The NFN Demo Directory

Privately Recorded CCM Cassettes & CD's, including NFN Review - where available.

95 FOOT WAVE : No Deal. (Cassette EP . £2.00 inc p&p from : Geoff Howlett, 113 Bricknell Avenue, Hull, E.Yorkshire, HU5 4EU, England). 4 Tracks. Released April 1994.

95 FOOT WAVE : Girl in the Moon./ Don't Leave Me Standing. (Private Cassette Single. £1.00 inc p&p from : Geoff Howlett , 113 Bricknell Avenue, Hull, E.Yorkshire, HU5 4EU, England). Two pop tracks in the mould of Pulp and Roxette. Released July 1996.

AFTER THE FIRE : Signs of Change (RoughMix - order from www.afterthefire.co.uk) This is a very difficult album to review in a short space. I mean, I could wax lyrical for days on how important it was when it was released in 1977 and how fabulous it sounded then against a very bland CCM landscape. It still sounds as good as it did then (except that my CD copy doesn't click, hiss & jump) - so, assuming you liked it then, you're going to like this now. Or maybe even more: the bonus tracks are very good (the demo of "Back to the Light" revealing some very Wakeman-esque synth work and "Dreamaway" being every bit as good as I remember it) and the transfer to CD is very well done. If it all sounds very dated then that's because it's a product of it's time: 1977 was the cusp of the transition from prog rock to new wave and it shows. But it's still a wonderful album - I can't wait for the re-releases of the others... If you were into it then, buy it again. If you missed it but were ever into Gabriel-era Genesis or Wakeman-era Yes, give it a go. Otherwise, buy a copy for your organist for Pete Banks' wonderful Hammond playing. 10/10 (1977) 9/10 (2004). Paul Ganney. February 2005

AFTER THE FIRE : Forged from Faith. (Available from iTunes) Released on October 10th, this single represents the reason behind the band's recent decision to start playing again. With lyrics written by singer Keith Smith, it's a reflection of his experience after performing at Greenbelt's 2004 Festival. Peter Banks was immediately inspired to put the words to music and the result is a sure-fire radio hit. Showing that the band have lost none of their musical quality, the song is a mid tempo rock number that has that "feel-good" factor about it. In all honesty, the moment the song had finished playing, I played it again, and again. Get those downloads working! 9/10

AFTER THE FIRE : Live at Greenbelt...Plus (CD from www.angelair.co.uk) This was a very difficult CD to review - it's essentially the soundtrack to the CD "You had to be there", and I was. After the Fire's triumphant return to the Greenbelt festival after 25 years (during most of which the band didn't exist) is captured here exactly as it happened - complete with the odd bum note, missing words and not-quite-there-in-time mixing. You therefore have to listen to it twice - once to get used to the fact that it's not a mega-polished studio outing, and then again to enjoy it for all the energy and memories that AtF evoke. There are some storming tracks - Joy, Gina 2004, Starflight, Dancing in the Shadows - and the odd "hmmm…." (Der Kommissar) but mostly it's a real pleasure. Then there's two bonus tracks recorded the following year in an "unplugged" session in the Christian Aid tent. The sound here has been lifted from a video camera, and is very good. "Forged From Faith" is the better of the two, but that's being picky, really. Knowing that the whole of this CD comes from live tapes which couldn't be edited, overdubbed or re-done just goes to show how good this band are live. Buy it if you're already a fan - even if you've already got "You should have been there". Otherwise the CBS double CD would be a better bet. 8/10 (for pure energy!) Paul Ganney. May 2006.

AFTER THE FIRE : AT2F (Angelair records : LC10415 www.afterthefire.co.uk) Anyone who is in their forties now will need no introduction to After the Fire. In the late 70's and early 80's they were arguably the biggest CCM band in the country, and their live show was excellent. This particular CD was meant to be released in 1984, but the band split up before it was released, and it never saw the light of day until now. These tracks are demo tracks and therefore not quite up to what you'd expect for a production CD, but to be honest they are still pretty good. And it's interesting to see the direction that the band could have gone in, when listening to this alongside their other albums. There are a couple of tracks that are more guitar based than most ATF stuff was at the time. And the instrumental 1984-F is an attempt to do something similar to 1980-F from an earlier album. Step by step is typical of what the band were doing at the time while the following track Don't say Goodbye is more like the tracks on the later albums. The only track that's a bit iffy to me is the cover of Stand by Me, which just isn't them. Overall though this CD covers most of their musical styles, and I found it to be an interesting CD to listen to, being heavily into ATF at the time, and even now if I still listen to them a lot. I suppose that a lot of people will think that this is a CD for die hard fans only, but I think it's better than that. Definitely worth a listen. If you do a search on Myspace for them there are some tracks and video that you can peruse to give you an idea of what it was all about. 8/10 Andy Sayner. December 2006

ANAM CARAS : Celtic Prayer Rhythms - Resurrection & Creation. (CD from: MillsTone Recordings, 9 Miles Meadow Close, Willenhall, Walsall, UK) The songs on this album are all inspired by the book "Prayer Rhythms" by Ray Simpson, and this is the first of three planned CD's inspired by the 7 days of Celtic liturgy from that book. Anam Caras (meaning "Soul Friends") are Terry Braithwaite, Terry Mills, and Jackie Mills - the latter, formerly of the band, Nuffsed. The lack of a track listing hampered me a little when writing this review, but the quality of the songs shone brightly throughout, to give an uplifting and relaxing sound. Track 2 is a pleasant folk song, while Track 3 is a merry little song about letting God into your life. I particularly liked "Let Our Hands" (Track 11) as I felt that it could be a terrific song for a congregation to sing. "Sing A Song" (Track 13) has full instrumental backing, including jangly guitars like those so prominent on The Byrds, "Mr Tambourine Man", and there's nice harmonies on "Thanks For your Creation" (Track 17). I felt that Tracks 14 & 15 weren't as strong as the rest on show, and "Soul of the Water" didn't seem to fit with the feeling of the rest of the album. Anam Caras have found themselves a niche that many artists leave well alone. On this outing, the trio can count their debut release as a great success. 9/10. September 2005 Album of theMonth.

ANAM CARAS : Peace and the Spirit. (CD from: MillsTone Recordings, 9 Miles Meadow Close, Willenhall, Walsall, UK) This is the second in a series of folk style albums prompted and inspired by Ray Simpson's 'Celtic Prayer Book - Prayer Rhythms'. As with the first release, instrumental backing is kept simple but is well used throughout. 'Come to Life' is an early opportunity to marvel at the trio's close harmonies and Jackie's excellent vocals. 'Acceptable Offerings' has a nice acoustic guitar sound to it, while the fuller sound of 'Hung on High' works just as well. I thought that pick of the crop was the terrific song 'Rejoice!', which has a gentle flow and good use of string backing. 'Do Not Be Afraid' finishes rather abruptly, but is another good song, while 'What Love is This?' offers an uncomplicated prayer to God. In comparison with it's predecessor, this album continues Anam Caras' gift for folk roots music, and I believe that it's perfect for personal meditation and relaxation. 8/10. June 2006

ASCENSION : Everything in Nature Cries. (CD Recording. £3.49 from 14 Royal Oaks, Belfast, N. Ireland, BT8 6YX. Releasing a three track single just before a new album is, I think, a little risky for a band who, although going places, are still, at present, relatively unknown in the British Isles. How sales of both will be affected I don't know, but I'm praying that the single will inspire it's buyers too investigate the album, too. With acoustic guitars at the forefront of the songs, it's a sound that could be put in the style of folk rock. There's a feeling of classic Simon & Garfunkle about the title track, and that's no bad thing. It's a great song, clean and uncluttered sound, excellent harmonies, and an endearing lead vocal. "Word on the Street" is more of the same, but uses some synth brass to good effect. The final number is a slow praise and worship piece that, although good, is nowhere near as strong as the others. However, more neat guitar work reminded me of Dire Straits, and I'm already waiting for the aforementioned album. 8/10. April 2000.

AS IF... : Plugged Out. (www.as-if.co.uk) My earliest memory of As If was seeing them play for a few minutes at the 1996 Reading JAM Festival. Following on from that, I've been pleased to review numerous albums in their electro prog-rock style. But, things have changed, and after a couple of quiet years on the recording front, the band are back with a more acoustic approach. Gone, are the synthetic sounds that were so prominent in the past, and in come more guitars and simpler keyboard sounds. The opening track, "Love Is…" has a certain REM sound to it, but with Phil Goss' vocals being a little smoother than Michael Stipe. "Wait and Wonder" brings the first Celtic touch to proceedings, with some nice string sounds added. "I Still Believe" touches on the truth that Jesus is the rock and there's nice use of the violin from guest player Tony Collins. The pipes on "Fear No Evil" work well, and I loved the song "Down To Love", but I'm afraid the 60's blues feel of "Outside In" left me rather cold. The overall quality of the album lies in it's simplicity and that's due to the excellent playing of the musicians. It might take old As If fans a while to warm to this new sound, but should win the band plenty of new ones too. 8/10. July 2006

JON BAMFORTH & MIKE KIRK : Refiner's Fire. (Private Recording.: CD £11.30 / Cass £8.30 from : Promit Ltd, 40 Ringwood, Peterborough, England, PE3 9SH.) This album took me quite some time to appreciate and I literally had to ask the Lord to open my eyes to it's power. Refiner's Fire is a musical meditation on Hebrews Chapter 12, for the thoughtful individual to truly worship God. Jon, Mike and friends use over 25 different songs to aid impact of the message. The music itself has it's good and bad moments - the latter is shown on the rendition of "Be Bold" with some very weak guitar playing. At it's best, there's some very reflective keyboard on the "Prayer of Response" and the overall craft on "Prayer of Adoration" only makes you wonder why the aforementioned guitar was so poor! Great calypso feel to "When I Remember" and more meditational keyboards to "Here I Am". It's not an album that you would put on to simply enjoy, but for personal worship, anointing, and meditation, Refiner's Fire will inspire many. 8/10. August 1997.

BANG BANG : Living Among the Dead. www.batcavestudio.com This CD is from a band that have reformed after a gap of 13 years. Originally called "Bang Bang You're Dead" they formed after the split up of "Press Any Key" a band which any fans of After the Fire will probably remember well. One member, Rob Russell is the brother of ATF guitarist John. This CD is basically late seventies / early eighties rock music all the way through, but with modern day lyrics. There are some fairly impressive sounding guitar solo's scattered through the songs, well they are to me anyway (Bass player). And everything is on the whole fairly up beat. You get the impression with this lot that they are a load of old blokes with nothing to prove just enjoying what they are doing, and I reckon that this comes over in the music. You probably have to look past the cover though, as someone else remarked it does look a bit kind of "Spinal Tap" if you know what I mean. Just goes to show though, that you can't judge a book, or a CD in this case, by the cover. This is a really enjoyable CD, which now has a place on my Zen player. Definitely give it a try. The website has some samples on it, and you can buy the CD from there. www.batcavestudio.com 9/10 Andy Sayner. October 2007

DEBBY BARNES : Lay Hold. (Private CD recording. Here's something a little "off the wall", in the shape of an American born singer/songwriter, now residing in Oxfordshire. Debby Barnes seems to have got some very good media attention in the southern part of the UK but is, practically, unknown, north of the midlands. "Lay Hold" demonstrates some thoughtful lyric writing and combines it with various musical styles. The title track is very radio friendly and jogs along in a poppy sort of way. "You Are the Lord" then moves into blues, while "No-one Else Will Do" coasts along quite nicely, and could be one of those memorable tracks which visions one driving along the US highway, top down, and radio playing loud. Debby's got a little bit of the quirkiness of Julie Miller in her songs, but the vocals give more warmth, perhaps in the mould of Sarah Masen. "Just Move On" proves the point, I think, while we get a Latin feel to "Holy Ranger". From there, it's folk, for "Come And See", and back to blues for "Come Get the Love". The main distraction, I felt, was that Debby jumps from one style to another with out any great conviction. Even the beautiful, closing "Doxology" finds her in celtic mood - another style. For me, all that Debby lacks is the consistency that all the style changes fail to provide. Most songs are good but the blues just gave me the blues. Nevertheless, worth investigating. 7/10. October 2001

BEEHIVE : Live at the BBC. (Cassette. £4.00 from Funkystuff, 42 Tamar Way, Wokingham, England, RG41 3UB). 3 Tracks of funky music including the French & English re-mix of 'Presence' and 'Fool's Wisdom'.

THE RIC BLAIR BAND : Fields of Freedom - Celtic Hymns and Meditations. (www.ricblair.com) The Ric Blair Band is a Christian, Celtic, folk rock group who have toured the UK, across the USA, and around the world. Since their beginning in 1995 the band have shared the stage with the likes of Steven Curtis Chapman, and Michael Card. This Cd is a 15 track mixture of stirring original songs, instrumentals, and meditations - the latter voice being provided by Sheila Walsh. The album opens with a piped lament, before launching into a very thoughtful and intimate version of "Just As I Am". "Be Thou My Vision" has been recorded many times over the years, but the Ric Blair Band have stamped their own individual mark on this outing. Ric Blair, himself, has the perfect folk/pop voice for the songs and it engages the listener straight away. Songs like "He Leadeth Me" and "Nothing But the Blood" are particularly strong. Indeed, the latter is a truly happy sounding song, and the celtic fiddles come to the fore. "Alleluia" is a real catchy number, produced by Phil Keaggy, wile "Gentle Maid" is the pick of the instrumental pieces. Searching for a phrase to sum this album of feeling is simple, it's full of music and meditations to both sooth and feed the spirit. 9/10. October 2006.

