Never for Nothing - CCM Record Reviews archive B
This CD is from a band that have reformed after a gap of 13 years. Originally called "Bang Bang You're Dead" they formed after the split up of "Press Any Key" a band which any fans of After the Fire will probably remember well. One member, Rob Russell is the brother of ATF guitarist John. This CD is basically late seventies / early eighties rock music all the way through, but with modern day lyrics. There are some fairly impressive sounding guitar solo's scattered through the songs, well they are to me anyway (Bass player). And everything is on the whole fairly up beat. You get the impression with this lot that they are a load of old blokes with nothing to prove just enjoying what they are doing, and I reckon that this comes over in the music. You probably have to look past the cover though, as someone else remarked it does look a bit kind of "Spinal Tap" if you know what I mean. Just goes to show though, that you can't judge a book, or a CD in this case, by the cover. This is a really enjoyable CD, which now has a place on my Zen player. Definitely give it a try. The website has some samples on it, and you can buy the CD from there. www.batcavestudio.com 9/10 Andy Sayner. (October 2007)
BARLOWGIRL : Barlowgirl. (Fervent Records)
Barlowgirl are the three sisters who have a passion to write songs
about the journey that God has taken them on in their lives. Their
main song topics include trusting God, purity, and their stand
on not dating. Indeed, there's a massive Barlowgirl movement in
the States now, all taking similar stance. The album itself is
very much in the Avril Lavigne mould. "Pedestal" rocks
like "Skater Boi", while the more melodic "Never
Alone" is more like "I'm With You". "She Walked
Away" is a prayer from a family who's child has left home
without a word. They're left, hurt, grieving, and not knowing
why. It's a brilliantly intense song and my favourite overall.
The girls write the songs themselves and also play drums and guitar,
therefore creating a simple rock sound. But, the producers seem
to have used string pads at every opportunity and it works well.
It's an album made by teenagers for teenagers, but older folks
like myself will still find food for thought. 8/10 (March 2004)
BARLOWGIRL : Another Journal Entry. (Fervent : 8864462)
Their last album saw Barlowgirl perform songs very much in the style of Avril Lavigne, so credit them, this time, for moving on. This time, there's a more typical US rock feel to the album. Take, for instance, "Grey", it's more in the mould of one time pop/rock goddesses, Vixen. The girl's harmonies work really well on the mid-paced "enough", while the acoustic led "Porcelain Heart" is quite mellow. To me, the production is quite messy at times although I got a feeling that they've been listening rather too much to the Manic Street Preachers for their own good. "Take Me Away" and "Psalm 73" would fall into that category. Sadly, I didn't think that the songwriting was as strong as their last album, and this really lets the album down. "5 Minutes of Fame" is a pleasant enough rocker, but things just seem to fizzle out, rather like a damp firework. Lots of promise, but fails to deliver. 4/10 (May 2006)
BARRY & BATYA SEGAL : Sh'ma Yisrael. Word : 77797-0002-2)
Produced by none other than Martin Smith, this album blends rhythmic
praise and ethnic overtones with passionate worship towards the
"Holy One of Israel". For those of you who don't know,
Barry & Batya live in Jerusalme and are at the forefront of
what God is doing in the present day nation of Israel. Following
two tracks of introduction, the Segal's move into full flow with
"Baruch Haba" and the bouncy "Hallelu Et Adonai".
Mixing English and Hebrew languages, worship is of the essence
as "Hineh Lo Yanum" and "Kadosh" gently minister.
The latter actually had me thinking I was listening to Joanne
Hogg, Batya's vocals being so smooth. Someone once joked to me
that listening to Barry & Batya was like been locked in a
room with the worst entries of the Eurovision song contest. Thankfully,
I can assure you that this is not the case, as this album has
many winners. 8/10. (March 2000)
BARRY & BATYA SEGAL : Go Through the Gates. (Galilee of the Nations : 677797001925)
Barry and Batya Segal were one of the first Messianic artists
that I ever reviewed, way back in 1995. since then, I have come
to know and respect their music that brings a contemporary ethnic
sound that speaks insightfully to the prophetic times in which
we live today. This latest album shows the sprit of worship rising
up out of the Land of Israel and encourages believers everywhere
during these perilous and uncertain times. "On Your Walls
O Jerusalem" is a typical uptempo piece that conjures visions
of dancing and laughter, it's a very uplifiting song. "We
Delight in Your Shabbat" is so full of happieness and praise,
as it proclaims "We delight"…in God. "Shimcha
Kadosh" finds Batya singinig to just an acoustic backing,
joined mid-song by an angelic choir - it's quite beautiful. "Go
Through The Gates" will draw the listener into the peace
and presence of the Lord, whatever your cultural background. 8/10. (October 2002)
BART MILLARD : Hymned. (INO Records 683581)
Some may recognise Bart Millard as the excellent 'country rock' voice of Canadian CCM band Mercy Me - try sampling their stuff via www.mercyme.org. Bart explains the title of his first solo offering 'Hymned' as being '… sort of a play on words off of the sewing term 'hemmed' which I'm using in the sense that the experience of having these songs sung to me in my childhood is a big part of what has sewn my life together'. Seems a bit obscure - but it's Bart's album! The sleeve note credits/comments suggest that here we have a project that is very … err … American (yes, I know Bart's Canadian, but ….). It's the music that matters however, and with Brown Bannister sharing production credits this album has a great sound. Bart is joined by Mercy Me guitarist Barry Graul and a band of professional Nashville musicians, with Vince Gill guesting on 'Pass me not, O gentle Saviour'. Ironically, the one (almost) 'non-hymn' track also turns out to be one of the best - 'Mawmaw's song', written by Bart and Barry but with its chorus taken from 'In the sweet by and by'. 'My Jesus I love Thee/'Tis so sweet' is also particularly well done. To my ears many tracks are less successful, with their tunes set to inappropriate arrangements. Many obviously disagree - 'Hymned' has evidently been selling like hot cakes. As usual, the recommendation is to try before you buy (visit www.bartmillard.org). For me however, 5/10.Dave Deeks. (October 2005)
THE BBC DAILY SERVICE SINGERS : The Daily Service. (Kingsway
: KMCD2330)
BBC Radio 4's Daily Service programme is the longest running daily
radio programme in the world. The current crop of singers are
all experienced worship leaders who not only have the skills to
sing the widest range of Christian music, but an ability to communicate
the faith itself. On this, first, commercial release, 14 songs
are featured. Beginning with "Praise My Soul", the track
listing then runs through Stuart Townend's "How Deep the
Father's Love", Paul Leddington's "O Lord of Every Shining
Constellation", and back to Townend once more for "From
the Sqaulor". Each are given timeless classic renditions
in the style and quality that The Daily Service produce. Other
songs featured include "From Heaven You Came", "Be
Still" and "When I Survey" in what can only be
called a top album of it's kind. 9/10. (NOvember 2001)
BEANBAG : Freesignal. (Inpop : 7243 8517312 7)
Signed to the Newsboy's Inpop label, fellow Australians, Beanbag
are going to raise quite a few eyebrows with this release. Mixing
rap, funk and rock with crunching guitars, it's an album that
is sure to appeal to fans of Prodigy and the like. However, for
your average music fan, both your head and your ears are going
to take a severe pounding. For me, personally, the meaning of
lyrics on such tracks as "Bite the Hand" were completely
lost due to the barking vocals. Even reading the lyrics whilst
listening failed to help, although I did manage to stay with "Face
I Paint"."Disturbed", "Why?", and "Stale"
are all very much the same and, although the band were a big hit
at last year's Cornerstone Festival in America, I simply couldn't
play this more than twice. Perhaps I just don't understand. 2/10. (April 2000)
BEAUTIFUL WORSHIP - The Greatest Praise and Worship of All Time. (INO Records : 41342)
Well, with a title like that, this album certainly had a lot to live up to, even before I listened for the first time. There's some top notch performers delivering the goods, but some of the versions of well known songs I found to be rather weak. Brian Doerksen starts proceedings with an acoustic version of "Come, Now is the Time to Worship". It's all very "laid back" and I wasn't to keen on it. Similarly, Paul Baloche's rendition of "I Could Sing of Your Love Forever" fails to match the awe of it's original version by Delirious? Lenny LeBlanc co-wrote "Above All" and, here, he gives it his all to perform a smashing version of a great song. Twila Paris excels herself with "He is Exalted" , while Robin Mark leads a determined version of "Shout to the North". Of the songs I didn't know so well Hillsong and Delirious? Play a deeply moving song called "I Give you My Heart". The others, I'm afraid, are much of a muchness, and songs like "Lord I Lift Your Name on High" and "Awesome God" sound rather tired. Sorry, but while the album does contain some of the greatest praise and worship songs of our time, the renditions just don't live up to expectations. 5/10. (July 2007)
BEBO NORMAN : Big Blue Sky. (Watershed : MPCD40505)
I like this album. That's it, end of review! But it's too good
for me to leave it there. Bebo Norman is an American who's been
making a name for himself throughout Europe ever since his previous
album 'Ten Thousand Days' grabbed our attention in 1999. Not just
another acoustic guitar based singer/songwriter, Bebo has a real
depth in his songs, and manages to combine well thought out lyrics
with memorable tunes and good structures. In short, his songs
are 'complete' and work well. This album sees him at his most
mature yet, with a departure into full arrangements with a more
commercial feel. A classy production brings out the best in his
voice, which is lovely and husky with a great laid back tone.
