Never for Nothing - CCM Record Reviews archive C

CAEDMON'S CALL : Long Line of Leavers. (Essential: 83061-0559-2.
When you've read such a lot of great things about a band such as Caedmon's Call, you really do tear open that CD packaging a little more quickly than usual. Put the Cd in the player, and wait for that first song, "The Only One". It finishes, and you think "Yeah, that wasn't bad for an opener". The next two tracks play and you find yourself pretty disappointed by the ordinary, middle of the road, American pop that's coming from your speakers. Ah, but then comes hope. The latest single from the album is called "Prove Me Wrong", and it's that song that I have to play again and again. Unfortunately, Caedmon's Call fail to prove me wrong overall. The music, they say, is "edgier" than before. Well, if this is edgier, the previous stuff must have been pretty bland. "Love Alone" is a nice ballad and the throwaway "Ballad of San Francisco reminded me of the BareNakedLadies. Big in their home country, and a wow on the college circuit, but CC leave this reviewer wondering why? 4/10. (May 2001)
CAEDMON'S CALL : In the Company of Angels - A Call to Worship.(Essential Records MPCD40514)
A sincere fellowship, community and worshipping within their local church body are the foundation and vision behind this album. Despite selling more than 750,000 units of their three best selling albums, Caedmon's Call hold on to the simple roots that first formed the band nine years ago. What this release brings is a collection of 12 new songs to worship the Lord. No, over the top productions here, just simple celtic tinged songs with power and truth within. Take, for instance, "Warrior". It's an excellent song and one that proclaims the God as a warrior for His people. "Before There Was Time" is a good song, and "We Delight" reminded me of Sixpence None the Richer in sound. "God of Wonders" is a live acoustic worship number while "Laden With Guilt" has a touch of Iona about it. After so many worship albums sounding alike, it's very refreshing to hear some songs as good as these. 9/10. (April 2002)
CAEDMON'S CALL : Back Home. (Essential : 3061069421)
Still carrying the gospel torch amongst colleges in their native USA, Caedmon's Call return with a new album that's bound to add to their previous one million record sales. Six No.1 radio singles and ten Dove Award nominations are proof that this guitar driven band are one of the most popular today. "You Created" has that sharp guitar feel behind it, as the band proclaim that nothing created is better than God, himself. How true. "Walk With Me could almost be a Sixpence song as the jangly guitars caress the exquisite vocals. "Kingdom" brings in some layered strings that hint of eastern music, while "Beautiful Mystery" concentrates on an acoustic led style, singing about the wonder of the Lord. The album tails off somewhat towards the end, with two or three numbers that sounded very similar. Perhaps it's just because I'm remembering so many of Caedmon's previous songs? 8/10. (April 2003)
CAEDMON'S CALL : In the Company of Angels II - the World Will Sing. (Essential : 83061 - 0793-2)
Following on from their 2001 hit album, 'In the Company of Angels', folk/pop outfit Caedmon's Call have now released volume II. It features some familiar praise and worship choruses along with original material written by the band. One of the latter songs is the opening 'Great and Mighty' - a very pleasant foot tapper. This style is mirrored by 'Sing His Love', which I picked out as an instant radio hit. But, as well as performing great, hooky pop songs, the band are just as at home with quieter, prayerful numbers like 'Draw Me Nearer' and 'I Surrender All'. 'The Story' is another classy pop song and I also enjoyed 'The Fountain', even though it was rather short in length. 'We Give Thanks' does just that, and the acoustic 'Fellowship So Deep' is a warm and soothing song. Caedmon's Call have a heart for sharing and ministering, and this album shows them at their best. 9/10. (June 2006, album of the month)
CAEDMON's CALL : Overdressed. (Integrity : 42442)
Oh, this is disappointing! What a bland collection of songs from this, usually, talented group. Try as I might, I just couldn't raise much enthusiasm when I listened to this album. It's as if the artists were just going through the motions whilst recording - most of the songs are so lifeless. 'Sacred' and 'Two Weeks in Africa' stand out in the crowd. The former is quite a good foot tapper, while the latter lends more than a passing nod to Paul Simon's 'Gracelands' album. Sorry, I really am lost for words. 3/10 (Feburary 2008)
CAPITAAN : 'Driftwood' (ICC).
A four track EP from 4 guys and a girl, from London. Classed as either acid or corrosive jazz, what the band actually play is something remeniscent of Shakatak meets Jamariqui. Good rhythms, slapping bass, well crafted guitar, and laid back keyboards all provide the platform for the vibrant vocals. 'Come Into My House' had me singing Dr Alban's hit single 'It's My Life', but soon got me grooving around the house. 'Elegance' didn't quite live up to the first track but 'Resurrected Man' puts Capitaan back on the right road with it's easy going style. The best is kept until last. 'New Generation' talks about "spreading His news across every nation", and is the most commercial of the tracks featured. It's not the sort of music that I'd usually listen too but, nonetheless, it's the best offering this month. 7/10 (May 1996, Album of the Month)
CAPTAIN ALAN & THE CAPTAIN'S CREW : Box of Delights. (ICC: ICCD60730)
I know I said that I'd never review another children's album but, I just couldn't resist the challenge of this one. A double CD too! - it was either going to be very pleasurable, or extremely painful. So, I'm pleased to report that the result was the former. Yes, a few had me cringing a little but, on the whole, there were loads of songs that I enjoyed listening too, and could visualise the impact they would have on young children. Take "I'm Enthusiastic. It's noisey, it's energetic, it's quite wonderful actually. Then, there's "Now I Belong To Jesus", you can just see loads of kids marching along as they sing this one. "Salt for Jesus" takes one or two simple truths from the Bible and makes them come alive with meaning for young people to understand more easily. "The Chistian Conga", "The Holy Hokey" and "I Am So Glad" are just three of the many more songs that will be of great benefit to any children's leaders. 8/10. (December 2001)
CAPTAIN ALAN & THE CAPTAIN'S CREW : Now is the Time. (ICC : ICCD68430)

The Captain is non-other than Alan Price who has been a Church Army Evangelist for many years. This is his 7th children's album and full of great songs that will help youngsters (and oldies who are still young at heart) express their worship and faith. "Isn't It Brilliant" is the title of, and also sums up, the first track. "All Fired Up" has a sea-shanty feel, and "Jesus Is Here" slows things down to a simple act of prayer. Alan says that he has a new puppet friend called Tommy Tortoise who sings on "Keep On Praising the Lord". Sorry Alan, this one DID make me cringe. However, we're back to top notch songs soon after with "La La La LA La" and "Walk in the Light", which aims at spotting the difference between loving the "dark" things, and loving Jesus. It's a great CD package because a second disc contains all the backing tracks and music scores for you to use with your own children or church groups. If that's not all, there's even one of those crazy kids songs that just gets faster and faster - bound to please them! 8/10. (November 2002)

CARMEN : Yo! Kidz - the Hitz. (Everland/Word : 7019928609).

An album for the kidz, so I asked my 12 year old son, Richard to do the honours. "I've heard some of songs before. There's slow songs, rap, and just plain chart type songs. 'U Before Me' is a song that I'd heard before, and I still like it now. It's got good music and a good tune. I didn't like the babyish 'Sunday School Medley', or 'Hall of Faith'. There's a song on the CD that helps you memorize all 66 books of the Bible. It's a good song but I still can't remember all the books. It's a better Christian CD than some of the others I've listened to, and I will be playing it again. 8/10. RJH. (August 1997)

CARMAN : Mission 3:16. (Sparrow/Alliance : 7243 8516402 6).

The mission of this new release is a combination of two things. First of all, to fulfil the Great Commission of taking the Gospel message to the streets and, secondly, to take the message of salvation to those who don't know it. Well, that's what the man says and, after so many hit albums, who can argue with this out of the ordinary preacher. Whether it be to audiences of thousands or with a Sunday school of a few dozen, Carman is the man for all seasons, with the know how, and the gift to make all his words count. This one starts with a tongue in cheek Mission Impossible/Bond theme that leads well into the "People of God" rap. Just how many styles he covers should be counted, fusion, accappella, ballads, rock, and even a calypso/reel version of "The Lord's Prayer". In true Carman fashion, there's the obligatory story, where he narrates the meeting of a sinner in court. God is the judge and the devil is prosecuting, all looks lost until the Lamb of God saves the day. Nobody in the UK could do it this way, there's only one Carman, and thank the lord for him. 9/10. (May 1998)

CAROLYN ARENDS : Feel Free. (Reunion Records : CD 10000).

Now, this is an album that I have been waiting for, as I fell in love with this young lady's debut a couple of years ago. From her humble, folk orientated, pop, Carolyn now has a full band behind her and sounds a lot like Sheryl Crow. Indeed, the opening "Do What You Do" sounds more like Miss Crow than she does herself! The song itself is pretty awful and I prayed that the rest of the album wouldn't sound the same. Thankfully, it doesn't but there is a definite progression in the musical style. "New Year's Day" is the top song on show and tells how our yearly resolutions last a few days, despite all the good intentions. Therefore, Carolyn decides that it should be New Year's Day every day and so start afresh each day. "Do We Dare" sees her fall back on her previous style but there's also a bit of fusion thrown in for good measur . For computer freaks, there's a net -media program, where you can watch a music video, see her interviewed - visiting sites were she grew up, and get a taster of her first album. All in all, not quite what I had hoped for, but it might grow on me. 6/10. (July 1997)

CAROLYN ARENDS : This Much I Understand. ((Reunion : 02341 0004 2)

For her debut album, Carolyn Arends presented a collection of folk based pop songs that appealed straight to the heart. Her follow up saw a more aggressive approach in the style of Alanis Morrissette, and a lot of her fans (including myself) were disappointed. So, this new release features 12 songs in a mixture of both the aforementioned styles. Songs like "In Between" and the opening "Happy" are just plain poor. Neither the material or Miss Arends' voice really stand up to the test, and the result is not good. On the other hand "Love You Out Loud" is back to her folk roots, as she sings about the loss of a loved one. The vocals are spot on and the music is top class. "In Good Hand" she carries on the trend and it really makes me wonder just what made her produce such a patchy record. There are more highlights than just the these two songs but, really, someone should have a word in her shell like. 5/10. (June 1999)