THE BOYS OF ST JAMES', GREAT GRIMSBY : Praise. (CD £13.95 from Cantoris Records, Freepost NEA1269, Lincoln, England, LN2 1BR). My first thoughts on receiving this traditional choral release was "What do I know about this type of music?". The answer being, "Absolutely nothing". 'Praise!' contains 14 tracks, of which 3 are instrumental organ pieces. 'Elegiac Romance' lasts for some 10 minutes, whilst 'Saraband in modo elegiaco' sounds as if it's been culled from a 1930's horror movie. Both tracks are quite dreadful. However, the choristers themselves are the main thrust and they do come over very well. Being the average Mr Sunday Churchgoer, I found that, although one track quickly melted into another, there was a distinct quality and relaxing feeling about the songs. Well known ditties such as 'There is a Green Hill' are complimented by 'Magnificat in G' - not to be confused with 'Magnificat in D'. Traditionalists will love this album and, quite rightly, sing it's praises. For the rest of us, it's still quite enjoyable. 7/10 November 1997.

MILES CAIN : Fairground Town. (Private CD Recording. £3.70 from: M. Salter, 32 St Matthew Street, Boulevard, Hull, HU3 2UA, England). Miles Cain - man of precision. He must be. Every song on this CdD is exactly 3:58. Oh, all right, both songs are 3:58. Oh, all right, the second song fades out, let's not get picky. And what musical adventure waits for us in that 3:58? Both songs are written by Miles and his chum Syd Egan and we're somewhere in Deacon Blue land. Or, for those of more mature years, Jackson Browne land (ask your mom). Printed lyrics would have been nice - I am President of W.H.E.W. (Wanna Hear Every Word) but if you like singer/songwriter stuff, this could be for you. Chumbles along at a good pace then has a nice change in tempo. R.E.M. but not so weird. Beautiful South but with a tune. 7/10 Geoff Allen. June 1998.

DAVID CHILDS : New Song. Childs (www.davidchilds.com) "Featuring all original, acoustic guitar-led worship songs framed in a modern production style, 'New Song' bridges the gap between the organic and the cutting-edge." A quote on the home page of David's web site, and I don't think I could have put it better myself. David hails from New Jersey, he writes all his own material, and it's soundly Scripture-based and reassuringly vertical; check out his web site for the sound clips, and you'll hear what I mean. 'Eagle Song' was the track that hit me hardest at first listen, with its catchy chug-along rhythm and lyrics inspired by Isaiah 40: 'I will run, and I will not grow faint, awaiting you Lord as you renew my strength.' 'Luke 12' uses Jesus' words that rebuke us for our lack of faith in God's ability to take care of us ('If the Lord takes care of these, there is nothing for me to fear, for he has called me his child'), and 'Psalm 103' is straight ahead praise ('Praise the Lord, O my soul, and all that is within me, praise the Lord, O my soul, and forget not all he's done'). Stir in good production and musicians, and we have another thoroughly competent US independent release that deserves to shift a few. 8/10 Trevor Kirk. February 2006

CARPE DIEM : .Com _ Culture. (Private CD £6.99 from: Mark Pease, 9 The Stray, Idle, Bradford, Yorkshire, England, BD10 8TL). Carpe Diem are a 6 piece outfit from Bradford who release their second offering on June 19th. 6 is also the number of tracks contained on this EP, which kicks off with the Jars of Clay orientated "Braindead". Lot's of good indie/rock guitars and a meaty hook to get your teeth into. "Lookin 'Round is a lot lighter in depth and feel, while "Wishing Well" proves to be vocalist, Kevin Pease's highpoint. Indeed, without being overtly strong, the singer does have an endearing voice. Perhaps, the only blot on his copybook is "Let It Flow" but, then again, the whole band seem to struggle with this one. Jock James writes practically all the songs but is helped out by Charlotte Amadeo on "Always", where she also shares vocals. This song is more of a worship number with the simple message to God of "Never Let Me Go". By the time we reach "Start Over" we have, indeed, come full circle into the style of track 1. Swirly keyboards and distorted guitars carry the song through to a sound finale. It sounds as if Carpe Diem are still finding what's their best sound and this EP should help them smooth the rough edges. Overall, they reminded me a lot of Devon's NSC, and should prove popular, especially on the live front. 7/10. June 2000.

CLOUDED VISION : The Truth Will Set You Free. (Private Cassette £3.00 from: Peter Laws, Warden's House, Lawson Court, Chester Le Street, C.Durham, DH2 3DQ, England). Raw talent that needs some polishing. 5/10 February 1996.

VINI CONTREAS : Kingdom of Conscience. (www.vinicontreas.com) Haling from Southern California, Vini Contreas cites his many influence as including Bob Dylan, Arlo Guthrie, and James Taylor. For me, it's the Dylan influence that comes through here, although I much prefer Vini's voice! Perhaps it's the inclusion of some good harmonica playing in some of the songs. There again, maybe it's the simple, yet incisive writing of his lyrics that reminds me of Dylan in all his pomp of the sixties. This album starts with a bright song (The Invitation) and some of the best acoustic guitar recording that I've heard in some time. As I've said, I like Vini's vocal prowess and he is a very engaging singer. For something a little out of the ordinary, 'Christ Crucified' has a South American feel to it, complete with trumpets playing. I once wrote a song called 'Give it to Jesus'. On this album, Vini includes a song called 'Give it to Christ'. Two songs, but the sentiments are the same - confess your sins and be made whole again. There's also a song about revival, called 'Derek's Lament', and that's rather catchy too. One minor moan? Well, there's only 9 songs. I've listened to a lot albums from singer/songwriters lately and Vini Contreas is the most original and freshest of all. 9/10. December 2007.

DAVID COOPER : I Will Follow. (CD Recording £10 from 91 De La Pole Avenue, Hull, East Yorkshire, England, HU3 6RD). For his debut release, David Cooper has recorded at Hull's Eastside Studio. If I'm quite honest, and I always try to be, his style is akin to a tuneful Bob Dylan (apologies to his fans) with a tinge of Steeleye Span when he is joined by a female vocalist. Songs range from the simple repetitive praise of "Glorious" and "Now & Forever", to the beautiful rendition of "Guide Me O Thou Great Redeemer" and the closing title track, "I Will Follow". This song, inparticular, raises God on high and proclaims Him as Lord. Alongside the acoustic guitar playing of David, there's also some excellent violin playing which is exceptionally good on "Come Spirit Come". As a debut, David can be well satisfied with the result. It's a testing of the water to see what feedback he gets and, from me, I feel that he's got a solid foundation to build on for the future. 7/10. January 2002

JARROD COOPER : Days of Wonder. (Jarrod Cooper Ministries : JCM003) Originally released a couple of years ago, this relatively low budget recording is now in it's third reprint, with sales recorded from all parts of the globe. Jarrod Cooper is a respected worship leader based at the New life Church in Hull, and this recording literally knocks many others for six. It's lyrical content, music, and finished product is one of the finest worship albums that I have ever heard. No, I'm not biased because he's from my home city, I've never even met the guy. "Your Majesty" is said to be one of THE worship songs of last 12 months and I can easily see why. Beautiful, just doesn't describe what I feel about it. "Lost in Your Glory" simply oozes peaceful worship and that feeling runs throughout the whole album. "Clamourously Foolish" is shorter and livelier in style, before "Your Majesty" is reprised in Spanish tongue. And, just when you thought things couldn't get better, Jarrod presents a Celtic version of the great "Be Thou My Vision". There's no wonder this album has sold so well, it's a masterpiece. 10/10. Album of the Month March 2000.

JARROD COOPER : The Early Years. (JCM005) This album by a Hull artist - whom I had not heard of before - features songs from his previous albums "deep Calls To Deep" and "Song of the Bow". I have enjoyed listening to and reviewing this album, and there are some quite catchy songs. Indeed, I found myself singing "Thank You" whilst out and about this week. This is my favourite track, a quiet, contemplative and prayerful song, telling of what Jesus has done for each one of us. "Mighty Warrior" is a good praise song wit plenty of beat to it. I was a little disappointed with the CD cover, however, as it contained very little information, and I do like to read the lyrics. 8/10 Pam Robinson. March 2000.

TONY CORNISH : First Heart. (Private Recording. CD £13 Cass £9 from: Broken Records, 6 Vicarage Road, Llangollen, Denbigshire, Wales, LL20 8HF). Already likened in style to Phil & John, as well as Eden Burning, Tony Cornish is another new name to the world of CCM. With 12 self-penned songs, he has released this delicious collection for a wider audience. For starters, we have the poignant 'The First Heart to Break', written after the Dunblane tragedy. Here, Tony carefully puts into words the feelings of those who were hundreds of miles away from the event, yet still grieved. The main course is served by the extremely tasty, 'Upside Down'. You can really get your teeth into the catchy hooks and the foot tapping beat. After dabbling with some juicy jazz/blues mid-course, presnets one of the best titles for a song I've heard in some time. 'Windy Side of Your Welcome Mat' tells of his personal trust and thankfulness of being IN God's house, rather than outside and open to the elements/temptations. For desert, we're served up with the quite beautiful 'Oceans of Forgivenss', a song of meditation that concludes with some prime saxophone playing. With another batch of songs ready to record, Tony must be careful if he is to live up to the standards he's set with this one. 9/10. January 1999.

TONY CORNISH : Sacrifice. (New Dawn Music : NDD006). £4.00 from: New Dawn Music, 1 Beech Close, Towcester, Northampton, England, NN12 6BL). Things have certainly started to move for singer/songwriter Tony Cornish, since the release of his debut album "First Heart". After signing up with Brian Taylor's New Dawn Music, and gaining support slots with the likes of Loose Goose, he's ready to release his EP, "Sacrifice". Four tracks that show that he's not a man to rest on his laurels, but to build on what he's already achieved. The lyrics of "Honest Injun" asks for truth and honesty from world leaders, and the sound is moving towards that of The Waterboys. From there, we travel into Beautiful South country, with a laid-back ballad that has some very good backing vocals. "Swimming With the Dolphins" would be the obvious track for single material, with it's quiet verse, pressure building middle eight, and distorted guitar chorus. Great song. It's the title track that finishes things off and, after it's predecessor, isn't as strong. However, I think that both new and old fans will enjoy this release. 8/10. June 1999.

ALI CROMPTON : Leave A Footprint. (www.leaveafootprint.co.uk) Ali Crompton may be a new name to many of you, but he's been around the Hull and district music scene for a number of years. This is his first outing as a solo artist and features 11 songs written primarily by himself. "Be My Everything" kicks things off in a happy, mid-tempo beat that would score well at praise & worship events. On "Sacrifice", he uses drum rhythms well to provide a background of African origin. His vocals struggle once or twice during the listing but I think that this has more to do with the different style of song, rather than vocal quality. The title track, for instance, is where Ali sounds least convincing, vocally. "You Light Up My Life" is a song of two halves. The first is pure worship, while the second ends as an atmospheric instrumental. "Sing" is one of the most strongest songs on show and would, I feel, really go down well in a large, live setting. Towards the end, Ali slows things down with a couple of worship songs, of which "Whitest Snow" stands out as the best. "Leave a Footprint" is an album of different styles and production ideas that result in a collection that showcases a talent that has every chance of gaining wider recognition. 7/10. July 2005

CROSSFIRE : Warriors. (Private Cassette EP. £5.00 from: Andy Sayner, 34 Fountayne Street, York, YO3 7HL, England). Six tracks of melodic rock from one of the regions busiest bands. 6/10. August 1996.

ANDY CULLEN & MIKE BAKER : Atmosphere. (Private Cassette Recording : £4.50 inc. p&p from: Andy Cullen, 25 Lincoln Street, Longsight, Manchester, England). Over 12 month's in the making, and a complete surprise to all who have previously heard Andy's work. From the moment the title track began with a sort of Gregorian chant, my ears were alive with expectancy. A lovely piano piece was followed by 'Let Me Know', a song that instantly had me tapping my feet along to the rhythms. The whole concept was not written as a musical but I, personally, feel that this is were 'Atmosphere's' strength lies. With a little more work, a production in the class of Paul Field's 'Daybreak' is not beyond comprehension. The songs do seem to tell a story, and real social issues are not taboo. 'Quick & Easy' is one such number that tells of a man, with a wife at home, and the lure of another woman. The 'Nothing Song' actually has no words, but the music gives a feeling of hope and light after being encased in darkness. Instrumentally, there's some excellent keyboard & clarinet, and Andy's vocals are well used. Perhaps, 'Monica Says' and 'SOP1' need a little more work but 'The Road to Emmaus' ends the tape in lively style. Recorded on a 4-track, there are production flaws but, the musical content is extremely good. 7/10. November 1997.

PAUL A DAVIES : Strange Tale. (www.tollboothmusic.com) For secular guitar aficionados, there's the likes of Steve Vai, Joe Satriani and a host of other top notch players worthy of praise. In Christian circles, we have Phil Keaggy and…….er…well, no-one else sprang to mind. Enter, Paul A Davies, a man who freely admits to being attracted to the unknown and the often unknowable. His latest CD kicks off with an intro that sounds like some Hollywood fanfare, called "1.98 x 1014". I'm not sure that I liked the title track but I did find myself warming to "Nephelokokkygia", possibly the nearest you could get to a Satriani track without it being played by the man himself. Layers of guitar sounds smoothly melt together, to give a delicious concoction. "Pink Cottage" was written almost entirely on the Chapman stik, and it sees Paul venture into an ambient jazz sound. For those who like the more acoustic sound, "Lil Lil" has a chugging rhythm to accompany the dance loops. It puzzled me for a while, and then came to me in an instant. The style of "Something to Hold Dear" and "In My Dreams" reminded me more of Bill Nelson (Be-Bop Deluxe) in his 'Red Noise' era. The vocals on the former track also sounded fresh. "Down the Line" tells of life not working out the way you thought it would, this time with Paul using vocal FX well. "Teardrops in the Rain" is a catchy but rather short number, while "The Buzzing of Bees" conjured up images of ancient Egypt and a time long gone. Paul says that making this album meant that he could "start with a blank canvas and just do what sounded right" in his head. It sounds right to me too. 8/10. August 2006.