The title track 'Big Blue Sky' shows this, along with others such
as 'I Am', 'Underneath' and 'Cover Me'. But this album also shows
Bebo Norman unplugged, the real McCoy, in such beautiful tracks
as 'All That I Have Sown' and 'Where You Are'. So we have the
best of both worlds, and the good thing is that he's still maturing
and progressing so we've got a lot of goodies to look forward
to. Yes, I like this album. 9/10 Julie Lord. (July 2001)
BEBO NORMAN : Myself, When I Am Real. (Essential Records :(MPCD40538)
I have heard a lot of really good things about Bebo Norman as
a songwriter and performer, and the fact that his last album "Big
Blue Sky" was named #1 Christian album of 2001 by Amazon.com
served only to reinforce those things. It was therefore with a
sense of genuine anticipation that I put this new release into
my CD player, and (to my great relief) I was not disappointed.
Musically there is nothing revolutionary here, and the acoustic
guitar-led Nashville influence is obvious, but the musicianship
is superb from beginning to end, and the songs are beautifully
put together. The lyrics are very much focussed on Bebo's own
relationship with God, and a sense that this is a very personal
collection of songs stays with you throughout, which only serves
to strengthen the album as a whole. For me the highlights are
"Beautiful You" and the awesome "Great Light of
the World", and unusually there are no obviously weak songs
so, in spite of having only an unmastered review copy to go on,
this one comes highly recommended. 9/10 David Cooper (October 2002)
BEBO NORMAN : Try. (Essential : MPCD40572)
I already have Bebo's excellent 2002 CD 'Myself when I am real'
in my collection so was pleased when I received this new one for
review. If you're wondering about Bebo's name, his real name is
Steven but a baby sister who couldn't say 'brother' started calling
him 'Bebo' when he was just four years old - and it stuck! He
has a really good 'light with a touch of gravel' bang-in-tune
voice, and his music is sort of in the Marc Cohn vein, which suits
me nicely. Bebo's albums date back to 1999, and this is his fifth.
Good songs as usual - Bebo has a talent for lyrics and melody
to add to that voice of his. There are probably fewer immediately
memorable 'tunes' than on the 2002 offering, but a couple of plays
soon had me singing along. The best song lyrically is 'Borrow
mine' - a neat idea skilfully put together, but I won't say more
in case I spoil it for you! 'Disappear' is also excellent, and
others worth special note include 'Nothing without you' and 'Other
side of the day' - but there really isn't a weak track here. If
your preferences include listening to guitar-based singer-songwriters,
Bebo is pretty well as good as it gets. The only down side is
the sound, which a good sound system shows up as being a bit over-compressed
- probably mixed for (so-called) 'radio play'. Despite this, a
definite recommendation - and also worth checking out Bebo's other
albums via www.bebonorman.com. 9/10 Dave Deeks (January 2005, February 2005)
BEBO NORMAN : Between the Dreaming and the Coming True. (Essential : 083061079925)
Bebo's three previous albums have all scored highly in NFN reviews, interestingly enough by three different reviewers. He says that this collection of songs are "about life lived some days in the trenches and some days on the mountain top". From soaring with God, down to deep despair, Bebo covers every angle. "Into the Day" is a good, positive start and would fit nicely into anyone's "feel good" chart. "Time Takes It's Toll on Us" is another good song and Bebo's vocals make every word plain to hear. If you want contemporary praise and worship at it's best, then look no further than "I Will Lift My Eyes" and "Bring Me to Life". Both songs are just classic tracks which I can see going down a storm at live worship events. At times, his delivery reminds me of Chris Rice but Bebo certainly is a man who knows his own mind. Sticking close to the truth of God in his life, he conveys everything in pure and simple terms, but in a very delicious way. 9/10. (March 2007)
BEBO NORMAN : Great Light of The World (The very best of Bebo Norman) Essential / Providen-Integrity 83061-0861-2
Bebo Norman is one of those artists that would need no introduction on either side of the pond, having been on the CCM music scene for around 10 years now. This as the title suggests is a greatest hits style compilation spanning from his earlier career in 1999 the present day. Saying that though, I personally cannot admit to being greatly familiar with his work of late but having heard this, it is something I would certainly make steps to becoming re-acquainted with. We kick off with "I Will Lift My Eyes" from Bebo's 2006 Between The Dreaming & The Coming True album which is an excellent start & reminds me very much of a recent offering from a band called The Longing; a greatly passionate number with a rhythmical rocky feel to it, starting quietly & building gradually to a real powerful chorus made all the richer with Bebo's gravelly tones. Great driving drum rhythms with a very catchy guitar riff in the chorus! 'Nothing Without You' follows on in a slightly more relaxed pace with some great lyrics speaking of how God is central to everything we are. The CD includes a collaboration with Caedmon's Call (Holy Is Your Name) which of course ties in with Bebo's roots in CCM, as well as 'Sometimes By Step' with Rich Mullins. What I like about this CD is that the lyrics come through without being overpowered by the musical aspects which is a great balance, often so difficult to achieve. A great introduction to the man & his music with lyrics that will make you sit up & think. 9/10 Simon Redfern (Feburary 2008)
BECCA JACKSON : It'll Sneak Up On You. (Word : 7019671608).
Another debut album by one of those American artists who seem
to appear at almost alarming regualrity. In the mould of Susan
Ashton comes Becca Jackson with her blend of acoustic pop, folk
rock and down-to-earth music. Ten songs which embrace God's word
and promises to the full. Loved the opening 'Hands Tied' which
tells of our constant falls from grace, and the catchy title track
with excellent hook. The backing music is superb but does not
detract from the sweet voice of Becca. She is, indeed, a talented
new singer/songwriter and looks set for greater things. The lovely
'He Will Build A Bridge' rounds things off, telling of Jesus'
outstretched hand, calling the lost. A good start. 8/10. (June 1997)
BEEHIVE : Brand New Day. (Airplay/Word : AIRCD971).
In the world of British Acid Jazz, Jamariqoui lead the rest by
some distance. Whilst Capitaan flew the Christian flag last year,
Beehive have released an album which collects together, the sound
that is making the music press sit up and take note. Singer Kaz
Lewis has been praised to soul diva status and it's easy to see
why. Her voice is soft and warm , with a power to make a song
stand out - the laid back 'Can't Stop the Rain' being a prime
example. The track which is getting most radio play is 'Get Busy'
a funky tune that I thought was awful - it takes all sorts. 'Hype'
has a Latin feel to it and the summer feeling 'Father's Eyes'
has 'hit' written all over. The music is tight and Rob May's keyboard
work gives a good feel throughout. It's not a stunning debut but
Beehive look set to be the Buzz-band this year. 7/10. (June 1997)
BEN GLOVER : 26 Letters. ((Word:080688608729)
22 year old singer songwriter Ben Glover comes from a small town
on the edge of the Rockies. He loves music and loves the Lord
even more. His new album tackles issues of faith, community, and
culture with fearless questioning and unswerving faith. Great
sentiments but the album is, sadly, filled with too many average
songs. He's a little bit like Stephen Curtis Chapman in style
but neither the vocals or songs come up to scratch. The title
track is, probably, the best on offer, while "The Man I Want
to Be" would run it a close second. Apart from that, it was
one of those albums that I played through without there really
being one memorable song. "Hope Will Be My Song" is
quite nice but the quality just isn't there. 2/10. (June 2001)
THE BENJAMIN GATE : Contact. (Forefront records)
I really enjoyed listening to this CD. It's one of those albums
that doesn't sound like a Christian CD, if you know what I mean.
