hits in the US. A view of NFN's review archive shows that none of the reviewers have really been taken by her music. Indeed, Robin Thompson called her last live offering "Lifeless", and that would pretty much sum up this collection. Ginny has a nice voice but her songs are very samey and weak. "Free" is a pleasant enough song and has a shuffling beat to it. "Wonderful Wonder" is equally as nice but all too often I found the songs all too bland to get my teeth into. Song after song comes and goes, with a few live tracks thrown in, but they failed to win me over. Late on in the listing "40", at least, comes over in a different style but it's still fairly tedious. And, if that's not bad enough, "Live Once" is a sure cure for insomnia. So, while the American's continue to love her, I can't see this album winning Ginny very many new fans in the UK. 3/10. (November 2006)
GLAD : Acappella Worship - The Highest Glory. (Benson: 8441823972).
Almost two years ago, I gave my album of the month award to an
acappella release by Sweet Deliverance. The album was full of
great harmonies, catchy links, and mightily strong songs. Yes,
you're ahead of me aren't you? This is the other extreme. No,
the harmonies are quite good, but the songs are so bland that
they tend to just drift in and out of one another. "Awesome
God" was the first recognisable tune but, by this time, Glad
were already on the slippery slope. A little percussion is added
here and there but it fails to lift, what soon becomes, a drab
affair. This is the group's 18th album in it's 20 year history,
so they do have a splendid background. I can only assume that
the previous releases have been better than this. 3/10. (April 1999)
GLASS BYRD : "Open Wide This Window. (Word records.
I must admit that when I first saw this CD I was half expecting
a sugary coated worship album, just like I really hate. It was
a pleasant surprise then when I heard it, as it was nothing of
the kind, in fact I liked it right from the start. GlassByrd are
Christine Glass, and Marc Byrd, hence the name, and this is their
second album together. The information supplied with the CD said
that this album would appeal to fans of Jars of clay, and there
is a similarity. If however I had heard any of the tracks that
are sung by Marc, on the radio without knowing who it was. Then
I would have bet money that I was hearing Del Amitri, it's that
kind of sound, acoustic rock with a jangly electric guitar over
the top. I don't think there's a bad track on this album, "I
Stand Amazed" and "Peace To You" stood out to me
personally. I would certainly recommend this CD to anyone. 10/10
Andy Sayner (April 2003)
This album is the debut by this band, and has been completely
self financed. Apart from the drums which were recorded at ICC
the rest of the CD was done at various houses, churches etc. With
no record company to mess everything around this CD retains that
raw edge that is often sacrificed in the name of
commercial necessity these days. The music is mainly guitar driven
fairly up tempo rock worship, but there are a few slower numbers
which are just as good too. For me the best track on this CD is
"I can hear" which is a slower number, and has a definite
U2 sound to it. Not too sure about the vocal on
"Need to see you though", there are some falsetto lines
in the verses that sound a bit too much like Justin Hawkins out
of The Darkness. Apart from that, and to be fair, it's not really
a bad track, just my personal prejudices coming out, this is probably
one of the best Christian CD's that I've heard recently. The
band have a website that has quite a lot of interesting stuff
on it too, it's well worth a look. You can buy the CD from there
too, there's a link to Acorn Direct. Give this CD a try, I'm sure
that you won't be disappointed with it.