PAUL A. DAVIES : Postcards from Aunt Cordelia v.1.1 (www.tollboothmusic.com) Paul is a very accomplished guitarist who you may have seen with Ascent, Eve & the Garden, Enygmartyr, Helen Turner or even playing solo. If so, then you'll know how talented he is. The question when approaching a solo CD by a talented guitarist is: Vai or Satriani? Clapton or Malmsteen? In other words, will it be impressive playing or impressive music or (hopefully) both. I'm pleased to be able to report that this CD veers very definitely towards the latter territory. I'd seen some of these tracks performed live and been impressed - on CD they're even better. There's the soaring Gilmore-esque moments, there's the slightly-further-back-in-the-mix vocals that you'd expect from someone who expresses himself better through a guitar than through vocals, but it's always in context and always highly listenable. There's also some Lemon Jelly-style "vocal sample and riff" stuff which I rather liked. Overall, a very enjoyable album. Standout tracks: Just this side of joy, Dignity and Contact. 8/10. Paul Ganney. August 2006.

DAVE DEEKS : Walk With the One. (CD £10/ Cass £8 from: LJMM, 13 Pentland Grove, West Moor, Newcastle upon Tyne, NE12 7YN). Nine years since his last album, singer songwriter, Dave Deeks returns to the CCM scene with an album that is very much the creation of his son, Mark. For, he selected the songs, produced them, played most of the instruments and even found time to lend a hand with the backing vocals. What happens is that you can spot Dad's 60/70's influences in the basic song, but with son's 90's interpretation. The result is mixed. Songs like the strong opener, "Such Love Amazes Me" is a choppy affair that is carried along by some simple, yet effective, guitar playing. "Free For All" sees Dave almost talking the words to an accompaniment of more good guitar work and fx. And so the album continues in positive vain with songs like the catchy "Man Without A Reason" and the title track. It's around here that things get a bit messy, with too many ideas complicating the overall sound. "A Christian Isn't" being a prime example as the vocals fight against the swirling guitars. The writing itself is very good, with Dave writing an honest chronicle of the ups and downs of life. Ending with the folk meets pop "My Hope..." the album improves with play and has currently risen to.....8/10 November 1999.

DEP4 : Popular Friction. (CD £12 from: 11 Spring Road, Rhosddu, Wrexham, LL11 2LU, Wales). Sounding not a million light years away from The Beautiful South,, at times, DEP4 present their debut full length album. Twelve songs, all written by singer and guitarist Tony Cornish, and ably backed by Kev Plant on bass and John Ramm on drums and percussion. Based in Wales, this threesome have travelled as far as Northern England to take their ministry into venues such as prisons. As for the musical style, well it's never going to produce a mosh pit at the front of the stage. It's more like, sitting, tapping your feet, and listening to each song as it tells it's own story. "Pick It Up Downstream" is all about losing your way in your walk with God. But, as we all know, just because you fall, it doesn't mean that we can't ask the Lord to pick us up and dust us down once again. One of my favourite tracks is the last one, "The Real Cost of Living". This looks at how so many people live for the 'now', as well as what they can get out of life, forgetting the most important things. As I say, there's plenty of foot tapping to do whilst listening, but not many that you find yourself actually singing along with. However, "Here Comes Summer" is one exception, and very welcome it is too. For me, the album takes a little while to get going but, then, it may be that I'm imagining it in a live set listing. The lyrical depth of Tony's writing is very good and it really is an album that makes the listener think about themselves. Now, how many albums do that? 8/10. August 2001.

DIMITRI : Natural High. (www.dimitri-online.com) Dimitri are a funky outfit from Devon, and have achieved national distribution for their album via Integrity Music. The album has already reached number 4 on the Crossrhythms Chart, and has received much airplay from various radio stations in the UK. At their smoothest, the band sounds like Simply Red, but when they up the tempo, it's more on a level with Jamiroqui. And, as Jason Kay is to Jamiroqui, so lead singer Jimi K seems to be the focal point of Dimitri. He writes and sings all the songs, and predominantly features on all of the website photographs. The title track talks of the natural feeling you get when Jesus sets your heart free, and it's one of the funkier sounds on the album. "Traveller" tells of life being a journey, and it's a really smooth sound with a lovely saxophone break. The saxophone returns to the fore on what I'd call a chill out number, that being "Can't Stop Crying", which also features some nice guitar work. The album finishes with a totally different sound to everything else on the album. "Save Me" is a great song, about crying out to God. Without wishing to sound too cliché, if you like the music of their secular counterparts, then Dimitri will satisfy your musical hunger. 8/10. April 2006

JANIS ENGLISH : God Holds the Key. (Private Recording. CD £12.50/Cassette £7.50 including p&p from: Janis English, 164 Barnston Road, Barnston, Wirral, England, L61 1BZ). Let me say right now, unashamedly, that the quality of privately recorded British CCM is - on the whole - just so good. Here's another new name to the scene, Janis English. A Scot, who's debut album contains a spoonful of country, a pinch of 70's pop, and a cup of refreshing, home made muse. Surely the title track sounds like....."Oh no", she said, "I don't really listen to any particular artist". Lovely, sugary, enjoyable, singalong....and that's just the first track! If originality is lacking anywhere, then the country sound is rather predictable. However, don't let this put you off, you'll soon find yourself tapping your feet to "Over & Over" or admiring the steel pedal guitar on "Move On This Land". When I first heard "Move Now Holy Spirit", I had to stop what I was doing and play it again. What a beautiful song, and what power it holds within. This track just "blows me away" as it quietly begins and then builds to where I can imagine thousands joining together in praise. God given praise and worship doesn't come much better than this. 9/10. March 1998.

CATHERINE FRANCIS : Inside Story. (NuLife : NU CD 198. CD £11.00/Cassette £8.50 inc p&p from: C.Francis, Elined Arts & Music, PO Box 13778, London, England N14 5WD) When I interviewed this young lady in 1995, I thought that I had stumbled upon a special ministry in the making. When I saw her in concert last year, my thoughts were confirmed. Now, with this release, Catherine Francis shows that she has been truely blessed with the gift of 'Hope for the Hurting'. Writing from her own experiences, as well as others, she draws the listener into feeling that the music has been written especially for them. Take the first line of 'This Woman Knows'..."She only cries when she's alone." Catherine brings out the hidden hurts of countless years and lays them gently in God's hands. Tracks 8 & 9 run into each other with 'Kiss the Shore' depicting sorrow and 'The Darkest Years' realising that God was in that sorrow but unseen. Piano based songs, with carefully produced programmed backing brings out Catherine's vocals to pure brilliance. Yes, at times she is like an early Kate Bush, but there's more to her than just a copy. I've never heard another CCM artist like her. Somebody should sign her up, quickly. 10/10. February 1997.

FREESLAVE : Remember the Day. (CD £6.50 from H. Spenceley, 50 Orchard Hill, LittleBilling, Northampton, UK, NN3 9AG). Freeslave return after last year's debut EP with another recording featuring 4 tracks. The first is, probably, the strongest, and most likely to get them more airplay. "Hiding Place" has a raw freshness and energy that you only get in a smaller studio, and while the production isn't perfect, it does add a lot to the performance. Haydon Spenceley has an engaging voice which drones just enough to give it a certain quality. As for "Nothing", I just don't like the song itself. The overall sound is good, but the song leaves me cold - just a personal thing. While the opening faster song works best, the slower ones do give a glimpse into the band's armoury to show that Freeslave are more than just a one-trick card. On "Crying Tonight" the song shows just what God might say to the question "What do you think of your world today"? This song highlights Sarah Crays backing vocals and some tasty guitar work. It may not be perfect, but the finished product show what Freeslave are about. Maybe now they can move to a full album and show their true potential. 7/10. December 2004

FREESLAVE : Love Explosion. (www.ambiencerecords.co.uk) "Love Explosion" is the new single from wheelchair artist Haydon Spenceley, who now wears the Freeslave crown on his own. Through his music ministry, Haydon's main goal is to sing about the hope, suffering, joy and despair that make this life we live, so varied and exciting. The three songs on this single, show a tidier production than previous releases, and the instrumentation has also improved the resulting sound. The title track is the strongest cut and the catchy chorus makes it ideal for radio. Haydon's vocals are complimented by some superb guitar playing by Harun, and the result is more than pleasing. "Road Less Travelled" isn't so strong, yet it still has a certain quality about it. Finally, Ross Gill's guitar work on "Save My Day" ensure that this single is an ideal taster for those wishing to dip their toe into the world of Freeslave. 7/10. February 2006

FREESLAVE : Songs for the Dying. When our very own Geoff Howlett informed me that he had done three earlier Free Slave reviews I was tempted to check them out to see what he thought! - but decided it was fairer to approach this one without any preconceived impressions. So, what do we have here? Well, we have an album full of catchy alt-rock songs, set within a framework of predominantly synthesiser sounds, delivered by heavily processed vocals. Although you may assume Free Slave to be a band, at the time of this album release in May 2006 Free Slave was predominantly the solo project of one Haydon Spenceley, with 'Songs for the dying' evidently taking him three years to complete. With Haydon writing all the songs and contributing keyboards and vocals, he was nevertheless assisted by friends on drums, guitars and backing vocals. Bass guitarist Harun Kotch also gets the production, engineering and mixing credits. Whilst I enjoyed this album from the off, it is one that grows. By the third listening, I was really enjoying it. Harun knows his stuff production-wise - this is smooth and expertly done and he pulls off the trick of all the vocals being easy to hear whilst not overloud within the mix. My only criticism is that I would prefer a slightly less synthetic sound to the vocals - but that's just personal preference. Stand out tracks for me were 'Save my day' (the guitar riff was particularly effective) and the slower tempo 'Not alone'. So, whilst I still have no idea what Mr Howlett thinks of Haydon Spenceley/Free Slave - my view is that he/they are definitely worth a listen. 8/10 www.freeslave.org.uk Dave Deeks. December 2006.

FREESLAVE : Save My Day. Formed in the summer of 2006, the full band 'Free Slave' have rushed out this four track EP. The publicity describes them as 'a four piece alt-rock band based on the South Coast, pumping out a full and punchy sound with swirling synths and floating guitar riffs set over grooving bass lines and solid rhythms - a sound that sits comfortably amongst influences and contemporaries including Muse, Radiohead, U2, Coldplay and Lost Prophets'. Quite a build up! I certainly noticed bits of Coldplay and Lost Prophets - and as these happen to be favourite bands of mine, that was no bad thing. The title track is a slightly different version of one of my standout tracks from 'Songs for the dying'. Haydon Spenceley is joined by new members on drums, bass and guitar - Harun Kotch giving up his musical contribution to concentrate on production, with his expert influence being evident. Here we have a more 'live', rocky sound however. Drummer Matt Bromley deserves special mention, but (brothers?) Aaron and Ben Lewis also work well together on guitar and bass, and overall everything is very well sorted indeed. It is pretty obvious that Haydon Spenceley is a talented guy, who surrounds himself with just the right people to help his talents shine. As it happens, Haydon is also a wheelchair user. A very good EP, and for its extra energy over the album, worth an extra point. 9/10. Dave Deeks. December 2006.

CATH FROUD : You've Got A Friend. (www.zephaniah.org.uk) Regular readers of NFN will, no doubt, be aware of the Zephaniah Trust based in Shipley, UK, and the musical ministry of John Froud. Well, after supporting her Dad in a number of ways on stage over the years, it's the turn of Cath to produce her own album. It's primarily an acoustic recording, with instrumental backing kept to a minimum. Cath jumps straight into the recording with an accapella version of "In the Ghetto", which is a very brave move in my opinion. The fact that she pulls it off, proves the confidence she has in her singing is not false. A lot of the song writing credits go to her Dad, but Cath sings them as if they're her own. "Late and Lonely" features the piano skills of David Wilkinson, and the backing gently caresses, Cath's vocals. "God's Sorrow" tells how God's love is unfailing and no matter what you may do, HE never turns His back on you. "Reason to Believe" is a very pretty little song, while the duet on "I Hear You Calling" didn't work for me at all. If there's one fault I would pick out on the album, it's that almost all the songs are of similar pace. The exception to this is "Burdens" which snaps along quite nicely. Ending, Cath gives a good rendition of Carole King's "You've Got A Friend", and almost goes into southern gospel territory with "His Eye is On the Sparrow". Style-wise, for us older folk, she reminded me a bit of Janis Ian. Her intimate style makes this album ideal for late night listening, and contemplating the lyrics. 7/10 February 2007.

JOHN FROUD & THE PKs : Seriously... (Private CD Recording : £13.00 from Zephaniah Music, 2a Norwood Road, Shipley, West Yorkshire, England, BD18 2AZ). John Froud works full time in music ministry, specialising in schools work in his home area. However, his music will appeal to all ages and I think that a live concert would be quite an experience, judging by the humour contained in some of his songs. Prime example on the album is "Stressed" - which lends a lot from an old T.Rex tune - which contains the immortal line "I've had another bad day, and my hair's going grey". It's not all tongue in cheek muzak though, and there's plenty of lyrical depth in "Lost Without You" and the poignant "Seriously Unrehearsed". Perhaps the most appealing, is the folk tinged "21st Century Prophet" and it's sideways look on life and just what the future holds. On the whole, the songs contain a mixture of ingredients with styles varying from blues to rock. "The Spin" reminded me of The Beautiful South while "Face" and "Tell Me", I found less appealing. It takes all sorts to make the world go round, and John Froud certainly provide quite a mixture. 7/10. June 1999.