The Benjamin gate have had two number one singles, both from
their last CD, I reckon that they could have more if there is
a single release from this one. A lot of the songs reminded me
of delerious in their King of fools era, although this band has
a female vocalist. Some of the more quiet tracks have a similar
feel to The Alarm. There is a definate raw edge to the music,
something sadly lacking in a lot of material that is produced
nowadays. Unfortunatly there is no contact information supplied
for this country, but there is a website which contains loads
of stuff about the band, and it seems to be regularly updated.
It could be hard to obtain this CD over here, (the band come
from South Africa) but if you like that raw edge to your music
then it would be worth your while trying to chase a copy down.
The web address is www.thebenjamingate.com or you could try
www.forefrontrecords.com. 10/10 Andy Sayner. (October 2002)
BETHANY DILLON : Imagination. (Sparrow : SPD 73905)
Bethany Dillon is a 17 year old girl from Bellefontaine, Ohio. She released her self titled debut album in 2004 and won critical acclaim for her songwriting. The theme of the album is an invitation to look at life with a fresh perspective, but I'm not sure that she really achives her ideal. I found most of the song pleasant enough, but I kept waiting for one that would take my breath away and set the album alight. Sadly, that didn't happen and, instead, I was left with a collection of very mediocre songs. Perhaps the best song on the album is "All That I Can Do", a song about realizing when you need more than your own strength to do things. It's a song that could well rate high on the charts, given enough exposure. "My Love Hasn't Grown Cold", is quite melancholy and I wasn't impressed at all, neither was I by "Vagabond". Bethany has quite a nice voice, but I really felt that the songs did little to grab my attention. 4/10. (April 2006)
BETHANY DILLON : Waking Up. (Sparrow)
Here's a young lady who has been spending her time, not only recording a new album, but on mission trips to India. Indeed, the track, "Beggar's Heart" reveals a little of what she witnessed. Bethany has sometimes failed to deliver when it comes to a full album, but I think that she's made great strides forward with this release. "The Kingdom" provides a bright start while "Come Find Me" is a cry to Jesus to rescue your soul. "Waking Up" is another sparkling song, while "Something There" takes a little rock edge on board. The songs seem to be written from a very personal point of view as she tackles subjects such as guilt, infertility, and that never to be forgotten feeling of when you first receive God into your life. The latter is cleverly captured on "Top of the World". "Tell Me" and "Are You Sure" are a little meloncholy, and reminded me of Janis Ian in style. Probably the best song on the album is "When You Love Someone". Both delivery and backing music is excellent, and it's a very catchy number. While I don't think that it's ever going to be a million seller, this album goes a long way in establishing Bethany Dillon as a worthy CCM artist. 7/10. (June 2007)
BIG DADDY WEAVE : One & Only. (Fervent Records : 9143002426)
The and may be new to you, but they've been together and touring since 1998.
They have, apparently been compared to mainstream favourite the Dave Matthews Band
and their music is described as acoustic pop/rock with a twist. What you're supposed
to gleam from that I'm not sure. There's 10 songs on the album and they're not really
exciting. They speak of the usual stuff like, having a relationship with God, and
living the Christian life, but the music just didn't move me. "In Christ"
tells you that all you need in your life is Christ, as He will provide all you need.
It's the Gospel truth, and I'm not denying it, but the song is just……flat.
"Sacrifice" is not the Elton John number, but about you offering your life
as a sacrifice to God. It's probably the best track on the album, but that's not saying
a lot. I liked the keyboards throughout, which almost single handedly stopped this
album from being reviewed after just two plays. 2/10. (October 2002)
BIG DADDY WEAVE : What I Was Made For. (Fervent : 4300672)
Singer and main songwriter Mike Weaver says that all of the subject matter of the band's previous two albums has been based on their relationship with God. This new release was recorded just as band members had survived Hurricane Ivan, bringing recroding engineers to them rather than going further afield themselves. On a personal note, I didn't find 2002's "One and Only" release much to write home about, scoring it only 2/10. But, this new release certainly is a big improvement. Classy pop songs such as "Just the Way I Am", comfortably sit side by side with the more rocky title track. "You're Worthy of My Praise" sees the guys duet with the members of Barlowgirl, and the "marriage" works well. Pick of the bunch, for me, has to be "His Name Is Jesus". It has such a simple set of lyrics, yet it's so well delivered and produced - it will certainly be on my radio playlist. I wasn't moved so much by the funky sounds of "Give Up, Let Go" or "Killing Me Again", but the slower praise numbers like "Without You" make this album a good listen. 8/10. (May 2006)
BIG DADDY WEAVE : Every Time I Breath (Live). Fervent : 8865302)
'Just a bunch of college buddies' - that's how main man Mike Weaver describes Big Daddy Weave in one of the PC-playable videos on this 'enhanced' CD. 'Every time I breathe' is the latest offering of contemporary, drums-driven, worship-based pop rock from the five members of this band who have been together for over eight years now, with a number of albums behind them. Here we have well written songs with good melodies (Mike Weaver's writing figuring strongly), well-sung lead vocals and harmonies and spot-on drumming, well produced in a predominantly guitar-based 'acoustic' setting. Stand-out tracks for me musically are 'All the same' (sax-led intro and links, complex drumming and time signature changes - a definite cut above the ordinary), 'When I see you' (medium-paced, particularly good melody, very well sung), and the old but very effectively re-worked hymn 'Trust and obey'. Whilst in some respects Big Daddy Weave are typical of a whole rash of bands Stateside at the moment, there is enough originality here to make them worth a listen. If in doubt, try www.bigdaddyweave.com for samples and downloads. Incidentally, as well as the PC-playable video content mentioned earlier, audio anoraks with the appropriate kit may be interested to know that this is a High Definition CD (HDCD) - although the somewhat compressed recording makes the only discernible benefit of this a particularly clean 'top end' to the sound. Overall, a worthy 8/10. Dave Deeks (May 2007)
BIG TENT REVIVAL : Open All Night. (Forefront/Alliance Music).
A new name, I'm sure, to most readers but this is actually the
band's second album release. Sometimes they sound like Bon Jovi,
other times The Beatles, and - then again - Chris Rea! There's
a great track called 'Letting Go', which tells of doing just that
with a selfish life, which has become an instant favourite of
mine. Most songs are quite short and, like the previous number,
'If Loving God Was a Crime' and 'You Are' don't last long enough.
The latter track has one of those deep, echo, Duanne Eddy guitar
sounds, that I can only dream about producing. Some really good
stuff here, and I like it. 8/10. (November 1996)
BIG TENT REVIVAL : Choose Life. (Alliance : 7668 8717042 6)
One look at the front cover of this album had me wondering if
BTR had undergone major surgery! Gone are the jeans, leather jackets,
and long hair, and in come shorter cuts and designer wear. So,
what of the music? Thankfully, the band have not changed their
musical style and produce am rock steady, tight album. Every BTR
album I've heard has always had one song that has really stood
out from the rest and this one is no exception. "Fill Me
With Your Spirit" has already become a favourite on my radio
spot, and I can see it being played quite regualrly in the months
to come. Acoustic guitar and strings are the mainstay of the delightful
"The Word of God", while the wonderful ballad "One
More Song" shows Steve Wiggins vocals at their very best.
It's a rock ballad, it's a praise song, it's great. "Live
For You" finds the band in a heavier mood and not quite as
tight. The album finishes with "What I Want For Christmas",
a sort of throwaway rock-boogie that really should be thrown away!