9/10 Andy Sayner. (December 2005)
GLISTEN : Starlight Wishlist. (KMG : KMGD8692)
Produced by Steve Hindalong of The Choir, Glisten's debut release
features powerful distorted guitars and pounding rhythms. If the
Manic Street Preachers decided to praise God, then this would
be their album. Snappy pop songs, mixed with full blooded anthems
that seem to last a lifetime. My main problem with this collection
was trying to pick out any real highlights. Saying that, there
isn't a single song that I completely disliked, they all seemed
quite listenable without really setting my mind afire. The atmospheric
"Rejoice" had me reaching for an old Pink Floyd record,
as I was sure I'd heard it before. "Used" uses that
psychodelia guitar sound of the sixties and swamps the overall
production to a stage of euphoria. Jason Pettit's lead vocals
are reasonable without being outstanding, and the lyrics are all
written towards a sincere and deep praise of God. Not my particular
taste, but not a bad release. 6/10. (July 1999)
THE GLORIOUS UNSEEN : Tonight the Stars Speak. (BEC : 09463811362)
Here's a 5 piece worship outfit from Nashville, who are supposed to be akin to the sound of The Violet Burning. Described as playing "ambient pop", the idea is to make the music suitable for "contemplative" worship. So much for the blurb, but what about the proof? Well, I honestly thought that Ben Crists' vocals were some of the most mundane I've ever come across. As for the songs themselves, then the band must all take the blame. There's the usual subjects on offer, but what a dreary and uninteresting set of songs they are. 'Hear Our Prayers' is, perhaps, melancholic at it's best, but there was just no spark to the song at all. 'Oh Praise Him' relieved the tedium, mid way through thelisting. It's a straight forward praise song that has a life of it's own amongst the dead wood of the rest of the album. After three plays, I don't think that this CD will get much private play on my CD player. 3/10. (March 2008)
THE GLORYHOUNDS : The Gloryhounds 1&2. (Private Cassette
Recordings. Tape 1 £1.50 / Praise Tape £2.50 : from
Dan Harris, 34 Leicester Street, Kettering, Northants, England,
NN1 8EF.)
Here's a relatively new band that will be playing at this year's
Cross Rhythms Festival. They play in pubs, as well as the usual
church events and,consequently have released two demo tapes -
one for each setting. The first has just two tracks in the style
of bands such as Cast and Ride. "Candle in the Wind"
is not the Elton John number, but an upbeat Brit pop venture that's
sure to please that genre. The other song is "Looking For the Light", a similar track but
with a more catchy hook and tight guitar driven sound.
The second tape contains three songs and, to be honest, the only
way in which it differs from the first is the lyrical content.
The sounds are the same but the words are nstantly more spiritually
recognised. The pick of these, I guess, has to be "Celtic
Night Prayer", complete with it's atmospheric keyboards and
anthemic feel. As well as the Brit style, I thought that there
was a little gothic inspiration there too - perhaps creeping in
from three of the band's previous excursion into punk rock? What
both tapes show, however, is that the band are competent musicians
with a set of songs that are relevant to toaday's youth culture.
Let's hope and pray that they continue this way. Tape 1 8/10
: Praise Tape 7/10. (May 1997)
GO FISH : Infectious. (In Pop: pod1239)
In the last 5 years Go fish have sold more than 100,000 units
of their independent releases. With a recognised record company
firmly behind them, the three guys now have a chance to spread
their wings and reach countless thousands with their music. They've
been described as "acapella with attitude", so imagine
my surprise to find not one single acapella track on the whole
album. However, there are some quite astounding songs such as
"That's What Amazes Me". It tells of the wonder of a
little baby from a father's point of view. It's a gentle song
but very powerful in it's lyrics. "Watch Me Go" sees
the band's harmonies in full flow while "You're My Little
girl" would win my vote for best potential radio single.
It has lovely words, as God talks to one of His creations and
tells her that she is an individual and perfect to His eye. Funnily
enough, I found the title track to be one of the weaker songs
on the album. It's a sort of power pop track that doesn't really
work for the voices on show. I can see why Go Fish have sold so
many albums independently, they can only get better. 8/10. (December 2001)
GODFREY BIRTILL : Lift Up Your Heads - Live in the UK'. (Kingsway Music: KMDVD014)
Previously a press photographer, Godfrey Birtill reached 43 before entering full time music ministry. Now with twelve independently recorded albums behind him (mostly live) since 1998, this is his first DVD. Led by Godfrey
and his 'Godin semi acoustic guitar' (according to the DVD insert!) and with a proficient band, the five song 'performance' part of this recording features an Eastbourne worship session that lasts just over 30 minutes. Other items include a Chris Bowater interview of Godfrey, and a video of an