JOHN FROUD & the PK'S : Be There. (Private CD Recording : £13.00 from Zephaniah Music, 2a Norwood Road, Shipley, West Yorkshire, England, BD18 2AZ). And so we come to the latest musical offering, recorded on a shoestring budget, from one of the many wonderful artists who play and minister at 'grassroots' level. Recorded over four days at Dan Bowater's studio in Lincoln, John Froud & the PK's present an album of good old fashioned, honest lyrics in a style that sees folk, pop and R'n'B rub shoulders with each other. "Language of Love" starts the ball rolling, as John tries to tell the Lord that he sometimes finds it hard to speak the right words to Him. "Blue Hills" and "Holding On" are pure rhythm & blues, with the latter featuring some heavy saxophone and 60's keyboard. Actually, it's very refreshing to hear some different instruments being used with whistles, flute & mandolin being added to those already mentioned. Mind you, I did find the saxophone rather annoying in the laid back ballad "Be There" which, for me, distracted the listener from the words. John travels all over the UK but is primarily involved in schools work around the Bradford area. Like Brian Houston, last month, his lyrics are simple and will, therefore, appeal to all ages. One day, I'm going to have to catch up with this guy for a live gig. In the meantime, knowing he's out there producing songs like the powerful "Still Dreaming" will do nicely. 8/10. December 2000

JOHN FROUD : Don't You Know". (CD £13.00 from Zephaniah Music, 2a Norwood Road, Shipley, West Yorkshire, England, BD18 2AZ). Over the years, it's been my pleasure to review a number of albums written and performed by Bradford's John Froud. John works mainly in schools in West Yorkshire taking the gospel of Jesus into the schools in a fun way that the children can understand and enjoy. Last year, he gave all the primary schools that he visits, the opportunity to be part of a new album. The result sees 19 different schools represented on 23 songs on the album. The one thing that eminently stands up throughout the album, is the way that John, his co-workers, and children all radiate a great joy in what they're doing. Some songs, like "When the Spirit of the Lord" and "Be Bold Be Strong", are well known to us all, but others such as "God So Loved the World" and "Though the Grass May Wither" will be new to the listener. The strength of a lot of the songs featured is their simplicity. Sometimes, those repetitive songs just annoy, but I didn't find it the case once here. It was quite a task to undertake, but well worth the effort, for a result that is a little out of the ordinary. Well done guys and gals. 8/10. February 2003

JOHN FROUD : Retrospective. (Zephaniah Music ZEPH407) In 1994 John gave up his full-time work as a teacher and became the founder of Zephaniah Trust, with the mission statement "taking light into dark corners". Now with co-worker Mark Drake, the Trust regularly visits over 45 schools and organises a wide range of events. This album represents "the righteousness remnant of the concert material of the years 1997-2003 - those songs still regularly performed". Disappointingly, the lyrics are printed for only 8 of the 16 featured tracks - and these are not in playing order. John and the band tend to major on a raw, rocky style. The recordings sound as if they are live performances rather than studio productions. There are many good tunes here, and the lyrics reflect John's clearly heart-felt desire to get the gospel message over in a relevant and direct way. '21st prophet', 'Finished', 'Late nights', 'Be there' and 'I cry alone' stand out as a good'uns. 'Too long' features a sudden and not too successful tempo change. A down side of the 'under-produced' approach is that there are occasional balance and 'vocal tuning' problems. Much of the time John's voice sounds a touch high in the mix, and it doesn't really stand up to the extra spotlight of the bluesy gospel 'Face' and minimalist backing of the wry 'Seriously Unrehearsed'. These are picky observations in the overall context of John's ministry however. Comments on the Zephaniah Trust website (www.zeph.org.uk) indicate that he has an enthusiastic following from pastors, parents and children. He is obviously doing exactly what the Lord wants him to, and I wish him every blessing in those dark corners! 7/10 Dave Deeks. March 2008.

FULL CIRCLE : Set Your Sights. (Private Cassette £2.50 from: Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, S.Glamorgan, Wales, CF64 2RE). Pet Shop Boys meet The Stone Roses. 6/10. February 1996.

GLASS DARKLY : Lost Persons Area. (www.glassdarkly.co.uk) This album is the debut by this band, and has been completely self financed. Apart from the drums which were recorded at ICC the rest of the CD was done at various houses, churches etc. With no record company to mess everything around this CD retains that raw edge that is often sacrificed in the name of commercial necessity these days. The music is mainly guitar driven fairly up tempo rock worship, but there are a few slower numbers which are just as good too. For me the best track on this CD is "I can hear" which is a slower number, and has a definite U2 sound to it. Not too sure about the vocal on "Need to see you though", there are some falsetto lines in the verses that sound a bit too much like Justin Hawkins out of The Darkness. Apart from that, and to be fair, it's not really a bad track, just my personal prejudices coming out, this is probably one of the best Christian CD's that I've heard recently. The band have a website that has quite a lot of interesting stuff on it too, it's well worth a look. You can buy the CD from there too, there's a link to Acorn Direct. Give this CD a try, I'm sure that you won't be disappointed with it. 9/10 Andy Sayner. December 2005

THE GLORYHOUNDS : The Gloryhounds 1&2. (Private Cassette Recordings. Tape 1 £1.50 / Praise Tape £2.50 : from Dan Harris, 34 Leicester Street, Kettering, Northants, England, NN1 8EF.) Two Tapess in the style of bands such as Cast and Ride. Tape 2. Tape 1 8/10 : Praise Tape 7/10. June 1997.

MICHAEL HARCUS : Take A Moment. (www.michaelharcus.com) Michael Harcus and his wife Christine live on the island of Westray, which is one of the northern isles in Orkney. In 1998 he released his first album called "There Is", and received invites to play in prisons, church's and events. Since then, he's toured Scotland regularly and now releases this latest CD. The songs are unashamedly MOR, but there's a certain quality contained within each. Also, Michael manages to squeeze the best sounds from each individual instrument such as the mandolin on "Love Didn't Come Easy" and the guitars on "You Are God". Perhaps the most radio friendly track is the 60's sounding "Never Walk Away". It's got a great hook, a catchy tune, and I was singing along almost immediately. At times, Michael's vocals remind me of James Taylor, with a warmth and quality, especially on "Keep Me From Falling - a shuffling type of song! It's always pleasing to hear new British artists, and especially pleasing when they're as bright as Michael Harcus. 8/10. June 2005

MICHAEL & CHRISTINE HARCUS with Friends : Green Pastures. (Island Image Records : IIR003CD) Until a couple of weeks ago I was new to the name of Michael Harcus. Then Geoff Howlett reviewed his latest CD in last month's NFN, I saw two of Michael's songs in the NCM Euro charts, and this earlier 'Harcus' CD popped through my letterbox! Based in the Orkney Islands, here Michael brings us a selection of songs mainly in the traditional/old time gospel style. Writers include Loretta Lynn, Ricky Scaggs and Rich Mullins - with one particularly 'hootenanny' track written by Michael himself. Michael has a voice that really does communicate, and he and Christine certainly have the right friends when it comes to making a CD. Other members of the Harcus family also contribute, with Kenneth on bass guitar and drums, and John singing bass vocals on a couple of tracks. Much use is made of vocal harmonies, very well done. Mandolin and 'country fiddle' also feature - the latter to particularly good effect on 'Far side bank of Jordan'. Several times, Ken's inventive drumming adds particular interest. Whilst much of the musical style presented here is not really my thing, the quality of the performance, production and sound is such that I soon found myself enjoying it - the best tracks for me being "Green Pastures" and "Where Could I Go". For more info about Michael and his band, visit www.michaelharcus.com. 7/10 Dave Deeks. July 2005

MICHAEL HARCUS with FRIENDS : One Day I'll Know. (www.michaelharcus.com) This is the 5th album from Orkney based Michael Harcus and what a good one it is too. With gospel harmonies and contemporary country styles, he weaves a clever array of sounds that is pleasing to the ear. On the opening "Carry Me", he uses only piano to back his engaging vocals. Meanwhile, the title track carries a fuller, richer sound with some effective guitar playing too. The album's purple patch comes mid-album with the uptempo country song "I Believe, I Believe". It's a good song and begs for radio play. A female vocal takes the lead on the sweet "Ten Thousand Angels Cried" but it's those country songs that really stand out. "Why" is a thoughtful, mid-paced number while "God Is Good Isn't he" and "Higher Are Your Ways" contain simple biblical truths. Michael isn't scared to state the obvious in his songs, but he has an effective way of conveying an evangelistic message without it being "in your face". In my humble opinion, if this man lived in the US, he would already have a recording contract. As it is, let's be thankful that he shares his music so freely here in the UK. 9/10. January 2007

MICHAEL HART : The Heart of the Matter. (CD £9 Cassette £7 from: Soul Keeper Records, 5243-57 A Street, Ladner, British Columbia, Canada, V4K 3H2). "He has a nack for writing catchy tunes"....the record "emanates strength and faith".... "He shows his convictions openly & in a way that touches your heart". These are just three quotes from the many wonderful reviews that Michael received when this album was first released in Canada. As for writing "catchy tunes", I can confirm that this is the case, as he shows in both "The Righteous" and "You Are My Confidence". "Paper & Phone" has a tropical feel to it, as Michael comes up with a story like ditty about media dating. His tenor vocals are slick and precise throughout, with "I Had No Idea" being one of many strong points. Here, Hart's lyrics tell of life's journey, his music providing the perfect accompaniment. Just one track out of ten that I didn't rate, that holds this release from being my album of the month. If, as he hopes, Michael returns to the UK next year for some concert dates, be sure to check him out. In the meantime, check his sounds. 9/10. April 1998.

MICHAEL HART : Dulcimer Light Christmas. (CD £9 Cassette £7 from: Soul Keeper Records, 5243-57 A Street, Ladner, British Columbia, Canada, V4K 3H2). Since I first wrote about this singer in NFN earlier this year, Michael Hart has continued to win friends wherever his ministry has taken him. A recent Cross Rhythms review of his previous release "The Heart of the Matter" only confirmed the well deserved interest that this man is gaining. Released in his home country last year, "Dulcimer Light" is not just another artist jumping on the Christmas bandwagon. True, well known songs like "Joy to the World" and "Angels We Have Heard.." are included but, given the Michael Hart style. Listening to it, you can close your eyes and imagine a typical family Christmas, sat around the tree and a roaring log fire in the background. On the other hand, there's enough carefully thought out music and lyrics to touch the heart of many. Other, less familiar songs, are just as impressive with Michael adapting the sound of the dulcimer to carefully wrap each track with care. Well worth your effort to order. 8/10. November 1998.

MICHAEL HART : Lord of the Mountain. ($20 from: Soulkeeper Music, 5243 57A Street, Delta, B.C. V4K 3H2, Canada). When you think of Canada, what to associate with it? Mounties? Ice Hockey? If you do, then, you're missing out on a lot of good Christian music. One of the many talented - and often underrated - artists to come out this country is singer/songwriter Michael Hart. For this, his 5th album, Michael collected some fine musicians around him and recorded most of the sounds live. With his trademark dulcimer featuring throughout, he and the band present a collection of songs in the style of contemporary hymns, blues, jazz, light pop, and sweet harmonies. Michael's voice is rich in tone and is immediately on top form with the opening "I Put My Trust", where piano and acoustic sounds are so fresh. The title track includes some lovely violin and "Call Me" really soothes all inside you. Lyrically, Michael writes from having a deep longing to serve a loving God and from enjoying the beauty of such a relationship. Two short instrumental pieces are a welcome addition to the running order, while "Praise Him" and "There Is Forgiveness" stand out towards the end. Overall, it's an album that should see Michael's music reach far further than the boundaries of his native Canada - it just needs someone to sit up and take note. 9/10. June 2000

MICHAEL HART : Desire. (Soulkeeper : www.stairway.org/michaelhart) Canadian based singer songwriter Michael Hart has a clear track record over the last 20 years from both secular and faith based press. His previous albums have been sweet music to the ears of this reviewer and I'm pleased to say that this new offering continues the trend. "You Are the One" kicks things off in alight pop mode in praise of the Lord, and I think that it's a prime choice for radio play. "Psalm 20 Dance" has a Celtic sound to it, which is repeated on "Glory to You Lord" - where Michael also displays his dulcimer skills. Mid album there's a couple of jazz-blues tracks which I personally didn't find as enjoyable, but they're very competently done. His themes for songs are very straight forward in Christian terms and therefore the lyrics are easy to digest. His musical styles also include a little bluegrass, which plays well on the title track. Indeed, this song was nominated for Best Folk Roots Song of the Year at the recent Calgary GMA. Other songs of note are "Healer", "Who Is A God Like You" and "My Soul Finds Rest". The former is a pretty little song and one I found myself humming long after the CD had finished. Michael's high tenor voice is a delightful sound, and this album deserves to be heard by a much wider audience. 9/10. December 2006.

J. BRIAN HILL : Life, Love and Worship (available from http://www.themusicshoppe.citymaker.com) - MD30488 Brian is a singer songwriter and worship leader based in Chicago, Illinois. This is his second of three recording projects all of which are now available in the UK following his recent mini tour. This cd gives you 13 songs, all written by Brian and produced by Mark Pay, who also plays guitar on the album. Brian's first project was recorded in the "Gaither Studios" and influences of that can be heard here - stacked backing vocals and lush keyboards being two examples. But it isn't overdone and the arrangements are very effective at highlighting the strength of the songs. There is quite a variety too, from the heartwarming "Tapestry of Memories", a song about seeing your children grow up, to the guitar driven closer "Walking with Jesus" which leaves you feeling on a high and ready to take on the world! Brian here has managed to achieve what is usually quite difficult to do, that is create an album that will appeal to a wide variety of tastes. Strong melodies, insightful lyrics, sensitive production and excellent performances are all evident here and the end result is a very good package. 9/10. Robin Thompson. May 2006

GEOFF HOWLETT : Fear No Evil. (Private Recording : NFN001. CD £7.50 + 75p postage; Cassette £5 + 50p from : Geoff Howlett, 113 Bricknell Avenue, Hull, E. Yorkshire, England, HU5 4EU). If the artist's name doesn't give it away, then the label does. This is NFN's editor in full flight on his first solo album. Recorded at Hull's Eastside studios over "far too long", it kicks off with "You Promised" and the tone is set. Geoff writes songs with catchy choruses separated by verses that do far more than simply fill the spaces: they tunefully explain the words that you'll go round singing for ages after first hearing them. Then just as you think you've got the album sussed and are ready to give it a solid 7/10, it steps up a gear: "Ebony Blood and Snow", "When the Son Comes Down" and "Sea of Flames" are the album's purple patch, "When.." featuring some of the best-recorded acoustic guitar I've heard in a long time. Asking around, the track that's raising the most interest, though is "No", a re-working of a song Geoff first aired with "95 Foot Wave". This is a calmer version, and took me a couple of listens to decide that he's done the right thing. If the album has a fault (and as a reviewer, I'm supposed to find at least one) it's in the ordering of the tracks: it runs more like a live gig than an album. It starts strongly and closes with a stomper, but lacks a cohesion in places, that, live, would be given by the introductions. Did I mention I like the album, by the way? 8/10. Paul Ganney. November 1998.