CAROLYN ARENDS : Under the Gaze. (2B Records : www.carolynarends.com
As a result of a fair bit of down-sizing in the US Christian music industry, some quite well-known and successful names have recently found that their big label record deals have been cancelled, and Carolyn Arends, singer, songwriter, guitarist and devoted wife and mom from the fair city of Vancouver, British Columbia, Canada, has been one such. Three very listenable albums for Reunion Records, 'I Can Hear You', 'Feel Free', and 'This Much I Understand', were followed by a 'Greatest Hits' package notable for a live 'in concert' duet with Third Day's Mac Powell of what is in my humble opinion her best song, "Seize The Day" - and then for some unknown reason, the plug was pulled. Undaunted, Carolyn has made three more albums since: "Travelers" from 2001, a very Celtic-tinged collection; 2002's "We've Been Waiting For You", sub-titled "The Parenthood Project", much more reflective, and including a cover of the Goffin King and Wexler pop standard "You Make Me Feel Like A Natural Woman"; and this one, which is (as usual) well crafted, lyrically and musically; excellently produced and engineered, and apart from one co-credit to Connie Harrington, totally self-penned. Songs that grabbed me on first listening included "Getting Ready For Glory", profiling an 80-something lady who's cramming for her finals by memorising hymns and verses of Scripture, so that when she gets to heaven, 'she's got some greeting for meeting her Maker'; and "Any Given Sunday", espousing the virtues of churchgoing ('that's why it really matters that two or three are gathered any given Sunday.') I have to confess that I've been an Arends Aficionado since her first release in 1995 - if she continues for another 10 years with stuff of this quality, I'll not complain. 8/10 Trevor Kirk (July 2005)
CAROLYN ARENDS : Pollyanna's Attic. www.carolynarends.com
Vancouver, Canada resident Carolyn has been part of Christian music since 1995, and her music has been consistently popular for all 'gal-with-a-guitar' CCM fans. After ten years of gigging and composing, however, Carolyn found herself with a back catalogue of unused material, and a few favourite songs by other artists, that had never really fitted, either in concert or on CD. She confesses that she's been dubbed a Pollyanna, because (if you recall the Disney film from way back starring Hayley Mills) Pollyanna had a relentless optimism and hopefulness in all that she did and said, which is Carolyn to a T. So as an attic is the place where you put things that you can't deal with but don't want to lose, 'Pollyanna's Attic' was the perfect title for her self-produced ninth album. Carolyn states in the CD notes that the songs are about "the kind of hope that shows up more in the cracks and fissures in our lives than in our pinnacle moments," and on this CD she tackles issues like loneliness, the empty quest for material wealth, and life's more difficult moments where Christians may even question their own beliefs - definitely not happy-clappy bubble gum Christian music! Nevertheless, her cheerful vocal style means that this is not as depressing a listening experience at it could have been. Highlights for me - "More Is Less", with the message that having all the world has to offer will actually leave you empty in the end; and the opener "Just Pretending" with clever turns of phrase like "Family full of achievers, beat the Jones and be the Cleavers; give the lawn a manicure, no rough edges, that's for sure." Certainly a different listening experience from her other stuff (all of her back catalogue is on her website, with audio, liner notes and song lyrics), and worth investigating. 7/10 Trevor Kirk (September 2006)
CARPE DIEM : .Com _ Culture. (Private CD £6.99 from: Mark Pease, 9 The Stray, Idle, Bradford, Yorkshire, England, BD10 8TL).

Carpe Diem are a 6 piece outfit from Bradford who release their second offering on June 19th. 6 is also the number of tracks contained on this EP, which kicks off with the Jars of Clay orientated "Braindead". Lot's of good indie/rock guitars and a meaty hook to get your teeth into. "Lookin 'Round is a lot lighter in depth and feel, while "Wishing Well" proves to be vocalist, Kevin Pease's highpoint. Indeed, without being overtly strong, the singer does have an endearing voice. Perhaps, the only blot on his copybook is "Let It Flow" but, then again, the whole band seem to struggle with this one. Jock James writes practically all the songs but is helped out by Charlotte Amadeo on "Always", where she also shares vocals. This song is more of a worship number with the simple message to God of "Never Let Me Go". By the time we reach "Start Over" we have, indeed, come full circle into the style of track 1. Swirly keyboards and distorted guitars carry the song through to a sound finale. It sounds as if Carpe Diem are still finding what's their best sound and this EP should help them smooth the rough edges. Overall, they reminded me a lot of Devon's NSC, and should prove popular, especially on the live front. 7/10. (June 2000)

CARRIE & DAVID GRANT : Watching & Waiting. (ICC : ICCD22430)

The long awaited debut gospel album from David and Carrie is finally here and I expected great things. 'It's So Good' opens things up nicely with it's pop/soul feel but that smooth vocal sound that Mr Grant is renowned for is sadly missing. Indeed, it's the lack of that inimitable style that hits you throughout the album. Perhaps he's changed but, on the whole, David provides a poor Ron Kenoly sound to Carrie's sweeter voice. She, actually, tends to be behind most of the good things that come to light, including the title track. Otherwise, we're treat to some old f fashioned black gospel that really slips on by. 'Lord I Worship You' is a ballad that provides brief respite in proceedings but this is quite a disappointing release. 4/10. (January 1998)

CASE & SHEARS : Time Comes Around. (ICC : ICCD42930)
Here are two guys from South Africa who do a fair impersonation of Simon & Garfunkle, with a millenium feel. What do I mean? Well, the songs have got those lovely harmonies and clean acoustic guitars, but there's an additional edge to the finished product that only the technological age can give. The title track is nice little ditty that cruises around your head for days. "Can You See Jesus In Me" asks if we actually show, in our lives, what we believe. The sweet mellow folk song "Don't Throw It All Away" is a plea for the believer not to give up everything he/she's had, while "Carpenter's Son" tells the story of Jeus' early years. In a world where music plays such a big part in one's life, there's room in your heart for something light. Case & Shears are certainly no Delirious? but the message they deliver is just as important. 8/10. (June 2000)
CASTING CROWNS : Lifesong. (Reunion Records/Beach Street Records - 83061-0770-2//BSR10770)
This is the long awaited follow up to Castings Crowns platinum selling, self-titled debut and on the evidence of this new release, they are destined to repeat that success. A deeply spiritual album, it draws you in and involves you emotionally an a very unique way, endorsed by songs that are refreshingly honest and realistic. "Stained Glass Masquerade" for instance speaks of the facades we often wear to hide our true selves whilst "Love them like Jesus" addresses the issue of loss and how to deal with it. In so doing, Casting Crowns refuse to compromise and pull no punches. Their style is very reminiscent of "Third Day" and the like but, rather than being derivative, they have managed to give it their own spin. Mark Hall's soul searching vocals are, at times, infused with such passion that they will have you in tears, and credit must go to all involved for capturing such strength of feeling. It did take me a few listens to really appreciate the magnitude of this album but, given what I have already said, it really was no chore. This gets my vote for album of the year. 10/10 Robin Thompson (January 2006, Album of the Month)
CASTING CROWNS : Lifesong. (Reunion Records/Beach Street Records - 83061-0818-2)
This album has proved to be my favourite album of the last year surpassing anything released by both Christian and Secular artists (see my review in December's NFN). Now it has been released on dual disc format, i.e. CD on one side and DVD on the other. The CD side contains the original album, its brilliance left untouched and unaltered. On the DVD side you get the album in two formats, 5.1 surround or PCM stereo plus a couple of live concert tracks and a ministry promo. This version is worth it for the live concert tracks alone as these demonstrate very effectively the ministry of Casting Crowns in full flow. They are quite superb and impacted me as much as when I first heard their album. I'm now left yearning the release of a full length live DVD or, even better, getting the chance to see them live at some point, for it is quite clear that this is when the band are in their element. Their live sound is so close to the studio sound as to be almost indistinguishable, which is a credit to those involved in the studio recordings. As to whether the DVD audio versions of the album are better than the original CD, well, I think that is a matter for personal taste. Whatever, considering you can get this for same price as the CD, you may as well get this one. If you've already got the CD, buy this anyway! 10/10 Robin Thompson. (October 2006, Album of the Month)
CASTING CROWNS : Lifesong Live (Integrity/Provident 602341010627)
Before getting my sticky mitts on this CD, I had heard many rave reviews of Casting Crowns material without actually having sampled any. Now I have heard it & watched the accompanying DVD, there's little else I can do but join them in their enthusiastic choruses! The title track "Lifesong" has more than a tinge of U2 with the guitar riffs & opening vocal composition (with the exception of Megan Garrett sounding like Mel C at several points!!); this builds up rapidly into a terrifically passionate praise & worship number that's all the better for being recorded live. The following "Praise You in This Storm" keeps the energy going before "Love Them like Jesus" & "Does Anybody Hear Her?" bring a touch of calm. Casting Crowns display a major strength with stories & scenarios in their songs that so many of us could relate to with lyrics that instantly provoke thought without getting heavy duty. Musically, they have well composed songs and the musicians don't over-complicate things or "showcase" theselves which is so effective without reducing the impact. The DVD that comes with it has 6 of the 7 of the live tracks on it, interspersed with some strong talks & testimony. There's also behind the scenes snippets, background on the band & their ministry focus - this has been well thought out as opposed to some of the last-minute add-ons that often come in such packages. Well worth the investment - pity there were only 7 tracks...I want more! 10/10 Simon Redfern (March 2007)
CASTING CROWNS : Casting Crowns Gift Edition. (Beach Street/Reunion : BSR10120)
Anyone who knows me will know I hate re-releases. A re-release can occasionally improve upon an album (as in the case of the Family Force 5 record recently) but in most cases they are a shameless, shameful stunt, pulled by money-grabbing record companies with little or no regard for the intelligence or finances of fans who follow bands they love. For the life of me I cannot understand why this "Gift Edition" has been released. Granted, "Casting Crowns" is a good album, perhaps even a great one, but then anyone with a passing interest in Christian Music and its popular artists already knew that, and this isn't the first time the record has been re-released. In terms of the actual content, the record itself comes with an informative DVD which provides a lot of interesting tidbits, videos and concert footage. Still though, it's not enough to alleviate the bitter taste in my mouth. The music is decent, the lyrics are brave, the marketing campaign is neither of those. 2/10 Haydon Spenceley (August 2008)
CASTING CROWNS : The Altar and the Door. (Beachstreet Records/Reunion)
Well, by the time I'd received my copy of this album 'The Altar and the Door' had already blasted it's way into the Billboard Top10. NFN reviewers, on the whole, have also given their thumbs up to the sound of Casting Crowns previous releases. However, it's my turn now, and I've really got to say that I can't see what all the fuss is about. It's not that the tracks are hideously bad, but they're nothing out of the ordinary either. Rock music is the order of the day and 'What the World Needs' lays it straight on the line, the answer being, a Saviour. 'East to West' sees a more melodic tone come to the fore, while the title track is nice but nothing to get ecstatic about. Singer Mark Hall has a decent enough voice but he's not really tested by the range of the songs. The songs themselves are all based on real life situations but the delivery lacks punch. I guess if I had to pick one track out then, 'All Because of Jesus' would be the one. It drives quite well and I did find myself drumming my fingers along to it. All power to the phenomenon that is, Casting Crowns, I just can't see it myself. 6/10. (December 2007)
CATH FROUD : You've Got A Friend. (www.zephaniah.org.uk)
Regular readers of NFN will, no doubt, be aware of the Zephaniah Trust based in Shipley, UK, and the musical ministry of John Froud. Well, after supporting her Dad in a number of ways on stage over the years, it's the turn of Cath to produce her own album. It's primarily an acoustic recording, with instrumental backing kept to a minimum. Cath jumps straight into the recording with an accapella version of "In the Ghetto", which is a very brave move in my opinion. The fact that she pulls it off, proves the confidence she has in her singing is not false. A lot of the song writing credits go to her Dad, but Cath sings them as if they're her own. "Late and Lonely" features the piano skills of David Wilkinson, and the backing gently caresses, Cath's vocals. "God's Sorrow" tells how God's love is unfailing and no matter what you may do, HE never turns His back on you. "Reason to Believe" is a very pretty little song, while the duet on "I Hear You Calling" didn't work for me at all. If there's one fault I would pick out on the album, it's that almost all the songs are of similar pace. The exception to this is "Burdens" which snaps along quite nicely. Ending, Cath gives a good rendition of Carole King's "You've Got A Friend", and almost goes into southern gospel territory with "His Eye is On the Sparrow". Style-wise, for us older folk, she reminded me a bit of Janis Ian. Her intimate style makes this album ideal for late night listening, and contemplating the lyrics. 7/10 (February 2007)
CATHEDRAL PRAISE : Sing For Joy 3. (ICC : ICCD67730)
The third release in this popular series has been,once again, recorded by the Scottish Festival Singers at St Cuthbert's Church in Ediburgh. Now, when it comes to describing the different vocal parts of a choir, I'm afraid I'm rather lost. Of course, I know what the bass or tenor sounds like but, after that……? However, my limited knowledge doesn't stop me enjoying and appreciating what a fine choir this is, whether we're talking solo parts or full choir participation. The listing includes "Crown Him With Many Crowns", "Love Devine All Loves Excelling", "Jerusalem" and "Stand Up, Stand Up For Jesus". Strangely enough, "Onward Christian Soldiers" still manages to bring back childhood memories of the time when school assemblies consisted of at least three hymns every morning, and I listened in awe at the wondrous stories being told. 14 songs in total and quite enjoyable in all. 8/10. (June 2003)
CATHEDRAL PRAISE : Sing For Joy 4. (ICC : ICC0858D)
This fourth album in the series of Cathedral Praise features the Chester Cathedral Choir conducted by David Poulter. The format of the series remains the same, with classic hymns being sung alongside newly arranged versions of popular worship songs. Throughout, the vocal talents are of the highest quality and I especially liked the male solo on "Our God Reigns". There again, there's nothing much you can complain about here. The songs are tried and trusted and will have appeal to a certain type of listener. For instance, despite the wide array of styles I get to listen too, I found that I enjoyed this just as much as the secular rock album that I'd previously been listening too. Favourites like "And Can It Be", "Pierced" and "On the Cross" are presented alongside others like "Oh Lord, You're Beautiful", and the quality never dips. If this is your sort of thing, you're in for a treat. 7/10. (July 2005)
CATHERINE FRANCIS : Inside Story. (NuLife : NU CD 198)