Amazonian charity. The interview shows Godfrey as a humble man with a heart for God and a real desire to communicate the Christian message - and when you see him in action, the audience involvement makes his gifts as a worship
leader only too obvious. Godfrey can also write strong songs, with somewhat old fashioned lyrics but with good melodies and 'hooks' - the best track for me being the closer 'After I've done everything'. As a mere observer however, not participating in the 'atmosphere' of the event, I found myself
noticing that Godfrey's voice has its weaknesses, and he tends to maintain a serious and 'straining' expression that distracts from the joy of what he is singing about. Perhaps this is me being over-sensitive - even though I love David Gray's albums for instance, I find him distracting live because he
shakes his head a lot! Godfrey Birtill has, of course, a much more important message to communicate. May he be blessed, and continue to be a blessing, as he follows his Master's calling. 7/10 David Deeks (January 2008)
GODFREY BIRTILL : R U Ready? - Live. (Kingsway : KMCD2880)
I've only heard a few of Godfrey Birtill's songs before, so this was a good album to give me a broader view of his music. What I really liked about this collection was not only the quality of the songs, but the numerous styles he uses. 'Raise Up, Raise the Standard' has a great, original sound to it, and is a belting opening track. There's a mixture of blues and punk to the terrific 'Like a Wild Goose', while the title track is pure rockabilly! Godfrey's a seasoned pro, so there's no wonder he presents his songs with consummate ease. There's a more "normal" worship number called 'Over the Dead of the Desert' mid-way through the CD, but it's the rocky 'Come Let Us Seek' that set my feet tapping. African drums, celtic rhythms, they're all there and I enjoyed them all. The closing 'The Die Has Been Cast' is a song that empowers you to live your life for Jesus, and it's a fitting end to a wonderful CD. There's a bonus DVD included, and this was an added bonus. Well worth your money. 10/10. (December 2008, Album of the Month)
GORDON MOTE : Don't Let Me Miss the Glory. (Springhill : CMD1131)
Gordon Mote is the blind singer songwriter best known for his work with the Gaither Homecoming releases over here in the UK. However, this album could open a lot of new doors for him at this side of the Atlantic. His southern gospel/country style has a certain appeal, and he's previously toured with the likes of Alan Jackson and Martina McBride. Indeed, on this album he duets with Alison Krauss on the track 'Maplewood Methodist Church', which is a nice country number. 'Adoration' starts things off and it's a track that I've already featured on the radio. The title really says it all and it's a great song. Similarly, the title track bounces along with some class. Gordon challenges you to go out and evangelise on 'Get Up in Jesus' Name', and it's a stirring battle cry. I wasn't too keen on his bluesy 'Ain't Gonna Give Up on God', but there's a host of other top tracks to get your teeth into. 'Wake Up Dancin' is an easy listening song, and it has some effective steel guitar sounds helping it along the way. With this album, Gordon lets you see what he sees through a warm voice and terrific piano playing. 8/10 (February 2009)
GOSPEL BOULEVARD : Gospel Boulevard. (Javelin : Jav4107)
When you think of gospel music, you usually think America. Right?
Wrong. Think Holland! In the year 2000 a decision was made to
set up a new black gospel choir. this was the vision of the group's
director Andre Bijleveld. After extensive auditions, the choir
was named and this self titled debut is their first offering.
Full of excellent harmonies and lots of energy, the emotion of
the songs spill out for all to hear. Wow, they've even breathed
new life into Mary Mary's "Shackles". dare I say that
it's better than the original? Nothing wrong, either, with the
lyrics. Straight praise to God, as in the beautiful "It's
A Matter of Love" or the swinging "my Life is in Your
Hands". Bill Withers' "Lovely Day" gets the GB
treatment too, and that goes down well with me anytime. Like black
gospel? you'll love this. 8/10. (May 2002)
THE GOSPEL GREATS VOL.4 : Men of Gospel. (Verity : 01241-43155-2)
Culled from 11 top albums, this release features the very best
of gospel music. Household names like Fred Hammond, and Hezekiah
Walker are joined the lesser known (in the UK) John P Kee and
Richard Smallwood, to name but four. Indeed, the latter provides
one of the real highpoints, for me, with catchy "Bless the
Lord". The Canton Sprituals really take the tempo down with
"Memories", a massive 9 minute song. The Commissioned
give their usual funky style to proceedings, while Tonex's "Real
With U" produces superb harmonies on another great song.
Other artists include Ben Tankard and Donnie McClurkin, and what
this album does show is that gospel music, new and old, is as
powerful as it ever was. 7/10. (December 2000)
GOTTA HAVE GOSPEL : Various. (Integrity 28352)
This is a 2 CD set, with a bonus DVD thrown in for good measure.