GEOFF HOWLETT : Always & Forever (Private Recording : from Geoff Howlett, 113 Bricknell Avenue, Hull, England, HU5 4EU. CD : £3.50; Cassette: £1.50) It must be at least 18 months now since Geoff released his solo album, 'Fear No Evil', so it's about time we heard from him again! Since then, Geoff has found himself playing much more to audiences of over 35s, so has built upon those experiences to produce a more mature style of music. Released for St. Valentine's Day, this EP of four more Howlett compositions certainly shows this. All are love songs, treated in different ways but with Geoff's lyrical style stamped all over them. The EP opens with the title track, unashamedly retro 60s - but doesn't he do it well? And it goes on ... 'My Love' , also 60s style, is a slower number with the arrangement really catching the style of the time. 'I Love You' is more of an acoustic number with Geoff's guitar work coming to the fore, whilst 'The Positive Sign' makes use of modern technology and reminds me of 80s synthesiser stuff such as Soft Cell and early Depeche Mode. I like this collection as a whole, and the variety works but I have to say that Geoff's forte is definitely in the 60s retro material. His voice is perfect for it, his original songs just seem to slide into it, and the way he uses modern sounds to recreate it is great. No crackle and hiss! Geoff's version of the Billy Fury classic 'Halfway to Heaven' adorns the late star's fan club website, so surely that is recommendation indeed. Nice one, Geoff! 8/10. Julie Lord. March 2000.

GEOFF HOWLETT : Golden Days. (CD £5.50 from 83 Parthian Road, Hull, Yorkshire,UK, HU9 4SX) Well, if Daniel O'Donnell can record an album of secular classics, why can't Geoff? After all, as he takes his music into various venues, there's always a smattering of smash hits from the 50's and 60's to help roll back the memories. His love for British rock n' roller Billy Fury results in three of the legend's tracks on show, "Be Mine Tonight", "Cross My Heart" and the classic "Like I've Never Been Gone". Similarly, three songs made famous by Johnny Tillotson also get an airing, "Judy Judy Judy", "My Special Angel" and "Poetry in Motion". Despite the age of some of these songs, Geoff has the happy knack of making them sound just as fresh as the day they were in the charts. Hit's by the Beatles, Buddy Holly, and Bobby Vee slip together nicely with songs like "Venus in Blue Jeans" and "Summertime Blues," all helping to make this an enjoyable listen. 7/10. Warren Harry. October 2004.

INDIAN SUMMER : Crown of Creation. (Private Cassette Recording. £5.50 from : A Bamforth, 162 Alexandra Road, Peterborough, PE1 3DL, England. It's a long time since I receieved a pure olde worlde folk album. Performed here by Annie & John Bamforth, we have a colection of 16 songs of varying quality and production. Some, such as "Gaudete" and "Lord of the Dance" are well known but most, I 've heard for the first time. The simple backing of acoustic and bass guitars seem to work the best throughout, although Annie's vocals do not always suit. The opening "Crown of Creation" being an immediate example of this, with her voice being either weak or nervous. The second song contains an excellent 12 string guitar, but the words are difficult to pick out. Again, this was something that ran throughout the album and was more of a production fault. "Christ Receive" raises things a little even though it sounds like a chant. "Tree of Life/Light" is the strongest track although the use of distorted guitar(?) does detract from the basic sound. If this all sounds like a negative review, I'm afraid it's because of the production and recording. When I can hear the lyrics, they sound good and some of the tunes are quite catchy. Perhaps, this pre-release copy is not the finished product but, even if it is, there's still promise from a fledgling ministry trying to break free. 5/10. April 1998.

STEVE JAMES : Voices in the Desert. (Private CD Recording £13 from: Steve James, St Andrews Church Office, The Rectory, Highcroft Avenue, Bebington, Wirral, Merseyside, England, L63 3EX). Steve James has recorded a number of albums, including some that were produced in Canada, where he worked as a curate for 4 years. He now lives and works, as Rector, in the Wirral, as well as performing his songs at many local venues. 'Voices in the Desert' has been produced by Roy Salmond, who also provides some of the most memorable guitar playing that I have heard in recent months. Either he, or Dane Deviller, delivers a terrific acoustic display on 'My Heart May Fail'. Couple it with Steve's fine vocals, it's a marriage made in Heaven. 'Angels' is a strong, rocky opener that makes good use of a catchy hook and pricks up your ears. 'That Night' tells the story of Christmas with great power yet, at the same time, simplicity. Steve's writing is very accessible and the musicians around him are first class. The only comparison I could make would be Garth Brookes meets Michael Card. One or two songs aren't as strong as others but the beautiful piano & guitar to 'Winter' leaves you well satisfied. 8/10. January 1998.

THE JIVE ACES : Bolt From the Blue. (Private CD Recording. Information from: Saint Hill Manor, East Grinstead, West Sussex, England, RH19 4JY. In a world of shred, dread and grunge come a bolt from the blue....meet the Jive Aces. A six piece band playing a form of jive that is best expressed as rock/jazz. Just a CD in the NFN postbag, with no accompanying literature. 15 songs including some that older listeners will instantly recognise, which have been given a 90's face lift. 'When You're Smilin', 'Blue Moon', and the 30's hit 'Pennies From Heaven' are just three of those with shining pedigree. Of the new songs, perhaps the 'Jive Ace Boogie Woogie' is a bit of self indulgence but the title track is up there with the best. If a little boogie woogie and jive is your cup of tea then the Jive Aces will go down a treat. 7/10. January 1998.

GARETH DAVIES-JONES : A Play Upon the Conscience. (CD £12.99 from: 1 Hagg Bank, Wylam, Northumberland, UK, NE41 8JU) You might think by the title that there's something more to this singer songwriter than just putting together an album of songs for the sake of it. Gareth takes the gritty writing style of Martyn Jospeh, the simple smoothness of Fernando Ortega's sound, and the commercial substance of David Gray, to come up with an album that could just be different enough to make it big. The lyrics delve into your conscience and ask those questions that we sometimes avoid. Are we really building our house on solid rock, or is slowly sinking in the sand? Listen, as "Out of Hand", an acoustic blues number, asks that very question. Do you really put others first? "Take A Back Seat" cleverly twists and turns lyrically to pose another. Musically, Gareth leads the way with his acoustic guitar but is complimented well by his co-musicians and vocalists. "Solitude" flows effortlessly all over you and wraps you in a cocoon of God's love, while the haunting sound of "Heavenfield" explores the personal battle that we all go through, especially times of denial. Take time to listen to this album and you'll find a lot more than just a talented musician. This is a gift for all. 9/10. October 2004

GARETH DAVIES-JONES : Faith, Folk, & Fair Trade. (CD from www.fairtrademedia.co.uk) This EP features four songs which each touch on poor people's struggle for dignity in a world where the rules are stacked against them - a problem the world is increasingly in tune with in this year of the MAKEPOVERTYHISTORY campaign and Live 8. Gareth, who has the knack of writing in Martyn Joseph style, has a very listenable voice and the simple instrumentation is well recorded. Indeed, the acoustic guitar sound is some of the best I've heard for a long time. "Greed For Gain" says " I Work all day for a very low wage…it's time to make a better deal". If you listen to the words, Gareth brings home the message of just what Fair Trade is all about. "Love thy Neighbour" is the message contained in "These Days" and the overall feel of the CD is very intimate. Close your eyes and you can almost imagine Gareth performing the songs just for you. Overall, the well crafted lyrics weave and connect well with the simple acoustic backing. 8/10 October 2005

GARETH DAVIES-JONES : Only For A Short While. (www.headingwestmusic.com) Rooted in the folk/acoustic tradition, Gareth Davies-Jones is a singer songwriter and guitarist who's previous work I've had the pleasure to hear. Since turning professional 3 years ago he has been gigging his way around the UK and Ireland, building a reputation as a strong live performer and a perceptive songwriter. He says that this new album deals with the "travails of life, the things that can affect us all regardless of our standing". Staying true to his live sound, Gareth's songs are accompanied by simple, stripped down sounds. "Money Goes Round" starts things off, with a look at universal wealth and poverty. "Hard Reality" sounds good with it's guitar and keyboard backing, while the first really catchy number comes with "Asylum". Here, Gareth looks at the growing problem of asylum seekers all over the world. Gareth plays the sort of music that would go sdown best in an intimate setting. It's the type of thing that Martyn Joseph has been doing so well over the year's, and now, here's someone of quality to rival his talents. 7/10 June 2006

GARETH DAVIES JONES : Water & Light. www.headingwestmusic.com Here's a chap who's a seasoned professional singer/songwriter and guitarist, who has played at many of the UK's best known festivals and venues. In the past, I've likened him to Martyn Joseph and David Gray, and it's the former category that he sits in best. One thing I like about Gareth's music is it's simplicity in sound. There's some fine music in the background, but it's uncluttered and lets him, as the singer perform his trade. He starts this album off with the excellent 'Borderland', a strong opener. 'Breathe' is also a superb song which is full of passion and good hooks. Away from the usual praise and glories to our Lord, Gareth can also write folky numbers that tell of a story. 'Shoreline of Ghosts' depicts a time, not so long ago, when miners worked down the pits in his native north east of England. Similarly, later on, Gareth weaves his words into a delightful story about an ill-fated ship. As a singer and performer, Gareth is slowly building up a reputation that I'm sure will see him become even more popular in the years to come. As for the album, it's a joy to listen to. 9/10. June 2008

KATO : Seasider. (Private CD Recording £7.99 from: PO Box 61, St Annes, Lancs, England, FY8 1SS). Remember the band K? Well, in Star Trek terms, KATO are the next generation, with Captain Keith Ayling still at the helm. "Seasider" is a seven track Brit-pop mini-album that sounds more like the Charlatans than, say Oasis, but with a distinctive Kato twist. "Superhero" is chart material and opens things up with driving guitars and posing the question; "If your hero (Jesus) was 2 9 and living in your home town, what would you say to him"? "Grow" is very similar, but "Into Your Hands" is packed full of energy and I can see this one going down well live. "The Waves Are High" is a slower number that still works well, but "Walking on Water" doesn't quite have the same class about it. Bands may come and go but Keith Ayling and his troops continue to play where others fear to tread. 8/10. August 1997.

RICHARD KNIGHT : Rock in the Storm. (Private Cassette Recording. £7.50 inc p&p : from Richard Knight, 38 Parkside Drive, Watford, Herts, England, WD1 3AX. It's always a pleasure to receive something from a new artist, t aking their first steps in the CCM scene, and this is no exception. Richard hails from the Watford area and, after a few efforts, this his his first major demo release. Thirteen tracks of self penned songs that vary in both quality and delivery. The opening two tracks, for instance, carry thin, unconvincing, vocals that really do detract from the tunes - especially the catchy "The Things You Said". Move on to the title track, however, and it's a completely different kettle of fish. The slow electro ballad moves along nicely, and Richard's vocals fit perfectly, with feeling. The musical sound of the whole album reminds me of early Depeche Mode, although the "Instrumental" is undeniably Kraftwerk. "Thomas" is another catchy tune but, by the time we've reached "Sons Return", we're back to the vocal problem. Here, he tries to fit in far too many words and fails in it's delivery. There's no doubt that Richard has a lot of talent and gifts to share and this is a reaonable first outing . 6/10. November 1998.

LABEL OF LOVE : Label of Love. (Private Cassette £5.49 from: Label of Love, 20 Hilton Avenue, Scunthrope, DN15 8BD, England). Dance/rap from this Message Tribe type ministry. 7/10 January 1996.

LAST BEACON : First Light. (Private Cassette Recording £2.20 from: Jon Gurr, 7 Stonelea Drive, Rastrick, Brighouse, Huddersfield, England,HD6 3PT). Only two tracks on this cassingle from a band based in West Yorkshire. Recorded, presumably, on a limited budget, the finished sound could have been better. However, the first song ,'Run', is a mixture of Brit pop meets Runrig. "Waiting at the bus stop of my life" is the songs first line and gives you some idea of the lyrical content as a whole. Some, might say that the words are rather weak but I, personally found them oozing with honesty. Some good guitar work, interesting break, and never mind the robotic drummer. Track two 'Holy Day' is a quieter song and lacks any real impact. Although the guys do try with their harmonies, it just doesn't quite happen and, perhaps, it's one to work on. With so little to go on, it's hard to give a wider view of the band but with such a catchy song as 'Run' in their repertoire, (I've been singing it for days now) there's sure something worth listening to. 6/10. November 1997.