When I interviewed this young lady in 1995, I thought that I had stumbled upon a special ministry in the making. When I saw her in concert last year, my thoughts were confirmed. Now, with this release, Catherine Francis shows that she has been truely blessed with the gift of 'Hope for the Hurting'. Writing from her own experiences, as well as others, she draws the listener into feeling that the music has been written especially for them. Take the first line of 'This Woman Knows'..."She only cries when she's alone." Catherine brings out the hidden hurts of countless years and lays them gently in God's hands. Tracks 8 & 9 run into each other with 'Kiss the Shore' depicting sorrow and 'The Darkest Years' realising that God was in that sorrow but unseen. Piano based songs, with carefully produced programmed backing brings out Catherine's vocals to pure brilliance. Yes, at times she is like an early Kate Bush, but there's more to her than just a copy. I've never heard another CCM artist like her. Somebody should sign her up, quickly. 10/10. (February 1997, Album of the Month)

CATHY BURTON : Burn Out. (Fierce : Fiercd02)

There's been a lot of media hype in the run up to this release, so I was keen to hear just what all the fuss was about. The press release says that the lyrics are like "glancing over a magazine's problem page - but far more enjoyable", and that is certainly the case. The commercial sounding "Take Me Out" is a plea to God to take one out of the material world and the things that can leave you spiritually blind. It's pop, in a Natalie Imbruglia sort of way and very catchy, too. There's also a taste of Sixpence's Leigh Nash at times in songs like the melancholy "The Fuss" as well as the title track - which would make an excellent single. Cathy Burton writes about problems but please don't expect the answers from her. As she says "I'll write the song and God will do the rest". Interesting album and a change form the norm. 7/10. (July 2002)

CATHY BURTON : Burn Out. (Fierce : Fiercd02)

There's been a lot of media hype in the run up to this release, so I was keen to hear just what all the fuss was about. The press release says that the lyrics are like "glancing over a magazine's problem page - but far more enjoyable", and that is certainly the case. The commercial sounding "Take Me Out" is a plea to God to take one out of the material world and the things that can leave you spiritually blind. It's pop, in a Natalie Imbruglia sort of way and very catchy, too. There's also a taste of Sixpence's Leigh Nash at times in songs like the melancholy "The Fuss" as well as the title track - which would make an excellent single. Cathy Burton writes about problems but please don't expect the answers from her. As she says "I'll write the song and God will do the rest". Interesting album and a change form the norm. 7/10. (August 2002)

CATHY BURTON : Speed Your Love. (Fierce : Fiercd05)

Two years after her debut "Burn Out" album, this new release sees Cathy Burton progressing into the realms of rock. What? Yes, that's right rock. "La La Love" begins with a little more aggression than her previous album, and the song soon gets it's hooks into you. "Love Without A Trace" made me feel happy, but the following title track had my spirits sinking. Then, Cathy shakes you by the throat with the song "Home", an attacking sound that is a cross between Kate Bush and Evanescence! The overall theme of the track listing seems to be about life and it's up's, as well as it's downs. The lighter "Down the Road" and "Falling" are lovely songs, while "Right Now" also has the best "outro" of the year so far. It's deifintely a more polished affair than her debut, and this album sees Cathy rise many notches in the UK CCM chart, and more than a match for her transatlantic contemporaries. 9/10. (August 2004, Album of the Month)

CATHY BURTON : Silvertown. (Fierce : FIERCD26)
It's been 2 years since Cathy's "Speed Your Love" gained a 9/10 rating within these hallowed pages, and I was quite keen to hear this latest release. Cathy says that this is her "best album so far" and the press release says that it is a "rawer, more open and acoustic" offering. It starts off well enough with a light pop song called "Everyone's Fool", but that's about as good as it gets. From then on, the listener is treated to some very weak songs that, lyrically and musically, just don't match up to her previous release. I'm not sure where she's been over the last two years, but I couldn't help feeling that there was a certain American influence in some of her songs. "Love's Invited" sounded very much like Susan Ashton, only not as polished, and the wistful "Wintertime Love" followed suit. I really struggled to find a lot to say about this set of songs. Vocally, I know that she can do much more, while lyrically, she seems to have lost the plot at the moment. Very disappointing. 4/10. (November 2006)
CE CE WINANS : Throne Room. (Epic Records 000768268520)

I didn't really like this CD at all to be honest, it's just incredibly boring from start to finish. It's full of sugary worship songs with choirs and strings, and the obligatory key changes of course, all done in a typical American soul/Gospel music way. The production is very polished and professional but, unfortunately, there is just no variation in tempo or style, despite the songs being divided up into two sets. Songs of Worship and Reflection, and Songs of Praise and Adoration, make up those sets. Indeed I have to say that I found the rendition of "How great thou art", complete with birds singing in the background to be a real fingers down throat moment. There's a bonus DVD with three more songs, some tour footage, and a part about the making of the throne room CD. I had a quick look, but being an American disk it didn't work properly on the DVD player or the PC so I guess that it's not aimed at the UK market really, and to be honest I can't see it appealing to many people here. 4/10 Andy Sayner (December 2003)

CECE WINANS : Purified. (Integrity Gospel)
The dynasty that is the Winans Family of Detroit, Michigan, shows no signs of running out of creative steam. Although beset by sadness and controversy of late (the passing of Ronald, and the rather dubious pop music that has been produced by some of the younger members of the clan), the underlying quality and talent that has been evident since the four Winans boys arrived on the scene in 1981 is still alive and well. BeBe's recent offering 'Dream' was a drop of soulful funky stuff, and his little sister, not to be outdone, has come up with this. The first single 'All That I Need' is getting much airplay on both UCB Europe and UCB Inspirational, and rightly, as it's a good radio-friendly song, but there's some easy listening gospel ('I Promise', a wedding song, and 'Colorful World'), and more radical stuff for those who like their music with a few more teeth, not least the Ken Lewis mix of 'Pray', although the intro is a little on the cheesy side, with nephew Mario introducing his Auntie CeCe in true gospel church chairman style. That minor aberration aside, this is well worth getting hold of. 8/10 Trevor Kirk (November 2005)
CeCe Winans: Gold (Kingsway EMID2718)
CeCe is a highly successful US based Soul/Gospel artist with 8 albums to her name & 6 Grammy awards & has worked with some big name producers in the music business…quite an impressive track record by anyone's standards! The GOLD album is a 2 CD greatest hits type compilation of her pre-1998 material. On the cover, CeCe bears more than a passing resemblance to Whitney Houston & that's not where the similarities end. Her vocals are excellent & polished with her style being barely distinguishable from that of Whitney. However, I found the majority of musical arrangements un-inspiring with little to set it apart from the great mass of similar material of this genre that's out on the market. CD one has a couple re-worked versions of well-known hymns with a "Big Band" version of Blessed Assurance which does work surprisingly well, which is more than can be said for the awfully slow "All to Jesus I Surrender". Others such as "Great is Thy Faithfulness" were highly orchestrated & would have sounded more at home as part of a Disney film score! Some of her more recent material is better, but this isn't one I'd rush out to buy. 4/10 Simon Redfern (September 2006)
CEILI RAIN : No You - No Me. (Cross Driven Records)