If you like dance music then I guess you will enjoy this album,
but personally I found it to be somewhat tedious. Perhaps if there
was just one CD it might be better, there is a limit to the number
of wailing gospel choirs I can take in one go. Like most gospel
albums there are loads of cliché ridden worship songs,
complete with all the usual key changes, and cheesy sounding organs,
and also there is a lot of "spontaneous applause" that
American audiences seem to excel at, whilst everyone else is left
wondering what is going on. There is of course the obligatory
song from Ce Ce Winans. Also a Smash Hit Single "Dance Dance
Dance" by Mary Mary, and the rare "Don't Worry"
by Kirk Franklin. Presumably it's rare because nobody bought it
the first time around, to be honest I don't think there's much
to recommend this CD full stop. It's just one more attempt to
repackage a load of second rate songs, which in my opinion too
many of the big Christian labels are doing far too much of these
days. On the plus side though, three disks, that's almost a set
of coasters! 3/10 Andy Sayner. (March 2004)
GOTTA SERVE SOMEBODY : The Gospel Songs of Bob Dylan. (Columbia: COL511126)
It's hard to think who this CD is actually aimed at, a collection
of Dylan's Christian songs sung by various gospel groups. I suppose
that all the die hard Dylan fans will buy it anyway, but is there
a huge market for traditional type gospel music? I must say that
I prefer the originals myself. As a fan of Bob Dylan I did wonder
about buying this, but after hearing it I'm glad that I didn't
bother. Traditional gospel is bad enough at the best of times,
but Dylan's songs weren't written as traditional, most of the
songs on this CD were driving rock songs originally, and don't
really work in this style. Like gospel music tends to do this
CD gets a bit intense in places, with much whining and wailing
going on. Bob himself only appears on the final track, which is
"Change my way of thinking" from his "Slow train
coming" album. It's a duet with Mavis Staples, and it's awful.
As I said, unless you are a really serious Dylan fan I wouldn't
bother with this. 4/10 Andy Sayner. (October 2003)
GRAHAM KENDRICK : No More Walls. (Alliance : 094).
In the sleeve notes, Graham writes that the first 11 songs are
"Street songs for public praise whenever and wherever..."
After listening, let me tell you that there is no way I would
sing any of these songs in public. As a non-Christian work colleague
commented "This is 'Jesus wants me for a sunbeam' music".
"Shake hands with as many people as you can", he calls,
launching into "Reach Out...". "Oh Our God Is Good",
says the title of the next track. So He is!, I cried, pity about
the song - tacky just doesn't enter in to it. The second half
of the album is entitled Prayersongs, and lift this album from
sinking into oblivion. "Save The People" is undoubtedly
the highlight but the quite excellent "Come Let Us Return"
runs a close second. What Mr Kendrick was thinking of when he
wrote the first half I'm not sure, perhaps he was tired. 4/10.
(July 1997)
GRAHAM KENDRICK : What Grace. (Make Way Music : MWD8).
So, it's 5 years since Graham's last studio album. Not that he's
been taking things easy, mind you, it's just that all the other
work he's been doing has left little time for recording. "What
Grace" doesn't produce anything radically different from
any of his previous albums but, and this is the thing, it does
carry on the high standard he has done before. The opening "To
You O Lord" is one those Kendrick songs that draws you instantly
into worshipping an almighty and powerful God. The theme is carried
on with "To the King Eternal" and "The Spirit of
the Lord". Then, it's a duet with Martin Smith, "Lord,
You've Been Good To Me" - a prayer of thankfulness for all
the good things the Lord has done in his life. The closing "Everybody
Everywhere" paraphrases Psalm 145 and is a celebration of
God's greatness and of the reasons why He is worthy of praise.