Despite that, a good album. 8/10. (January 2000)
BILL & GLORIA GAITHER : A Campfire Homecoming. (Gaither : SHD2723)
This couple and their friends have ministered to tens of thousands of people over the years, in the USA, but have yet to make a real mark over here in the UK. The reason? Well, for me, the music just doesn't travel well. It all starts well enough, with Jeff & Sheri Easter's renditions of a happy song called 'Jesus, Hold My Hand', and a foot tappin' number, 'Livin' In the Rain'. From there, it's mostly downhill as various vocalists provide the words to some seriously dated songs. Even the Reverand Jessy Dixon can't pull things back, with an irritating cry on 'Touch Me Lord Jesus'. It all sounds as if these guys are stuck back in the 50's, and while that may work in certain parts of America, I've yet to find a niche for them here in Britain. Karen Peck and New River deliver light relief with a country ballad called 'Hold Me While I Cry' but it all finishes with a depressing melody of 'O The Blood of Jesus/ Nothing But the Blood of Jesus/ Near the Cross'. Definitely, one to avoid. 3/10. (July 2008)
BILL & GLORIA GAITHER PRESENT... : Homecoming Picnic. (Gaither Music Group SHD2724)
From the hugely successful Gaither empire comes this compilation recorded live outdoors at a picnic park in Tennessee, bringing together 19 tracks in their trademark southern gospel style. As you would expect from the Gaithers, the package is pretty glossy & very well put together with the musicianship, vocals & production being very hard to fault on all tracks despite the wide variety of people involved in this offering and the fact it was recorded outdoors. There are some real golden oldies in here including the opening "This Great Caravan Keeps On Rolling Along" & "I'm Living In Canaan Now" (both dating from the late 1930s & early 40s) & "I Was There When It Happened" - one of Johnny Cash's earliest Gospel recordings. There's the occasional more recent number coming right up to present-day with "Eastern Gate". Sadly I found the tracks very "samey" & the whole thing to be a little too twee and manufactured to inspire me into any real praise and worship. The images it conjours up are those of barn dances, cosy camp fires, older people on front porches in rocking chairs, etc. and sure enough You Tube is full of such visuals taken from the DVD of the same name. For die-hard Gaither fans and those with a penchant for foot-tapping Country & Western style music, this compilation will be an worthwhile addition to the musical library but not one for my collection. 4/10 Simon Redfern (August 2008)
BILL DRAKE : Crimson Thread of Grace. (ICC : ICCD33230).
For those of you who don't know, Bill Drake is the International
Music Minister of Operation Mobilisation. He ministers all over
the over the world encouraging people to find fulfilment in investing
their lives into the Kingdom of God. Despite it's bright opening,
the album doesn't particularly flow well. "Toward the Mark"
is a song of personal witness that moves a long nicely, but all
too soon we're into the worst kind of cringe-filled praise &
worship of "Shout For Joy". The following piano led
worship doesn't get much better, and then it's 'spandex time'.
Yes, tonight, Bill Drake IS Michael Sweet!. Joking aside, it's
a very powerful track that was written in 10 minutes. A good rocking
sound, great lyrics and superb instrumentation. The last two tracks
had me thinking "Iona" and, when I looked closely at
the sleeve notes, there's Mike Haughton providing his usual experience
on saxophones and whistles. A bitty release that needs a few listens
to appreciate. 6/10. (September 1999)
BILLY RAY CYRUS : The Other Side (Word 08068 862742).
Being a country singer, or being perceived as a country singer,
is something that arouses mixed emotions in the minds and hearts
of music lovers. I've listened to loads of country music in my
time both secular and sacred, and although I'm not a great country
music enthusiast, there's some that I like to listen to and can
appreciate - Randy Travis, Susan Ashton, Buddy Greene, Paul Overstreet,
and now, albeit in a slightly grittier, bluesier, rockier vein,
Billy Ray Cyrus - yep, the guy with 14 million unit career sales,
and six US Top ten Radio singles, and who still holds the record
for the longest time spent at number one on the Billboard Hot
100 Album chart with a debut release, an amazing 17 weeks. Although
loads of country singers, whether Christian or not, feel that
they have to do at least one "gospel" album, Billy Ray
has gospel music in his DNA - his dad sang in a gospel quartet,
his grandfather was a preacher, and Billy Ray's own strong faith
comes over well in his first Christian release for Word, 'The
Other Side'. Eleven songs, a mix of old and new, with standouts
being the Bebo Norman song "Tip Of My Heart", receiving
airplay on UCB Europe; a gritty twelve bar blues arrangement of
"Amazing Grace"; and in new country vein, "Holding
On To A Dream", which will be the next song on the UCB Europe
playlist. Whilst Billy Ray doesn't do much songwriting, he penned
the title track, and it's a good gentle country ballad, with plenty
of slide guitar. If you only know him for "Achy Breaky Heart",
then investigate this, you might be surprised. 7/10 Trevor
Kirk (April 2004)
BILLY & SARAH GAINES : 'Come On Back'. (Warner Alliance Music).
R&B gospel comes to NFN and a welcome change in style it is
too. Sounding a little like Nu Colours, this duo (husband &
wife?) have teamed up with co-writer Michael Omartian and musicians
of the quality of Dan Huff. Track 6 is my favourite, which puts
a slightly different slant on the old chestnut of how your walk
with God is doing? "If everyone was just like me, what kind
of world would it be?" Think about it. Programmed instruments
provide most of the music but Huff's guitar is at it's best throughout.
There's romantic sounds, and there's danceable sounds to. It's
a good release and well worth your time. 7/10. (November 1996)
THE BLAIR BAND : Celtic Sessions. (www.ricblair.com)
According to their publicity sheet, the Blair Band are a 'Christian, Celtic folk-rock group' who have been 'impacting audiences' around the world with 'the message of freedom in Christ'. They are also 'a passionate, high energy force with an innovative organic sound'. Formed in 1995, they have evidently 'shared the stage with Steven Curtis Chapman, Point of Grace, Michael Card, and others'. Quite a build-up, then, but how do they sound? Well, despite leader Ric Blair being credited as the vocalist, he doesn't share his vocal chords with us here. This is a completely instrumental CD, and the tunes are not well-known 'Christian' ones, losing any opportunity to spread the gospel - which, if their ministry is such a powerful one, seems a shame. The CD makes for an enjoyable listen however. Whilst I see from the credits that veteran CCM guitarist Phil Keaggy features on bass, this doesn't seem to be much in evidence. But we have some Seth Lakeman-style violin-playing, beautifully haunting uilleann pipe playing (including on the effective closing track 'Taimse Im' Chodloch'), effective contributions from the penny whistle, and an overall nicely 'live acoustic' feel to the sound. All of the instrumentalists clearly know their stuff and also gell effectively as a band, always an indicator that apprenticeships have been properly served through entertaining audiences. Best track for me was probably 'Glasgow reel'. The lively combination 'Coppers and brass/The gander in the praitie hole/Merrily kiss the quaker' also merits a mention, if only for its title! Overall then, not quite what you might expect from the publicity blurb, but definitely worth a spin. 7/10. www.ricblair.com Dave Deeks (November 2006)
BLEACH : Space. (Forefront/Alliance : FFD5152).
Seattle praise & worship? You'd better believe it! With touches
of Smashing Pumpkins, smatterings of Nirvana, and a little REM,
Bleach turn p&w on it's head with their debut offering. Simple,
oh so simple, lyrics that literally leap from your speakers. You
may look good on the outside, but what's inside? So, asks the
opening song "Eleven". "Perfect Family" speaks
of God at the centre of the marriage while "Wonderful"
takes the same stance in a boy and girl relationship. The latter
track is just out of this world, with it's grungey guitar chorus
but laid back verse. These five guys sing of meeting God for the
first time and about being a friend to your brother/sister in
a style that you just wouldn't expect. I dare you to listen to
this album without loving it. 10/10. (April 1997, Album of the Month)
BLUETREE : Greater Things. (Fierce! : BTCD001)
Bluetree are from Belfast and created so much hype with their independent release of 'Greater Things' last year, that Fierce! Music couldn't resist marketing and distributing the album to a wider audience in 2008. There are 13 tracks on the album but, sadly, my copy would only play the first 8. Still, those songs gave me more than enough time to see that there's plenty of energy and excitement about this outfit. Bluetree's rock orientated songs, and Aaron Boyd's splendid vocals make sure that the album gets off to a very solid start with 'Life's Noise'. 'Burn Me Up' has a more attack minded sound to it and declares that there's "no-one like you, God." The 6 piece band also show a milder side to their product, as shown with 'When I Survey', but there is plenty more guitar based rockers for aficionados. 'Each Day' is a particularly good song, and well produced. It's message is simple. When God is with us, we are never left alone. So, the album looks promising, and I'm only sorry that I didn't get to hear the rest of the tracks in time for this review. As far as it goes...9/10 (September 2008)
BOB CARLISLE : Songs From the Heart. (Diadem : 84418-2312-2)
This is the follow up to the hugely successful 'Butterfly Kisses'
which knocked the Spice Girls off the top of the US album charts.