Ceili, a Gaelic word meaning "a party with live music and dancing, "kind of like an Irish square dance. There's also a Latin word, "Coeli," that means Heaven. Rain symbolizes that all of this good stuff comes down to us from the Heavens above. With acknowledgement to the band's website, that is what their name means. The album itself is a breath of fresh air to a pair of ears, bombarded with numerous Christmas carols. The sound features loud driven guitar licks mixed with traditional Celtic instruments. Bob Halligigan writes the songs, as well as singing and playing guitar, and his lyrics are little different to the norm. "Everybody Clap For Everybody" gives joyous praise to God and tells everyone to join in and share that love. Similarly, "Ping Pong" declares that there's so much love around, we should make the most of it and pass it around. It's the first time I've come across Ceili Rain, but I hope it's not the last. 9/10. (December 2002, Album of the Month)

Celebration of Joy: Live Worship from Focusfest 2002 (Kingsway Music KMCD2426)

Focusfest is a major annual event attended by over 3,500 women, and held at the Odyssey Arena in Belfast. This musical celebration of their 10th anniversary is, unfortunately, another live worship album that promises something different but only delivers in fits and starts. A strong Celtic/Irish influence is apparent throughout the opening song (possibly the best version of "Come, now is the time" that I have heard) and I had high hopes for the rest of the collection, but that initial excitement quickly disappeared once that song was over. The rest of the first half of the album kind of plods along the same, well-worn path trodden by too many previous contemporary worship albums. However, just when it seems that the first track might be the only high spot, things begin to pick up again. A stirring violin and whistle introduction to "Praise Him you heavens" lifts the album out of the doldrums and, a couple of tracks later, a powerful mandolin and violin led version of "In Christ alone" takes it to new heights. I have never really taken to either of those songs, but the versions on this album have definitely helped me see them in a new light. Sadly the last couple of tracks just don't do the same. As with so many live worship albums the highlights are definitely worthwhile, but the rest is just filler. 6/10 David Cooper (February 2003)

CELTIC : Streams of Praise. (Alliance : 1902732)

15 songs and hymns on show here, all given the Celtic treatment by instrumentalists such as Troy Donockley, Martin Neil and Rachel Bartells. Mind you, as soon as the first notes of "Be Thou My Vision sounded, I thought I'd got hold of an Iona recording by mistake! Soothing pipes and whistles, and I was transported to some peaceful place, far away. Wendy Ritchie provides some nice vocals on songs like "O Deep, Deep Love of Jesus" and "Not By Might", while Joanne Hogg is responsible for the pretty melody on "We Have Sung Our Songs of Victory". Instrumentally, "Here is Love" and "I Will Offer Up My Life" are performed well on, what is, a very pleasant listen. 8/10. (January 2003)

CELTIC HEARTBEAT Vol.2. (Alliance : 1902092)

I've got to admit that the first time I listened to this album, I fell asleep half way through. I think that was because I'd just finished a large meal, following quite a hectic day at work. The peaceful sounds of this Celtic collection was just what I needed to soothe away the stress and accompanying headache. My second listen confirmed that this was, indeed, an album for meditation, rather than sleep. With contemporary worship songs penned by writers such as Graham Kendrick, Stuart Townend and Rich Mullins. Matt Redman's "I Will Offer Up My Life" remains a personal favourite and this instrumental version compliments the songs sentiments, completely. "Peace To you", "See Your Saviour Comes", and "Surely Our God" are just 3 more of the tracks included on an album that just gets a little monotonous after 7 or 8 similar sounding numbers. Nevertheless, I think this is a valuable tool in personal worship. 7/10. (October 2000)

CHARITY VON : Charity Von. (Slanted Records)

Well, right out of the school of rock comes this new lady of attitude called Charity Von. With gritty vocals and some crashing guitar sounds, she's on a mission to rock for God. To be honest, I've heard nothing like this for a few years. Indeed, not since the Alanis Morrisette syndrome kicked in a few years back, have I heard a female rocker with such a gutsy performance. Saying that, the material isn't all that hot, but she doestry and make the best of what she has to work with. Not sure about the writing credits as I've only got a promotional copy of the album, but she desperately needs some stronger stuff. "Weight of the Word" opens things up and it's probably one of the stronger numbers on offer. "I'll BE" is quite good but from then, there's a bit of a nose dive in song quality. Terrific voice, shame about the songs. 3/10. (January 2005)

CHARITY VON : Charity Von. (Authentic : 4210692)
Yet another new artist appears out of the machine known as US CCM and attempts to make her mark, here in the UK. Charity Von has the vocal qualities of, say, Anastasia, with a hard edged pop/rock sound that grated on me for the first four songs. Indeed, none of the opening numbers stirred me at all and I was left hoping that the rest of the album would be an improvement. And, for once, I was pleasantly surprised that, mid-album, things DID get better. The slower "In Your Presence" showing a more mellow vocal and working really very well. "Shine" is a very commercial radio sound, complete with raw guitars and pounding beat - a hit if ever I heard one. And, just to show what she can do, a great ballad in the shape of "You Make It Fine" helps Charity Von's debut release give us hope that there's more to come from this young lady. 6/10. (October 2005)
CHARLES BILLINGSLEY : Between the Now and Then. (Pamplin : PMCD 9911).

Former NewSong man, Charles Billingsley strikes out with this wonderful solo album that is bound to be a hit on both sides of the Atlantic. His powerful vocals have been likened to those of Michael Bolton, and in the opening "Perfect Peace" you see just why. It's not all just big production ballads though, as Charles seems just as comfortable with the pop sounds of "Journey On" and "All I Need To Know". Indeed, both of these songs had a smattering of Michael W. Smith's trademark within - very catchy. With writing credits on 5 of the 10 tracks, Charles shows that he's not just a good singer. The track of the album just has to be "Within the Veil". It begins with the laid back, velvet tones of Charles' vocals, before exploding into an audio delight of strings, orchestrations, searing guitar, and astounding delivery. Perfect album? Not quite. "Golden Streets" is a slower, more delicate track that just doesn't make the grade but then, nobody's perfect An excellent album. 9/10. (July 1999, Album of the Month)

CHARLIE LANDSBOROUGH : Movin' On. (Telstar : TPECD5513)

It was a complete surprise to me when I saw Charlie in concert for the first time last year, to learn of his faith. His blend of easy listening and country music, mixed with his Mersey wit and repartee made such an impact on me. A change of record label hasn't done anything to his winning formula and this new release is filled with typical Landsborough tracks. I could wax lyrical about each song, such is the quality, but "Special" is rather, special. As God knows each hair on our head, each one of us are unique and - no matter who you are - you are special to the Lord. "Leave Me" and "Who Can Blame Him" take Charlie back to his country roots, as does the bouncy "Passin' Through". There's the gentle waltz of "I Wish it Was Me", and the blues shuffle of "Sunshine", then there's the slightly rockier "Long And Heavy Chain". This is another foot tapper that tells of one's craving for material things, drinking, and sex, and how each sin adds another heavy link to the chain we carry round. The joy, pleasure, and love I saw on the audiences faces last year said everything. Charlie Landsborough is a man blessed with a wonderful gift and long may he continue to bring it to those in need. 10/10. (August 2002, Album of the Month)

CHARLIE LANDSBOROUGH : Smile. (Telstar : TPECD5516)

Just a year after his previous release, the UK's favourite country artist appears with a new album of 18 easy listening songs. Most are slef penned by the man himself, but of those not, "When You Were Sweet 16" and "Raining in my Heart" stand proud. The album begins with a gentle little number called "Sentimentally Yours", with Charlie's gentle vocals carefully caressing each word. "What Makes Me Happy" is a nice little song that ticks along while the following "After All These Years" is a lovely crafted love song. I'm not sure if Charlie's rushed this release a bit, as the high quality he's set himself over previous releases seems to stall a little mid-way through. But, he picks himself up once again with the charming "Like you Once loved Me", and he's on his way once more. Not his best, but a good album nevertheless. 8/10. (October 2003)

CHARLIE LANDSBOROUGH : The Storyteller. (Rosette Records : ROSCD2073)
Anyone who has ever seen Charlie Landsborough in concert, will know that he's always keen to share the stories behind his songs. This collection of songs has the added bonus of Charlie personally introducing each song and it's a lovely idea. When I saw him for the first time, warmth and love just oozed out from the stage and I was hooked by his music and persona. Not one to shout from the rooftops, Charlie just writes from the heart and produces songs that you immediately feel at home with. 'My Heart Would Know' is a touching little love song, and the theme is revisited later with 'How Do You Do Those Things'. One of the new songs featured is 'I'm Growing Old', where Charlie sings about old fashioned moral values, and gives the listener food for thought. If you're ever doubting just how much God loves you, then sit back and listen to 'Special'. Each one of us IS special to God. As I listened to this album, I couldn't help but feel a satisfied and warm glow inside. Songs like the foot tappin' 'Passing Through' and the slow waltz of 'Love You Every Second' are like old friends, and you love each one. And, if you're new to Charlie Landsborough, what better way to begin your collection than with an album that features his signature tune, 'What Colour is the Wind'. Thank you Charlie. 10/10 (October 2007, Album of the Month)
CHARLIE PEACOCK : Kingdom Come. (re:think : 7243 8517072 0)

Inspired by the song "Is the Brightness Still in Me", this release will, no doubt, appease those Peacock fans who have been waiting far too long to see him get out from behind that producer's chair. The title track is typically bright and styled along MOR American guitar pop. However, the song that made this listener sit up and take note was the simplicity of "Cheer Up Church". With it's piano accompaniment and so full of meaningful lyrics, this is a beautiful song that tells how God can use anyone for His glory. "Don't Be Afraid" says just that. Be yourself, don't let others put you down, great song. At times, Peacock seems to take a trip back into the 70's with a sound that reminded me of The Eagles but, somehow, it's so fresh. "What We Do" is a bit of a plodder but so catchy that I've been singing it constantly. "Kingdom Come" is a good album, without being outstanding. 7/10. (September 1999)

CHERI KEAGGY : 'My Faith Will Stay'. (Sparrow)

The title track's chorus says "My faith will grow, sometimes fast and sometimes slow". Well, Cheri Keaggy must have been enjoying one of those 'fast' times when she wrote this inspiring collection of songs. Two excellent opening tracks have great, catchy hooks with a nice and easy style. And things get better! 'Lay It Down' has brought a lump to my throat every time I've played it, the words, the melody, it is superb. Let's face it, this is MOR pop at it's very best, with so many accessible songs that are too many to list. No matter who you are and how you're feeling, I guarantee that there's at least one title written especially for you. Feeling down?, there's 'He Will Look After You'. New parent? Try 'Sarah's Song'. How can she better this?