Well, Graham, it certainly does that, and it's great to see you
on top form. 9/10. (May 2001)
GRAHAM KENDRICK : Do Something Beautiful. (Fierce Music :MWD12)
Dear Graham, Early in my Christian life I bought your single "Let
the Flame Burn Brighter". I hoped and prayed it would make
the Top 20 but, sadly, it didn't. Over the year's I've listened
to many of your albums and sung even more of your songs in worship
throughout the country. As much as I disliked your 1997 "No
More Walls" release, I was overjoyed to see you return to
top form with "What Grace" last year. After listening
to this new album, I'm afraid I am quite disappointed. Why? Well,
Graham, most of the songs sound tired and out-dated, as if you've
tried to re-write everything that you've done before. Mind you,
when I first heard the duet with Darlene Zchesch, I thought that
it was a great start.. Then came the title track. I'm really sorry
Graham, but it is so bland and, in all honesty, that's how I feel
about the rest of the album. Do Something Beautiful? Yes please,
but make it better than this. 2/10. (June 2003)
GRAHAM KENDRICK : Sacred Journey. (Fierce : MMD13)
Recorded live on his "Cathedral tour", this album sees
Graham return to his acoustic roots for, what is, an intimate
evening, despite the grand surroundings. You feel immediately
at home with the man who has given this country so many great
songs over the years. Indeed, it's easier, sometimes, to forget
just what classics have been written or co-written by the man
himself. "Led like A Lamb" starts things off and there's
an instant feeling of gentle worship. Then, there's the story
of the simple fisherman, in "Simon's Song", a lovely
little ditty. "Caiphas & the Temple Guard" comes
at you with a jazz tinge, and I didn't like this one at all. Other
well known songs include "Meekness & Majesty" and
"The Servant King", each sung and performed with much
reverence. "Thorns in the Straw" is a new ballad to
my ears and I felt that Graham's voice really brought out the
best in it. Not stunning by any means, but a nice album from a
great bloke. 7/10. (April 2004)
GRAHAM KENDRICK : Out of the Ordinary. (Fierce! : MWD15)
Now, despite some of my reviews over the years, I've always had a soft spot for the music of Graham Kendrick. Some of his songs where the first I heard after becoming a Christian, many moons ago. This album sees him flex his writing skills and come up with some really good songs. "Creation's King" is simply one of the best thing's Graham's written in ages, both spiritually and musically. I thought that "What Can I Do" had Delirious? written all over it, but writing credits go to Graham and Paul Baloche. It tells of just how we should praise and thanks God everyday for what he's done in our lives. It's a catchy tune and one that buzzed around my head all day. "Great Are Your Works" is a snappy little tune while "Only You Deserve the Praise" is a slower, deep worship number. I found "Language of Angels" to be rather dull but the bright and bouncy "Your Love" soon lifted my spirits once more. Graham's inspired writing shows that there's plenty of life in the old dog yet. 8/10. (March 2007)
GRAHAM KENDRICK : Dreaming of a Holy Night. Fierce! : MWD17)
Ever since Graham Kendrick wrote and recorded his 'Rumours of Angels' CD, he's been looking forward to writing another set of songs for the Christmas season. This new album features 13 tracks that look at the Christmas story from both inside - courtesy of the characters Joseph & Mary, Elizabeth and Zechariah - to outside, looking at the wonderment of the incarnation, and forward in awed anticipation of the fulfillment of what began on that holy night. After a rather stuttering opening song, Graham begins to get things together with the title track. But, forme, the album really takes off with a song sung by a female artist. 'Look What the Lord Has Done For Me' has a good temp and is well produced. I liked the following song too. 'A Prince is Born' chugs along quite nicely, and has a well used choral backing. By the time 'Suddenly A light' is playing, you can tell that Graham is back to his best, with an attractive arrangement and and very enjoyable song. It's 'feel good' music, and why shouldn't we feel good when we're thinking about the birth of Jesus? 'Midnight Star' and 'A World Awakes' are tops, and there's still time for glorious praise with 'Rejoice, God is Now With Us'. A super album. 9/10 (December 2007)