As we would expect, it's an album full of big, polished production,
with the man himself in charge. It opens with the current single,
'We All Fall Down', complete with orchestral arrangements and children's
choir, but I have to say that I feel the album has too many slow
ballads, with lyrics bordering on the slushy. 'Lately (Dreaming
About Babies) is a good example. Bob Carlisle's voice is a lower
pitich than Michael Bolton and he really comes into his own on
the faster numbers. 'International' is excellent, and the inclusion
of the Big Motor Horns on 'Power of Love' is superb. The album
closes wih an orchestral version of a previous track, which I
felt coould have been omitted leaving the gospel choir on 'In
the Hands of Jesus' to bring it to a rightful close. Nice album,
but a bit too sentimental in parts. 7/10. Julie Lord. (January 1999)
BOB FITTS : My Eyes Are Fixed On You. (Kingsway : KMCD2190)
Bob Fitts is a new name to me but he's the man who, in 1990, pioneered
the School of Worship with the University of the Nations as a
training ground for worship leaders. This collection features
13 songs from his collection, dating back to the 1992 opener "Draw
Near". It's a MOR pop song with the careful type of vocals
associated with the likes of Michael Card, and it's really nice.
The easy going "Over All" continues a similar feel and
"I'll Never Leave You Or Forsake You" has some beautiful
backing music. Mid-album, Bob decides to take things a little
slower and produces some worship ballads. Of these, "Behold
the Man" and the title track have a tender and thoughtful
style. It's not an earth shattering album but, with another great
song called "He Will come & Save You", would grace
any praise and worship fan's collection. 9/10. (August 2000, Album of the Month)
BOB FORDHAM & STEVE GARDNER : Timeless. (CD from S Gardner, 23 Hilltop Close, Baglan, Port Talbot, West Glamorgan, Wales, SA12 8YH)
Sometimes, when you review as many albums as I do, you have to
discern between those which have full record label backing, and
those which are independently released on a miniscule budget.
This, then, falls into the latter category. Steve Gardner writes
the lyrics, and Bob Fordham puts them to music and sings. Now,
Steve isn't trying to become the next "big thing" but
is anxious to share his writing with church groups, or even individuals
who could write a suitable melody. Indeed, many of his songs have
already been taken up by churches as far away as Canada, so there's
plenty of potential. All the songs on this CD are in easy listening
style, and written by using gospel truths and passages as a base.
Therefore, they do tend to sound a little alike but, there are
a few gems. "It Only Took A Moment" has Bob's voice
sounding very much like Lou Reed, and his delivery works very
well. He's not blessed with the greatest of vocal ranges, but
his work is consistent and reminiscent of 70's duo Gallagher &
Lyle. Take, "The Jailbreaker" or the title track, both
well sung. Sometimes the music is a little samey, or a song finishes
too soon. "All of You" is one such piece where a promising
melody seems to run out of steam and ends with a whimper. No,
you're not getting the glossy record production of a big name,
but what you are getting is good, honest, truth from two guys
who are trying their very best to share the good news in the only
way they know how. 6/10. (May 2003)
BOB SMILEY : I've Got A Funny Feeling About This. (Inpop : DPR017081)
US Christian stand-up comedy albums are, thankfully, few and far
between. Of the few that I have had the unfortunate pleasure of
hearing, none are memorable. I'll say that, right away, Bob Smiley's
effort falls into the same category. He has, apparently, opened
for such groups as Newsboys, and Third Day, and "revels in
the real-life stories and the not-so-everyday situations that
he constantly finds himself surrounded by. With sharp wit and
gentle humor, he touches on topics that range from lessons learned
in grade school to lessons he's learned by being a dad."
Thing is, US comedy often fails to travel well across the Atlantic
- and vice-versa. He looks at discipline of children; his father's
sayings; visiting the supermarket, and the like, and makes comments
that just aren't funny. Mind you, the live audience seem to be
enjoying it - I can't see it being canned - so maybe it's just
not for the English. Over an hour of an annoying American guy
talking total rubbish is not my favourite thing. Bob Smiley? Maybe
he should be marketed as Bob Irritating. Bless his heart. 1/10
- I did laugh once. (September 2002)
BONAFIDE PRAISERS : Destined to Worship. (Emtro Gospel : EGOS-031519-2)
If good old fashioned gospel music is your bag, then this will be a welcome release to your ears. Twelve songs featuring the Bonafide Praisers, whooping it up, and getting very mellow too, at times. The opening 'Trust in the Lord' starts off well with an RnB feel. The album also includes the "hit single" 'Work it out', and this is by far the best track. There's some lovely female vocals providing the backing, while a male artist takes the lead in a Ron Kenoly style. I certainly didn't enjoy the screaming vocals on 'Awesome power' and 'Take Your Burdens'. Why on earth the singer thinks that yelling the words is going to catch your attention is beyond me - it was just a complete turn off. Then, completely out of the blue, comes a Grits style hip hop type of thing, called 'Heal the Land'. Well produced, and well sung. The thing I found most annoying about this album was the lack of consistency is the songs. While some were rather good, others lacked any real power and consequently, the finished article is only average. 5/10 (March 2009)
BOOLEY : Bathroom Floor. (ICC : ICCD42730)
Citing such people as Elvis Costello, Aimee Mann, and Bruce Cockburn
as his influences, Booley (aka Peter Wilson) presents an album
full of interesting and, sometimes, very deep thinking songs.
The whole concept is based around his own life, warts and all,
and the song "My Little Glory" says it all. Lost, and
then found, it's another declaration of what God can do in anyone's
life. Not quite sure where he's coming from on the excellent "Patrick
Moore", but it reminded me of those classic Undertones' singles
of the late 70's. "Alright" is more of an acoustic sort
of thing that tells of a journey, while the tongue in cheek "Tesco
Queen" has a sideways look at love. Booley is certainly a
very talented writer and not just a run of the mill one, at that.
I couldn't listen to the title track as the CD was damaged but
for someone who wants to look at everyday life as a Christian,
this is one to buy. 8/10. (May 2000)
BOTTLEROCKIT : One Small Step. (Elevation : Eled00330)
A debut Cd from a new band that appeared on the bill at Greenbelt
this year. The album is rock orientated in the modern style of
such bands as Blink182, although the lyrics are less controversial
- or more so depending on your outlook. It should appeal to the
younger generation and to middle aged teenagers like myself. "One
Small Step" starts with the thrashing guitars on "Better
Than I do" and ends in the same way with "Cartoon Rumours"
- my favourite two songs. The who album is in the same style,
with the exception of the more reflective "Goodbye JFK".
The vocals are clear throughout making a good all round release.
If you like this type of music Bottlerockit are certainly worth
listening too. 8/10. Tim Robinson. (October 2001)
THE BOYS OF ST JAMES', GREAT GRIMSBY : Praise. (CD £13.95 from Cantoris Records, Freepost NEA1269, Lincoln, LN2 1BR).