10/10 Yes, Ten! I've got to lie down. (April 1996, Album of the Month)

CHERI KEAGGY : What Matters Most. (Sparrow/Alliance : SPD1636).

Two years ago, I gave this young lady my first ever 10/10 album rating, so she had a lot to live up to with this follow up release! Penning all 11 numbers herself, Cheri kicks off with a very Beatlesque "What A Privilege", straight from those Magical Mystery Tour days. Carefully, crafted easy listening songs follow, one after another, all with a certain quality. "His Banner..." is a great poppy standard with some real nice guitars carrying the song along. Possibly the best track is the piano based "Not With Jesus", a ballad of some depth both lyrically and musically. Produced by Phil Nash and with more than a helping hand from Dan Huff, Cheri may not have repeated her 10 score, but fans will be more than pleased with this new collection. "Take Me...", "Part of Your Story", and the closing "Glory Be" are super songs from a super lady. 9/10. (March 1998)

CHERI KEAGGY : There Is Joy in the Lord. (Sparrow : 7243 8516942 7).

Cheri Keaggy is one of my favourite female artists on the CCM scene and I regualarly receive requests to play her music on local radio. She's easily pigeon-holed into the soft pop music genre but that's not to say that the songs are simple throwaways. This album sees her collect some of hervery best praise and worship songs and re-record them to give a whole new feel. If I just gave a full track listing then that would probably suffice as a review. Classics such as "We Have Come to worship Him" , "Reign On Me" and the title track all flow easily to the ear. New numbers like "Pour Out Your Love" don't let the quality slip and the gentle tone of "In Remembrance of Me" is just excuisite. Not quite a classic release but you always get good quality from Miss Keaggy. 8/10. (October 1999)

CHERRI KEAGGY. Let's Fly. (M2/Word : 080688613228)

It's over 5 years since NFN gave it's first 10/10 rating to an album, and that was Miss Keaggy's "Lay It Down". A couple of mediocre albums on, "Let's Fly" sees her using that lovely voice in a range of pop melodies and sweet ballads. Exploring the the paradox of faith and grace, of the gently wooing yet boldly compelling Spirit of God, of the absurd, comprehensible reality of Christ living within us. Let me say that straight away "I Like" is the best song on the album.simple lyrics, simple tune, and a "da da da" bridge that makes you feel on top of the world. "Definitely" would push it a close second though, and I thought that it reminded me of a Sheryl Crow song. Of the others "Say You love Me" is a delicate tune while "Save A Place" plods along but has one of those catchy choruses that I like to sing. A little short on total content but, nevertheless, a good album. 8/10. Judith Wilson. (August 2001)

CHILDREN WORLDWIDE : Why Should the Adults Have All the Goodmusic?. (ICC : ICCD65630)
So, why do the adults have all the good music? Well, because they just wouldn't put up with this kind of third rate rubbish. I've got two children under 6 years old and even they turned their noses up at this collection of songs. The General Directors of Children Worldwide "believe that all work done with children should be Biblical, bang-up-to-date and of the highest quality…" One out of three ain't bad, I suppose. I can't knock the lyrical content although "It's Good to Make Melody" made me want to. "If we stamp our feet or raise our arms, or sit down quietly to read the psalms". It's sung to a rock beat, complete with annoying electric guitar and is so condescending that it's beyond belief. I thought that the first song "Those Who Put Their Hope in the Lord" wasn't too bad but, from thereon, it was downhill all the way. I'm all for children's songs, but give me Doug Horley or Captain Alan anyday. 2/10. Richard Devine. (September 2002)
CHILL CAFÉ - Where You Are. (Integrity : 43222)
This series is supposed to offer "worshipful songs of reflection to help you find quiet spaces of time in today's fast-paced world. 'Where You Are' combines well-known worship songs with Euro-styled jazz, pop and R&B, providing a musical ambience perfect for prayer, meditation and relaxation." Okay, so now you know what the sleeve notes say. The question is, 'does it do what it says on the label? The answer, for me, is a definite "No". The album kicks off with versions of 'Heart of Worship' and 'Above All'. The former does have some nice saxophone sounds within, but the vocals are awful. They sound like someone speaking down the other end of a telephone. I tried chilling in the bath, and I tried chilling, sat with my feet up and my eyes closed, but these sounds didn't work. In all honesty, I found them pretty annoying. Well known songs like 'God of Wonders' and 'The Power of Your Love' have all the glory taken out of them, while 'Jesus Freak' is just horrendous - what ever was someone thinking? Sorry, but this is one album that should be avoided at all costs. 1/10 (May 2008)
CHRIS BOWATER : Sovereign Lord, Reign in Me. (WORD : SPND008).
Chris Bowater has established himself as one of the most well known Worship leaders and songwriters in the UK today. His work at Spring Harvest and other international bible weeks go before him. This new album seeks to uplift Jesus as the Sovereign Lord of our lives. It's easy to fall into the trap of releasing 'another' worship album for the sake of it, but this release does not come over as 'old hat'. It's got an old fashioned worship feel to it but the bouquet is one of sweet freshness. I found it impossible not to get wrapped up in the worship even if, on reflection, not many of the songs are outstanding. "Jesus At Your Name" and "For Unto Us..." are just two of those type of songs that you find yourself singing along to. "You Are Worthy" contains voices together in worship and the piano based "If You Love Me" is another simple melody. Unlike some of the recent p&w albums I've reviewed, this one has life and the Spirit of Jesus is lifted high. 8/10. (December 1997)
CHRIS BOWATER : All About You Jesus. (Word : SPND017).
Here's a man who's music I have only really begun to appreciate in the last twelve months. Chris has been writing praise & worship songs for years and there's a good chance that you'll be singing one in your local church this Sunday. Unlike his previous album, this latest release is very light in style and most suitable for meditational and personal devotion. It took a couple of plays for me to get into it, but I'm glad I stuck with it. "Pleasant", would be my overall opinion of the songs, as long as we don't incl;ude the awful "Creation Is Awaiting". "Living On the Edge of Destiny" is a superb title and a rousing song that lifts your spirit, no matter how deep it may be slumbering. There's a wonderful version of Matt Redman's "When the Music Fades", really peaceful and worshipful, and "As Through A Darkened Glass" runs it a close second for being my favvourite track. I didn't like the gospel tinged "They That Wait..." but then, I'm not a gospel music lover. Good one, Chris. 8/10. (November 1998)
CHRIS BOWATER : Crown of Beauty. (Kingsway : KMCD2640)
Talk about British praise and worship music over the last 10 years or so, and the names of Noel Richards and Graham Kendrick will probably be high on the topics of conversation. Not quite so high on the list might come the name of Chris Bowater who, nonetheless, has quietly and consistently gone about his ministry with some very accomplished songs. This new album features 12 songs, and they are all of the highest quality. From the opening "Magnificent" to the closing "I Want to Tell You…", there's not one mediocre song. I really enjoyed the whole album and Chris' knack of writing catchy, yet thoughtful, songs wins, throughout. Proving that praise and worship is at it's best when simple, comes "Father Your Love", a moving little number. ""Seems like So Long Ago" is quite uptempo, "Show Me Your Ways" just oozes God's love. Quite simply, I could write a eulogy for each song, it really is THAT good. 10/10. (October 2005, Album of the Month)
CHRIS BOWATER : Personal Worship. (Kingsway : KMCD2811)
Chris himself says; "This album in the Personal Worship Series truly reflects in words and music my journey of devotion, where Holy desire and the deepening sense of the goodness of God meet in the secret place of worship." The 12 tracks feature Chris accompanied, for the most part, by just his piano - giving that intimate feel to proceedings. Listening to the opening track, 'All the Way My Saviour Leads Me', I was touched by the meaningful worship of the song. The next two numbers started and finished without me really realising, but I didn't get the same feeling of worship. Trusting in God is a basic principal if you want to walk with Him, and that's the theme of 'He Who Dwells in the Shelter of the Most High'. There was no faulting the quality of the lyrics to this song but, by now, each song seemed to be very similar to the next. The pace was slow and gentle but rather than leading me into a closer encounter with my Lord, I was becoming rather drowsy. It was hard to listen to each song as the album progressed. I don't think that it really works, and I've heard much better material from Chris in the past. One to give a miss, I think. 3/10. (January 2008)
CHRIS D'ALFONSO : Blueprints (www.chrisdalfonso.com)
If I asked you to mention a few places where talented Christian musicians were quietly getting on with their outreach ministry, I don't think that Malta would immediately spring to your mind - nevertheless, Chris D'Alfonso is a native of the famous Mediterranean island, and this is his first full CD, and very good it is too. There's a good pop vibe to a lot of the material, particularly track 2, 'The Core' (with appropriately crunchy guitar riffs, it's almost hardcore!), but elsewhere there's piano-driven balladry and gentler pop sounds to maintain interest, and throughout, Chris's faith shines through clearly. Chris has had regular radio play thanks to this album, and he deserves it. 7/10 Trevor Kirk (October 2006)
CHRIS FALSON & JACKY BRIGSTOCK : I Walk By Faith. (Kingsway : KMCD2182)
Recorded live almost 2 years ago in Atlanta, USA, this album offers something a little different to those praise and worship releases that we've come to take for granted by the likes of Hillsongs etc. Here, the emphasis is more on old fashioned rock music, in both ballad and heavier styles. Falson, himself, plays guitar as well as leading the worship, and a fine job he does too. The opening title track sounds like the old Tina Turner number "Nutbush City Limits" and is guaranteed to get you up on your feet. Jacky's voice, however, sounds so like Cher that the result is unbelievable. It's especially true when dueting on the song "What An Awesome God" and "I Will Wake in the Morning". Ever listened to a 15 minute song? No? Well, your ears will be severely tested to stay with "All Honour", a song that will grate on you like finger nails on a teacher's blackboard. "I See the Lord" is a terrific track though. Great worship with a gentle song, building up into a crescendo of exuberant praise. Not a bad album and certainly something to consider. 7/10. (April 2000)
CHRIS LIZOTTE : "Human Kind" (Metro One/Kingsway)
A Californian singer/songwriter who has released 4 albums in his homeland, and now gets to share his music with us Brits. There's lots of Hammond and Wurlitzer organs featured here, which gives a feel of mid-sixties R&B. The cover picture is shadowy and moody, and this could well describe the music too. If the songs depict Chris' mood swings then I would be really worried for his well being. "Human Kind" - the song - opens things up with deep Curtis Stigers style vocals that sound really depressing. But, after a few listens, his approach does begin to grow on you. The first excitement comes on "You Put the Fire in Me" and is followed - in style - by "I'm Gonna Stand By You." Cross Rhythms raved about this release, but I'm not so sure. I think I'll give Mr Lizotte the benefit of the doubt here. 5/10. (October 1996)
CHRIS RICE : Deep Enough to Dream. (Rocketown/Word : 7011528-024).