GRAHAM KENDRICK : Shine Jesus Shine/Is Anyone Thirsty? (Fierce! : MWD18)
The song 'Shine Jesus Shine' became a rallying cry in the 80's for an entire generation. Even today, it's as popular as ever. The album of the same name produced music for the Marches for Jesus, and also launched other classics. Re-released as part of this Fuse-Box series, the album does sound somewhat dated, but songs like 'Such Love' and 'Soften My Heart' still provide lovely worship. 'Show Your Power, O Lord' and 'We Shall Stand' are both celebratory praise numbers, while I found 'Prepare the Way' a little cheesey to say the least. Also, 'Fling Wide Your Doors' sounds more like a cockney knees up at the local pub. The second album was originally released in 1995, and I found that to be rather lifeless, apart from three songs mid album. 'Knowing You', 'For This I Have Jesus' and 'Let It Fill the Room' are all praise filled songs, that are of much higher standard than the rest of the songs. Graham has, of course, moved on musically over the years, but this package may well be a timely reminder of his earlier work. 6/10 (March 2008)
GRAPEVINE '99: Preludes to Heaven. (Mayhew : 1490049)
Grapevine is the UK's longest running Christian Bible Week's held,
each year, at the Lincolnshire County Showground. 1999 saw the
18th year of this unique family event which included worship leaders
such as Chris Bowater, Johnny Markin, Dave Middleton, and Trish
Morgan. New songs, like the endearing "Sing A Song For the
Nations", and "Holy Breath of God" are lined up
alongside the much loved "Holy Holy Holy" and "I
Will Never Be". The act of worship comes over really well
and, apart from "Hallelujah Hosanna" the listener can
enjoy over 70 minutes of uninterupted spiritual pleasure. Even
if you didn't attend the festival itself, I'm sure you'll find
this recording inspiring. 9/10. (March 2000)
GREATER VISION : Quartets. (Daywind : Day1320D)
One of Southern Gospel's most popular trio's have recorded their
latest album, inviting the best bass singers of today and favourites
from yesterday, to join them. The Result? Classic four-part harmony.
Featuring Glenn Dustin of Legacy Five, the opening "He Is
To Me" is a very strong song. It's got the catchy hook, the
said harmonies, and a terrific bass line. "Who can do anything?"
is the question asked in track four, and the answer most certainly
is "Nobody but my Lord". It's a slow number that comes
straight out of the music history books, yet it still sounds as
fresh today. There's a few Southern Gospel albums that have crept
across to the UK over the last few months and, on the whole, I'm
finding them pretty good. However, although there's not a lot
of difference between "City That's Coming Down" and
"He Called Me Out", I did find the former most irritating
and the latter very good! "Just Ask" has a more modern
production than some of the other songs but the great harmonies
are still at the fore. There's something about most of the songs
that I can't quite put my finger on, yet still I can't stop from
joining in with. Southern Gospel sounds as strong and as popular
as it ever was, and that can only be a good thing. 9/10. (June 2003)
THE GREEN STREET THREE : Live at the Jam Session. (4 track
CD from 99 Mount Road, Allcrington, Middleton, Manchester, M24
1EZ. £3.50 + 60p P&P.
I must say that I liked this CD right from the start, especially
the first track, which has quite a bit of style variation in it.
In fact the Whole CD has that live energy that you only get from
a self produced recording, (for some reason most record companies
seem think it's necessary to lose this somewhere along the line)
and that doesn't mean that the quality is bad either. On the first
track the singer reminded me a lot of early David Bowie, and there
are some nice guitar licks thrown in there too. The remaining
three tracks rock along quite nicely, although if I were to criticise
I would say that they are maybe a bit too much alike, but then
again there are only four tracks. All in all I think that this
is a good effort, and worth a listen. I noticed that all the artwork
and labelling has been done by the band themselves too. With the
price of blank CD's being so low nowadays making your own CD from
start to finish has never been easier, there must be hundreds
of bands out there who find an outlet this way, perhaps you should
have a look at this CD and get an idea of what is possible.