My first thoughts on receiving this traditional choral release
was "What do I know about this type of music?". The
answer being, "Absolutely nothing". 'Praise!' contains
14 tracks, of which 3 are instrumental organ pieces. 'Elegiac
Romance' lasts for some 10 minutes, whilst 'Saraband in modo elegiaco'
sounds as if it's been culled from a 1930's horror movie. Both
tracks are quite dreadful. However, the choristers themselves
are the main thrust and they do come over very well. Being the
average Mr Sunday Churchgoer, I found that, although one track
quickly melted into another, there was a distinct quality and
relaxing feeling about the songs. Well known ditties such as 'There
is a Green Hill' are complimented by 'Magnificat in G' - not to
be confused with 'Magnificat in D'. Traditionalists will love
this album and, quite rightly, sing it's praises. For the rest
of us, it's still quite enjoyable. 7/10. (November 1997)
The title of this, Nathan's second solo CD, is rather appropriate, since Nathan, his family and his delightfully named label, Small Person Music, have just relocated from Alabama to North Carolina, so it's a brand new day in more senses than one. However, on the strength of this, he might become a Big Person in contemporary Christian music very soon. Nathan's style is easy-to-listen-to acoustic power pop, with the majority of the 11 tracks self-penned; the opener and title track is a belter, with Mike Weaver from the roots rock band Big Daddy Weave on guest lead vocals, but there are gentler moments. 'Amazed', written by Jared Anderson, the music pastor of the New Life Church in Colorado Springs, is five and a half minutes of acoustic worship; 'This Is Love' is inspired by the well-known words of I John 4:7-11; and 'Blessed Are Those' is another finely-crafted acoustic ballad with some very poetic lyrics that blessed me to bits when I first heard it. If you'd like to hear what I'm on about, 'Brand New Day' is on the UCB Europe playlist, and there are sound clips on the Small Person Music website. A worthy effort from an excellent indie artist - buy with confidence. 8/10 Trevor Kirk (March 2006)
BRANDON HEATH : Don't Get Comfortable. (Reunion Records) . www.brandonheath.net
I had to listen to this a couple of times before I started to like it, but after that I found it to be quite a pleasant album all round really. It's mostly acoustic guitar led pop / rock music, It reminds me a lot of the kind of material that Del Amitri used to play,or maybe early Randy Stonehill, so on the whole it's a fairly laid back affair. The lyrics are all well written, and you get the impression that most of the subjects covered here are from personal experience, yet there's nothing that so deep and mysterious that you can't identify with it, which makes it work well in my book. I personally liked the track "I'm not who I was" the subject is fairly obvious. All in all then this is a good CD and definitely worth a listen. 8/10 Andy Sayner (March 2007)
For those who missed God TV's Braveheart II Conference last October,
or indeed for those who did attend, this album release captures
some of the dramatic praise and worship that was witnessed. Revival
in the UK is what it's all about and Jean Darnell's challenging
prophecy is something a little different to the norm. The music?
Well, it's provided by the Morning Star Band and brings a mixture
of songs old and new. Take, for instance, the opening "Awake
O sleeper" - it's just full of praise and anointing! The
worship during "Amazing grace" is so spontaneous and
encompassing, that you do really feel that you're there with everyone.
My favourite track has to be the closing "Hey, Won't You
Come Around". It sounds as if proceedings has been interupted
by some classy rock band, as the whole style of praise changes
and becomes out of this world. If you're used to the normal style
of praise and worship, then there's plenty for you to get your
teeth into. However, just be ready for one or two surprises. 8/10. (April 2003)
BRIAN & JENN JOHNSON : Where You and I Go. Ion : Ion1008)
Recorded live at the Bethel Church in Redding, California, this album features 12 songs written and performed by Brian and Jenn Johnson. According to the sleeve notes, the songs were birthed in a move of God where the supernatural became natural and miracles became and everyday part of life. That's a bold statement, and certainly the wild cheering between tracks seems very enthusiastic. Brian has a voice and singing style not unlike Martin Smith, and sometimes it's hard to forget that you're not listening to a Delirious album. 'Greatly to Be Praised' and 'All My Worship' being two prime contenders. Jenn delivers a lighter style and the pop sound of 'Isn't He Great' is quite enticing. The title track sees both the singers whipping up quite a frenzy with those gathered, despite it being one of the most tedious songs to listen to. Indeed, I found the whole album a chore, rather than a listening pleasure. Songs are very much alike and the format rarely changes. While great things may be happening at the Bethel Church, it fails to ignite this recording. 5/10 (July 2009)
BRIAN DOERKSEN : You Shine. (Hosanna! Music : 22012)
I get the feeling of deja' vu this month, as this reminds me exactly
of last month's Paul Baloche review. Why? Well, Brian is another
worship leader who's songs rate highly on various compilation
albums. Now there's a chance to listen to a whole album of his
own material, and it's a bit of a none event really. Not that
it doesn't start off well. The title track, plus "Hallelujah"
shows that everyone at this live recording were really getting
into things, with some enthusiastic praise. And, later on, that
feeling is mirrored during "With All My Affection".
But, as for the middle running order? Well, it just, sort of,
happens. "Your Faithfulness" gives gentle assurance
of a loving, constant Father in Heaven but the rest fail to inspire.
Perhaps it's due to the various duets included, I'm not sure,
but there's little energy or feeling to the remainder of songs.
A big disappointment in my book. 4/10 (April 2004)
BRIAN HOUSTON : Big Smile. (Kingsway : KMCD2304)
Brian Houston has toured with and opened for such names as Van
Morrison and Dr John, and has a folk/country rock style that blends
nicely with either. Oh yes, least I forget, he's also quite Dylanesque
in some of his musical delivery, like the opening "Won't
Let Go", and the closing "I Love You". His lyrics
have great strength and depth, yet Brian uses ordinary words that
have appeal easily to your average man in the street. "Every
Plan" gets the old feet tapping along with a song about laying
everything (good & bad) in front of God. "You took me
as I am, you know what I had done", are more of the simple
words that are used to form part of "Your Whisper",
where Brian, once again, conveys just how much the Lord loves
every single person of His creation. Who would have thought that
the great hymn "Be Thou My Vision" would ever make an
album like this, but it has. Here, powerful drumming and rocky
guitar produce a holy sound of praise. If I had to pick a fault
(and I usually do) then, there's a slight dip in quality mid-way
through the running order but, believe me, add this one to your
Christmas list. 9/10. (November 2000)
BRIAN HOUSTON : Jesus & Justice. (BHS : BHCD2010)
You'd be right in thinking that it doesn't seem long since we reviewed a Brian Houston CD. It is, in fact, only a matter of months since we had the pleasure in hearing the brilliant "13 Days In August", complete with his witty writings and Bob Dylan sounding songs. So why release another CD so quickly? Well, your guess is as good as mine, but it seems that Brian may have had a few songs he felt ready for release but weren't quite good enough to make the first listing. Indeed, I think that this album sounds a lot like a collection of "nearly" songs. When I say that, I mean that they may well have been ready for the first album but didn't quite make the standard of those that did. The opening "God is My Shepherd" is a rousing number but, from then on, the standards drop and it becomes what, years ago, would have touted as an album of B-sides. The songs just don't have the same kick as Brian's previous collection and the shuffling rendition of "What A Friend We Have in Jesus" fails to hit the mark. All in all, quite a disappointment. 3/10. (May 2005)
BRIANLITTRELL : Welcome Home. (Reunion : 602341-0098-29)
Despite being at risk to all the usual trapping that mega-stardom can bring in the world of pop music, Backstreet Boy, Brian Littrel has never kept his faith a secret. Nor has he been afraid to speak out about that faith, and this debut solo album shouts it loud and clear. "My Answer Is You" is a brilliant song to start the album and it soon had me playing it again and again. His single and title track is a classy pop song and shows Brian's warm vocals in all their gloss. It'snot just an album of simple pop though, and Brian brings a little gospel into being, with the soulful "You Keep Givin' Me". There's a little intimate number called "Gone Without Goodbye", before we get back to the pop of "I'm Alive". Brian shares many of the writing credits for the songs on the album, but there's also worthy contributions from Joy Williams and Ian Eskellin, amongst others. Closing with the accapella "Jesus Loves You", this is a fine release. 8/10. (July 2006)
BRIDE : Oddities. (Organic : ORCD 9830.1998)
Combining a hard rock sound with several almost-ballads, Bride
has crafted a genuinely fine album of late 20th century popular
music. The first time through I found my reaction to be the one
from the past - this is Bride and thus it can't be very good.
After several additional playings, I came to appreciate most of
what is on the album. The faster, louder songs will please the
hard music enthusiast, while the slower, more melodic ones will
attract an older listening crowd and will appeal to radio programmers.
On the whole, I found the album to be extremely fine, with many
of the harder tunes to my liking. The slower ones continue to
demonstrate Dale Thompson's growth as a songwriter and this, if
for no other reason, makes "Oddities" worth your attention.