Chris is the debut artist on Michael W Smith's new label. The title track is a cross between Ralph McTell's "Streets of London" and Simon & Garfunkle's "The Boxer", but still stands up high on it's own merits. The sparse accompaniment, throughout, comes as a welcome change and is well produced. The piano based "Welcome to our World" is a song, sung to our Saviour , and "Good News" provides the only dance track is a funky sort of way. Chris has over 10 years of youth & camp ministry experience in the US and hopes that this album will "stir many hearts". It's a nice album that grows on you after several plays. Unfortunately, it only runs around 40 minutes despite the final number "I Need Hero" lasting 5. Here, Chris croons in lounge singer style, and you could easily fall asleep whilst listening. Nevertheless, Mr Rice has got a certain something. 7/10. (October 1997)

CHRIS RICE : Run the Earth and Watch the Sky. (Rocketown Records)

This is one of those "easy listening" type of CD's that you put on in the background and forget about while you're doing something else. It's mainly accoustic guitar led, A couple of the tracks are fairly rocky, but mostly the music is a kind of forgettable middle of the road type thing. One or two songs reminded me of how Randy Stonehill sounded very early in his career, but on a much lighter note. There is a touch of humour some tracks too, but it's the kind of humour that Americans would appreciate rather than us Brits. Apparently Chris has won a Dove award, (although it seems that every artist in America has one of those nowadays) for best male vocalist back in 1999. The publicity material that came with the CD also includes the other apparent prerequisite for success these days, a positive endorsement from Rich Mullins, or am I just being cynical? There's nothing particularly bad about this CD, but there's nothing particularly outstanding about it either, it's not unpleasant music, it won't offend your granny or anything. All the lyrics are on a fairly simple level so there's not much to think about, it's all well played and recorded, it just doesn't seem to go anywhere somehow. Like I said before, if you want some background music it's fine, if you want something to make you think, then this is not for you. 5/10 Andy Sayner. (July 2003)

CHRIS RICE : Short Term Memories. (Rocketown Records : 826872001125)
I've got to admit to being rather disappointed at Chris' recent recordings. I quite liked his debut and, from it, the classic "Deep Enough to Dream" opens things here. It's still a wonderful song and one that lifts me every time I hear it. Similarly, I thought the new song "Go Light YourWorld" showed the same quality. "Smellin' Coffee" is the awful side of Chris that I don't like. Here, he journey's into jazz and the result just doesn't have the same feel. "The Other Side of Radio" sees him rock things up a little and I think that this song would go down well as a radio single. Of the other "greatest hits", then the "Untitled Hymn" must be the shining star. Simply a superb song. 17 songs, and an interesting insight to the works of Chris Rice. 7/10. (September 2004)
CHRIS RICE : Amusing. (Eb&Flo Records : 35902)
I must admit, that Chris' releases since the wonderful "Deep Enough to Dream" album, have left me quite flat. Indeed, with that in mind, I almost passed this album onto one of the other reviewers, but something stopped me. As I listened to the opening "Love Like Crazy", I thought "Oh no, not again". The song was just a cacophony of sounds and vocals that fought against each other and, again, left me quite deflated. But, then came the beautiful song, "Breakfast Table", followed by "The Final move" and "Lemonade". Three songs all with cleverly written lyrics, a simple tune, and the warmest of vocal deliveries. "Sleepyhead Sun" features just vocal and piano, and what a lovely song it is, too. Track 10 called "The Best SongEver"but, no, it isn't. nor is this the best album ever. However, "Amusing" does have it's moments, and enough of them to satisfy the listener. 8/10. (October 2005)
CHRIS RICE : What a Heart is Beating for. (INO : 42152)
One thing that annoys me about an occasional collection of songs is that I find the writer has been too clever for me. What I mean is, instead of the usual straight forward "Jesus" and "God" messages, the writer has disguised the message in an array of words that leave you scratching your head as to their meaning. Chris Rice, I'm afraid, is one such artist who never ceases to amaze me in this category. I love his warm vocals but all too often, I have no idea what he is singing about. Take, for instance, the song 'Lemonade'. It's a very light, happy sounding number, but as to it's meaning, I've not a clue. It's the same with 'Kids Again' and numerous others. Is it me? Now, I know that 'Love is Gonna Break Through' is a song proclaiming the power of love, and that 'Here Come Those Eyes' is also a love song, and I enjoyed those. But, there's far too many songs that are just a little too complicated for your average Joe. 4/10. (November 2007)
CHRIS TOMLIN : Arriving. (Sixstep/fierce)
This is a fairly lively accoustic rock worship CD, and there is some good stuff here. The first track "Indescribable is to be released as a single, although presumably not in this country. The lyrics are all pretty straight forward, not too much thinking needed to listen to this album, it's just no nonsense worship songs all the way through, "Your grace is enough" was the standout track for me, but to be honest there was nothing on the CD that I took a dislike to. The vocals reminded me a bit of Bryan Adams in places, which should give some idea of what the sound is like here. If I had to moan
at all my only criticism would be that I found that a lot of the tracks are a bit too alike, and towards the end I found myself wondering when it was going to end. That really is a minor criticism though, it's a good CD and I would recommend it. 9/10 Andy Sayner. (December 2004)
CHRIS WILLIS : Chris Willis. (Starsong/Alliance Music)
"Nobody can take this broken man, lift him up and make him new again.......Nobody but Jesus". So says Chris Willis in his powerful opening track. You like gospel /soul music? This man is for you. In the style of Ron Kenoly - but with a sweeter voice -, this guy sounds as if he's come straight down from heaven. He takes writing credits on 7 of the 11 songs here, one exception being the classy 'Out of My Hands' which was co-written by NFN fave' Scott Krippayne. 'Mighty Love' is more uptempo, compared with most of the songs, but it really is chart material. Musically, this is a very good album and, lyrically, one of the strongest I've heard for some time. 9/10. (November 1996, Album of the Month)
CHRISTIAN CITY CHURCH : Presence. (Authentic : 8203892)
This package comes in two flavours, either as a standard cd or you can go the whole hog and buy the two disc dvd. Both feature twelve original worship songs (well, eleven and a half as the first is an "overture") recorded at one of their live worship events. Of course, the bonus dvd gives you some extras, such as "Bonus Clips" and "Secrets to the Songs", if that's your sort of thing. The songs themselves are pretty standard contemporary worship numbers, mainly guitar led, which get the job done without really standing out musically or lyrically. For this reason, the dvd works better than the cd - this is very much about the worship experience, which is communicated far better with the additional visual facet and has more impact. The worship is well led, spirit-filled and professionally presented, and you really can't ask for more than that. On the whole, definitely worth a try but take my advice and get the dvd rather than the cd. 7/10 Robin Thompson. (March 2006)
CHRISTIAN CITY CHURCH : Here We Go. (Authentic : 8204402)
The Senior Ministers of the Christian City Church in Oxford Falls, Australia, say that this recording carries the "genetics of what God is doing" in the church and beyond. "The title track says it all. Here We Go...Into all the earth...Living out Your word...Making Your praise heard." Well, I'm sure that this record will be heard, but I'm not sure that I'm entirely happy with it as a tool for worshipping. For me, it's more like a performance album, as there's little opportunity for people to join in with the songs. It's a guitar driven sound throughout and there's lots of energy exuded on songs like the title track and 'But God'. 'Our God Reigns' and 'Show Me Now to Live' are both radio friendly songs, and the female vocalist has got a distinctive voice. 'Take A Hold' is a good rock song but the slower 'Be Exalted' is the nearest you get to having a song of worship that you could join in with. It's difficult to know where to pigeon hole this album. On one hand you have what the ministers are saying, but on the other, as Joe Public, I found it very hard to see it as a worship album. The jury's out I'm afraid. 5/10. (September 2007)
CHRISTINE DENTE : Becoming. (Rocketown Records)

I've had a soft spot for Christine Dente and her husband, Scott, since their early Out of the Grey recordings. Lately, however, I've found their recordings to be rather disappointing, with little sign of those early sparks they used to project through their music. Sadly, this debut solo release from Christine also follows the latter trait. She's got such a sweet voice, yet the songs do nothing for her. "Bigger Story" is a realisation that there is more to life than what she's been accustomed to and is, possibly, the most enjoyable track featured. The acoustic based "Take it From Here" is like so many songs on the album that just don't seem to go anywhere. The album is about her journey as a little girl becoming a woman of God. She traces the Lord's hand in her life from childhood upheavals to grown up struggles. Perhaps, being a man, I just didn't warm to Christine's lyrics but, in all honesty, they left me cold. 2/10. (April 2004)

CHRISTINE GLASS : Human. (WORD/TATTOO : 84418-44512).