LAST MAN OUT : All or Nothing. (CD from www.lastmanout.co.uk) I've been waiting for an album like this for ages. Why? Well, I just wanted a new grass roots UK band to produce a guitar driven sound that would get me excited. Last Man Out are based in Scotland and this debut release leaps from your speakers with some really tasty sounds. At times they remind me a little of Kato, especially on the opening "Great & Glorious", but Pete Chalks lead vocals can also be a bit Jon Bon Jovi too. The songs are full of simple truths and the result is an album of praise and worship rock. Backing vocals are supplied by Susie Allan - who also plays keyboard - and they work really well with Chalk's lead. "Everything" has those good driving guitars forcing it's way through and "SOS" shows that Allan can also take over the lead vocals with confidence. "Fly" is a slower number but one of quality, while "Saved", "Only You", and "Yours" get things rocking again. I really enjoyed the overall sound of the band as the instruments seemed to gel instantly. It sounds as if a lot of time has gone into the production of this album and, if so, the time has been well worth it. 9/10. October 2005

ANGIE LENDON : Honesty. (CD : £13 from www.angielendon.com) It's always great when I receive an independently recorded CD because of the unexpected listening pleasure it may or may not reveal. Well, this one, I'm pleased to say, is a goody. Mixing fine tunes with intelligent lyrics, Angie has come up with a debut that would sit nicely with her bigger name contemporaries. "God is My Salvation" is a song of proclamation and you soon start singing along and tapping your feet. There's a light country feel to "No Eye Has Seen" but it's the Dido style of "So Much More" that raises this release to a high standard. It's a great pop song and deserves some concerted airplay. I think I noticed some Chrissie Hynd influences in some of Angie's vocals and that's no bad thing. It's especially noticeable on another super song, "The Lord is Mighty" and "The Way, The Truth, The Light", complete with infectious chorus. Add to the listing "My Prayer" where she truly captures the very essence of worship, you have a terrific debut album from a young lady who should go far in the world of CCM. 10/10 January 2005

PHIL LEWIS : Demographic. (Private Cassette £3.00 from: Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, S.Glamorgan, Wales, CF64 2RE, ).Styles vary from Duran Duran to the Everley's. 7/10. March 1996.

PHIL LEWIS : Better. (Cassette EP. £3.50 inc p&p from : Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, S.Glamorgan, Wales, CF64 2RE). Influences are plentyfold, with a little Pink Floyd and Oasis rolling into Mr Lewis' own sound.. 7/10 November 1996.

PHIL LEWIS : Fidei Defensor. (Private Cassette Recording £3.00 from: Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, Vale of Glamorgan, Wales, CF64 2RE). Phil Lewis produces some very accessible songs that really stand up with his secular counterparts. 8/10. April 1997.

PHIL LEWIS : Generation Ecstasy. (Private Cassette Recording : £3.50 from 4 Bramble Rise, Cowslip Estate, Penarth, Vale of Glamorgan, Wales, CF64 2RE). This is the 5th offering from Wales' finest unsigned writer, that I've reviewed in the last couple of years. Once again, Phil doesn't just stick to his previous successful formula, and the depth of his work continues to evolve. The early U2 influences are there in "Coming to You" and his 60's jangly guitars are highlighted with "Your Tune" and "Dark Days". Just as Martin Smith's vocals are instantly recognisable, Phil's voice has the same quality that gives him individuality rather than being just another singer. "In Heaven" is a poignant song, sung to a dying loved one, the words being those we have often been unable to say previously. "Child", I feel, is the one weak spot of the 6 tracks but "Come Running" is a simple song, with the obligatory 'throw away' chorus that buzzes around your head for days. Just how long can the industry ignore this man? 9/10. October 1997.

PHIL LEWIS : Whispering. (CD : £8 from plewis@hismusic.co.uk In the latter half of the 90's, I reviewed several CD's from this Welsh based singer songwriter. His raw talent gave rise to some pretty good pop songs but despite this Phil disappeared from view. 5 years later, he's back, complete with a more polished sound, and a few of those rough edges finely honed. Previously, Phil did, sometimes, try and fit too many words into a song but with songs like "Hey Sha La La" and "Fragile", he's learnt to simplify things well. The former, especially, is really catchy. On "Eyes of God", he gives it a Latin feel with some mellow guitar work, and this song, I'm sure, would make a decent radio hit if given the right production. I've always felt that Phil's vocals were more suited to the uptempo beats, and "Come Running" does nothing to change my mind. Certainly on the laid back songs like the title track and "Back to Life", I felt that there was a little conviction lacking. When you get a title like "Life Feels Good", you need a good delivery, as well as a good song. In Phil's case, he does the job and succeeds admirably with a nice foot tapping number. I think that Phil is still experimenting with some of his songs and style, but the world of grassroots CCM is richer for his return. 7/10. January 2005

PHIL LEWIS : Ancient Light (£8 from Philip.lewis100@ntlworld.com) Phil has received some very positive reviews from his previous offerings, and I feel certain that this, his second full length album, will follow suit. Phil weaves a complex tapestry with his songs and arrangements and this isn't the sort of cd that will grab you on first listen, but the resultant effect is an album that will continue to be on your must listen list long after many others have been resigned to the cd rack. This is largely due to Phil's sound being quite unlike anything else available on the market, but also due to some great songs. My favourite, "No Accident" expresses an oft used theme in a different way. The uptempo number "Beautiful" demonstrates some of Phil's sixties influences whilst "Run to Win" is unmistakeably REM in their "Out of Time" days. On the negative side, a couple of solos didn't sit quite as well in the mix as they could have, particularly the guitar solo on the first track, "Is Anybody Home", which isn't quite in tune in one very noticeable place. As this is the first track, it might have paid Phil to sit it further back in the mix and move the track to a later point in the album. For everything else the musicianship is excellent with tight arrangements and exquisite harmonies. This could be an early contender for best independent release of 2007. Don't believe me? Visit www.myspace.com/phillewis1971 to check out a small sample. 8/10 Robin Thompson. February 2007

PHIL LEWIS : Movements in Space. (www.phillewisuk.co.uk) It's 12 years since I first lent an ear to the music of Phil Lewis and, in that time, he's created some terrific songs. For this new release, Phil takes a back seat with the instruments and programming and calls on the talented Ben Haynes to turn his ideas into music. It's hard to pigeon hole Phil's sound as it's a little bit indie, a little bit rock, and a big chunk of experimental. But, it all comes together well and 'Burn Burn Burn' contains an excellent repetitive guitar phrase that was in my head for days. 'S.A.D' is an intriguing song, but the adult rock of 'Shine' has radio potential. I liked the track 'High Flyer' very much, with it's cleverly written look at the self made man, taking no prisoners as he tries to rise to the top of the professional tree. Later on, there's a slower, almost latin feel to 'Now That the Lights Are Out', while Phil creates another sound with some accapella vocals on 'One Step at a Time'. He's got the voice, the sound, and the songwriting ability so why hasn't someone signed him up? If Phil lived in America, it would be no problem, he'd sit well with the likes of Joy Electric. Here in the UK, however, perhaps he's just not mainstream Christian enough for the record company's to take a chance. 9/10 June 2008

LIEZEL : Oath of God. (office@newlifehull.org) Liezel Goosen is originally from South Africa, but has recently joined a church in the north-east of England as one of their worship leaders. This album has just been released here in the UK and contains 13 original songs. Liezel has a very pure and clean vocal style, which I found very refreshing to the ear. The music is definitely "MOR" and that should appeal to a whole range of adult listeners. The first track is called "Living in the Sunshine" and it's a catchy, bouncy little number. The same can be said of "That's Why God Made You" as well as the foot tapping "Fix Me". Liezel says that the songs have been written as part of her life-story, through experience and emotions, and the lyrics do seem very personal. "Draw Me Lord" does exactly what the title says, while "If It Hadn't Been For You" gives thanks to God for being in her life. "Heaven" sees her relax into a "lounge bar" singing style which I didn't enjoy so much. Meanwhile, the album closes with the title track which sounds like a spoken Psalm over some nice backing music. Four songs are sung in her native language, but the Cd does come wit a short translation of each, which I found helpful. I certainly thought that the album has a crisp and clear sound, and found it a joy to listen to. Liezel is a welcome addition to the UK CCM scene. 8/10. October 2006.

JULIE LORD : Diamond Nights. (Private Cassette Recording : £4.99 from 15 Glenhurst Drive, Whickham, Newcastle upon Tyne, England,NE16 5SH). Here's a first for me, a CCM artist presenting an album of well known secular hits. The former evangelistic singer with Crossfire and Heart & Soul has now turned her talents to entertainment, but is suitably 'at home' in either church or club environments. "Pearl's A Singer" would not have been my choice for an opener as Julie doesn't really seem at ease with this song. However, her impressive renditions of "Crazy" and "Don't It Make My Brown Eyes Blue" soon make you realise why she is such a popular artist. The musical backing is the same that she uses for live gigs and the quality is very good. Julie's vocals seem to suit certain types of song better than others and chart toppers like "Walk on By" and "Smooth Operator" produce far better results than, say, Michelle Gayle's "Sweetness". What this album lacks in original content, is made up by freshness of Julie Lord's approach. 7/10. October 1997.

JULIE LORD : Lifetime. (CD Only £13.99 from: New Dawn Music, 1 Beech Close, Towcester, Northampton, England, NN12 6BL). It might seem like a lifetime since Julie recorded the first notes for this album but the wait has, truly, been worthwhile. If we've questioned production quality on a limited budget recently, then this is the album that sets the standard, and hats off to all those behind the scenes. From the moment the title track's saxophone hits the speakers, you know that you are listening to something special. With a sultry vocal that reminds me a lot of Sade and, at times, Annie Lennox, Julie simply caresses each number to bring out the best. The lyrics are strong too, like "Forbidden Fruit" that warns how fickle the temptation of an extra-marital affair can be. Featured in two different mixes, Andy Curtis' keyboard skills shine and add real texture to an already well crafted song. If you've ever watched those b&w movies who's background features the 'lounge singer', then "Even Now" is purpose built. Lovely piano, super sax break and a great bluesy guitar. It's hard to try and pigeon-hole Julie's style but if you take a large helping of Blues, mix it with some Jazz and R&B and you may be getting near. Just once or twice I felt that a song didn't quite reach it's potential but, maybe I'm just being a little picky. Closing with the exquisite "Peace of Mind" this is a fine debut release. 9/10. June 1999 Album of the Month.

STEVE LOWNDES : Design For Life. (CD from: www.cdbaby.com/stevelowndes or www.stevelowndes.co.uk) This is the debut album from Skegness based singer, songwriter, bassist and all round musician Steve Lowndes and is released on his own Pots and Pans label. The album contains ten self-penned songs themed around Gods unique plan for our lives and, although an eclectic mix of songs, it hangs together well. It opens with the infectious "Something Different" which demonstrates Steve's innate ability to fashion good pop hooks. But there are some more reflective moments too, as in the wonderfully profound "Gethsemane" and the celtic sounding "A Sacrifice of Praise", the latter demonstrating some subtle acoustic guitar work. Although primarily a bassist, Steve plays all the instruments on this album, showing that he has a diverse range of musical talents, including a rich baritone voice. Comparisons can be made in style and sound to Dave Bilborough and Michael Card, so if those artists are your thing, you wont be disappointed with this. All in all, a good introduction to an artist with clearly a lot of potential, a real heart for God and an honest approach. 8/10 Robin Thompson. February 2006

MACCABEES : Modern Man. (www.maccabees.co.uk) It's three years since their last offering gained runner's up spot in NFN's independent album of the year, and I wondered if the guys could match the excitement of that release. With "Modern Man", they've not only matched it's excellence, but moved on musically too. They do have an individual sound, thanks in the main to Andy Jennings' vocals and guitar work, but now they've encompassed the style of, say, Franz Ferdinand with 70's punk band, Television. "Same Way" starts things off with a hypnotic beat, followed by an energetic and powerful title track. The scene is set, and track after track attacks the listener's ear with lyrics of questions and thoughts about a spiritual life in the 21st century. "Rome" is a strange little beast, with the vocals sounding almost Dylanesque in delivery. "Company Store" has a 60's sound to it, while TV evangelists get a hammering in the appropriately named "Wolves". Then, when you just thought you knew what was coming next, "Television" leaps from your speakers. It's the best track, and has some superb guitar riffs. Not sure why it's taken three years for this album to arrive, neither am I sure why one of the big labels haven't offered them a contract. The Maccabees are a here and now band, with so much to offer. 9/10. February 2006

RACHEL MACDONALD. : Breathing November. (CD from www.rachelmacdonald.org And, like a breath of fresh air, the next independent release shows just how good one can be. In a style reminiscent of Susan Ashton, Rachel Macdonald blends thought provoking lyrics, with a rich taste of succulent tunes and produces an album that shows great promise. "You Make Me Sing" has a feel good quality about it, and flows well as an opener. Closing proceedings is an Amy Grant-like ballad called "Your Presence". Indeed, the album is like a multi layered chocolate cake, with those two song providing the outer layers, and the filling being the numerous delicious songs in-between. "Father's Heart" is a pretty little acoustic song, and the piano led "Bus Window" provides the perfect vehicle for Rachel's vocal talents. "I Believe in You" is a good pop song and I'm sure I heard just a glimmer or two of the quirkiness of Julie Miller, thrown in for good measure. Sound writing talents, a good voice, and instrumental skills - welcome, Rachel Macdonald. 9/10.August 2005

RACHEL MACDONALD : Certain. (www.rachelmacdonald.org) Following on from her 2005 debut "Breathing November", Rachel MacDonald serves up, yet another box of tasty surprises. I just love her vocal quality and her keyboard playing flows effortlessly around you. Her songwriting is very strong and she has the knack of producing catchy, yet intricate, tunes. "Hurricane" is one of those tunes and is already pencilled in for air play by myself. Indeed, there are any number of songs on this album that I would be prepared to play on air. "Where Would I Be" contains simple yet poignant lyrics, while the title track tells about a taking "leap of faith". "Dressing Up" is another tasty song, complete with terrific instrumental backing. No matter how tough the journey is to resting in God's love, be sure that it's all worth while. How many times have we said that to someone? Just play them "Big Green Hill" and they will soon get the picture. Rachel depicts the story well and the song flies freely through to the listener. I'm not sure that there's anyone else like Rachel on the Christian scene at the moment. Certainly, no-one springs to mind. Her album is like a breath of fresh air and should be inhaled by all. 9/10 March 2007

MARK MALLETT: Let the Lord Know. (CD from: www.markmallett.com) Mark is a Roman Catholic singer/songwriter, born and brought up in the prairie country of Saskatchewan, Canada, who started songwriting at the age of nine. He has a lyrical touch with a praise song, as witness this offering (mentioned briefly by Geoff in last month's NFN), which is full of worshipful melodies, so full, that it runs to 16 tracks and over 63 minutes of playing time. The opening track, 'All I Am, All I'm Not', inspired by Psalm 51, sets the mood, and whilst some of the songs are a bit repetitive lyrically, they are designed to help the listener to focus on the Lord, and bring him into a place of worship and praise. Some of the songs are already being used in worship, Mark's website reports that 'Lift Our Hands' is a particular favourite with Canadian youth groups, featuring some tasty fiddle by Natalie McMaster, and the songbook, which is available via the website, should be a useful resource to bring Mark's material to a wider audience. Well worth seeking out. 7/10 Trevor Kirk

MATT McCHLERY : Fly. (www.mattmcchlery.com) Born in Zimbabwe, but now residing over here in the UK, Matt committed his life to the Lord shortly after his 13th birthday. His early songs were used to bless his local church, and he has appeared on both South African TV and radio. This album, recorded at Appletree Studios, sees Matt present us with 11 songs, ably assisted some competent musicians. Instantly getting you singing along is "Cling to You" - a nice opener. Matt's acoustic guitar playing has a touch of David Gray style about it, and it's most noticeable on the worship song "Wait Upon You". The song also features some lovely backing vocals from Nancy Sawyer. It's a very personal collection of songs, which seems to depict the singer's own relationship with God, warts and all. The title track tells of "flying" to God's, loving arms, and it's a song that grows on you the more you listen. Matt tries something a little different with the piano led "I Fall Down", but I personally found this to be one of the weaker moments. On the whole, Matt proves that he can not only sing well, but writes some very good songs, too. His hardest task will be to match this quality in the years to come. 8/10. May 2006.