8/10. The Old Codger, courtesy of The Cutting Edge Magazine.
http://www.geocities.com/sunsetstrip/venue/1006/118bride./ html
(March 1999)
BRITT NICOLE : Say It. (Sparrow : SPD79964)
There's been a lot of hype about this young lady in the Christian media, so it was with mixed feelings that I began to play this album. After the first track, 'Holiday', I still wasn't sure. It's an RnB sound that didn't really hit any high points for me. But, then, Britt moves into straight forward pop with her next song. 'Believe' is a little rocky, well sung, and is very catchy. She says that she has a heart for the youth of our generation, showing them that God is for everyone. Well, she really comes into her own mid album, and the music should get the message of God right to the heart. Britt's vocals really soar on 'Set the World on Fire' and 'You' - I think - is a sure fire radio hit. At times, she sounds a little like Kelly Clarkson, then, at others, Gwen Stefani or Pink. For one so young, her song writing has to be applauded and I believe that we've unearthed another great talent here. 9/10. (November 2007)
THE BROKEN : The Moment Of Truth (MK1CD003)
Well, this review has been a long time coming for which I apologise
to The Broken, but it's given me longer to listen again and again
to this album! I'm not a great worship album fan, as you know,
but this one stands head and shoulders above most of the rest.
Featuring Dave and Sue Clemo, things are kept in the family by
including their son, Chris on drums. Dave's been in the business
a while, and has honed his songwriting skills over the years to
produce some excellent songs on this CD. The album is recorded
well, with Dave's crystal clear vocals ringing out. Mainly guitar
based, there are some great mandolin sounds, and the arrangements
work well. I particularly liked 'Salvation Comes To Those Who
Believe', 'Such A Mystery' and 'For Such A Time As This' - the
theme song for a recent Cross Rhythms festival. The album includes
several covers of Matt Redman, Martin Smith, and Janis English's
material, but I felt this was one of the few things that let it
down. The standard of original songwriting is so good, that I
would have liked to have heard more! Check it out on their website:
www.thebroken.co.uk 7/10
Julie Lord. (December 2001)
THE BROOKLYN TABERNACLE CHOIR : Light of the World. (Word: 080688612429)
I read the track listing of this Cd, played the album, and my
worst fears were born true. Christmas is just around the corner,
and the first festive Cd has been released. Taking a closer look
at the sleeve notes, you might think that this is just another
Christmas album, full of familiar songs that, in the past, have
been re-arranged to death. However, I was more than pleasantly
surprised to find a really enjoyable album. There's some great
vocals from both the main choir and individuals, including various
children. Listening, it had me imagining an old fashioned, traditional
Yuletide, complete with everyone gathered around a big log fire,
and being led in some great tunes of yesteryear. "Glory to
God", "O Holy Night", "Peace on Earth",
they're all there. The medley of "Tell Me the Story",
"The First Noel", "Angels We Have Heard",
and "Hark the Herald Angels Sing" is particularly good.
One of the better Festive albums. 9/10. Judith Wilson. (October 2001, Album of the Month)
THE BROOKLYN TABERNACLE CHOIR : Be Glad.
The choir began recording this album in late September of 2001,
just days after the nation's tragic loss of lives in the September
11th terrorist attacks on the World Trade Center. Many choir members
worked in the towers, and fortunately were able to escape the
buildings alive, although other members of the church were lost
in the tragedy. "We were all in shock and it took a while
for us to get our bearings," Choir leader Carol Cymbala shares.
"We start each of our choir practice sessions with prayer
- sometimes we might pray for an hour, and sometimes we may end
up spending the entire practice in prayer. As we began to come
together in September to rehearse for this album, a lot of that
time was given over to prayer. Many of our members just needed
encouragement, and they needed to get their comfort from the Lord."
The finished product, then, is one of great power and deeply personal.
As long as I listen to this type of gospel music, I can't see
me liking the old fashioned hollering that goes on in some of
the songs. It just isn't for me. But, there again, that didn't
stop me enjoying the calmer songs such as the title track - a
real swinging good feel chorus - and the big production number
"He's God". Brilliant harmonies throughout and never
bettered than on the slow and powerful "Go Forth". A
really good gospel album. 9/10. (June 2002)
THE BROOKLYN TABERNACLE CHOIR : Live…This is Your House. (Integrity : 000768250228)
There's just something about a Brooklyn Tabernacle Choir release
that brings out the best in gospel music. From the moment they
begin with "Made It", the amazing voices of the choir
ring true throughout. The choir have the most amazing sound, while
the soloists really wear their hearts on the sleeves. "Lord
I Believe in you" is a big production, and I mean - BIG.
It showcases the choir in full flight and the power of it all
is just out of this world. Also included on this double CD are
testimony's that, somehow, just blend into the rest of the album.
The ballad "Holy Are You Lord" shows that there's more
to gospel than just energy, although the rendition of "Days
of Elijah" would exhaust me - one of the best versions I've
ever heard. If you had negative thoughts about this type of gospel
music, think again. This is superb. 10/10. (March 2004, Album of the Month)
Geoff writes: Wanting to show just how reviews of the same
Cd can differ, I secretly reviewed the same album as one of our
regular reviewers. You can read my review above
as Album of the Month, but let's see how David Cooper sees the
same album:
THE BROOKLYN TABERNACLE CHOIR : Live…This is Your House. (Integrity : 000768250228)
I have nothing against live worship albums in themselves, in fact
I quite like them. Unfortunately they are everywhere at the moment,
and the ones I have heard share a fundamental flaw: a singular
lack of creativity and imagination. This is fine when you are
right there at the event, where the simple spontaneity of meeting
with God and following the Spirit's lead is all important, but
the "sameyness" of the recordings grates on me after
a while and I long to hear something genuinely original, or even
slightly out of the ordinary. Don't misunderstand me, I am a huge
fan of the big choir sound, and BTC do it very well. Magnificent
close harmony singing, solid worship songs (including a nice interpretation
of Robin Mark's 'Days of Elijah'), uplifting and worshipful feel,
these are all here in abundance, but to be honest you could be
listening to any live worship album featuring any large American
choir. Much is made of the two testimonies included in the double
CD set but, whilst they are powerful stories in their own right,
they sound like they were recorded in a metal filing cabinet and
badly disrupt the flow of the music. Overall … not terrible,
not brilliant. But OK. 6/10 David Cooper
BROTHER'S KEEPER : Cover Me. (Ardent Records : DPRO17014)
Taking over two years in the making, "Cover Me" is the
follow up to this band's self-titled 1999 debut. The members of
the band are all high school and church group friends who's original
album cover photo shoot was set for September 11th last year.
As the events of that day unfolded, the guys called off the shoot
and prayed. Thankfully, the album has finally made it and what
a good one it is too. A little reminiscent of Big Tent Revival
in style, it's an album filled with acoustic led edgy pop. "Blonde
& Tan" has some added keyboards to the basic sound, which
give it a bit of an edge over some of the other tracks. However,
neither "Take Me To the Cross" or "Be Like You"
suffer - the former being my favourite track. "Out of the
Blindness" talks of being blind to God and then, suddenly,
seeing the light that has been hidden for so long. It's another
good song that's enjoyable to listen to. If the album has a dip
in quality, it comes in the second half, where the noisey "Out
of This World" sounds like the 'odd one out' in an otherwise
excellent track listing. The sounds are fresh, and the time taken
to record the album has been well worth it. 9/10. (April 2002)
BRUCE CARROLL : Boomerang. (Benson/Word83061-0304-2)
"Anyone who listens to CCM, likely knows half a dozen of
Bruce Carroll's songs off by heart". Well, that's what the
press release said. Me? I knew none! The opening title track is
a pleasant enough tune, paving the way for nine more m.o.r country/pop
songs. "Pray Hard" has a touch of blues about it, with
the message of praying hard, rather than just going through the
motions. Carroll makes you think about your relationship with
God in an easy going style that nice to listen to, without being
out of the ordinary. "Memory of Chains" attacks well
and is my favourite track of the album. It's more uptempo and
raw feel, out-strip the rest. "Boomerang" is a light-weight
album that Christians may find most helpful if they are, themselves,
asking questions about their religion. 7/10. (April 1998)
BRYAN DUNCAN : Blue Skies. (Myrrh : 7017009614).
For Bryan's 10th studio album, he and producer Don Posthuma chose
to collect a core group of musicians to play on all the tracks
instead of relying on computers. The result is a mixture of good
and average numbers, sandwiched between one excellent and one
downright awful song. The former ("Tell Me Where You Are")
is a ballad that includes a searing guitar solo midway that almost
make the hairs on the back of your neck stand on end. The album
begins with the happy sounding "Blue Skies" and it bounces
along quite nicely. This one leads into "After This Day Is
Gone", another chirpy number that gets you singing along
quite merrily. Bryan's vocals are nothing out of the
ordinary but, there again, he copes quite admirably throughout.