Robotic voices, Nirvana type guitars, and Duran Duran melodies are just some of the traits that you will find on this debut release from an exciting new artist. I say exciting because you don't really know just what she'll try next. Not once during the album can you predict the type of song she's going to sing. She's very experimental in a Kate Bush early 80's type of way, and has the touch of Aimme Mann in her delivery. "I Believe" and "Waves" are excellent numbers but Miss Glass really comes into her own on the epic "You Want" - a personal conversation with God. There's even an acoustic number with sparse backing for the delightful "Come Back Down", which is really kinda sweet. All in all it's a bit bizarre and the final "When Worlds Collide" is simply superb, even if it does sound like a certain U2 hit. I, for one, predict great things for Miss Glass. 8/10. (September 1997)

CINDY MORGAN : Listen. (Word 7019909604)

Produced by Brent Bourgeois usually means a top class album but, I suppose, even he can have an off day. This Dove Award singer/songwriter fights through 12 rounds (songs) and loses convincingly. The supposed "acoustically-based composition and performance" fails to appear from the dressing room as Miss Morgan bombards you with sledgehammer blows such as the title track and 'Gravity' - both of which fail to convey any sort of message. Just for a moment I thought that she was going to pull something special out of the bag with the ballad 'The Promise' but, all too often, she returns to her slugging blows. Little style and little promise. I found this album very hard to listen to. 1/10. (March 1997)

CINDY MORGAN : Elementary. (Word : 080688611927)

This established CCM artist has won 5 Dove Awards and had 13 number 1 radio singles yet, all too often, I find her albums full of hit and miss tracks. By that, I mean that there are some real classics, and then there's some quite awful songs. I'm sorry to say that this new release is no different. "Good Thing" sounds like an Abba reunion. It's got that classic Abba feel and sound, with Cindy's vocals making the most of a well produced song. "Love Can" is a typical Morgan ballad about a sinner who has ignored the Lord's calling in the past, but now wants to take His hand. It's a great song, and Cindy Morgan's delivery is outstanding. Then, she turns all jazzy on us and changes the whole style of the album. "New World" is just not my sort of thing and, half a dozen songs later, I'm left wondering just what happened after all the early promise. By the time she gets to the soft shoe "I Love You", I'm ready to switch off. 4/10. (October 2001)

CIRCADIAN RHYTHM : Over Under Everything. (40 Records : 4729782).

Cutting edge rock with more than a nod in the direction of Radiohead and U2. That's one description of this worship band that's come out of Liberty University in Virgina. The name? Well, I don't know where they got it from but I think it's superb. The music, though, is a little tiring. The band start well enough with the guitar thrusting "Beautiful Saviour", which reminded me of an old Split Level number. "We Are Hungry" is quite catchy and contains a nice fiddle sound within it's content. It's all going quite nicely, even when they launch into the big orchestral production sound of "Into You" but the quality starts to decline with "Ever My Love". Can't quite put my finger on it but the album just doesn't sound the same after this one. In fact, as a 6 track EP Circadian Rhythm would score a 9 but for a full album, the score is not so good. 5/10. (June 2001)

CIRCLESIDE : Uncommon Days. (Centricity Records : 8296 1210042)
This is quite a good CD, although it's a bit hard to describe the music. Although this is an American band their music could almost be classed as britpop, it's quite a high energy set of tracks, and there are bits that remind you of other artists. Some of the vocals for example are very much like U2, but there is a kind of acoustic feel to some songs too, which is not unlike Dylan, or Neil Young in places. I don't suppose that there is much chance of us getting to see this lot play live over here, but I for one would like to see them on the strength of this CD. The only thing that I don't like on this CD is the hidden track at the end which takes a while after the last official track has finished. It's a blues track, which is totally different to the rest of the album, and although I don't know if this is true or not I would say that a certain Mr Kaiser had something to do with it's creation, but what's the point of a hidden track, why not just call it track 14, write it's name on the sleeve and have done with it. All in all though this is a good effort I would recommend it. 8/10 Andy Sayner. (May 2007)
CITY ON A HILL : Sing Alleluia. (Essential : MPCD40524)

Following the great success of "Songs of Worship and Praise" the much anticipated follow-up continues that same 'artists in community' approach. As Caedmon Call's Cliff young says "the purpose is to show listeners that we all have one faith in Jesus Christ", and that's just what this album does. From the opening choral prelude of "All Creatures of Our God and King", to it's closure, the Cd is filled with great songs. I simply love Nichole Nordman's voice and, on "You Are Holy", her vocals become very reminiscent of Genie Nilsson. Later on, she returns with FFH on the uptempo "Shine Your Light", another pearl. Mac Powell (3rd Day) and Fernando Ortega duet well on "Our Great God", while members of Caedmon's Call shine throughout. Best track? Well, that's a tough one to call but, in the end, I plumped for FFH's "Hide Me in Your Heart". It's a simple prayer to the Lord but so well delivered, and one that each one of us should echo in our own hearts. 9/10. (May 2002, Album of the Month)

CITY ON A HILL : It's Christmas Time. (Essential : MPCD40533)

Yes, it is Christmastime again and time for all those releases that contain bland versions of all your favourite carols. So, it's really good to be able to say that this one contains some real crackers. The title track is going to take some beating for Christmas Song of the Year (according to me) and features a host of top artists both musically and vocally. Sixpence none the Richer present "Silent Night" in typical Sixpence style and the Paul Colman Trio serve up a heart warming version of "In the Bleak Midwinter". Then, there's the magic of Caedmon's Call's "Babe in the Straw", which tells the story of the virgin birth - that is truly sumptious in every way. Julie Miller's quirky vocals may not be everyones cup of tea, but I've always loved her range. Firstly, she joins Third Day and Derri Daugherty on the excellent "Manger Throne", then it's just her and Daugherty on "Away in a Manger". A nice change of presentation for a Christmas album and a very welcome on at that. 9/10. (December 2002)

CITY ON A HILL : The Gathering. (Essential Records)

Supposedly, the last in the City on a Hill series, where US CCM stars come together to sing God's praises. You know the format by now, there's members from various bands, singer songwriters, as well as individuals, giving everything they've got for the cause. Leigh Nash sings "Beautiful, Scandalous night", while Caedmon's Call, Dan Heseltine, Charlie Lowell, Bebo Norman and Sarah Groves sing sweetly on the title track. The best song, "Jesus Went to the Garden" is well sung, well written and well produced. Jars of Clay have a celtic influenced offering in the shape of "Come Thou Fount of Every Blessing", while Caedmon's Call and Silers Band combine for the acoustic pop ballad "Hallelujah NeverEnding". The album doesn't seem to have the flow of it's predecessors, so maybe it is time this series was put to bed. 6/10. (December 2003)

CLAUDETTE : The Hardest of Times. Authentic : 8203562)

One of the first albums I ever reviewed wasby gospel singer Yolanda Adams. As it was the first, it's quality has long stuck in my mind. Listening to Claudette, I felt a lot of similarities in both the vocal style and song presentation. What did differ was the quality of the songs. Whereas Yolanda has years of experience behind her, Claudette is fairly new to the scene, and a lot of the songs here just don't make the grade. Hand on heart, I can't say that I disliked any, but I just realised that each time I played the album, it finished and I couldn't really remember one song that stuck in my mind. The title track almost makes it, and "I'm In Love" comes a close second, but "Stand", "Potter's House" and many more were just very ordinary. On a couple of occasions Claudette uses old hymns like "How Great Thou Art" and "Abide With Me" to flex her undoubtable vocal talents but the production on both are just mediocre. Given the right songs, I think that Claudette would shine but, at the moment, it's just a glimmer. 4/10. (February 2005)

CLAY CROSSE : Stained Glass. (Reunion : CD10005)

Since the release of his debut album, two years ago, there has been great anticipation for this new Clay Crosse album. Saying that I, personally, wasn't greatly impressed so listened to this one hoping for something a little better. "It Must Have Been Your Hands" is one of those songs that tells about the realisation of God's work in your life, even before you acknowledged Him as Lord. It's a good number, and opens the album well. Clay's voice is very strong but doesn't suit the R&B style of "Love One Another Right" or "Somethin's Missin'". However, there are strong numbers, like "Sold Out Believer" and the quite excellent "He Walked A Mile", where Clay truely excels. Working with a new producer, Mark Heimermann, this is a step forward and there's a good re-working of the old Hollies hit "He Ain't Heavy". I hoped for something better, and that's what I got, but there's still some way to go. 7/10. (October 1997)

CLAY CROSSE : I Surrender All. (Reunion : 02341 0008 2)

It was 1995 that I first reviewed Clay's work and from that excellent beginning, I feel that he's produced some rather patchy follow ups. However, the clamour for a "best of" album does prove that many feel that he is, rather good. Indeed, the opening four tracks are all of superb quality. Sharing vocals with Bob Carlisle and Bebe Winans, Clay wins your ear immediately with the song of triumph, "I Will Follow Christ". "He Walked A Mile" is still as powerful as it was a couple of years ago, and is a sign of a good song when it still sounds so fresh. Mid album, clay turns bluesy and marries the sound with some gospel type music. To me, it just doesn't carry the same quality as the previous ones and leaves me cold. "The Rock" provides respite and the acoustic backed "Midnight Cry" continues to prove just how gifted this man is with the right sort of song. 7/10. (November 1999)

CLIFF RICHARD : Rockspel. (Kingsway : KMCD2418)

When I became a Christian I wondered just what other music there might be in store for me? Surely, there was more to Christian music than just Cliff - as he was then? Thankfully, there was, but we mustn't forget just what a musical icon this man has been to fans all over the world. After bursting onto the pop scene in 1958, he's gone on to sell more than 250 million records and, some forty-odd years later, he's still as popular. His gospel albums, for me, have always been a bit patchy in quality - never quite living up to his secular releases. But, this release does capture some of his best known gospel tracks, sandwiched between the big selling "The Only Way Out" and the lump-in-the throat- anthem, "From A Distance". Some tracks a very 80's pop, like "Peace in Our Time" and "the Winner", but classics like "Thief in the Night" and bob Carlisle's "Butterfly Kisses" are also included. Stunning? No, but a good place to start if you're looking for mor UK pop. 7/10. (October 2002)