RAYMOND McCULLOUGH : Into Jerusalem. (CD from www.preciousoil.com/raymond Singer/songwriter Raymond McCullough has been playing traditional Irish gigs around the country for years, fitting in his own brand of Celtic ballad 'protest songs' between the jigs and reels, His previous release "The Great China Bike Ride" spawned the instrumental hit track "Our Land" which reached No.1 for 14 weeks on one internet Celtic station. This new album begins with an infectious reel called "I Lift My Eyes Up" and drew quite a response from listeners when I played it on air. "Battlecry" has similar qualities but "Lift Your Heads" sees Raymond go more retro-rock. In our busy lives, how many times do we put prayer on the back burner? That's the question asked with "Pray", and it's a timely reminder that we need to remember. "Lord, You Are My Inspiration" is a Celtic march and "Prayer for Ireland/Pipe Major's Jig" both go down well. Raymond then chages style and includes three Hebrew worship songs that, personally, I didn't think were suited to his voice. He finishes with the folky number "Thank You For Your Mercy" and that works well. All in all, it's an interesting album, that was a pleasure, on the whole, to listen to. If you're a fan of Celtic music or just want a change from the norm, try this one for size. 7/10 March 2006

HELEN JAYNE McKELLAR : Give My Life. (CD £11.99 from http://www.helenjayne.com/) As one of those who have held Helen in their prayers regularly over the last few years, I am so pleased to be able to review this album. Through the heartaches and struggles of a long illness, Helen has kept the Lord at the centre of her life, along with the love and care of her husband and family. The resulting album is a little more low key than her previous release but offers the listener the chance to bathe in Helen's warm vocals. The opening title track is a choppy pop affair that instantly won my heart and a place on my radio playlist. "Let Me In" follows as a nice ballad, and the laid back duet on "Running Scared" is simply divine. Helen re-works the old Olivia Newton John "A Little More Love" and sounds just like the lady herself - Stars in their Eyes are calling! However, on Shania Twain's "You've Got A Way", it's definitely Helen and what a sweet rendition it is. I also like the chart sounding "My Energy" and "Still On My Mind", but wasn't so keen on the rather bland sounding "Is This What You're Waiting For". In parts, Helen's vocals remind me a lot of Cherri Keaggy and that's no bad thing. One thing's for sure, Helen is back on track. 8/10. January 2002

HELEN JAYNE McKELLAR : Prayer For America. (CD £3 from http://www.helenjayne.com/) The events of September 11th in New York last year will be etched in our hearts forever. However, through the horror, death and destruction have come many shining lights and, most of all, hope for the future. Many artists have felt moved to put their feelings into words and Helen's "Prayer For America" is one. The main song is centred around us being at a loss to come to terms with the event itself. All we can do is to ask God to give everyone involved the strength to carry on. It's a touching ballad that will mean a lot to many. All proceeds from the sale will be distributed equally between the American Red Cross National disaster Fund and the British Red Cross Afghan Crisis Appeal. For £3 plus postage, that's not a lot a bad thing, is it? January 2002

GEMMA McQUEEN : The Rescue. (CD only £12.99 inc p&p from: Spirit Music, 143 Leeson Drive, Ferndown, Dorset, England, BH22 9RF.) Launching her debut album, Gemma McQueen is donating some of the proceeds to CLAPA, a charity supporting babies born with serious facial deformities. The lady, herself, has received acclaim as a singer/songwriter from such personalities as the late Roy Castle, and EMI's Bruce Welch, and was also invited to audition for the role of Cathy in Heathcliffe. Although I have plumped for the style of soft pop overall, there's more than hint of Celtic roots, running throughout. Some tracks, including the opening 'Nothing', are both malleable and powerful in a Kate Bush sort of way, but Gemma's individuality shines in it's own right. The anthem 'I Will Stay' tells of a child-like love for the Father and ministers right to the heart. Pounding drums and dynamic use of fiddles accompany her passionate vocals on the title track, before the gentle 'Can It Be True'. Here, Gemma sings softly over sparse string pads, and exquisite guitar work. The honest theme of her own relationship with God, together with the quality of the finished product make this album very special. If it was a painting, it would be hung in the Louvre. 'The Rescue' is a work of art. 10/10. March 1998.

STUART MENZIES FARRANT : Presence. (www.stuartmenzies farrant.com) It's taken two years in the making, but Stuart's follow up to his successful "Revival" album sees the artist move on, musically, in his ministry. Right from the off, it's an edgy, harder sound on tracks like "Carry Me" and "You Got a Hold on Me". Mind you, then comes the more mellow sound of "You're the One", complete with it's 'full-on' chorus - a good song. "Look At Him" sounds like a cross between Stryper and All Star United, as Stuart looks at global politics over the last 5 years. There's nice guitar work on "Heal Me Now" before "Jesus in the Street" turns to a funky style proclaiming Jesus as Saviour. To me, Stuart certainly seems to have changed his target audience to the youth element. His infectious and energetic songs, like "Running Man" will appeal to rock fans of today's youth culture. "Kingdom Come" casts aside any thoughts about faith being a religion or a vision, and vents frustration, recognising that sometimes that's all the church seems to be about. I, personally, didn't enjoy the funkier numbers so much, but thought that Stuart's rock style shows a more confident artist who is still spiritually and musically growing. Certainly, this album shows just why he's been nominated for several gospel music awards over the last couple of years. 8/10. July 2006

KAREN MONEY : Secret Things. (CD from: karenmoney@ntlworld.com) Another new name to the world of UK CCM comes in the form of Nottingham based Karen Money, a young lady with a delightful voice, and the ability to weave lyrics into a delicate musical tapestry. Imagine Enya or Mairre Brennan without the ethereal vocals, and you've got a good idea of Karen's sound and quality. I rarely use this word to describe a song but, 'pretty' describes the opening "Golden Day". I've already spoken about her lyric writing, but the words to "Surrender" are very thoughtful and makes it a very pleasant song to listen to. "Stranger" is a fairly gentle number, while the stronger "Sanctuary" tells of being with God and knowing His love. Lasting just over 30 minutes, it's a rather short album, but, nonetheless, a very worthy introduction by a new talent on the block. 8/10. November 2005

MUDHEAD'S MONKEY : Shout. (Private CD £10.50 & Cassette £6.50 from: Paul Loader, c/o Counterslip Baptist Church, 648 Wells Road, Bristol, BS14 9HT, England). A gourmet's delight of indie/rock. Very tasty. 8/10 June 1996.

DEE MOORE : Don't Wait. (CD Recording £5 from: E-mail roger@divine-intavention.in2home.co.uk) Dee has previously toured the UK as a member of the Birmingham Mass Choir, and also sang backing for Simply Red during the 1996 European Championship Draw. Now, she's concentrating on a solo career and releases her first single, "Don't Wait". With influences such as Shirley Caesar and the Winans, it's the latter to which I can make comparison to. The main track is a dance mix and would be perfect for mainstream radio or club play. Nice rhythm, catchy beat, and sweet vocals that could melt the hardest of hearts. "Reaching Out to You" is a slower number and had me thinking of Eternal's hits, and this is good, too. "Let Go and Let God" didn't quite make the same grade but, overall, I think that Dee Moore could have a big hit on her hands. In typical fashion, there's various mixes of "Don't Go", of which, the club mix is the best. 9/10. April 2000

THE MOUTH OF TRUTH. (CD from : M Smith, 29 Brookmead, Hildenborough, Tonbridge, Kent, UK, TN11 9DN). Over the years, I've had dozens of independent albums sent to me for review and never have I been so dumbfounded by one such as this. Chris Hearn, Mike Smith and Samantha Stagg are the people responsible for this CD, while Sarum Studios, Tonbridge must take it's share of the blame for it's recording. From the opening 7 minute epic entitled "The Hoarse Whisperer", the listener is treated to vocals of questionable quality, sparse backing, and utter boredom. The song "Cash" is placed in the running order three times and, not for the first time, includes the most uninspiring guitar solo imaginable, and Samantha's vocals that barely holds a tune. Production is so poor throughout, that little thought seems to have gone into the recording as a whole and if Sarum Studios are more than just a name for a bedroom recording outfit, they should hold their head in shame for such shoddy workmanship. Acoustic guitar based songs do offer some respite from the torture and, if I was pushed, I would name "Living Apart Together" as the best song on the album. "Coming Home" shows promise, too, but those vocals need working on. I'm sure that the idea and intentions of the album were sound, but all in all the result only goes to show that you need talent and musical skills too. 1/10. August 2005

MUMBLE : Dated. (Private Cassette Recording. £3.99 from Nick Kinsella, 37 Gracedale Road, London, SW16 6SW). The 23 year old singer/songwriter behind Mumble is Nick Kinsella. After previously working alongside various CCM bands, this is his first solo venture. 5 tracks on offer, opening with the engaging "I'm Scared". This shows Nick's vocals and guitar playing at the best, with some nice fx used to enhance the sound. This, like the rest of the tracks, is a song about faith and life, and a perspective which allows you to see the world from a slightly different angle. Instruments used are few, but that doesn't stop Nick's basic writing skills showing what he is capable of. I'm assured by the man himself, that the strange vocal mixes on 'Get To Get Out' and 'Dated' are done on purpose, but I'd like to see the former played straight. 'Invisible Friend' is a more acoustic number but, with influences such as Radiohead and Crowded House, it's the warped guitar playing that is performed most freely. I think that Nick lacks a bit of confidence in his singing ability - almost scared to let go - but that should improve with time. This debut is not going to change the world but if you want to support a new artist and feel like something out of the ordinary, give Mumble a try. 6/10. July 1997.

MARILLA NESS : From Where I Stand. (Merciful Love Music : MLM118) After seeing, and hearing, just how much my own relations had enjoyed Marilla's 1996 album and video, I was full of high expectations for her latest release. I'm pleased to say that I have not been disappointed, as here is a collection of old and new songs that have been given the full Marilla Ness treatment, resulting in a brilliant album. From the moment 'Make My Heart...' opens, you can literally relax and enjoy the soft, gentle vocals of this talented p&w artist. Most of her songs have the feel of Irish folk and the beautiful acoustic guitar playing on numbers like 'As Gentle As Silence' is almost perfection. 'Abba Father' has rarely been sung better and the country tinged 'Jesus the Healer' is just another of the list of high points on show. Delirious? or WWMT fans probably wouldn't give this lady the time of day but, for many others, 'From Where I Stand' it will be an essential purchase. 10/10 November 1997.

MARILLA NESS : Resting in Love. (Merciful Love Music : MLM120) Album number 10 finds Marilla Ness, ministering in song the only way she knows how. With gentle, easy listening tunes she delivers 12 beautiful tracks in typical Marilla fashion. From a personal point of view I can only tell you of the spiritual joy and uplifting her previous releases have given to various members of my own family. Here, using songs written by the likes of Tom Paxton, Michael Cameron and Robin Mark, her voice is only made more outstanding by the excellent musical backing. Stve Hindalong is a name from the CCM past, and his "Beautiful Scandalous Night" is an early highlight. When I heard that other writing credits included ex-Pogue Shane McGowan, I was a little worried. However, any fears were quickly squashed by the excuisite "You're the One". "Don't Give Up On Me", Gently She Carried", "I Will Love You", are just 3 more of a track listing of which I can find no fault. Long may her wonderful ministry continue. 10/10 November 1999.