It's an album of MOR pop that you'd expect to hear on the likes
of BBC Radio rather than Independent Networks. As albums go, it's
quite good, without being anything special. 6/10. (April 1997)
BRYN HAWORTH : Songs & Hymns. (Kingsway : KMCD2083)
To celebrate his 25th Anniversary of becoming a Christian, Bryn
decided to make this album, based around his love for the lyrical
and musical content of old hymns. Here, he gives the 'Haworth
Treatment' to such classics as "Praise to the Lord"
and "What A Friend We Have in Jesus". The former is
quite delicately displayed while the latter features some of the
slide guitar work that Bryn is renowned for producing. There are
some original songs on the album and "The Glory Zone"
really stands out as a fine country number, complete with accordion
accompaniment. "More Lird" is another Haworth penned
number and, at nearly 7minutes in length, really does lead the
listener into a great and personal time of worship. Surprisingly,
this is the first solo album of Bryn's that I have ever heard
and, apart from the slide guitar solo's, it has left a very positive
impression upon me. 7/10. (June 1999)
BRYN HAWORTH : Simply...Just As I Am. (Kingsway : KMCD2632)
This triple album is in Kingsway's new 'Simply...' series, being re-releases by early CCM artists. Here we have Bryn Haworth's albums 'Wings of the morning' (1983, slide guitar, soft country), 'Live' (1993, rock n' roll and blues) and 'Songs and Hymns' (1999, easy listening). I have to admit that I have never found Bryn's voice particularly inspiring - tuneful, but curiously uninteresting. His main abilities lie in his guitar playing - but it is too rarely here that he shows what he can do, with the 'Live' album doing so the most. The first album features particularly simple tunes and unimaginative arrangements and sounds especially 'low budget' - although 'Make us holy' and 'I found a love' are worth a listen. The best tracks on the second album are the always brilliant 'People get ready' (with a particularly good guitar solo), and 'Start with me'. The first track on the third album, 'Praise to the Lord', is also good. If you are a fan of Bryn's you may well have these albums - but if not, you could find this triple a welcome addition to your collection. Too few high points for me, but you may like to decide for yourself by listening via www.kingsway.co.uk. 5/10 Dave Deeks (July 2005)
BUILDING 429 : Space in Between Us. (Word : 0806 88632120)
Here's a bunch of US guys who have been making great strides in
their native country, especially after the release of the single
"Glory Defined". No doubt about it, it's a great song
and it's first on the list. The songs mainly take on a worship
and evangelistic approach, but in the modern rock style. Whilst
Third Day may rule the roost at the moment, I can see Building
429 running them pretty close in that genre. Songs like the title
track, plus the rocking "Angeline" show that the band
have got a good strength and belief behind their writing. "No
One Else Knows" turns into a ballad - the sort every rock
outfit sing - but I really enjoyed it. Lots more to come, I think,
from this band. 7/10. (September 2004)
BUILDING 429 : Rise. (Word : 8864052)
Debuting in 2004, the album "Space In Between Us" spawned "Glory Defined," a song that hit No. 1 on eight different charts and became BMI's 2005 Song of the Year for Christian music. The band received four Dove Award nominations and was named the Gospel Music Association's 2005 New Artist of the Year. Now, they're back with a brand new album promising more of the same. The opening, "Searching For A Saviour" starts things off well, in a no nonsense rock style. "I Belong To You" carries things on, but then things start to go downhill. "Because You're Mine" is a love ballad of mediocre quality, while I found "I Believe" to be instantly forgettable. It became one of those albums that finished without me hardly noticing. Sadly, the songs on this album just don't come up to those on their previous release. "Alive" talks about glorifying God, and finishes the track listing as well as it began, but in between, there were just too many below par songs. 4/10 (October 2006)
BUILDING 429 : Iris to Iris. (Word : 8870932)
Well, I'd heard, on the grapevine, that Building 429 had changed their sound somewhat from their previous album, so I wasn't too sure what to expect this time round. Gone, are the grungy sounds of their previous two albums, and in has come a more mature rock style. While I didn't think that their songs were brilliant, Jason Roy's vocals certainly have improved and suit the new sound well. 'Majesty' is a light rock praise number, while 'You Carried Me' delves into the style of rock worship. 'Amazed' had me smiling as, at times, you can sing 'I Could Sing of Your Love Forever' to it's similar tune. 'Taken', I think, is the song that I'd choose as a potential radio hit. It's just got everything. There's great guitar's, a good tune, and Roy's vocals caress every word. 'Constant' is a six minute rock worship song about not being able to live without God in your life. What I like about this song is that it's so straightforward and un-complicated in its production. The album is an improvement on their last release but it will be interesting to see how many of their fans mature with the new sound. 6/10. (October 2007)
BY THE TREE : Invade My Soul. (Fervent : 679143001894).
Chuck Dennie and Kevin Rhoads are the two founding members of
By the Tree, and who both love the Lord. And although their songwriting
styles may differ, the two come together with drummer Aaron Blanton
to create a new sound for Christian music. Blending modern pop
sensibilities and a slight rock edge with their worshipful and
vertical lyrics. I picked up on their lyrical content straight
away with the song "Reveal", praising the wonder of
a personal relationship with a loving an almighty God. "Walk"
is the next one to make you sit up. A slower song by comparison
to the first two but, nonetheless, every bit as good. "Open
My Eyes" gets better with each listen as does the guitar
driven title track, and it's hard to know quite where to pigeon
hole them. "Wonderful Again" features some Verve like
strings, while the modern worship feel of "Fall" had
me making comparisons to "The Stone Roses". "Invade
My Soul" isn't just another album. It's got some quite refreshing
sounds and songs, and I hope that By The Tree will blossom into
something big. 8/10. (September 2001)
BY THE TREE : These Days. (Fervent Records)
This is a straightforward rock/pop CD with some catchy tunes,
and enough variation to keep you interested. This is the second
album from By The Tree, who were apparently voted one of the top
ten acts of 2001 by "Soundscan" (No I don't know what
it is either). In some places it reminded me of Robbie Williams
in his more melodic songs. the production is very good, and this
band are obviously quite a talented bunch.(They have already taken
two Dove awards for their first CD)There is a nice cover version
of Into Your Arms (The Lemonheads), but as there are no songwriting
credits anywhere I'm not sure if any of the other songs are original
or not. For me the best track on the CD is the last one, entitled
When I found you, recorded with piano and strings it's a nice
change of pace to what is a CD worth trying to get hold of. 9/10.
Andy Sayner. (December 2002)
BY THE TREE : Hold You High. (Fervent Records)
It's nearly three year's since this Texas trio debuted with their
album "Inside My Soul". I said, then, that I hoped they
would grow into something bigger and better, and judging by this
album, they certainly have. Although primarily a worship album,
it's very contemporary, with a rocky edge that blends well. There
again, at their most melancholy, they sound like Coldplay or Keane,
as shown on the track "Miraculous". Well known songs
like "Beautiful One" and "Your Beloved" both
motor well, with a guitar flavour that's done tastefully well.
I also liked the acoustic led "Jesus Washed", which
shows the band in true worship, quiet, worship mode. At this rate,
the band should add many more sales to their current status of
150,000 units. 8/10 (August 2004)
BY THE TREE : World on Fire. (Fervent : 8065022)
By the Tree have gone through numerous line up changes over the years but have become one of the most popular bands on the contemporary worship scene. They've been likened to Leeland, amongst others, and they've a modern pop/rock sound to appeal to the youth of today. This album seems to have the theme of "love" running all the way through it with references to satisfying and pefect love, as well as a love song to Jesus. "How Beautiful You Are" encompasses the latter while "Perfect" and "You Are My Desire" relate to the former. "I WIll Follow You" has a real catchy chorus and it's the song I would personally pick as a potential radio hit. The guitar playing, especially, stands out here. I understand that the former drummer, Aaron Blanton, is now doing all the lead vocals, and he does quite a good job. The music itself is quite good, but I would like to have been excited more than I was. Still, it's not a bad album. 7/10. (May 2007)
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