CLUB j : Spin. (Integrity Music - 33922)
Firstly, I was pleased to see that the sleeve of this compilation indicates the age range of its target audience (7-12 year olds). This makes it much easier both as a parent and a reviewer, and in my capacity as the latter allows me to assess this against the miriad of secular offerings kids are inevitably bombarded with. I am pleased to report that, of all the children's praise stuff I've reviewed over the last few years, this by far stands the best chance of offering our kids a real alternative to the chart. The quality of the songs speak for themselves, "Blessed Be Your Name" and "Undignified" being just two, and because the songs are good, it allows the excellent arrangements to work without being cheesy. It's very professionally put together, and, unlike other children's offerings, you don't feel like the kids are getting second best. Some songs are done in a dance style, others in a more Busted/McFly type vain, but they all work well together. My only gripe lies with the first song "Spin" - It is a great song and well arranged with the exception of the kids voices on the chorus. This does make it sound like the more naff offerings I've heard and may turn off those in the upper end of the age range. However, it is only a small gripe and is probably nit picking! As always, I use my eldest daughter as the judge in these matters and, since I've had to play it in the car on the way to school every day this week, it must be good! 9/10 Robin Thompson. (November 2005)
COLIN & CAROL OWEN : 'You Alone Are God' (Kingsway Music).
This album was actually released last year but has just landed on the NFN desk in time for their visit to Beverley next month. Labelled as 'The Worship Leaders' Colin & Carol are directors of music and lead worship at Kingdom Faith Ministries, Horsham. this release contains 11 songs to help you focus on the Lord. Even though I saw that musicians credited included Terl Bryant and Ben Castle, I still wasn't ready for 'King of Kings'. No happy clappers in earshot, this was good stuff. In fact it was so good that I immediately played the opening track again. There's powerful brass accompanied pieces ('You Alone Are God') as well as more mellow numbers such as 'Mighty Mighty Lord'. Certainly not what I had expected, and well worth a listen. 7/10. (September 1996)
CONNERSVINE : Connersvine. (INO : 42562)
Connersville are a duo consisting of singer/songwriter Chris Wilson, and pro NFL footballer Hunter Smith. Signed by INO Records in 2006, this is their debut and I'm not sure that the wait was really worth it. The opening' Glory Be' is quite a strong song, and the vocals reminded me of people like Geoff Moore. There again, 'Sacred Mystery' almost runs into Bryan Adams territory. The overall sound of this duo can be styled as adult pop, and pick of the bunch is 'Hero' - a medium paced winner. 'Hungerlove' tells of God's love, that will pick you up in your darkest hour, while the rockier sound of 'Come Alive' deals with the subject of being re-born in Christ. There are some good musical moments on this album, but it's the same as dozen's more that are churned out at an alarming rate. I'm sure their intentions are honourable, I'm just not so sure that a second album would be a good idea. 5/10 (April 2008)
THE CRABB FAMILY : The Walk. (Daywind : 4187133729)
They're the largest family group in Southern Gospel Music (SGM) today, and from singing in small town events, have blossomed into a national ministry. Promoted as "the freshest sound" in SGM in years, I'm afraid I've got to disagree. It is fresh, but it's more Shirley Ceasar, than The Gaithers. Songs like "Great Is He In Me" and "The Walk" are okay but don't exactly fit into the style you expect. There again, the familydo show signs of their roots on numbers like "Travelling On" and "The Storm" - the latter being a truly terrific ballad. There's no denying their vocal prowess but, unlike recent SGM recordings I've reviewed, this one didn't do a lot for me. 4/10. (July 2003)
THE CRABB FAMILY : Drive. (Daywind : 8713832)
Judging by the front cover picture and the fact that the album's been released on Daywind Records, I assumed that this would be pure Southern Gospel. Well, it just goes to show that looks can be deceiving because apart from the opening "Promised Land", there's a more blues feel than anything else. I did like the first song, banjo, fiddles and all, so I felt a little disappointed when the track listing failed to carry on with a similar sound. Most of the songs are written by Gerald Crabb, with the rest of the family given various lead vocals. I found songs like "Sacrifice of Praise" and "Good Day" just a little too messy in production for my liking, and felt that the less cluttered "Forever" and "You Can't Imagine" worked so much better, especially with Kelly's vocals. Donnie McClurkin joins the band for some serious gospel music on "Through the Fire", but I'm afraid that I just wasn't fired up by this one. 4/10. (April 2005)
THE CRABB FAMILY : Blur the Lines. (Clearcoolmusic : 8714772)
From a church in rural Kentucky to an annual concert audience of 800,000, the Crabb Family has managed to break through musical genre barriers to reach people from all walks of life with the message of the gospel. And, while their background is Southern Gospel, there's enough different moves on this album to create interest for a wider audience. "Friend of God" is a high octane declaration that rings out true, while the powerfully delivered "Redeemer" is wonderfully sung. When the group delve into gospel, I wasn't quite so uplifted but the slower "Holding Out Hope to You" brought me back to the Lord once more. The Crabb Family songs ask the simplest of evangelistic questions and. More often than not, they give you the answers too. There's a lovely interpretation of "Shout to the Lord", while "Call On Jesus" gives more simple Bible truths and assurance. The group have some great voices and harmonies, and they are never better than on my favourite song "I Can't Live A Day". This is album is so much better than their previous release, "Driven", and should open the doors to many new fans in the UK. 8/10 (December 2006)
CREED : Weathered. (Epic : 5049792)

A long time ago, a music fan became a Christian and searched for something more than the Cliff Richard and Graham Kendrick tapes he was given - no offence meant. He found a rock group in the form of Stryper and couldn't belive what he was hearing. 15 years on, I've just come across Creed. Not, a Christian band as such, but all three members talk openly about their faith and how their songs are written. Their debut album has sold more than 6 million units to date, and their follow up "Human Clay" more than 10 million. The music? Well, it's what all the teenagers seem to be listening to at the moment. It's rock in the style of Linkin Park and Papa Roach, only the lyrics are different. Crunching guitars and hammering drums are the accompaniment to Scott Stapp's leering vocals and, somehow, it was just what I needed. If you're looking for evangelistic messages, you won't find them. What you will find are questions about faith in general, as in "One Last Breath" that looks at death. The title track is a little quieter yet looks at life and what/who you love. Is your God an object or a living thing? This type of music won't be for everyone but, there again, I never thought it would be for me. 9/10. (July 2002, Album of the Month)

CROSSFIRE : 'Warriors'. (Private Cassette Recording: £5 from Andy Sayner, 34 Fountayne Street, York, YO3 7HL).

An old name for a new band. The festival may no longer exist, but these 4 lads from York are doing their best to ensure that they do not sink into oblivion. A 6 track release that throws together an interesting collection of songs. The opening title track sounds a little like the old Zager & Evans hit, 'In the Year 2525'. 'Speedbrake' is very Steve Taylorish, with it's clever, yet 'off the wall' lyrics, and driving guitar. The vocals struggle on the piano based 'Will to Win' and 'You Make My Dreams' with the former suffering the most. There's a touch of Pink Floyd in their melodic rock sound and Crossfire's attempt of a longer piece, 'Communion' is bound to capture an interested ear or two. It's a good debut and the recording quality is excellent, but I feel there's better still to come. 6/10. (August 1996)

THE CROSSING : Dochas. (Grrr Records/Nelson Word : GRR44001)

I had high hopes of this one, following the publicity behind it which said "accessible brand of Celtic music". What is actually presented is a hotchpotch of songs and instrumentals of varying quality, which all leads to a rather dis-jointed release. It opens nicely with a jig/reel, closely followed by a folky anti-war song. These make way for the durge 'Dochas', the Indian war dance 'Castle Kelly', and the monotonous 'Someone...'. Thankfully, 'Psalm' brings welcome relief and 'Paddy's Leather Britches' rounds things off on a high. There's pipes, cellos, flutes and more, but it's a very individual taste. Sadly, it's not mine. 4/10. (January 1997)

CRYSTAL LEWIS : Beauty For Ashes. (Myrrh/Nelson Word : 701503656X.

I'd heard the final track of this album on a sampler and was intrigued by the song, 'Healing Oil'. It is so haunting (in a spiritual way) that you really have to listen in the right atmosphere to appreciate it's power. Not that this release is all about one song. This young lady has the power and sweetness of Whitney Houston's vocals and, boy, does she use them well. 'Beauty of the Cross' is simply delicious with a soul sound that just washes over you, and the anthemic 'Jesus is Coming' is nothing short of superb. She duets with Ron Kenoly on the title track and sings the J-word unashamedly. This really is a collection of love songs to Jesus, and one that I will play again and again. It's almost perfection. 9/10. (January 1997, Joint Album of the Month)

CRYSTAL LEWIS : Gold. (Myrrh : 7015041650)
Miss Lewis certainly hit the height with her last album 'Beauty For Ashes', which contained a whole stream of strong songs. This, eagerly awaited, follow up comes, then, as rather a disappointment. Sure, there are some very powerful vocals but these are on some of the most uninspiring songs I've heard in a while. "Tomorrow" is pretty noisy and pretty awful, the least said the better. "What About God" sounds like a Negro spiritual number, with Crystal whaling like a banshee to the piano accompaniment. Thankfully, she does get her act together on sounds like " Lord I Believe..." and " Remember Who You Are" , a ballad containing both strength and meaning for the listener. It is, in fact, the ballads that suit her voice best, leaving the rockier "God & I" floundering. "Why" raises your hopes once more with a medium paced pop song, but all too often you feel let down by what's on offer. I pray that this is a stumble, rather than a fall. 5/10. (June 1998)
CURIOUS FOOLS : Read. (GOTEE : 7013835889)

Cross Rhythms got hold of this before me and whacked a 10 rating on it claiming that it was "quite outstanding." It just proves, once more, how individual tastes differ. There are lot's of tribute bands on the club circuit, and most are better than this lot. Tribute band? Yes, Curious Fools are a poor man's U2, and very poor indeed. I t was hard to pick out one song that stood out from the rest but, if pushed, I'd go for rockin' beat of "Slow". If you're a U2 fan, then give this one a listen, maybe you'll like it. I didn't. 2/10 (October 1997) Forward to the next archive
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