8/10. Andy Sayner. (July 2002)
In October 2003, Greg Adkins was at a crossroads. He hadn't written a song in nearly three years, and he was on the verge of giving up music altogether. Then one night while walking his dogs, everything changed. "I knew I needed either to give writing a fair chance and really pour myself into it, or else give it up completely. Produced by Andrew Osenga (Caedmon's Call), and featuring guest appearances from Andrew Peterson, Aaron Sands (Jars of Clay), Kenny Hutson (Vigilantes of Love), and Marcus Myers (Silers Bald), it's a thoroughly pleasing mix of acoustic and electric. The song that had the greatest impact on me on first listen is 'Be The Body'; the message is similar to 'If We Are The Body' by Casting Crowns, because it's a plea to folks to take their Christian faith out of the church and into the real world, and use it to make a difference. The other song that hit the spot was 'Are You Out There Tonight', the first of those 52 songs to be written. I've spent a few nights on the road driving long distances, and it can be pretty lonely, so it's comforting to know that there's someone there keeping an eye on things. I've been encouraged and amazed lately to discover so many independent artists making excellent music, and Greg Adkins is one of them. Worth investigating. 8/10 Trevor Kirk (April 2006)
GREG LONG : Now. (Myrrh/Epic : 080688605520)
Greg Long's career has brought him six No.1 hit singles, two Dove
Award nominations, and the No.2 CCM Song of the Year, "Love
the Lord". This new release is the first offering I have
ever heard from Mr Long, and I've got to say that it really is
very good. "Sufficiency of Grace" is the first, and
best, track, with a catchy tune and excellent vocals. To me, it
sounds like a hit single all the way. Greg's got a really good
voice and his songs would appeal to Christians and non-christians
alike. "In the Waiting" is another early favourite of
mine but I found "We Dream of a Kingdom" just a bit
monotenous. There are ten songs on the album, all eaasy listening
and, on the whole, most enjoyable. 8/10. Judith Wilson. (May 2001)
GRITS : Factors of the Seven. (Gotee/Word : 701-383-3886).
Christian DJ and former HOG person, Lee Jackson, once raved to
me about this band. On this hearing, I can't think why - although
I'm sure he'll tell me. One track plods into another and it's
hard to tell what each singer is saying. There's no lyrics provided
to help and the whole concept is just dull and uninspiring. Three
plays later, I was still getting the headaches! Come on Lee, tell
me different. 1/10. (June 1997)
GROUP 1 CREW : Group 1 Crew (Fervent/Curb : 8868732)
Every now & again you get a bit of a shock when you listen to a CD & wow did I get one with this debut offering from Florida's Group 1 Crew! One quick glance at the extremely polished CD cover shouts "rap", but hold on just a mo. something's missing here. Wot, no hugely chunky bad taste
jewellery? There's got to be something different inside. And how different?! The CD has an extras feature which links you to their website, allowing you to access exclusive wallpapers, lyrics, etc. Anyone that knows me will certify that I really don't do rap, especially with this genre giving credibility & glamour to violence via incomprehensible lyrical rhymes, so I was dreading this but I have to admit I had my ears glued from the start at "Love is a Beautiful Thing" through to "Put Like That" the final track. Group 1 Crew mix styles such as R&B, Rap, Soul & pop which sounds like an unusual recipe, but turns out to be highly addictive addition to the usual musical menu offerings out there. It's loaded with fresh sounding rhythms that have you humming along & tapping
feet from an early stage. The group has been likened to the Black Eyed Peas by some, but not a comparison I would have made - Group 1 Crew can do better than that! "A Lot In Common" and (Everybody's Gotta) Song To Sing had Blanca sounding more like Natasha Bedingfield, with the guys Manwell & Pablo sounding a little Eminem in style but far better in lyrical content & vocal abilities. You could also make comparisons with TBC in track 8 "Clap Your Hands" for the catchy pop rhythms, but my favourite track overall has to be "Forgive Me" (track 6) with a chorus based on Psalm 23,
one which we've heard or read countless times but they lyrics surrounding this give it a touch of modern day realism which is hard to beat. If this is their debut, I can't wait to see what's round the corner. If they make it to the UK some time soon I may be the oldest person in the queue for
tickets!! 9/10 Simon Redfern (October 2007)
GS MEGAPHONE : Out of My Mind. (Spindust : 080688615123).
The vision of American singer Ray Boltz, Spindust Records is a
label for young bands developing ministry that reaches young people.
With that in mind, perhaps I've finally reached middle age. GS
Megaphone are a powerful heavy rock outfit that are a cross between
Linkin Park and Fono. "Uses Me" is such a loud, cacophony
of crashing guitars and drums that it really was painful to endure.
The title track wasn't much better, and I really had to persevere
to listen to the complete album. One thing I can say about the
songs is that throughout the album, the clear word of God is being
spoken and, if this type of music appeals to you, then go for
it. For me, I couldn't get on with it at all. In all honesty,
I would find it hard to pick the best track - simply because there
isn't one. Maybe it's time this reviewer sat in his rocking chair
and had another cup of tea. 1/10. (September 2001)
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