MARILLA NESS : Love Beyond Measure. (Merciful Love Music : MLM138) If you'd seen the look of happiness on the lady's face after winning a copy of this album, you'd know just how much the musical ministry of Marilla Ness is loved. As that same lady passed the Cd around to her friends to admire, I heard her add "She's such a lovely singer". Indeed, Marilla is a lovely singer and her albums of easy listening songs give much pleasure to countless thousands all over the world. This latest offering does, perhaps, lend to a time of meditation whilst listening and I, for one, found the whole thing very relaxing. Gems include the Andy Park number "Only You", Dan Francisco's "Come Holy Spirit", and Amy Grant's "Do You Remember the Time". I can't remember when I first heard the song, but "Mary's Song" has always been a favourite of mine. Singing as though Mary herself, Marilla gently portrays a view through a loving mother's eyes. Once more, Marilla has served a dish of delights for listeners old and new. 9/10. November 2004

MARILLA NESS : The Psalms. (Merciful Love Music : MLM140) It's a great testament to this lady that she is one of the most requested artists on BBC Radio Humberside's Sunday Breakfast programme. Her gentle vocals give great joy to countless listeners and her albums have proved most popular over the years. This release includes gospel meditations and songs, all linked to the book of Psalms. For instance, Marilla relates how Psalm 6 is the cry of a broken heart, while Psalm 34 tells how the Lord promises to rescue us from our afflictions. These thoughts are then centred with a lovely version of the well known song "As the Deer". Similarly, Psalm 57 reveals David's prayer whilst hiding from Saul. Marilla reads passionately and then sings the beautiful song "The Light in You". It's a simple recipe that she uses yet, somehow, Marilla has just the right song for each reading. Difficult to pick favourite tunes on this occasion but, perhaps, "Oh the Word of My Mouth" and "With A Clean Heart", stand out. A most valuable tool for reflection, meditation, and personal prayer. 9/10. September 2005 Album of the month

MARILLA NESS : I Believe In You. (Merciful Love Music : MLM143) It should come as no surprise that this album becomes our Album of the month for May. Over the years, I have had the great privilege of reviewing many albums from Marilla and have yet to be disappointed. This new release is no different and as soon as she begins to sing the title track, there's a warmth and glow that I feel inside. It's a love song to Jesus and says so much that I want to say myself. 'Surely the Presence/Alleluia' is such a simple song but, to me, it brings great peace. Similarly, 'How Beautiful' is just full of joy. Marilla has been blessed with a smooth and engaging vocal sound, which seems to improve which each passing year. I find all the songs so fulfilling that I found it very hard to choose a favourite. Many lift you up and bring you closer to God, and that is very important. 'You Raise Me Up', made popular by Westlife, gets a gentle delivery, while 'Holding God in My Arms' is sung like a lullaby. There are twelve superb tracks on this album and it finds Marilla at her very best. 10/10 Album of the month. May 2008.

NEW LIFE CHURCH : Presence. (£10 from www.newlifehull.org) Recorded live, this album gives a little insight into the many great things that are happening in this 21st Century church. Unlike a lot of the current worship recordings around, this album brings you entirely new songs to bless you and to worship the Lord. It all starts off with lots of excited voices cheering and shouting, before Angie Lendon leads the congregation in 'Shout to the Lord' - no, not that one! 'Come Bless the Lord' and 'I Can Do All Things' both have an American gospel flavour to them and I thought that these were two of the weaker tracks on show. Then, it's back to exuberant praise with Angie, Paul Hemmingway, Darren Clarkson, and Liezel Goosen sharing the lead on 'The Lord is Mighty'. One minor production moan is that some of the fade-in's and fade out's are literally quite horrible but, I guess, I may have been a little picky. 'My God Does Miracles' is a declaration of a wondrous God, and I particularly liked the easy to pick up chorus. Angie Lendon then gives a great vocal performance on 'O Great God', before Liezel Goosen sings the lovely 'More of You'. The collection of songs certainly work well together, and on the whole this album compares favourably with it's contemporaries. 8/10. September 2007

JOHN NUTTALL : Heartsongs. (CD recording from : John Nuttall, 121 Castleton Road, Royton, Oldham, England, OL6 6UP). The obvious comparison when you first hear a male singer/songwriter of this kind is, of course, Martyn Joseph. There again, comparing john to Martyn Jospeh is a bit like saying that S Club 7 are as good as The Beatles! Who knows? In years to come we may well be eating our words but, for now, lets say that John Nuttall certainly has every chance of becoming as popular as Martyn is today. The songs are all (bar one) carefully crafted in a consistant way that obviously shows he has the right ingredients needed. "Deeper Is your Love" starts off the album and is, indeed, one the strongest tracks. It chugs along quite nicely and I soon found my foot tapping away to the beat. Then, it's basic piano accompaniment to "You Said It All" which, in my view should have come later in the listing. "I Heard the Voice of Jesus" reminded me of Adrian Snell, and I especially liked the love song to Jesus entitled "Hang on To You". There's some simple acoustic worship and then the out of place hymn "The Cross" but, as a grounding, John Nuttall is a name to remember for future. 8/10 July 2001.

JOHN NUTTALL : Joining With the Angels. (CD: £5 from: 121 Castleton Road, Royston, Oldham, UK, OL2 6UP.) It's more than 4 years since John's previous album, "Heartsongs", and I just wonder where he's been hiding himself? Since that debut, John's song writing has become smoother and more rounded, with the result that the finished product is well worth £5 of anyone's money. He opens with the African rhythms of "Come Let Us Worship Our God", and follows that with the title track. This song is so lovely and powerful, and reminded me so much of the quality of Fernando Ortega. Indeed, "Sovereign God" could have been written with Fernando in mind, it is just SO him. Rachel Kitchenside takes over the vocals for the summery "Morning Glory", but John's back to his best on "Fairest Lord Jesus". This is a beautifully crafted song, and you really do get the feeling that it's come straight from the heart of the writer. I thought that "You Are My Fortress" has the makings of a great congregational song, and "Come to Me" says everything about resting in the Father's love. The packaging is definitely low budget, but don't let that put you off sampling the delights of Mr Nuttall. 9/10. December 2005

NSC : Wasp in a Jam Jar. (Private CD £11.99 & Cassette £7.99 inc p&p from : NSC, West Down, Cheriton Bishop, Nr Exeter, Devon, England, EX6 6HG. A highly impressive CD debut. (Cross Rhythms Apr/May 96). Alternative Rock. 8/10.

OAK TREE WORSHIP : Eternal. CD from: Innocent Music, 41 Bollo Bridge road, London, W3 8AT. Tony Willis, Abbie Jones and Carolyn Hope are three worship leaders based at the Oak Tree Anglican Fellowship, and led worship at New Wine last year. 11 of the 12 songs featured here are penned by Willis, who's debut album "Rivers of Grace" scored a healthy mark when reviewed in 2002. This album is completely different in style and features various rock influences. "We Believe", "Only You" and "The Secret Place" are performed in an Evanesance style, but the vocals aren't as strong. "Unfailing Love" and "Your Glory" fall into the Delirious? type of indie pop worship, with the latter being the better of the two songs. My favourite part of the album came during the last three songs. I particularly liked "Eternal Praise" and Willis' vocal, plus the powerful energy of "The Way of the Cross". All in all, it's not quite what you'd expect from a group calling themselves the Oak Tree Worship, and may well make a mark in the British rock scene. 8/10. November 2005

ON THE ROCK : No Hidden Agenda. (Private Recording. CD £11 Cass £6 & £1 Postage from: Kingsway Christian Fellowship, Church Road, Waterloo, L22 5NA, England). This year's crop of privately recorded albums has been of consistently high standard, and this offering is no exception. On The Rock hail from the Liverpool area and have been playing plenty of gigs in and around their home area. This debut release contains 8 tracks and starts with the atmospheric "In the Beginning". Using the first verses from the Bible, the words are carefully used over a backdrop clever, manipulative sounds that could certainly be used with dramatic, visual effect. "Jesus, Lovely Jesus" is a superb, rocky praise and worship song that I can see going down a storm live. Simple lyrics but very well used. Just once or twice elsewhere I thought that the lyrics didn't quite fit the music but, overall, Ian Walker proves to be a writer of distinction. The guitar work on "Hold On You" is quite special, while the introduction of a saxophone on "Let the River Run" is exceptional. Joy, happiness, and praise literally oozes out of the speakers. A couple of the songs don't quite match the rest but, with the quality of "My Grace" and it's relaxing mood, it's a very good start. 8/10. June 1998.

KATHY PETERS : Love Will Find A Way. (Private Recording. CD £13 Cass£6 from: Kathy Peters, St Andrews Church Office, The Rectory, Highcroft Avenue, Bebington, Wirral, Merseyside, England, L63 3EX). Kathy says "At times we all feel weak......if we can put aside our feelings of inadequacy, or unhappiness, and share Gods love, then love will return." The title track kicks things of at nice and easy pace in a Susan Ashton sort of way, and some country style guitars. The lovely feeling it emits, is carried on by 'When We Don't Speak', as she reaches out for the father's hand. It is a very personal collection of songs, written from the very heart of a Christian woman trying to live in today's world. The music is of general high quality, but I would pick out the piano on 'You Will Find Him' as a little special. Kathy's voice suits every song no matter what their style, whether it be the Celtic tinged 'I Hear Your Voice' or the sweet 'Carry Me'. Interestingly enough, I found the two songs written from a mother's perspective the most difficult to listen to but then, I'm not a mother. Kathy Peters is another bright light in British CCM. 9/10 November 1997.

MARK PIERCE : Mpfree. (Free download from: www.markpiercemusic.com) Now, not a lot comes free these days, so here's something that you can download for absolutely nothing from the web. Mark has paid his dues by playing a number of bands over the years, probably most successfully in the rock outfit Damarius. This 4 track EP had me wondering straight away if he was a James Blunt tribute artist. The vocal quality of Mark is so much like that of the popular mainstream artist, that a comparison is obvious. The songs, too, are in a similar style, but don't let detract you from an interesting debut. 'Back Where I Belong', is about surrendering and coming back to God, and contains some nice rhythms throughout. 'Whole' is a smooth, laid back number, that took a couple of plays but finally grew on me. Of the other two songs, 'Out There' is the best for me. It's simple piano backing gives it an air of prayerfulness and intimacy, while 'Some Place Now' chugs along, telling about how you must find your place in the world and find happiness through the Lord. The recording quality is first class, so I would encourage you to find the website and do yourself a favour. 8/10. February 2008.

PILGRIM : Pilgrim. (Private Cassette £3.50 from: Paul Symonds, 175 Quarmby Road, Quarmby, Huddersfield, HD3 4FE, England). At times, Pilgrim can rock with the best. 7/10 February 1996.

PITY THE SMALL THUMBS : Blackbird. (Private Cassette £3.35 from: P.T.S.T, 4 Deal Avenue, Walney Island, Barrow in Furness, Cumbria, LA14 3BH, England). A must for your indie collection. 7/10 March 1996.

POETIC JUSTICE : Mark of Cain. (Private CD £10 & Cassette. £6.50 from: Poetic Justice, c/o David Casswell, HM Prison Wolds, Everthorpe, Brough, E.Yorkshire, HU15 2JZ., England) Folk rock, presenting the view of prison life. 9/10 Album of the Month September 1996. Privately Recorded 'Album of the Year'.

PAUL POULTON PROJECT : Dumb Dogs. (Temporary Music) I have to confess to have been looking forward to the release of this cd, this being the first that Paul has released with his current band and particularly the superb Joe Blanks on drums. Paul's desire is that this album is a closer representation of their live sound and, having heard them live earlier this year, I think he has managed to achieve that. It has more energy than 2005's "Affected" and coupled with a batch of great songs, it is an excellent album all round. Paul's unique and bold lyrical approach is finely represented on songs such as "Take the Rubbish Out" - the immortal line "my wife is busy looking in the Argos catalogue" makes me chuckle every time - and one has to admire his ability to attempt things lyrically that in the hands of the less experienced would just sound naff. The songs really groove well too, a nice mix of rock, blues and funk topped with Paul's inimitable vocal style. Overall, I have a sense that Paul shows no sign of slowing down and continues to produce music of a quality that we have come to expect. In a market swamped by a lack of imagination and constant regurgitation, the Paul Poulton Project is a refreshing change. 9/10 Warren Harry. October 2007.

PRETENCE : Everything Under the Sun. (Private Cassette £5.50 from: Derek Hobbs, 21 Freeborn Close, Kidlington, Oxon, OX5 2BH, England). Light rock of a Hall & Oates style. 7/10 February 1996.

NEVILLE RAINE : Heaven to Hollywood. (Private Cassette Recording. £5.75 from Neville Raine, 22 Ibbetson Drive, Churwell, Morley, Leeds, LS27 7TZ, England). A smattering of Queen influence here and there, but Mr Raine shows that he has a wealth of talent and is just waiting for someone to light the blue touch paper. A popping 8/10. December 1996.

THE REIGN : Where Jesus Touches the Earth. (www.thereign.net) "Where Jesus touches the earth'' is the Reign's 2006 follow-up to their first CD "Sing", issued in 2003. The CD sleeve design (by Mark Pierce) and two web sites www.thatfatalkiss.com and www.thereign.net (including tracks from "Sing") look really classy. The man behind this 9-piece band is Hull-based worship leader and therefore lead vocalist David Cooper, who also provides the material. David is a talented writer - there are some good lyrics here, set to hummable tunes with memorable hooks. Best tracks for me were 'So beautiful', 'Song of love', 'Charcoal Skies' and the ubiquitous (NOT written by David!) 'When I survey'. This is done to a beautiful arrangement, featuring entirely female vocals. Otherwise however, production is often weak. There is a tendency to 'throw everything into the pot'. The drums are often well over-busy and with a tendency for timing to wander. David's vocals tend to be set too high in the mix and aren't strong enough to merit such spotlit presentation. As a worship leader I would imagine he is very effective, with every word clearly heard, but his tendency to sing in 'shout it out' mode misses the opportunity for expression that a recording studio provides. The female vocals on 'When I survey' are really natural and beautiful and could have been used to great effect on more of the songs. Some great songs then, but better production/mixing would really let them shine. 6/10 Dave Deeks. August 2006.

THE RENEWED REPROBATES : The Renewed Reprobates. (Private Cassette Recording : £3.00 inc. p&p from: P. Swinney, 17 St Peters Road, Scotter, Lincs, England, DN21 3SG). Primarily aimed as a promotional release, this is the debut from three guys with a lot to offer. Four songs here, all penned by lead singer Paddy Kirkman who has a blues guitar background that comes to the fore on the closing 'Jesus is King'. If that isn't enough for one guy, then his remarkable Martin Smith voice is almost too good to be true. 'Jesus Christ is Lord' is a simple, 3 minute contemporary praise song in the style of Mr Smith's band. That, I'm afraid, does tend to lead you into the Delir